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DTSTART;TZID=America/New_York:20230110T180000
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DTSTAMP:20260405T221724
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SUMMARY:Arlington\, VA | Exhibition Tours & Networking at MoCA Arlington
DESCRIPTION:Join us for an exclusive tour of Museum of Contemporary Art Arlington\, the recently rebranded Arlington Art Center\, to hear more about their new mission as a non-collecting museum and what that means for the surrounding art scene. We will hear from Executive Director Catherine Anchin\, Curator & Resident Artist/Collector Liaison Amanda Jirón-Murphy\, and Curator of Exhibitions Blair Murphy\, on what is on the horizon for them\, as well as enjoy a private tour of their inaugural biennial exhibition. ArtTable members will be invited to stick around for a networking mingle after the tour is finished as a way to start off the new year meeting new members and reconnecting! \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nGuests/Public – $20\n\n\n\n\nRegistration is required below.  \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional but encouraged at the museum. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility The Museum of Contemporary Art Arlington is fully ADA compliant and wheelchair accessible. Please use the elevator entrance on the parking lot side of the building. Please email Haley Carloni\, National Programs & Chapters Manager at ArtTable\, at programs@arttable.org if you require specific accommodations for this program.  Getting There The Museum of Contemporary Art Arlington is located at 3550 Wilson Blvd\, Arlington\, VA 22201. Click here for directions from any location. Parking: there is a small parking lot on site and 2 hour street parking in the surrounding neighborhood Metro Accessible: Orange & Silver Lines: Virginia Square Station Bus Accessible: Metrobus Line 24P / ART Line 41 \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Speakers\nCatherine Anchin joined the museum in 2021 as Executive Director\, where she leads the direction of the museum and works closely with the Board of Directors to deliver strategic objectives. She brings extensive experience in arts fundraising and administration\, as well as a commitment to contemporary visual arts. \nHer career includes tenures at major national and regional museums\, including the Smithsonian National Museum of African Art\, Smithsonian American Art Museum\, the National Museum of Women in the Arts\, and the Museum of Contemporary Art in Cleveland\, Ohio. She also serves as arts faculty for Leadership Arlington and has served as a university guest lecturer and conference panelist on topics such as creativity\, museum fundraising\, arts social media\, and volunteering. \nShe holds a BA in Art History and an MA in Museum Studies from Syracuse University\, as well as a graduate certificate in Nonprofit Management from the Mandel Center for Nonprofit Organizations at Case Western Reserve University. \nAmanda Jirón-Murphy joined the museum in 2020\, first as a contract curator then as Curator & Resident Artist/Collector Liaison in 2022. In her role\, Amanda curates the resident artists’ exhibitions\, manages the artist residency program\, and the museum’s collectors’ program\, a public program sharing knowledge about art collecting and supporting artists careers. \nIn addition\, Amanda organized the museum’s 2021 exhibition We Can’t Predict Tomorrow\, which explored the impact of the COVID-19 pandemic on artistic practice within the regional contemporary arts sector.Amanda has served as the Gallery Director at Hamiltonian\, where she directed and curated exhibitions\, art fairs\, and projects for an international roster of over forty emerging and mid-career artists and as the Coordinator of Public Programs and Adult Interpretation at the Phillips Collection in Washington\, DC. She also interned with the Peggy Guggenheim Collection in Venice\, Italy. \nAmanda has also served as a guest speaker and panel moderator at cultural institutions and schools around the Washington\, DC area and has written for many publications including: The Rib and DIRT DMV. She holds a BA in Art History from John Cabot University in Rome\, Italy and an MA in Modern and Contemporary Art and Connoisseurship from Christie’s Education in London\, England. \nBlair Murphy joined the museum in 2018 as Curator of Exhibitions\, where she shapes the vision for the exhibitions program and curates numerous exhibitions. Previous exhibitions include: Take a Number: Artists and Bureaucracy\, Stretched\, Applied Forces\,  Transitional Objects\, Over\, Under\, Forward\, Back\, and By Proxy\, the museum’s first virtual exhibition. In addition\, she launched the museum’s biennial exhibition series\, Assembly\, in 2019 and Global Spotlight\, a new series focused on international artists\, in 2022. She also served as Acting Executive Director of the museum from October 2020 to May 2021. \nPreviously\, Blair served as the Managing Director at DC Arts Center\, Adjunct Faculty at George Mason University\, and Program Director at Washington Project for the Arts. Her previous curatorial projects include exhibitions at The Kitchen (New York\, NY)\, Washington Project for the Arts (Washington\, DC)\, Trestle Gallery (Brooklyn\, NY)\, Field Projects (New York\, NY)\, VisArts Rockville (Rockville\, MD)\, and with the DC Commission on the Arts and Humanities. \nBlair has served as a guest speaker and panel moderator at cultural institutions around the Washington\, DC area and New York\, including the Hirshhorn Museum & Sculpture Garden\, Smithsonian American Art Museum\, and the Brooklyn Museum. She has also written for many publications including: Hyperallergic\, Bmore Art\, and DCist. She was a Helena Rubinstein Curatorial Fellow of the Whitney Independent Study Program. She holds a BFA from Maryland Institute College of Art and an MA from Georgetown University. \nAbout MoCA Arlington\nThe Museum of Contemporary Art Arlington (formerly Arlington Arts Center) is an independent 501(c)(3) non-profit museum that enriches community life by connecting the public with contemporary art and artists through exhibitions\, education programs\, and an artists-in-residence program. It was founded by artists in 1974 and has been housed since 1976 in a historic school building. The facility includes nine exhibition galleries\, working studios for twelve artists\, and two classrooms. \nAbout the Exhibitions\nLaunched in 2019\, Assembly is the Museum of Contemporary Art Arlington’s biennial exhibition program\, which highlights the material and conceptual trends being explored by contemporary artists in the present moment. The artists in Assembly 2022: Time and Attention demonstrate a deep commitment to process and craft\, which is channeled through materials and into research. Through these carefully considered approaches\, they are creating work that speaks to the present moment in ways that feel both urgent and timeless. In what feels like a moment of ongoing\, even perpetual\, crisis they bring this focused approach to issues that are fundamental to contemporary American life\, including questions of identity\, history\, immigration\, place\, and belonging. \nLet Them Kids Be Kids\, a solo exhibition by MoCA Arlington resident artist Lex Mari\, uses the playground as a framework with which to examine the joys of Black childhood and the ways in which issues of race and equity are inscribed on the site. Employing images from her personal life to examine these ideas\, Lex Marie’s newest paintings and installations address the issue of adultification bias as she makes the case that all children have a right to innocence. \n\n\n\n\n\n\nImages: \n\n\n\n\nMandy Cano Villalobos\, Bluer Skies for Brazen Hips\, 2022\, Installation view from Assembly 2022: Time & Attention at MoCA Arlington. Photo by Luke Walter.\n\n\n\nHeadshots courtesy of MoCA Arlington website
URL:https://www.arttable.org/event/arlington-va-assembly-2022-time-and-attention-tour-networking-at-moca-arlington/
LOCATION:Museum of Contemporary Art Arlington\, 3550 Wilson Blvd\, Arlington\, Virginia\, 22201\, United States
CATEGORIES:Washington, D.C.
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DTSTART;TZID=America/New_York:20230112T080000
DTEND;TZID=America/New_York:20230112T080000
DTSTAMP:20260405T221724
CREATED:20221220T181148Z
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SUMMARY:Washington\, DC | BreakfastTable with Fatima Al-Dosari at the Qatar America Institute for Culture
DESCRIPTION:Join ArtTable in Washington\, DC for a BreakfastTable program with Fatima Al-Dosari\, Executive Director of the Qatar America Institute for Culture. Come learn about her journey and her efforts to further strengthen cultural understanding\, dialogue\, appreciation\, and long-term partnerships between her home country\, Qatar\, and the United States. \n\n\n\nFatima also leverages her wide-ranging knowledge of Qatari culture\, Arabic fluency\, and decade experience of cultural exchange to advance QAIC’s mission. Fatima holds an executive degree in Arts & Culture Strategy from the University of Pennsylvania\, and was awarded an M.A. from Georgetown University’s Communication\, Culture and Technology (CCT) Program. She received her B.A. in International Affairs and Human Development from Qatar University. \n\n\n\nLight refreshments and breakfast will be generously provided by the QAIC. \n\n\n\nThis program is free for ArtTable members and $10 for member guests and non-members.  \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n Health & Safety The use of face masks is recommended but not required.Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility QAIC is a fully accessible building with ramp access and elevator access to every floor. Please contact us if there is any way we can make your visit more accommodating. You may also email Haley Carloni\, National Programs & Chapters Manager at ArtTable\, at programs@arttable.org if you require specific accommodations for this program.  Getting There The Qatar America Institute for Culture (QAIC) is located at 1319 18th Street NW\, Washington\, DC\, 20036 (directly southeast of Dupont Circle). Click here for directions from any location. QAIC is a short walk away from the Dupont Circle Metro Station (Red Line) and the N6\, L2 and 42 bus lines. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Fatima Al-Dosari\, courtesy of the speaker. \n\n\n\nThank you to ArtTable member Ashley Templeton for organizing this program.
URL:https://www.arttable.org/event/washington-dc-breakfasttable-with-fatima-al-dosari/
LOCATION:FL
CATEGORIES:Washington, D.C.
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DTSTART;TZID=America/New_York:20230121T110000
DTEND;TZID=America/New_York:20230121T130000
DTSTAMP:20260405T221724
CREATED:20230112T185758Z
LAST-MODIFIED:20230112T195426Z
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SUMMARY:Atlanta\, GA | Artist Talk & Exhibition Tour with Jessica Blinkhorn
DESCRIPTION:Please join us for a special tour and meet and greet with artist Jessica Blinkhorn. \n\n\n\nSPANKBOX is a photographic installation depicting individuals with varying disabilities from all communities in sexualized\, hypersexualized poses and situations. We at SPANKBOX ask that the “for now” non-disabled community evaluate their preconceived notions regarding disability and sexuality. How do you perceive disability and sexuality? What standard do you hold us to? Do you view us as an asexual monolith? Do you see our bodies as objects to commodify and or fetishize? Do you celebrate the disabled body and all of its beauty? \n\n\n\nThe mission at SPANKBOX is to provide a safe space where the community can self-educate by examining the disabled body and asking questions without shame. In return\, we ask that you engage in conversation with us by answering one of the many questions provided by our participants (SPANKERS). By educating the community about disability and sexuality\, we celebrate our identities as autonomous\, dimensional individuals rather than sick\, broken\, and vulnerable. When a community has been identified as weak\, that community will likely be preyed upon. \n\n\n\nIt is up to us\, society as a whole\, to engage in a conversation without pretense\, ego\, and hurt feelings. To effectively promote actual change\, we have to have uncomfortable conversations. It’s time for the disabled community to be seen for our abilities! We love\, celebrate\, work\, empathize\, motivate\, and move forward through an intrepid landscape of social barriers that should not exist in today’s time. \n\n\n\nDuring her residency at UUCA\, Jessica plans to focus on two bodies of work – REVERENCE (memory portraits) and SPANKBOX\, curating a show for the Pulgram Gallery at UUCA\, working with disabled and lgbtq+ youths and seniors by way of providing low-cost art classes\, providing an artist talk for the community and congregation\, and\, lastly\, with community support\, a prom for disabled and lgbtq+ youths. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests/General Public – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Masks are suggested and encouraged but optional.  Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility The facility is ADA-compliant with wheelchair accessibility and offers auditory options for navigating the onsite exhibitions and facility. Please email programs@arttable.org if you require any specific accommodations.  Getting There The Pulgram Gallery at the Unitarian Universalist Congregation of Atlanta is located at 2650 N. Druid Hills Rd. NE Atlanta\, Georgia 30329. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Artist\nJessica Elaine Blinkhorn is an Atlanta-based Interdisciplinary Artist. Blinkhorn’s work advocates for the LGBTQ+\, disabled\, and aging communities. Blinkhorn\, who uses a powerchair\, focuses her work on acceptance through acknowledgement of difference\, body positivity\, disability education through experience and exposure\, human sexuality\, and story-telling. \n\n\n\n\n\n\nImage: Jessica Blinkhorn\, SPANKBOX installation. All images provided by the artist.
URL:https://www.arttable.org/event/atlanta-ga-artist-talk-exhibition-tour-with-jessica-blinkhorn/
LOCATION:Unitarian Universalist Congregation of Atlanta\, Pulgram Gallery\, 2650 N. Druid Hills Rd. NE\, Atlanta\, Georgia\, 30329\, United States
CATEGORIES:Metro Atlanta
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DTSTART;TZID=America/New_York:20230124T183000
DTEND;TZID=America/New_York:20230124T200000
DTSTAMP:20260405T221724
CREATED:20221221T172953Z
LAST-MODIFIED:20230109T164143Z
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SUMMARY:New York\, NY | A Discussion on Pay Equity in the Visual Arts
DESCRIPTION:Data about pay and gender equity when it comes to arts professionals is woefully inaccessible and incomplete. Over the past several months\, in an effort to remedy some of these problems and contribute valuable knowledge to our community\, ArtTable has collected new data via a survey about the changing contours of the artistic labor market in order to better understand trends and advocate for arts professionals\, artists\, and arts workers of all types. Based on the feedback we have received so far\, and continue to receive\, we are pleased to present this discussion on gender\, compensation\, and inequality among arts professionals at the Ford Foundation in New York City. \n\n\n\nClick here to take the survey if you have not done so already! And read\, “Why You Should Fill Out ArtTable’s Survey on Working in the Arts” in Hyperallergic\, an op-ed by ArtTable’s Lila Harnett Executive Director\, Jessica L. Porter. \n\n\n\nPanelists \n\n\n\n\nTania Aparicio\, PhD | Full-Time Lecturer\, Program in Arts Administration\, Teachers College\, Columbia University\n\n\n\nLaKeisha M.A. Caton | Partner\, Pryor Cashman\, Labor + Employment and Litigation Groups\n\n\n\nGillian Gualtieri\, PhD | Assistant Professor of Sociology\, Barnard College\, Columbia University of New York \n\n\n\n\nThe discussion will be moderated by ArtTable’s Lila Harnett Executive Director\, Jessica L. Porter. \n\n\n\nThis program is free for all to attend. Registration is required due to capacity restrictions. Donations to support our continued efforts toward gender equality are always appreciated. People of all gender identities are allies in supporting women’s leadership in the arts and all are welcome and encouraged to join. \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety The use of face masks is strongly recommended but not required at the Ford Foundation. Please note that this is subject to change. Program attendees will be notified of any policy changes in advance of the program.If attendees feel unwell or are not able to comply with health and safety guidelines\, we ask that they please refrain from visiting the Ford Foundation at this time.Health screening: Event staff and attendees must be able to answer “no” to the following question:- Within the last 48 hours\, have you had any COVID-19 symptoms?Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility The Ford Foundation is committed to hosting fully accessible events\, and each of our event spaces meet ADA accessibility standards. If you are planning or attending an event and have questions about our accommodations and accessibility services\, please reach out to thecenter@fordfoundation.org at least two weeks prior to the event. We will make every effort to help you fully participate. Visitors are guaranteed safe access to restrooms\, regardless of their gender identity and/or expression. Event attendees are welcome to use the single-occupancy\, all-gender restrooms located on the eleventh floor and Level B. Guide dogs and service animals are permitted at the Ford Foundation Center for Social Justice. Other animals are not permitted. A room is available for nursing parents hosting or attending an event. Reservations for the space can be arranged through your Ford Foundation venue operations contact. Please email Haley Carloni\, National Programs & Chapters Manager at ArtTable\, at programs@arttable.org if you require specific accommodations for this program.  Getting There The Ford Foundation is located at 320 E 43rd Street\, New York\, NY 10017. Click here for directions from any location. The nearest subway stop is Grand Central\, which serves the 4\, 5\, 6\, and 7 lines. The M15 bus runs north on 1st Avenue and stops at 1st Avenue & 42nd Street; it runs south on 2nd Avenue and stops at 2nd Avenue & 42nd Street. \n\n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the city council. We also thank the Ford Foundation for hosting this discussion.\n\n\n\n\n\n\n\n\n\n\nAbout Dr. Tania Aparicio\nDr. Tania Aparicio (she/her) is a full-time lecturer in the Arts Administration Program at Teachers College-Columbia University. Using ethnographic and archival methods\, her research has focused on the study of cultural production\, cultural organizations\, and cultural workers–with particular attention to the dynamics of inequality in art worlds. In particular\, she has conducted a comparative investigation of the effects of unionization in arts organizations and how it shapes racialized and gendered relations in the workplace. Her research has been supported by the Mellon Foundation\, Fulbright Program\, Institute for Critical Social Inquiry\, and Janey Program in Latin American Studies. At The New School she completed her doctoral degree thanks to a Dean’s fellowship and a dissertation award. \nAbout LaKeisha M.A. Caton\nPartner LaKeisha M.A. Caton is a member of Pryor Cashman’s Labor + Employment and Litigation Groups\, and combines her comprehensive litigation background with a focus on employment-related matters to bring results to clients across the globe. Having represented both management and executives in discrimination and harassment cases\, LaKeisha brings her extensive knowledge of the law as well as her familiarity with the strategies often adopted by the opposition to every engagement. She leverages her comprehensive experience with federal\, state\, and local discrimination law and her background in litigation and dispute resolution to achieve favorable outcomes on behalf of her clients. \nRecent representations include: \n\nA Fortune 25 multinational bank in various litigations involving allegations of harassment and discrimination;\nA large global airline in connection with advice concerning employee classifications;\nVarious award-winning restaurants in numerous wage and hour litigations; and\nA global technology and consultancy firm in disputes involving restrictive covenants.\n\nWhile a student at Harvard Law School\, LaKeisha was on the Board of the Harvard Journal on Racial and Ethnic Justice. She also interned with multiple children’s rights organizations during which she represented individual clients as well as prepared for large class actions. \nAbout Gillian Gualtieri\, PhD\nGillian is a sociologist of inequality\, art\, and work. In 2018\, she received her PhD in Sociology from the University of California\, Berkeley\, where she wrote a dissertation focused on understanding how gender and ethno-racial inequality shape the work experiences of cultural entrepreneurs\, especially chefs\, under the direction of two of the leading scholars in feminist theory and work. Alongside her dissertation research\, Gillian worked closely with several campus offices to conduct program evaluation research related to sexual harassment and sexual violence prevention education on campus. After completing her PhD\, she was a Dean’s Fellow at NYU\, where she continued her research focused on inequality and artistic labor and completed several consulting projects for the university focused on diversity\, equity\, and inclusion recruitment and retention efforts at the university. \nAfter two years at NYU\, Gillian moved to Vanderbilt University’s Curb Center for Art\, Enterprise\, and Public Policy\, where she collaborated on projects related to the study of inequality in artistic labor markets\, developing expertise in SNAAP (Strategic National Arts Alumni Project) data and receiving a National Endowment for the Arts grant to fund her collaborative research. Also at Vanderbilt\, she wrote the curriculum and helped lead the NEA-funded Racial Equity in Arts Leadership program\, an evidence-based diversity\, equity\, and inclusion leadership program co-sponsored by the Curb Center and MetroArts Nashville. Gillian recently began a position as an assistant professor of sociology at Barnard College\, Columbia University\, where she teaches classes in race\, gender\, work\, and the sociology of art. \nAdditional speaker information is forthcoming.\n\n\n\n\n\n\nImage courtesy of Getty Images\, Mary Hall/NewsNation.
URL:https://www.arttable.org/event/new-york-ny-a-discussion-on-pay-equity-in-the-visual-arts/
LOCATION:Ford Foundation\, 320 E 43rd Street\, New York\, New York\, 10017\, United States
CATEGORIES:New York,National
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