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DTSTART;TZID=America/New_York:20220901T170000
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DTSTAMP:20260406T161200
CREATED:20220621T203024Z
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SUMMARY:Virtual | Landmarks: A Discussion on Public Art\, with Sarah Oppenheimer & Andrée Bober
DESCRIPTION:2pm PT / 3pm MT / 4pm CT / 5pm ET\n\n\n\nPlease join us for a virtual conversation between artist Sarah Oppenheimer and Andrée Bober\, founding director and curator of Landmarks\, the public art program of The University of Texas at Austin. The discussion will offer an inside look at C-010106\, Oppenheimer’s recent commission for the university’s College of Engineering. Oppenheimer and Bober will introduce the work and share insights on developing a major outdoor public art project within a unique and complex architectural setting. \n\n\n\nC-010106 consists of two structures positioned at opposite ends of a new pedestrian footbridge on the Texas Engineering campus. Each structure features four panes of glass⎯ two reflective\, diagonal sheets sandwiched between two vertical sheets. At the intersection of the four panes\, the glass passes through an incision in the bridge’s surface\, enabling pedestrians on top of the bridge to see the reflections of those underneath\, and vice versa.  \n\n\n\nOppenheimer pushes the boundaries between sculpture and architecture\, questioning the limits of both mediums. The artist shifts our frame of spatial reference\, displacing our experience of inside and out\, and inverting our sense of what is near and far. In doing so\, Oppenheimer heightens our awareness of the shared environment and creates unexpected opportunities for social exchange. \n\n\n\nC-010106 is Oppenheimer’s first entirely outdoor public work and is among the artist’s largest works to date. Sited on the Peyton Yates Family footbridge connecting the Engineering Education and Research Center (EERC) to the new Gary L. Thomas Energy Engineering Building (GLT)—designed through a collaboration of Jacobs and Ennead—the work features architectural materials that have been engineered with unique specificity. \n\n\n\nAdmission: \n\n\n\nArtTable Circle Members – FreeAll Other ArtTable Members – $10Member Guests/Non-Members – $20\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCan’t make the program at this time? Register anyway to receive a recording after! \n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n\n\n\n\n\n\nAbout Andrée Bober\n\n\n\nAndrée Bober is the founding director and curator of Landmarks \, the public art program at The University of Texas at Austin. Building upon a long term loan with the Metropolitan Museum of Art\, she has commissioned major works by artists such as Ann Hamilton\, José Parlá\, Nancy Rubins\, Jennifer Steinkamp\, and James Turrell. Bober also created Landmarks Video in 2010\, an ongoing series of video art. She previously led the Contemporary Arts Center Cincinnati through the successful completion of its Zaha Hadid designed facility\, both as deputy and then acting director. Bober studied art history and museology at The University of Texas at Austin\, practiced painting conservation in Vienna\, Austria\, and earned a Master of Arts in Arts Administration from Columbia University in New York. Her recent publications include The Collections: The University of Texas at Austin (2016) and Landmarks (2018). She lives with her family in Chevy Chase\, Maryland. \n\n\n\nAbout Sarah Oppenheimer\n\n\n\nSarah Oppenheimer (b. 1972\, Austin\, Texas) has lived and worked in New York City since earning a Bachelor of Arts from Brown University in 1995 and a Master of Fine Arts from Yale University in 1999. Oppenheimer’s work has been featured in solo exhibitions at Kunstmuseum Thun\, Switzerland (2020); MASS MoCA\, North Adams\,Massachusetts (2019); the Wexner Center for the Arts\, Ohio State University\, Columbus\,Ohio (2017); the Pérez Art Museum Miami\, Florida (2016); MUDAM: Musée d’ArtModerne Grand-Duc Jean\, Luxembourg (2016); and Kunsthaus Baselland\, Muttenz\,Switzerland (2014). The artist is a recipient of the Rome Prize Fellowship (2011–12)\, Louis Comfort Tiffany Foundation Fellowship (2009)\, and Guggenheim FoundationFellowship (2007). Oppenheimer is currently a senior critic at the Yale University School of Art. \n\n\n\nAbout Landmarks\n\n\n\nLandmarks is the award-winning public art program of The University of Texas at Austin and the College of Fine Arts. Its collection of modern and contemporary art celebrates diverse perspectives\, featuring commissioned projects alongside sculptures on long term loan from the Metropolitan Museum of Art. Landmarks inspires thought and growth by making great art free and accessible to all. \n\n\n\n\n\n\n\nImage: Sarah Oppenheimer\, C-010106\, 2022 / Aluminum\, steel\, glass\, and architecture / Two forms: 191 x 125 x 35” and 156 x 125 x 35” / Courtesy of Landmarks\, The University of Texas at Austin / Photo by Richard Barnes
URL:https://www.arttable.org/event/virtual-landmarks-a-discussion-on-public-art-with-sarah-oppenheimer-andree-bober/
LOCATION:The Aldrich Contemporary Art Museum\, 258 Main Street\, Ridgefield\, Connecticut\, 06877\, United States
CATEGORIES:National
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DTSTART;TZID=America/New_York:20220907T173000
DTEND;TZID=America/New_York:20220907T173000
DTSTAMP:20260406T161200
CREATED:20220707T150021Z
LAST-MODIFIED:20220830T144602Z
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SUMMARY:New York | Annual Leadership Series - Latinx and Latin American Identity and Representation in the Visual Arts
DESCRIPTION:ArtTable is pleased to present the 2022 Annual Leadership Series\, focusing on Latinx & Latin American Identity & Representation in the Visual Arts.  \n\n\n\nThe 2022 Armory Show’s fair-wide focus on Latinx and Latin American Art is the culmination of decades-long efforts of critical forerunners in the field\, chief amongst them the incredible visionaries on this panel. Latinx representation in the arts is not simply “having a moment;” Latinx and Latin American artists and arts professionals have and continue to contribute to the development of the culture and history of the United States. Through establishing curators of Latin American/Latinx Art at key cultural institutions and sharing their collections or the curation of exhibitions in these public spaces\, passionate innovators\, such as Estrellita Brodsky and Patricia Phelps de Cisneros\, assisted these visionaries in staying the course to ensure today’s transnational understanding and authentic engagement with the art produced by those who hail from the non-Anglophone nations of the Western hemisphere\, as well as those who have joined the U.S. population from these countries. There is added pressure\, applied to the United States in particular\, to recognize its fellow “America”n countries due to the phenomenon Dr. Mari Carmen Ramirez termed “Latinization\,” the influence of those of Latin American descent as the largest ethnic group in the U.S.\, since historically their contributions have been minimized and excluded in the canon of art history\, both in the Americas and internationally.  \n\n\n\nThe speakers on this panel will share their experiences of the past\, their plans for the present\, and how we can all move forward in the future to continue bringing Latinx/Latin American arts and culture to the forefront of the art world. \n\n\n\nThe program will be moderated by CJ Greenhill Caldera\, Post-War and Contemporary Specialist and Head of Sale\, Americas at artnet\, with panelists: \n\n\n\nMarysol Nieves | VP and Senior Specialist\, Latin American Art\, Christie’sGabriela Palmieri | Founder and Principal\, Palmieri Fine Art\, Inc.E. Carmen Ramos | Chief Curator\, National Gallery of Art\n\n\n\nAdmission: \n\n\n\nArtTable Members – $30Non-members/Guests – $45Combo Ticket – $60 for Members / $95 for Non-Members – Save $20 when registering for this event and ArtTable’s Annual Brunch at The Armory Show on Saturday\, September 10.\n\n\n\nPlease review before registering: \n\n\n Health & Safety Face masks are optional and dependent on the comfort of the individual. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Please note that these guidelines are subject to change as needed.  Accessibility Christie's New York offers the below accessible options: - Street level access via main entrance on 49th Street- Wheelchair access to all galleries- Access to one of the main floor galleries via lifts can be requested upon arrival at the front entrance- Accessible toilets- Gender neutral bathroom- Braille toilet signage  Getting There Christie's is located at 20 Rockefeller Plaza\, New York\, NY 10020. The nearest subway stop is 47-50 Sts-Rockefeller Ctr (B\, D\, F\, M trains). Click here to get directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization and all programs are non-refundable. Should a program be postponed by ArtTable for any reason\, the purchaser’s ticket will be honored for the rescheduled program. Should a program be canceled and not rescheduled\, the purchaser will receive credit to be used toward a future program. Please email programs@arttable.org with any questions.\n\n\n\n\n\n\n\n\nAbout the Speakers\n(More information to be added) \nMarysol Nieves is Vice President and Senior Specialist\, Latin American Art at Christie’s\, New York where she has worked on several important consignments\, including\, the sale of the world auction record for the category\, Diego Rivera’s The Rivals as well as the 2022 sale of The Embroiderer\, a rediscovered masterpiece by Rivera acquired by the Museum of Fine Arts in Houston. She has also been instrumental in bringing such previously under recognized women artists to the auction market as Zilia Sánchez and Olga Albizu. Prior to joining Christie’s in 2011\, Marysol was an independent curator and art advisor working with institutional\, corporate\, and private clients. Additionally\, she has held various positions in the museum and for-profit art sectors\, including Vice President and Specialist\, Latin American Art\, Sotheby’s\, New York; Senior Curator and Curator of Contemporary Art\, Museo de Arte de Puerto Rico\, San Juan; Director of Visual Arts\, Americas Society\, New York; and Senior Curator\, The Bronx Museum of the Arts\, New York. \nGabriela Palmieri is the Founder and Principal of Palmieri Fine Art\, Inc.\, a bespoke full-service Art firm based in New York City. Prior to establishing PFA\, Inc.\, in 2016\, Ms. Palmieri led a distinguished 17-year career at Sotheby’s\, where she rose to Chairman of Contemporary Art\, Americas\, and was recognized as one of the most respected in the auction industry as a leading specialist in Post-War Art. \nMs. Palmieri founded PFA\, Inc. in order to unequivocally provide her clients with unbiased\, objective and transparent counsel in the increasingly complex and nuanced art market. In her independent role she is committed to providing impartial advice and counsel for established and new collectors aimed at making informed acquisitions\, which requires careful analysis and due diligence. As a seasoned researcher and scholar\, Gabriela brings to bear all the relevant factors about the artist\, the market trajectory for the artist’s work\, the particular work taken in the context of the artist’s career\, provenance\, condition\, literature and comparative uniqueness. \nIn the evolving art market\, Ms. Palmieri recognizes that client advocacy is as important as advisory\, a role that she spearheaded during her tenure at Sotheby’s where she was the client advocate on every transaction. Among the many highlights during her tenure at Sotheby’s included heading Sotheby’s May 2008 Day Sale to realize $107\,800\,000\, a record total for a Day Sale at any auction house at the time\, which followed a $102\,800\,000 performance from November 2007. As the Head of the Evening Sale\, she curated the bespoke Allan Stone Collection\, which fetched $55\,000\,000 in 2011. This role culminated in her stewardship of the prestigious Ahead of the Curve: The Sender Collection sale in May 2014 at Sotheby’s\, which sold in excess of $86\,000\,000. \nThis unparalleled auction house experience uniquely positions Ms. Palmieri to assess the market and deliver the most comprehensive secondary market expertise both on the buying and selling side of the transaction. Still very much part of the auction world\, in her present capacity\, she advised every aspect of the prestigious Visionaries: Works from the Collection of Emily and Jerry Spiegel\, which sold at Christie’s in May 2017 for $128\,000\,000. In November 2017\, she counseled Barbaralee Diamonstein-Spielvogel and Ambassador Carl Spielvogel’s Collection: Magnificent Gestures\, which sold at Sotheby’s in November 2017 for $54\,700\,000\, with all proceeds benefitting a Not-For-Profit Charitable Foundation that will supports science and medicine\, educational reform and cultural projects. \nMore recently\, Ms. Palmieri advised Image World\, a private Collection featuring seminal examples from the Pictures Generation of artists\, as well as more contemporary works. Carrying a pre-sale estimate of $36\,000\,000-52\,000\,000\, the Collection made its debut at auction as the highlight of Christie’s 21st Century Evening Sale in November 2021\, with further sales continuing into Spring 2022. \nIn 2021 Ms. Palmieri also advised on all aspects of bringing the prestigious Brillembourg-Caprilles Collection to market at Sotheby’s. The museum-quality Collection was assembled over forty years of connoisseurship and passion\, and it is distinguished for its depth of iconic works by contemporary Latin American masters. With an overall pre-sale estimate of approximately $13\,000\,000-18\,000\,000\, the Collection first hit the auction block at Sotheby’s Modern Art Marquee Sale in November 2021\, followed by subsequent sales into Fall 2022. \nIn 2018\, Ms. Palmieri joined the Board of Trustees of Anderson Ranch Arts Center\, based in Aspen/Snowmass\, a premier art making destination and catalyst for critical dialogue in the contemporary art world. In 2019\, she joined the Board of Directors of El Museo del Barrio\, New York’s leading Latin American cultural institution\, with an emphasis on works from Puerto Rico and the Puerto Rican community in the city. \nPrior to joining Sotheby’s\, Ms. Palmieri received her Bachelor of Arts degree in Art History cum laude at Boston College in 1997\, and she achieved her Master of Arts and advanced to PhD standing at the University of Chicago. \nMs. Palmieri is a Certified Member\, AAA\, Appraisers Association of America\, and since 2012 she has executed numerous appraisals in compliance with the Uniform Standards of Professional Appraisal Practice (USPAP)\, the only set of appraisal standards promulgated by The Appraisal Foundation and approved by the Internal Revenue Service. \nSince 2021\, E. Carmen Ramos is chief curatorial and conservation officer at The National Gallery of Art in Washington D.C. There she leads the curatorial and conservation teams as they serve the nation and beyond through collections development\, ground-breaking scholarship and exhibitions\, and art conservation. Ramos most recently served as acting chief curator and curator of Latinx art at the Smithsonian American Art Museum\, where she built one of the largest collections of Latinx art at a museum of U.S. art. She organized award-winning exhibitions at SAAM including ¡Printing the Revolution!\, Our America: The Latino Presence in American Art\, and Down These Mean Streets: Community and Place in Urban Photography. Before prior to the Smithsonian\, she was a curator at the Newark Museum and worked on early DEAI initiatives at The Brooklyn Museum. She holds a MA and PhD in art history from the University of Chicago. \n\n\n\n\n\n\n\nSpecial thanks to Christie’s for hosting us for this discussion.
URL:https://www.arttable.org/event/save-the-date-new-york-annual-leadership-series-latinx-and-latin-american-identity-and-representation-in-the-visual-arts/
LOCATION:Christie’s New York\, 20 Rockefeller Plaza\, New York\, New York\, 10020\, United States
CATEGORIES:National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
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DTSTART;TZID=America/New_York:20220908T170000
DTEND;TZID=America/New_York:20220908T190000
DTSTAMP:20260406T161200
CREATED:20220826T235933Z
LAST-MODIFIED:20220831T184127Z
UID:10028-1662656400-1662663600@www.arttable.org
SUMMARY:Portland\, OR | Exhibition Tour & Talk by Libby Werbel\, Director of the Lumber Room
DESCRIPTION:Current and prospective members are welcome to join ArtTable in Portland\, OR for a special tour and talk given by the director of the lumber room\, Libby Werbel. She will discuss the current exhibition\, fore x four\, featuring works from the Miller Meigs Collection curated in conversation with Diedrick Brackens\, Sarah Miller Meigs\, Ashley Stull Meyers and D’Angelo Lovell Williams.  \n\n\n\nJoin us afterwards for a no-host\, end-of-summer cocktail at the Teardrop Lounge nearby! \n\n\n\nAdmission: \n\n\n\nArtTable Members – $10Member Guests/Non-Members – $15\n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional inside the gallery. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility Please note there is an elevator to enter this space. We will also be walking to the bar afterwards for drinks. If you would like information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There The lumber room is located at 419 NW 9th Avenue\, Portland\, OR. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Libby Werbel\nLibby Werbel is an artist\, curator\, and social organizer living and working in Portland\, OR. In 2012\, she founded the Portland Museum of Modern Art\, and institutional critique project aimed to instigate dialogue around self organizing and community driven programs in the arts. With an emphasis on accessibility and engagement\, Werbel produces site-based programs using community as her medium. Her investigation in space-making has included alternative exhibitions models in Barcelona\, San Francisco\, New York City\, Joshua Tree and Santa Fe. Most recently Werbel has fulfilled a two year position as Visiting Artistic Director at Portland Art Museum\, where she created five exhibitions with an emphasis on re-evaluating the role of the museum titled We.Construct.Marvels.Between.Monuments. Werbel holds the position of Director at the lumber room\, the collection house and exhibition space for the prestigious Miller Meigs Collection. She has sat on various granting panels\, selection juries and committees for the Regional Arts and Culture Council\, Oregon Arts Commission\, Ford Family Foundation\, PICA\, Pacific Northwest College of Art\, Disjecta\, and National Visual Artist Network and teaches Exhibition Strategies for the MFA studio art program at Portland State University. She spends her time advocating for the arts both locally and nationally.\n \n\n\n\n\n\n\nImage: fore x four\, 2022\, installation view\, lumber room
URL:https://www.arttable.org/event/portland-or-exhibition-tour-talk-by-libby-werbel-director-of-the-lumber-room/
LOCATION:lumber room\, 419 NW 9th Ave\, Portland\, Oregon\, 97209\, United States
CATEGORIES:Northwest
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220909T080000
DTEND;TZID=America/New_York:20220909T090000
DTSTAMP:20260406T161200
CREATED:20220817T180924Z
LAST-MODIFIED:20220822T160139Z
UID:9960-1662710400-1662714000@www.arttable.org
SUMMARY:DC | BreakfastTable with Adah Rose Bitterbaum
DESCRIPTION:Join ArtTable in Washington\, DC for a BreakfastTable program with Adah Rose Bitterbaum\, owner and Director of the Adah Rose Gallery in Kensington\, Maryland. She will discuss her professional career path and experience with commercial galleries and contemporary artists. \n\n\n\nAdah Rose Gallery was founded in September of 2011 as a place to exhibit contemporary art in a variety of mediums with a specialty in text based work. The gallery is a dynamic place and hosts artists talks\, panels on issues in the art world\, maintains an active intern program and shows art in a variety of spaces including law firms\, pop ups and a number of Art Fairs each year including PULSE New York\, PULSE Miami\, Context\, Art Miami New York\, Silicon Valley Art Fair and the Dallas Art Fair. The gallery also works with emerging artists and showcases the work of recent MFA graduates in a number of shows each year. The gallery is “user friendly.” We embrace technology\, books\, zines\, fonts\, logos\, music\, film\, aesthetics\, signage\, drawing\,painting\, screen printing\, sculpture\, computers and photography. The gallery hopes to create a shared culture and a broad one and values the ideas\, comments and critiques of visitors. \n\n\n\nPrior to founding the gallery\, Adah Rose worked as the Director of Studio Gallery in Dupont Circle for almost four years. Adah Rose has worked as an independent curator for the past 8 years. Adah Rose began her career as a lawyer and also worked in Public Health\, Education and College Counseling. \n\n\n\nThis program is free and open to ArtTable members only. Members may bring an additional guest. Not a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility 1310 Kitchen and Bar is wheelchair accessible. If you would like more information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There We will meet at 1310 Kitchen and Bar\, located at 1310 Wisconsin Ave NW\, Washington\, DC 20007. It is accessible via Metrobus and street parking is available. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Adah Rose Bitterbaum\, courtesy of the speaker. \n\n\n\nThank you to ArtTable member Tiffany Williams for organizing this program.
URL:https://www.arttable.org/event/dc-breakfasttable-with-adah-rose-bitterbaum/
LOCATION:1310 Kitchen & Bar\, 1310 Wisconsin Ave NW\, Washington\, DC
CATEGORIES:Washington, D.C.
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220909T140000
DTEND;TZID=America/New_York:20220909T150000
DTSTAMP:20260406T161200
CREATED:20220809T155927Z
LAST-MODIFIED:20220809T191006Z
UID:9923-1662732000-1662735600@www.arttable.org
SUMMARY:New York | Tour of Independent 20th Century with Fair Founder & CEO\, Elizabeth Dee
DESCRIPTION:Please join us for a special members-only tour of the first-ever Independent 20th Century\, taking place at the historic Battery Maritime Building at Cipriani South Street in downtown Manhattan on September 8-11\, 2022\, coinciding with the fall art fair calendar. More than 30 international gallerists with museum-quality programs will be present at Independent 20th Century. It will be the second of two fairs to take place in the organization’s 13th year. Our tour will be led by Independent Founder and CEO\, Elizabeth Dee. \n\n\n\nIndependent 20th Century will focus on artists who made a significant contribution to art history between the years 1900 and 2000\, yet who were uncelebrated in their day. These artists are now being championed by a generation of gallerists who are reassessing the canon to make it more inclusive and representative of our times.  \n\n\n\nThis program is $15 and open to ArtTable members only. Please click the button below to login and register. Your ticket includes a VIP pass to the fair and the private tour. Please note that capacity for this program is limited. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety At this time\, Independent does not have any specific guidelines in place. Please note that this is subject to change and all attendees will be informed of any updates. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Please note that these guidelines are subject to change as needed.  Accessibility There is an elevator on-site and plenty of seating on the terrace\, though the main exhibition areas are mostly cleared of any seating. Booths are built-out to the edge of each gallery. Our tour will last approximately 30 minutes.  Getting There Independent 20th Century will take place at the Battery Maritime Building at 10 South Street\, New York\, NY. Click here to get directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Battery Maritime Building. Courtesy of Etienne Frossard and Independent New York. \n\n\n\nThank you to Angelica Semmelbauer\, Membership Co-Chair for ArtTable’s New York Chapter\, for organizing this program.
URL:https://www.arttable.org/event/new-york-tour-of-independent-20th-century-with-fair-founder-ceo-elizabeth-dee/
LOCATION:Independent 20th Century\, Battery Maritime Building\, 10 South Street\, New York\, New York\, 10004\, United States
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220909T170000
DTEND;TZID=America/New_York:20220909T170000
DTSTAMP:20260406T161200
CREATED:20220825T144757Z
LAST-MODIFIED:20220825T210833Z
UID:9994-1662742800-1662742800@www.arttable.org
SUMMARY:Philadelphia | Private Exhibition Preview at Pentimenti Gallery
DESCRIPTION:Join ArtTable in Philadelphia for a private preview of two exhibitions at Pentimenti Gallery\, Saskia Fleishman: Light Forms\, and Kevin Finklea: Fall 022. We will be joined by gallery Director and Co-Owner\, Christine Pfister. Attendees will also have the opportunity to meet with the artists and speak with them about their work. The preview will be followed by time to mingle and network! \n\n\n\nAdmission: \n\n\n\nArtTable Members – $10Member Guests/Non-Members – $20\n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility Pentimenti Gallery is wheelchair accessible. Indoor seating can be made available if requested. If you would like information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There Pentimenti Gallery is located at 145 N 2nd St\, Philadelphia\, PA. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Christine Pfister\nChristine Pfister was born in Switzerland. Upon moving to the United States\, she attended Christie’s Education at Christie’s in New York\, NY\, and has been the Co-Owner and Director of Pentimenti Gallery in Philadelphia\, PA since 1995. \nAccomplished gallerist with over 20 years of curating exhibitions featuring local\, national\, and international artists at Pentimenti Gallery\, Christine Pfister is an experienced Collection Advisor. Specializing in Contemporary Art\, she has worked for private collectors and companies located in the United States\, Asia\, South America\, and Europe. \nShe has also given many lectures\, and participated in panels in the Philadelphia area. Lectures include the Barnes Foundation\, the University of Pennsylvania\, the University of the Arts\, the American Association of Museums\, and more. \n\n\n\n\n\n\nImage: Saskia Fleishman\, Upstate (Eclipse)\, 38 x 32 inches / 96.6 x 81.3 cm\, acrylic and sand on digitally printed chiffon\, 2021.
URL:https://www.arttable.org/event/philadelphia-private-exhibition-preview-at-pentimenti-gallery/
LOCATION:Pentimenti Gallery\, 145 N 2nd Street\, Philadelphia\, Pennsylvania\, 19106\, United States
CATEGORIES:Philadelphia
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220910T110000
DTEND;TZID=America/New_York:20220910T123000
DTSTAMP:20260406T161200
CREATED:20220817T175122Z
LAST-MODIFIED:20220830T144540Z
UID:9954-1662807600-1662813000@www.arttable.org
SUMMARY:New York | ArtTable Annual Brunch Reception at The Armory Show
DESCRIPTION:Please join us for ArtTable’s Annual Brunch at The Armory Show! This is a great time for members and friends from across the country to come together and network at New York’s premiere art fair\, taking place annually in September at the Javits Center in New York City. Your ticket covers access to the fair\, early private access to the VIP Lounge\, and refreshments. We look forward to seeing you soon! \n\n\n\nAdmission: \n\n\n\nArtTable Members – $50Member Guests – $60Non-Members – $70Combo Ticket – $60 for Members / $95 for Non-Members – Save $20 when registering for this event and ArtTable’s Annual Leadership Series on Wednesday\, September 7.\n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety In partnership with the Javits Center\, a New York State-run facility\, The Armory Show will implement all applicable COVID-19 safety procedures recommended by the CDC and New York City health officials. The Javits Center staff is working closely with our clients\, government partners and industry stakeholders to ensure operations are as safe\, efficient and effective as possible. Thanks to the high vaccination rate statewide and in accordance with New York State and New York City guidelines\, proof of COVID-19 vaccination (two doses) is ONLY required for those working in the building\, including: Javits Center employees;Cultivated employees;Employees of vendors performing work for the Javits Center;Employees of our service partners and tenants such as FedEx and Fintech;Employees of General Contractors and Exhibit Appointed Contractors; andIndividuals visiting the Javits Center administrative office area.Face coverings are no longer required to enter the building. Approved vaccines include those authorized for emergency use by the U.S. Food and Drug Administration (FDA) or World Health Organization (WHO). ADDITIONAL MEASURES The Javits Center has implemented additional measures to enhance the safety of all visitors\, including: Installation of High Efficiency Particulate Air (HEPA) air filters to reduce air pollutants throughout the convention center;Installation of socially distanced seating in all food and beverage areas;Installation of hand-sanitizing stations in public areas; andAccreditation by the Global Biorisk Advisory Council (GBAC)\, the industry’s highest standard for cleaning and disinfection.Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Please note that these guidelines are subject to change as needed.  Accessibility The Javits Center strives to make our facilities and services accessible to people with disabilities. Our campus features sidewalk ramps and automatic doors at all street levels\, as well as accessible restrooms and elevators. Motorized devices may be used by people with mobility impairments subject to reasonable safety restrictions. The Javits Center offers mobility vehicles to assist visitors with navigating the convention center during events. These vehicles are provided on a first-come\, first-serve basis. If you would like to place an order for a mobility vehicle\, please visit our online ordering system\, Jake. In addition\, a limited number of manually operated wheelchairs are available at no fee by visiting the Concierge Desk in the Crystal Palace off 11th Avenue. You will be required to leave a photo ID which will be returned when you return the wheelchair. The Javits Center campus features sidewalk ramps\, automatic doors at all street levels\, restrooms and elevators accessible for persons with mobility impairments. If you have any questions\, please contact our Command Center at 212-216-2196. Click here to view all Accessibility information for the Javits Center. Please email Haley Carloni at programs@arttable.org if you require assistance in securing accommodations for this program.  Getting There The Armory Show 2022 will take place at the Javits Center\, located at 429 11th Ave\, Crystal Palace Entrance\, between 35th and 36th\, New York\, NY\, 10001. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Installation view of The Armory Show\, 2021. Photo by Casey Kelbaugh. Courtesy of The Armory Show and Artsy.
URL:https://www.arttable.org/event/new-york-arttable-annual-brunch-reception-at-the-armory-show/
LOCATION:Javits Center\, 429 11th Avenue\, New York\, 10001
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/08/Screen-Shot-2022-08-17-at-1.46.02-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220914T180000
DTEND;TZID=America/New_York:20220914T180000
DTSTAMP:20260406T161200
CREATED:20220818T174337Z
LAST-MODIFIED:20220831T183157Z
UID:9814-1663178400-1663178400@www.arttable.org
SUMMARY:Virtual | Let's Connect! Fall National Networking Event
DESCRIPTION:3pm PT / 4pm MT / 5pm CT / 6pm ET\n\n\n\nWe invite all ArtTable members to join us for our next virtual national networking event! In this session we will discuss our individual challenges and hopefully by doing so uncover ways in which we can help and support one another. \n\n\n\nOur first national networking event took place in May 2021 and allowed members from all over to share ideas and make new connections! We are thrilled to offer our members this opportunity to connect with each other nationwide. Participants will go into breakout rooms to chat\, connect\, see old friends and make new ones! This is a great opportunity for members from all over the country (and the world!) to form new connections and find ways to collaborate with one another. \n\n\n\nThis program is free for all ArtTable members. Not a member? Join today! \n\n\n\n\n\n\n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nLink.
URL:https://www.arttable.org/event/virtual-lets-connect-fall-national-networking-event-22/
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/09/fall.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220915T160000
DTEND;TZID=America/New_York:20220915T163000
DTSTAMP:20260406T161200
CREATED:20220607T200601Z
LAST-MODIFIED:20220607T200605Z
UID:9353-1663257600-1663259400@www.arttable.org
SUMMARY:Virtual | New Member Orientation
DESCRIPTION:1pm PT / 2pm MT / 3pm CT / 4pm ET\nWelcome new ArtTable members! Please join us for a virtual orientation session where you will meet other new members and learn how to take full advantage of all the ArtTable community has to offer. This program is free and open to all ArtTable members. Whether you are new to our community or have been a long-time member\, there’s no wrong time for a refresher course! Connect with other members in a casual and relaxed online environment and learn more about what our community is all about. \nNot a member? Join today! \n  \n \n  \n(You will receive an email confirmation containing the Zoom link.) \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nCan’t join us for this new member orientation? Don’t worry\, we host virtual orientation sessions every 3 months! In the meantime\, we hope you can join us for another upcoming program or support other ArtTable initiatives!
URL:https://www.arttable.org/event/virtual-new-member-orientation-5/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2022/06/Program-Templates-Wide.gif
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220917T100000
DTEND;TZID=America/New_York:20220917T123000
DTSTAMP:20260406T161200
CREATED:20220825T185222Z
LAST-MODIFIED:20220912T202946Z
UID:10001-1663408800-1663417800@www.arttable.org
SUMMARY:Tarrytown\, NY | Private Tour of “Women's Work” at Lyndhurst Mansion
DESCRIPTION:Join ArtTable for a private tour of Women’s Work\, a groundbreaking exhibition that tracks the deep\, pervasive\, and continuing influence of the historic female domestic craft tradition in the practice of contemporary women artists\, and invites new investigations into the position of women in the contemporary art world. This exhibition brings together 125 historic and contemporary works by women artists\, including Yoko Ono\, Kara Walker\, Judy Chicago\, Cindy Sherman\, Louis Bourgeois\, and Paula Hayes\, amongst others. Our group will be led by Lyndhurst docent Nancy Wallach. \n\n\n\nClick here to read more about the exhibition\, and here for the New York Times writeup about the show. \n\n\n\nAdmission: \n\n\n\nArtTable Members – $10Member Guests/Non-Members – $20\n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Lyndhurst is instituting a mask-wearing policy in all indoor spaces. Masks will be provided to those who do not have them. We appreciate your understanding. As in any public setting\, we cannot guarantee that you will not be exposed to COVID-19. By visiting Lyndhurst\, you voluntarily assume such risks. We recognize that these requirements may represent a challenge to some of our visitors\, but we ask for your understanding as we all navigate our way through this pandemic. As circumstances continue to change\, our protocols may evolve. Please email us at lyndhurst@savingplaces.org with any questions or concerns. More information here.  Accessibility Lyndhurst offers some accessible options for visitors\, particularly in its landscape. An ADA-accessible pathway with an adjacent parking area can be visited in our lower landscape\, offering majestic views of the Hudson River. Our Classic Mansion tour visits two floors of the mansion. The mansion’s ground floor is fully accessible\, with an alternative experience to view rooms on the second floor of the mansion. ADA bathrooms are available at our Welcome Center and in the Bowling Alley. Certain tours and programs are not recommended for all audiences\, particularly those that require climbing multiple flights of stairs or traversing uneven terrain. The Backstairs and Landscape Tours are physically demanding and are not recommended for individuals with limited mobility or small children. If you would like more information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There Lyndhurst is located at 635 South Broadway\, Tarrytown\, NY 10591\, one-half mile south of the Mario Cuomo Bridge on Route 9. Lyndhurst is approximately 24 miles north of Midtown Manhattan. Click here to get directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Photograph courtesy of Historic New England\, Cover design by Tim Balboni.
URL:https://www.arttable.org/event/new-york-private-tour-of-womens-work-at-lyndhurst-mansion/
LOCATION:Lyndhurst Mansion\, 635 South Broadway\, Tarrytown\, New York\, 10591\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/08/WomensWork_Lyndhurst_COVER.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220920T173000
DTEND;TZID=America/New_York:20220920T173000
DTSTAMP:20260406T161200
CREATED:20220906T212314Z
LAST-MODIFIED:20220920T212848Z
UID:10080-1663695000-1663695000@www.arttable.org
SUMMARY:Virtual | The AT Forum: Women in Leadership
DESCRIPTION:2:30pm PT / 3:30pm MT / 4:30pm CT / 5:30pm ET\n\n\n\nAs a woman in a leadership role\, what were the top 3 challenges when you started your career and what are they now? Are the challenges from your early career days resolved? How have they changed? \n\n\n\nOne of the biggest challenges for women in the workforce is a work-life balance since child care\, elder care\, and other family responsibilities still weigh more heavily on women. What are 3 things that would help change this burden and enhance this balance? \n\n\n\nWhat are the ways in which women can help other women while also enhancing their own leadership roles? How have you already incorporated these into your practice? \n\n\n\nThese are the prompt questions that ArtTable provided to several of our current members who currently hold or have held leadership positions within the art world. Presented in partnership with the CAA (College Art Association) 50th Anniversary Celebration of Feminism + Art\, ArtTable is pleased to present the first program in the new The AT Forum Series: Women in Leadership\, a Pecha Kucha-style program welcoming leading women in the arts to provide their insight and expertise on leadership\, equity\, and intersectional feminism. \n\n\n\nThe prompt questions that were provided to the speakers could easily be answered in hours-long conversations or lengthy essays. In this Pecha Kucha-style program\, our speakers have been provided with just 3 minutes each to respond to one of the prompt questions. After hearing from some of the speakers\, all attendees will go into breakout rooms for a group discussion\, after which the others speakers will address a different prompt question. \n\n\n\nThe AT Forum is a new recurring program series in which ArtTable members are invited to speak to a specific topic in a Pecha Kucha-style format\, followed by breakout room discussions for all attendees to get involved. Keep an eye out for the next AT Forum program! \n\n\n\nArtTable is proud to partner with the CAA (College Art Association). If you would like to attend the CAA 50th Anniversary Celebration of Feminism + Art via Livestream on September 23 at 4 p.m. ET\, please register here: https://caafeminism50.eventbrite.co.uk. \n\n\n\nThis program is free for anyone who would like to attend\, though registration is required.  \n\n\n\nDonations are sincerely appreciated and go towards supporting ArtTable’s initiatives.  \n\n\n\n\n\n\n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\n\n\n\nSpeakers\n[Additional Details Forthcoming] \nLaura Ballman is a credentialed art market expert. She offers clients a global perspective developed during two decades building trusted relationships across four continents. Previously\, Laura led US Art & Finance for Deloitte\, the world’s largest business consulting firm\, serving blue-chip auction houses\, collectors\, galleries\, governments\, museums\, and financial institutions. Earlier in her career\, Laura served Democrat and Republican Administrations in a number of international-facing roles\, including as head of intelligence for the FBI Art Crime Team. Laura holds an MA in Art Business from Sotheby’s Institute of Art and an MA in International Affairs from Columbia University’s School of International and Public Affairs. She is Uniform Standards of Professional Appraisal Practice (USPAP) compliant through March 2023. \nTanya Desdunes\, a Haitian-American and African- American living in Miami\, Florida since 2014\, has worked with Diaspora Vibe Cultural Arts Incubator\, Inc. since 2018 in multiple capacities. Desdunes holds a Bachelor of Arts and Master of Arts in History from St. John’s University. She joined DVCAI as the Executive Director in July 2021 and is excited to uphold artistic representation and cultural preservation of the Caribbean and Latin Diaspora arts community in South Florida. \n  \nValerie Gillespie is an independent curator based in Dallas. She holds a doctorate in educational leadership from the University of New England in Portland and curatorial practice from New York University. Her undergraduate degree is in Studio Art and Spanish from Randolph-Macon Woman’s College in Lynchburg\, Virginia. During her years abroad in Santiago de Compostela\, Spain\, Valerie studied art and architecture. While completing her artist in residence program with Università Iuav di Venezia in Venice\, Italy\, she studied painting under the guidance of Maurizio Pellegrin. Valerie currently is the Director of Fine Arts at the Winston School and owner of Pencil on Paper Gallery in Dallas. Some of her recent exhibitions include curatorial projects with the 500X Gallery in Dallas\, 400H Gallery in Fort Worth\, the Hawn Gallery at Southern Methodist University\, the Martin Museum at Baylor University\, and the Texas Visual Arts Association. \nCecilia Yueyi Jalboukh is the Founder and Director of Brooklyn-based YI GALLERY. YI GALLERY program features a diverse and eclectic mixture of emerging and mid-career international artists. Started in 2018 as a curatorial project exhibiting in non-traditional settings\, YI has expanded to include a collaborative exhibition space in Bushwick (2020 – 2021). The gallery program continues to evolve with a new space inside Brooklyn’s vibrant creative hub Industry City\, launched in 2021. YI is committed to offering a platform for distinctive artistic voices\, while enhancing the public’s interaction with contemporary art. \nPassionate about promoting Indigenous values\, Frances Melgarejo\, M.A. (Peruvian Quechua/Irish) is a researcher and emerging curator of Indigenous arts of the Americas. Through a feminist lens and a phenomenological approach\, she aims to unearth women artists’ muted voices to celebrate their significant contributions and learn from their unique experiences. \nCurrently\, she is an administrative assistant for the Native American arts organization in New York City\, Amerinda Inc. She was introduced to the organization as an ArtTable Fellow in the summer of 2021\, where she performed as a curatorial assistant to Native curator David Bunn Martine. Recently\, she conducted research for an exhibit on contemporary Seminole patchwork projected to show in South Florida in 2024. At this time\, she is conducting preliminary research for a New York City exhibit showcasing contemporary visual art by Indigenous women. \n \nNuria Richards is an arts professional who is passionate about art collections and the way they positively impact the market and philanthropy. She attended the Fine Arts School at the National University in Mexico City and holds an Art Business Graduate degree from Sotheby’s Institute of Art – Claremont Graduate University where she extended her academic interests to Economics\, Cultural Studies\, and Management of Corporate Collections. \nAfter studying in New York and Los Angeles\, Nuria relocated to Miami and worked in the gallery system holding the position of Executive Manager for Piero Atchugarry Gallery\, and Director of Museum Relations for Ascaso Gallery. Around this period she became part of ArtTable Florida Chapter as Chair of Programming. \nNuria supports young and emerging artists through the curatorial project Clandestina and is the founder of RICHARDS & Co\, an Art Management & Estate Planning Agency that evaluates and creates strategies for acquiring\, selling\, transferring\, and donating art. She works\, with families and individuals\, designing the sale and acquisition of works by artists like Jean-Michel Basquiat\, George Condo\, Diego Rivera\, Wifredo Lam\, Joaquín Torres-García\, Victor Vasarely\, and Leonora Carrington. Her relationship with art and involvement with museums\, galleries\, artists\, and collectors in the US and Mexico seeks to create cultural impact through the practice of art collecting. \nNuria’s goal is to generate strategies for collectors to successfully fulfill their art interests\, while positively impacting the community. She has been a conduit between secondary and primary markets for a generation of artists and collectors that were caught in the middle of a rapidly changing art world. \nTeresa Silva is the Executive and Artistic Director at the Chicago Artists Coalition\, a nonprofit organization supporting emerging and mid-career artists and curators. Silva has presented exhibitions\, talks and lectures at venues such as the Chicago Cultural Center\, Mana Contemporary\, School of the Art Institute\, Ox-Bow Art School and Artists’ Residency\, and the Artist Communities Alliance. She has served as a Visual Arts panelist for the National Endowment for the Arts and numerous others. In 2018\, she was an Artists’ Administrators Resident at the Robert Rauschenberg Residency Program in Captiva\, FL. In 2022\, Silva was ranked #5 in NewCity’s prestigious list\, Art 50: Chicago’s Visual Vanguard for her influence and contributions to the Chicago art community. \n\n\nLink.
URL:https://www.arttable.org/event/virtual-caa-partner-program/
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/09/Screen-Shot-2022-09-17-at-10.18.37-AM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220921T173000
DTEND;TZID=America/New_York:20220921T193000
DTSTAMP:20260406T161200
CREATED:20220831T210939Z
LAST-MODIFIED:20220912T202917Z
UID:10060-1663781400-1663788600@www.arttable.org
SUMMARY:Chicago\, IL | An Evening at Goldfinch Gallery with Claudine Ise
DESCRIPTION:Join ArtTable in Chicago for an evening at Goldfinch Gallery with owner and director\, Claudine Isé. Claudine will speak to us about her career trajectory from various roles within the museum\, not-for-profit\, and university sectors to making the leap into commercial enterprise by establishing her own gallery. During the evening\, she will also provide curatorial insights into three solo exhibitions by artists Yanique Norman\, James Kao and Minami Kobayashi. \n\n\n\nAdmission: \n\n\n\nArtTable Members – $10Member Guests/Non-Members – $15\n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Masks are encouraged but not required. Extra masks will not be available so please remember to bring and wear one if you prefer to be masked. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility The gallery is located on the first floor\, and is wheelchair accessible. If you would like information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There Goldfinch Gallery is located at 319 N. Albany Avenue in a large\, brick warehouse building in East Garfield Park. Additional entrance instructions will be relayed to all registered guests. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Claudine Isé\nClaudine Isé (she/her) is the owner and director of Goldfinch\, a contemporary art gallery that opened in 2016. Goldfinch’s program focuses on emerging and mid-career artists with a strong focus on painting and sculpture. She is also a Lecturer in the Painting and Drawing department at the School of the Art Institute of Chicago. Prior to moving to Chicago in 2008\, Isé was the Associate Curator of Exhibitions at the Wexner Center for the Arts\, and before that\, was an Assistant Curator at the Hammer Museum in Los Angeles. Over the course of her professional career\, she has written extensively about contemporary art in Chicago (and before that\, Los Angeles) for publications including Artforum\, Art21 Blog (where she also served as Editor)\, Bad at Sports\, Art Papers\, the Chicago Tribune and Chicago Magazine\, and the Los Angeles Times\, among others. She holds a Ph.D. in Film\, Literature and Culture from the University of Southern California and a B.A. in English from Pomona College.  \n\n\n\n\n\n\nImages: Yanique Norman\, Monticello: Plot 2\, 2022\, Found and reconstructed image tinted black and transferred onto watercolor papers with hand-cut and sculptural elements\, colored xerox\, collage\, graphite and iridescent medium; Included in Yanique Norman: Blue to Green on view at Goldfinch; James Kao\, Smokeset\, 2021\, Oil on linen over board; Included in James Kao: “something about grinding down\, something about glittering”; Taylor Augustine\, painting included in the exhibition “Kiss my petals”
URL:https://www.arttable.org/event/chicago-an-evening-at-goldfinch-gallery-with-claudine-ise%ef%bf%bc/
LOCATION:Goldfinch Gallery\, 319 N. Albany Avenue\, Chicago\, Illinois\, 60612\, United States
CATEGORIES:Chicago
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/08/Screen-Shot-2022-09-02-at-8.12.21-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220928T093000
DTEND;TZID=America/New_York:20220928T093000
DTSTAMP:20260406T161200
CREATED:20220919T164618Z
LAST-MODIFIED:20220919T212631Z
UID:10175-1664357400-1664357400@www.arttable.org
SUMMARY:Houston\, TX | Coffee Break at Brasil Coffee Shop
DESCRIPTION:All ArtTable members and friends are welcome to join us in Houston\, TX on the morning of September 28 for a casual coffee break catch up! Grab a drink and a quick bite and join current and prospective members to connect and discuss upcoming plans for ArtTable in Houston.  \n\n\n\nThis program is free and open to current and prospective ArtTable members. Registration is required below. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility Brasil is wheelchair accessible. Seating is available on a first come first serve basis. If you would like additional information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There Brasil is located in the Montrose neighborhood of Houston at 2604 Dunlavy Street. Street parking is available on Westheimer Road and Dunlavy Street\, as well as the neighborhood streets.
URL:https://www.arttable.org/event/houston-tx-coffee-break-at-brasil-coffee-shop/
LOCATION:Brasil\, 2604 Dunlavy Street\, Houston\, Texas\, 77098\, United States
CATEGORIES:Houston
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/09/Screen-Shot-2022-09-19-at-12.37.42-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220929T173000
DTEND;TZID=America/New_York:20220929T173000
DTSTAMP:20260406T161200
CREATED:20220912T160601Z
LAST-MODIFIED:20220912T181448Z
UID:10103-1664472600-1664472600@www.arttable.org
SUMMARY:Arlington\, VA | MeetAT - Arlington Gallery Hop
DESCRIPTION:Kick off the fall arts season with ArtTable! Organized by ArtTable members in Washington\, DC\, come meet current members and introduce prospective ones at this special MeetAT gallery hop event. We will visit three galleries in Arlington\, VA – Mason Exhibitions Arlington\, a contemporary art gallery of George Mason University\, Fred Schnider Gallery of Art\, and WHINO\, a mural-filled gallery and restaurant. At WHINO\, ArtTable members and guests will have an opportunity to network and grab refreshments. These galleries are just a few blocks from each other\, so please wear comfortable footwear. \n\n\n\nThis program is free for all who would like to attend\, though registration is required below. Current and prospective members are welcome and encouraged to bring a friend! \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional at all of the galleries that we will visit. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility All galleries are fully wheelchair accessible. Please note that we will be walking from Mason Exhibitions to Fred Schnider Gallery of Art (approximately 7 minutes)\, and from there to WHINO (approximately 6 minutes). Please prepare accordingly. If you would like additional information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There We will meet at Mason Exhibitions Arlington\, located at 3601 Fairfax Drive in Arlington\, VA. Click here to get directions from any location. We will walk from Mason Exhibitions to Fred Schnider Gallery of Art (approximately 7 minutes)\, and from there to WHINO (approximately 6 minutes). \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Murals at WHINO
URL:https://www.arttable.org/event/dc-meetat-arlington-gallery-hop/
LOCATION:Mason Exhibitions Arlington\, 3601 Fairfax Drive\, Arlington\, Virginia\, 22201\, United States
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/09/WHINO.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220929T183000
DTEND;TZID=America/New_York:20220929T183000
DTSTAMP:20260406T161200
CREATED:20220919T150805Z
LAST-MODIFIED:20220920T154956Z
UID:10160-1664476200-1664476200@www.arttable.org
SUMMARY:Los Angeles\, CA | MeetAT at Lauren Powell Projects
DESCRIPTION:Join ArtTable in Los Angeles for a MeetAT networking event!  \n\n\n\nOpen to current and prospective ArtTable members\, bring a friend and join us at Lauren Powell Projects to connect with friends old and new and learn more about ArtTable! An exhibition of work by Cassidy Early will be on view. \n\n\n\nThis program is free and open to all current and prospective ArtTable members. Registration is required below. Not a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety The gallery has requested that all attendees confirm they are fully vaccinated in order to attend this event. Face masks are required. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility Lauren Powell Projects is wheelchair accessible. If you would like additional information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There Lauren Powell Projects is located at 5225 Hollywood Blvd\, Los Angeles\, CA. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: In the Light of Day: Cassidy Early at Lauren Powell Projects\, courtesy of Lauren Powell Projects
URL:https://www.arttable.org/event/los-angeles-ca-meetat-at-lauren-powell-projects/
LOCATION:Lauren Powell Projects\, 5225 Hollywood Blvd\, Los Angeles\, California\, 90027\, United States
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/09/IBG_0272-scaled.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
END:VCALENDAR