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DTSTART;TZID=America/New_York:20230501T170000
DTEND;TZID=America/New_York:20230501T180000
DTSTAMP:20260415T064322
CREATED:20231009T182050Z
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SUMMARY:New York\, NY  | Madison Square Park Tour of Shahzia Sikander's "...havah\, to-breathe\, air\, life"
DESCRIPTION:Join us on Monday\, May 1 at 5 pm for an artist-guided tour of Havah . . . to breathe\, air\, life\, on view simultaneously in Madison Square Park and on the rooftop of the Appellate Division Courthouse through June 4. The tour will be led by artist Shahzia Sikander and Brooke Kamin Rapaport—Deputy Director and Martin Friedman Chief Curator. \n\n\n\nSpecial thanks to Truth Murray Cole for spearheading this event! \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $25\n\n\n\nPublic – $30\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\nArtTable’s Artist Talks are made possible by the Pollock Krasner Foundation. \n\n\n\n\n\n\n\n\n\n\n\nImages: Shazia Sikander. Photo by Yasunori Matsui \n\n\n\n\n\n\nAbout the Artist\n\n\n\nBorn in Lahore\, Pakistan\, in 1969\, Shahzia Sikander took up the traditional practice of miniature painting during Muhammad Zia-ul-Haq’s military regime\, at a time when the medium was deeply unpopular among young artists. Sikander earned a B.F.A. in 1991 from the National College of Arts (NCA) in Lahore\, where she received rigorous training from master miniaturist Bashir Ahmad. She became the first woman to teach in the Miniature Painting Department at NCA\, alongside Ahmad\, and was the first artist from the department to challenge the medium’s technical and aesthetic framework. Sikander’s breakthrough work\, The Scroll\, 1989–90\, received national critical acclaim in Pakistan\, winning the prestigious Shakir Ali Award\, the NCA’s highest merit award\, and the Haji Sharif award for excellence in miniature painting\, subsequently launching the medium into the forefront of NCA’s program\, which brought international recognition to this medium within contemporary art practices. The artist moved to the United States to pursue an M.F.A. at the Rhode Island School of Design from 1993 to 1995; from 1995 to 1997\, she participated in the CORE Program of the Glassell School of Art at The Museum of Fine Arts\, Houston. \n\n\n\n\n\n\n\n\nAbout the Curator\n\n\n\n\nBrooke Kamin Rapaport is deputy director and Martin Friedman chief curator at New York’s Madison Square Park Conservancy\, which she joined in 2013. She was commissioner and curator of the 2019 United States Pavilion at the Venice Biennale with the exhibition Martin Puryear: Liberty/Liberta. A major catalogue published by Gregory R. Miller accompanied the Venice exhibition. At Madison Square Park Conservancy\, she is responsible for the outdoor public sculpture program of commissioned work by contemporary artists including Diana AI-Hadid\, Tony Cragg\, Abigail DeVille\, Leonardo Drew\, Teresita Fernandez\, Maya Lin\, Josiah McElheny\, Martin Puryear\, Erwin Redl\, Arlene Shechet\, and Krzysztof Wodiczko. She is the founder of Public Art Consortium\, a national initiative of museum\, public art\, and sculpture park colleagues launched in 2017. Rapaport was a curator of contemporary art at the Brooklyn Museum and a guest curator at The Jewish Museum. She sits on the boards of three artist-endowed foundations and the Mead Art Museum at Amherst College.
URL:https://www.arttable.org/event/new-york-ny-madison-square-park-tour-of-shahzia-sikander-havah-to-breathe-air-life/
LOCATION:Madison Square Park\, 11 Madison Ave\, New York\, New York\, 10010\, United States
CATEGORIES:New York,National
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DTSTART;TZID=America/New_York:20230502T170000
DTEND;TZID=America/New_York:20230502T183000
DTSTAMP:20260415T064322
CREATED:20230422T135424Z
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SUMMARY:New York\, NY | Tour of Wendy Red Star's "Our Side" at Sargent's Daughters
DESCRIPTION:Please join us at Sargent’s Daughters gallery for a tour of Our Side—the third solo exhibition of Wendy Red Star (Apsáalooke (Crow)\, b.1981\, Billings\, MT) at the gallery. This exhibition is presented in conjunction with the Spring 2023 release of Red Star’s monograph Bíilukaa\, published by Radius Books and featuring interviews with the artist\, members of her extended family\, and scholars. The book’s title\, Bíilukaa\, is in reference to what the Apsáalooke (Crow) call themselves: Our Side. \n\n\n\nOur Side builds upon Red Star’s research into historical photographs of Apsáalooke individuals and objects\, with the artist drawing on both her personal collection and works held in museums and archives across the country. Red Star notes: “Since the time I left the Crow reservation I have encountered my tribe’s material culture in every city I have exhibited or occupied. It is incredible that so much of my community’s history and material culture is kept in the vaults of these institutions hundreds of miles away from their source.”  \n\n\n\nThe exhibition includes two distinct bodies of work; the first are photographic prints originally produced for Bíilukaa\, reimagined as a dynamic installation in the gallery. The second consists of large-scale unique collages\, which layer photographs on top of fabrics typical of Apsáalooke regalia. \n\n\n\n\n\n\n\nWendy Red Star (b.1981\, Billings\, MT) lives in Portland\, OR. Red Star has exhibited at venues including the Metropolitan Museum of Art (New York\, NY)\, Brooklyn Museum (Brooklyn\, NY)\, both of which have her works in their permanent collections; Fondation Cartier pour l’Art Contemporain (Paris\, France)\, Domaine de Kerguéhennec (Bignan\, France)\, Portland Art Museum (Portland\, OR)\, Hood Art Museum (Hanover\, NH)\, St. Louis Art Museum (St. Louis\, MO)\, Minneapolis Institute of Art (Minneapolis\, MN)\, and the Frost Art Museum (Miami\, FL). \n\n\n\nHer work is in public collections including the Museum of Modern Art (New York\, NY)\, the Metropolitan Museum of Art (New York\, NY)\, the Whitney Museum of American Art (New York\, NY)\, the Guggenheim Museum (New York\, NY)\, the Amon Carter Museum of American Art (Fort Worth\, TX)\, the Denver Art Museum (Denver\, CO)\, the Ruth and Elmer Wellin Museum of Art at Hamilton College (Clinton\, NY)\, the Baltimore Museum of Art (Baltimore\, MD)\, the Fralin Museum of Art at the University of Virginia (Charlottesville\, VA)\, the Nasher Museum of Art at Duke University (Durham\, NC)\, the Birmingham Museum of Art (Birmingham\, AL)\, the Williams College Museum of Art (Williamstown\, MA)\, the Memorial Art Gallery of the University of Rochester (Rochester\, NY)\, San Antonio Museum of Art (San Antonio\, TX)\, The Seattle Art Museum (Seattle\, WA)\, and the British Museum (London\, UK). \n\n\n\nShe served as visiting lecturer at Yale University (New Haven\, CT)\, the Figge Art Museum (Davenport\, IA)\, the Banff Centre (Banff\, Canada)\, National Gallery of Victoria in Melbourne (Melbourne\, Australia)\, Dartmouth College (Hanover\, NH)\, CalArts (Valencia\, CA)\, Flagler College (St. Augustine\, FL)\, and I.D.E.A. Space in Colorado Springs (Colorado Springs\, CO). In 2017\, Red Star was awarded the Louis Comfort Tiffany Award and in 2018 she received a Smithsonian Artist Research Fellowship. Her first career survey exhibition “Wendy Red Star: A Scratch on the Earth” was at the Newark Museum in New Jersey through May 2019\, concurrently with her first New York solo gallery exhibition at Sargent’s Daughters. In the fall of 2022\, Red Star had a solo project with the Public Art Fund titled Travels Pretty\, on JCDeaux bus shelters across Boston\, MA; Chicago\, IL; and New York\, NY. Red Star’s monograph Delegation was co-published by the Aperture Foundation and Documentary Arts in May 2022\, which was named one of Vanity Fair’s best art books of 2022 as well as Time Magazine’s best photography books of 2022. \n\n\n\nRed Star is currently exhibiting at the Seattle Art Museum (Seattle\, WA)\, the Denver Art Museum (Denver\, CO)\, the Utah Museum of Fine Art (Salt Lake City\, UT)\, Sharjah Art Foundation (Sharjah\, UAE). \n\n\n\n\n\n\n\nAdmission: \n\n\n\n\nArtTable Members – complimentary\n\n\n\nMember Guests – $10\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Wendy Red Star | Strawberry Chief (ishkóoshiite)\, 2023. Fabric and archival pigment prints mounted on gatorboard\, 44 x 44″ \n\n\n\n\n\nAbout the Tour LeaderChristine Nyce is a curator and writer originally from Milwaukee\, Wisconsin.  She is based in New York\, where she is a Gallery Associate and Curator with Sargent’s Daughters gallery.  She holds a BA in Art History from Williams College and a MA in Curatorial Studies from the Center for Curatorial Studies\, Bard College.About the GallerySargent’s Daughters was founded in 2014 on the Lower East Side by Allegra LaViola. The gallery takes its name from the painter John Singer Sargent\, who was an innovator working in a traditional medium. Accordingly\, the gallery interest is in artists whose work combines the same qualities of tradition and cutting edge. In addition to exhibitions by represented gallery artists\, Sargent’s Daughters creates collaborations as a platform for exploring new conversations within a wider context and presents a strong program of primarily women artist\, often highlighting overlooked artists working outside the established gallery world. The gallery has a history of granting young artists their first exhibition opportunities\, placing works in major museums\, and producing catalogues to further the dialogue of the artists’ work. Gallery exhibitions have been featured in The New York Times\, ARTFORUM and Art in America\, among other national and international publications.
URL:https://www.arttable.org/event/new-york-ny-tour-of-wendy-red-stars-our-side-with-allegra-laviola/
LOCATION:Sargent’s Daughters\, 179 East Broadway\, New York\, New York\, 10002
CATEGORIES:New York
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DTSTART;TZID=America/New_York:20230503T160000
DTEND;TZID=America/New_York:20230503T180000
DTSTAMP:20260415T064322
CREATED:20230401T200233Z
LAST-MODIFIED:20230426T131237Z
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SUMMARY:National | Jaune Quick-to-See-Smith: "Memory Map" at the Whitney Museum of American Art
DESCRIPTION:See below to register for either the 4:00 PM or the 5:00 PM tour group. \n\n\n\n\n\nJoin Laura Phipps\, Assistant Curator at the Whitney Museum of American Art\, with Caitlin Chaisson\, Curatorial Project Assistant\, for a tour of the first New York retrospective of groundbreaking artist\, Jaune Quick-to-See Smith (b. 1940\, citizen of the Confederated Salish and Kootenai Nation). Jaune Quick-to-See Smith: Memory Map brings together nearly five decades of Smith’s drawings\, prints\, paintings\, and sculptures in the largest and most comprehensive showing of her career to date. \n\n\n\nSmith’s work engages with contemporary modes of making\, from her idiosyncratic adoption of abstraction to her reflections on American Pop art and neo-expressionism. These artistic traditions are incorporated and reimagined with concepts rooted in Smith’s own cultural practice\, reflecting her belief that her “life’s work involves examining contemporary life in America and interpreting it through Native ideology.” Employing satire and humor\, Smith’s art tells stories that flip commonly held conceptions of historical narratives and illuminate absurdities in the formation of dominant culture. Smith’s approach importantly blurs categories and questions why certain visual languages attain recognition\, historical privilege\, and value.  Across decades and mediums\, Smith has deployed and reappropriated ideas of mapping\, history\, and environmentalism while incorporating personal and collective memories. The retrospective will offer new frameworks in which to consider contemporary Native American art and show how Smith has led and initiated some of the most pressing dialogues around land\, racism\, and cultural preservation—issues at the forefront of contemporary life and art today. \n\n\n\nSee the Whitney’s website for full exhibition support acknowledgments. \n\n\n\nThis program is open to ArtTable members and guests. \n\n\n\nNot a member? Join today! \n\n\n\nAdmission$25 ArtTable Members$35 ArtTable Member Guests*Please note that we have waiting lists for BOTH tours: click on the register buttons to add your name!* \n\n\n\n\nREGISTER HERE FOR THE 4:00 PM TOUR\n\n\n\n\n\n\n\n\n\nREGISTER HERE FOR THE 5:00 PM TOUR\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\nAbout the Curators \n\n\n\n\nLaura Phipps is an assistant curator at the Whitney Museum of American Art. She has been at the Whitney since the summer of 2009\, and her recent projects include Virginia Overton: Sculpture Gardens\, Open Plan: Andrea Fraser and a group show of emerging artists Flatlands. She has also co-curated a project with Michele Abeles and the permanent collection exhibition Test Pattern. Laura has assisted with numerous museum exhibitions including 2010\, the Whitney Biennial\, Legacy: The Emily Fisher Landau Collection\, Glenn Ligon: AMERICA\, Singular Visions\, Wade Guyton OS\, Sinister Pop\, and Jeff Koons: A Retrospective. \n\n\n\n\nShe has served on the grant selection committee of the Rema Hort Mann Foundation\, as a visiting critic for the Lower Manhattan Cultural Council Workspace and Smackmellon Studio Program\, and as a guest curator at the Kentler Drawing Center\, Brooklyn. Prior to the Whitney\, Phipps worked in the curatorial department and director’s office of the Modern Art Museum\, Fort Worth. She received her MA\, Art History at Hunter College\, CUNY and BFA\, Studio Art and BS\, Psychology from Texas Christian University in Fort Worth\, Texas. \n\n\n\n\n\n\n\nCaitlin Chaisson is curator and critic based in New York\, and holds an MA in Curatorial Studies from Bard College. She currently works at the Whitney Museum of American Art. \n\n\n\nFrom 2016–2019\, she served as the Director and Curator of Far Afield\, an initiative that supports regionally-connected artistic and curatorial practices. She has also held positions and contracts at The Drawing Center (New York City)\, e-flux (New York City)\, Emily Carr University of Art and Design (Vancouver)\, AKA Artist-Run Centre (Saskatoon)\, and the Anvil Centre (New Westminster). Her writing has appeared in Canadian Art\, C Magazine\, and Frieze\, among others. \n\n\n\n\n\n\n\nImage: Jaune Quick-to-See Smith\, The Vanishing American\, 1994. Acrylic\, newspaper\, paper\, cotton\, printing ink\, chalk\, and graphite pencil on canvas\, 60 1/8 × 50 1/8 in. (152.7 × 127.3 cm). Whitney Museum of American Art\, New York; gift of Dorothee Peiper-Riegraf and Hinrich Peiper in memory of Arlene LewAllen 2007.88. © Jaune Quick-to-See Smith
URL:https://www.arttable.org/event/national-jaune-quick-to-see-smith-memory-map-at-the-whitney-museum-of-american-art/
LOCATION:Whitney Museum of American Art\, 99 Gansevoort Street\, New York\, NY\, 10014\, United States
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230504T080000
DTEND;TZID=America/New_York:20230504T090000
DTSTAMP:20260415T064322
CREATED:20230418T192226Z
LAST-MODIFIED:20230418T192229Z
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SUMMARY:Washington\, DC | BreakfastTable with Deborah Dunner
DESCRIPTION:Join ArtTable’s DC Chapter in May BreakfastTable with Debrah Dunner\, founder and owner of Aesthetica Art Services and Washington\, D.C. and Regional Representative for Freeman’s Auction. Debrah will speak about her specialization in Fine Art\, Decorative Arts\, and Contemporary American Craft appraisals\, and a wide range of art related services including advising\, consulting\, investments\, sales\, consignments\, collection management\, and artist management. Also\, fun note: Debrah assisted in cataloging the personal collection of the artist Sam Gilliam\, a highlight of her career!.Prior to starting her own business\, Debrah worked as the Assistant Curator for the Smithsonian American Art Museum’s Renwick Gallery\, the Craft and Decorative Arts branch of the national museum. While employed at the Renwick\, Debrah assisted in the creation of numerous exhibitions and scholarly publications including the monumental 40th anniversary exhibition 40 Under 40: Craft Futures\, and the internationally recognized exhibition WONDER. As of January 1\, 2020\, Debrah became the Washington\, D.C. Regional Representative for Freeman’s Auction\, based in Philadelphia\, PA. Established in 1805\, Freeman’s is the oldest auction house in America\, and one of the country’s first family owned businesses. Serving the Washington\, D.C. region including all of Maryland and Northern Virginia\, Debrah represents Freeman’s by facilitating consignments and servicing customers with any art related needs. \n\n\n\n \n\n\n\nThis program is free for ArtTable members and $10 for member guests and non-members.  \n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Deborah Dunner\, courtesy of the speaker. \n\n\n\nThank you to ArtTable member Ashley Templeton for organizing this program.
URL:https://www.arttable.org/event/washington-dc-breakfasttable-with-deborah-dunner/
LOCATION:Guarisco Gallery\, Four Seasons Hotel 2828 Pennsylvania Avenue\, NW Washington\, District of Columbia\, 20007
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/04/DeborahDunner.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230504T170000
DTEND;TZID=America/New_York:20230504T180000
DTSTAMP:20260415T064322
CREATED:20230412T195450Z
LAST-MODIFIED:20230721T153228Z
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SUMMARY:*Postponed* National | "Face to Face" at International Center of Photography with stefa marin alarcon
DESCRIPTION:Please note the new tour date! \n\n\n\n\n\n\n\nJoin International Center of Photography (ICP)’s stefa marin alarcon for a tour of Face to Face: Portraits of Artists by Tacita Dean\, Brigitte Lacombe and Catherine Opie. Organized by renowned writer and curator Helen Molesworth\, Face to Face features more than 50 photographs by Brigitte Lacombe and Catherine Opie\, and two films by Tacita Dean\, with bracing\, intimate\, and resonant portraits of compelling cultural figures including Maya Angelou\, Richard Avedon\, Louise Bourgeois\, Joan Didion\, David Hockney\, Miranda July\, Rick Owens\, Martin Scorsese\, Patti Smith\, Mickalene Thomas\, Kara Walker\, and John Waters.After the tour\, you will be led to the Between Friends exhibit to walk through at your own pace. This exhibit includes portraits of and by well-known figures like Alfred Stieglitz\, Berenice Abbott\, and Henri Cartier-Bresson. Between Friends also calls attention to many women photographers from ICP’s collection\, including Lotte Jacobi\, Nell Dorr\, Consuelo Kanaga\, and Barbara Morgan.Optional post-tour activities:• At 6:00 PM\, Late Night ICP is hosting a free book event in the Library to celebrate the launch of ”A Humanist Vision: The Naomi Rosenblum Family Collection.” This publication honors the trailblazing legacy in photography and scholarship created by historian Naomi Rosenblum. More information. First-come\, first-served seating.• Cash bar available in the downstairs café.Please review ICP’s Health & Safety guidelines and see the ICP site for funding acknowledgements for the exhibition. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n*PLEASE NOTE: THIS EVENT HAS BEEN POSTPONED*  \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\nAbout the Docent\n\n\n\nstefa marin alarcon (they/them) is a vocalist\, composer\, educator\, and multi-media performance artist born and raised in Queens\, NY. Through their transdisciplinary practice\, stefa builds worlds that offer a somatic decolonial respite for the misfits & displaced who are yearning for a sense of home.They have worked with NYC cultural institutions like International Center of Photography\, Museum of the Moving Image\, The Center for Fiction and Housing Works and are a 2022 Queer|Art|Prize Recent Work winner for their cinematic ritual opera\, Born With An Extra Rib. Read more about their work at www.stefalives.com \n\n\n\n\n\n\n\n\nImage: Thelma Golden\, Photo by Catherine Opie. Scott Rudd events for ICP.
URL:https://www.arttable.org/event/national-face-to-face-at-international-center-for-photography-with-stefa-marin-alarcon/
LOCATION:International Center for Photography (ICP)\, 79 Essex Street\, New York\, NY\, 10002
CATEGORIES:National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230510T110000
DTEND;TZID=America/New_York:20230510T120000
DTSTAMP:20260415T064322
CREATED:20230427T160713Z
LAST-MODIFIED:20230427T164451Z
UID:12054-1683716400-1683720000@www.arttable.org
SUMMARY:Dallas\, TX | "Lives of the Gods: Divinity in Maya Art" at the Kimbell Art Museum with Jennifer Casler Price
DESCRIPTION:Join ArtTable at The Kimbell Art Museum for a guided tour of Lives of the Gods: Divinity in Maya Art led by Curator of Asian\, African\, and Ancient American Art\, Jennifer Casler Price.  \n\n\n\nAn exhibition of nearly 100 rarely seen masterpieces and recent discoveries depicts episodes in the life cycle of the gods\, from the moment of their birth to resplendent transformations as blossoming flowers or fearsome creatures of the night. Created by masters of the Classic period (A.D. 250–900) in the spectacular royal cities in the tropical forests of what is now Guatemala\, Honduras\, and Mexico\, these landmark works evoke a world in which the divine\, human\, and natural realms are interrelated and intertwined. Lenders include major museum collections in Europe\, the United States\, and Latin America\, with many works on view for the first time in the U.S.\, including new discoveries from Palenque (Mexico) and El Zotz (Guatemala). \n\n\n\n“Mind-blowing”– New York Magazine  \n\n\n\n“Totally riveting”– The New York Times  \n\n\n\n“A magnificent show”— The New Yorker \n\n\n\nFor more information on the exhibition click here. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $20\n\n\n\nMember Guests – $30\n\n\n\nPublic -$35\n\n\n\nIf you are a current Kimbell Museum member\, please email programs@arttable org to book your registration\n\n\n\n\n\n\n\n\nThank you to Heather Reichstadt for initiating this program\, and Louky Keijsers Koning for coordinating. \n\n\n\n• • •\n\n\n\nImage credit: “Whistle with the Maize God Emerging from a Flower.” Maya\, Mexico Late Classic period\, 600–900 Ceramic with pigment\, 8 1/8 x 2 in. (20.7 x 5.1 cm). The Metropolitan Museum of Art\, New York\, The Michael C. Rockefeller Memorial Collection\, Bequest of Nelson A. Rockefeller\, 1979\, 1979.206.728 \n\n\n\n\n\n\n\nAbout the Curator:\n\n\n\n\nJennifer Casler Price has held the position of curator of Asian\, African\, and Ancient American Art at the Kimbell Art Museum since 1993. She has a Master’s Degree in Chinese Art History and a Certificate in Curatorial Studies from the Institute of Fine Arts\, NYU. In her position at the Kimbell\, she is responsible for the areas of Chinese\, Japanese\, Indian\, Himalayan\, Southeast Asian\, African and the Art of the Ancient Americas – which represent half of holdings of the permanent collection. \n\n\n\n\nDuring her tenure at the Kimbell\, she has curated major exhibitions of Buddhist sculpture\, Chinese antiquities and Imperial porcelain\, Japanese ukiyo-e painting and Samurai armor\, Egyptian antiquities\, Tibetan Esoteric Buddhist painting\, Mughal painting\, African and Oceanic sculpture\, Maya and Wari art\, a retrospective on Louis Kahn\, the architect of the original Kimbell building\, and the couturier Cristobal Balenciaga. More recently\, she organized: Queen Nefertari’s Egypt; Buddha\, Shiva\, Lotus\, Dragon; and The Language of Beauty in African Art; and is currently preparing for a spring 2023 exhibition Lives of Gods: Divinity in Maya Art (co-organized with the MET). In 2012 she curated the Kimbell’s 40th Anniversary exhibition in the iconic Louis Kahn building and in 2013 she supervised the re-installation of her collections in the Renzo Piano Pavilion. She has made nearly thirty acquisitions covering the range of all the fields she curates. In addition to these duties\, Jennifer contributes to publications\, conducts docent training\, lectures frequently to share her expertise\, and has led patron tours to China\, Japan\, India\, Cambodia\, Vietnam\, Turkey\, Cuba\, Peru\, New Zealand\, Australia\, Greece\, and Croatia. Jennifer carried out a six-year term (2015 – 2020) as a Commissioner on the Fort Worth Public Art Commission\, serving as Vice-Chair and Chair of the Commission during her tenure. She has been a member of AAMC (Association of Art Museum Curators) since 2001 and has served as Membership Committee Co-Chair\, Advocacy Task Force co-Chair\, Prize Committee member\, and in 2020 participated in the Mentorship Program as a mentor to a junior curatorial colleague. She is a founding member and serves on the Steering Committee for the ACAA (American Curators of Asian Art). Jennifer lives in Fort Worth with her husband\, Steven Price\, and has a daughter Zoë\, who is a sophomore at Emory Universit
URL:https://www.arttable.org/event/dallas-tx-lives-of-the-gods-divinity-in-maya-art-at-the-kimbell-art-museum-with-jennifer-casler-price/
LOCATION:Kimbell Art Museum\, 3333 Camp Bowie Boulevard\, Fort Worth\, 76107\, United States
CATEGORIES:Dallas-Fort Worth
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/04/MET-1979.206.728.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230513T133000
DTEND;TZID=America/New_York:20230513T143000
DTSTAMP:20260415T064322
CREATED:20230412T221952Z
LAST-MODIFIED:20230511T132400Z
UID:11929-1683984600-1683988200@www.arttable.org
SUMMARY:New York\, NY | Guided Tour of “Wangechi Mutu: Intertwined” at the New Museum
DESCRIPTION:Join ArtTable at The New Museum for a tour of a major solo exhibition of the work of Wangechi Mutu (b. 1972\, Nairobi)\, bringing together over one-hundred works from across her twenty-five-year career. The tour will be led by New Museum teaching artist\, Yasmeen Abdalla.ArtTable had the chance to interview Mutu in 2014 in partnership with artnet. This tour brings us full circle to see the significant development and accomplishment in her career since that time.Representing the full breadth of Mutu’s practice\, the presentation will encompass painting\, collage\, drawing\, sculpture\, film\, and performance. Mutu first gained acclaim for her collage-based practice exploring camouflage\, transformation\, and mutation. She extends these strategies to her work across various media\, developing hybrid\, fantastical forms that fuse mythical and folkloric narratives with layered sociohistorical references. “Wangechi Mutu: Intertwined” will trace connections between recent developments in the artist’s sculptural practice and her decades-long exploration of the legacies of colonialism\, globalization\, and African and diasporic cultural traditions. At once culturally specific and transnational in scope\, Mutu’s work grapples with contemporary realities\, while proffering new models for a radically changed future informed by feminism\, Afrofuturism\, and interspecies symbiosis.This exhibition is curated by Margot Norton\, Allen and Lola Goldring Senior Curator\, and Vivian Crockett\, Curator\, with Ian Wallace\, Curatorial Assistant. \n\n\n\nSee the New Museum website for full funding acknowledgements for the exhibition. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $20\n\n\n\nMember Guests – $30\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Wangechi Mutu\, “In Two Canoe” (2022). “Wangechi Mutu: Intertwined\,” 2023. Exhibition view: New Museum\, New York. Courtesy New Museum. Photo: Dario Lasagni \n\n\n\n\n\n\n\n\n\nAbout the Teaching Artist: \n\n\n\n\nYasmeen Abdallah is an interdisciplinary artist and educator\, incorporating civic engagement through creative reuse as a central point in her practice. She is interested in ephemera; aftermaths; and the stories told\, and secrets kept by imprints and objects that speak to our contemporary culture. She holds an MFA in Fine Arts with distinction from Pratt Institute\, and Bachelor’s degrees from University of Massachusetts\, Boston in Studio Art with honors\, and in Anthropology (emphasis in Historical & Collaborative Archaeology\, including field schools with Hassanamesit Woods and the Eastern Pequot Tribal Nation); with a Minor in Women’s\, Gender & Sexuality Studies. \n\n\n\n\nShe has been a visiting artist and speaker at institutions including Columbia University Teaching College; El Barrio Art Space\, Fairleigh Dickinson University; Parsons School for Design; Pratt Institute; Sarah Lawrence College; and University of Massachusetts. Her work has been exhibited at venues including Art in Odd Places; the Boiler; Bronx Art Space; Bullet Space; Chashama; Cornell University; Ed Varie; Elizabeth Foundation; La Bodega; Open Source; Museum of Reclaimed Urban Space; Nars Foundation; PS122 Gallery; and Spring Break Art Show.
URL:https://www.arttable.org/event/new-york-ny-guided-tour-of-wangechi-mutu-intertwined-at-the-new-museum/
LOCATION:The New Museum\, 235 Bowery\, New York\, New York\, 10002\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/04/Mutu-Install-14_web.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230515T153000
DTEND;TZID=America/New_York:20230515T153000
DTSTAMP:20260415T064322
CREATED:20230417T194323Z
LAST-MODIFIED:20230506T144905Z
UID:12005-1684164600-1684164600@www.arttable.org
SUMMARY:* WAITING LIST * New York\, NY | Guided Tour of The European Fine Art Foundation (TEFAF) Fair
DESCRIPTION:Please join us for a guided tour of TEFAF. Established in 1988\, The European Fine Art Foundation (TEFAF) is widely regarded as the world’s preeminent organization for fine art\, antiques\, and design. This year\, TEFAF celebrates its eighth year in NYC\, hosting 91 galleries from 14 countries with blue-chip offerings of modern European and contemporary art and design. Our guide will focus on women-owned galleries and female artists on display at the historic Park Avenue Armory. Following the tour\, we invite members and their guests to join us at the oyster and champagne bar on the upper level for pay your own way drinks. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $20\n\n\n\nMember Guests – $30\n\n\n\nNon-Members -$40\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n* PLEASE NOTE THAT WE HAVE A WAITING LIST FOR THIS EVENT * \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
URL:https://www.arttable.org/event/new-york-ny-guided-tour-of-the-european-fine-art-foundation-tefaf-fair/
LOCATION:TEFAF New York at the Park Avenue Armory\, 643 Park Avenue\, New York\, New York\, 10065\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/04/TFAF.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230516T190000
DTEND;TZID=America/New_York:20230516T200000
DTSTAMP:20260415T064322
CREATED:20230506T203056Z
LAST-MODIFIED:20230513T141554Z
UID:12148-1684263600-1684267200@www.arttable.org
SUMMARY:New York\, NY | Gallery Tuesdays at Salon Zürcher "11 Women of Spirit"
DESCRIPTION:Join ArtTable for the 28th Edition of SALON ZÜRCHER\, hosted by Zürcher Gallery founder Gwenolee Zurcher. A distinguished group of 11 women artists show their work in the space on Bleecker Street in Manhattan. Femmes d’esprit was an 18th-century French term that referred to independently-minded female painters\, writers\, and intellectuals\, routinely under-recognized by their male contemporaries and publics.  \n\n\n\nBetween their two locations\, Zürcher New York / Paris has hosted 27 fairs. The May 2022 edition of 11 Women of Spirit (Part 5) was featured in Hyperallergic with a special review by Ela Bittenncourt and was mentioned as a must-see satellite fair in the New York Times and Timeout. Zürcher Gallery is located in the East Village\, within walking distance of the New Museum\, the Lower East Side\, and TriBeCa gallery districts. \n\n\n\nIn keeping with the spirit of artistic salons\, 11 Women of Spirit involves the presence of the following 11 participating artists: \n\n\n\nBettina BlohmPetey BrownSue CollierFukuko HarrisNancy ManterVictoria PalermoSacha Floch PoliakoffJo Ann RothschildSonita SingwiJenny TangoApril Vollmer \n\n\n\n\n\n\n\n\nArtTable Members & Guests – complimentary\n\n\n\nPublic Admission – complimentary\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Bettina Blohm | Spanish Moon\, 2021 oil on linen 65 x 50 in / 165\,1 cm x 127 cm \n\n\n\n\n\n\n\n\n\n\nGwenolee Zürcher Encouraged by Joan Mitchell\, Gwenolee Zürcher cofounded Zürcher Gallery in New York and Paris in 2003. Read more on Hyperallergic.
URL:https://www.arttable.org/event/new-york-ny-gallery-tuesdays-at-salon-zurcher-11-women-of-spirit/
LOCATION:ZÜRCHER GALLERY\, 33 Bleecker Street\, New York\, New York\, 10012
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/05/BETTINA-BLOHM-Spanish-Moon-2021-oil-on-linen-65-x-50-in-1651-cm-x-127-cm.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230518T130000
DTEND;TZID=America/New_York:20230518T140000
DTSTAMP:20260415T064322
CREATED:20230509T173428Z
LAST-MODIFIED:20230512T161726Z
UID:12165-1684414800-1684418400@www.arttable.org
SUMMARY:National | NADA Panel | Building Networks of Opportunity for Women-Identifying & Non-Binary Arts Professionals
DESCRIPTION:ArtTable is delighted to join New Art Dealers Alliance for their “NADA Presents” series. This panel will explore how the arts community can better support women-identifying and non-binary arts professionals through mentorship\, visibility\, and resource sharing. Jessica Porter (Lila Harnett Executive Director of ArtTable) will speak with HC Huỳnh (Deputy Director of The Elizabeth Foundation for the Arts)\, Carolyn Ramo (Executive Director Artadia)\, and Victoria Rogers (Founder of Black Trustee Alliance for Art Museums) about the benefits of these types of programs\, and their experiences in creating positive change through active support systems in the art world. \n\n\n\n\n\n\n\nNADA Presents takes place at 535 West 22nd Street\, 4th Floor. All programs are free and open to the public. Capacity is limited\, and guests will be seated on a first come first served basis.  \n\n\n\nNADA New York and NADA Presents are both wheelchair accessible. An ASL interpreter will be present at all NADA Presents programs\, and recordings of each NADA Presents program will be available online following the event. \n\n\n\nAdmission: \n\n\n\n\nComplimentary registration: we have 10 tickets reserved especially for ArtTable members: click below to book yours! Your email address will be shared with NADA.\n\n\n\nWhen the reserved seats are taken\, please come to the event and join the public seating.\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
URL:https://www.arttable.org/event/national-nada-panel-building-networks-of-opportunity-for-women-identifying-non-binary-arts-professionals/
LOCATION:535 West 22nd Street\, 4th Floor\, 535 West 22nd Street\, New York\, New York\, 10011
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/05/WomenNonBinaryPeopleNetworking.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230520T103000
DTEND;TZID=America/New_York:20230520T120000
DTSTAMP:20260415T064322
CREATED:20230417T185608Z
LAST-MODIFIED:20230417T200228Z
UID:11980-1684578600-1684584000@www.arttable.org
SUMMARY:National | ArtTable Reception & Tour at VOLTA New York
DESCRIPTION:Please join us for a brunch reception and tour with Cristina Salmastrelli at VOLTA New York!  \n\n\n\nTake advantage of this great opportunity to meet your fellow ArtTable members during Frieze Week in New York City. Enjoy a delicious array of brunch items while mingling with your fellow members. \n\n\n\nVOLTA New York’s “A Female Focus” spotlight highlights artist Natalie Collette Wood\, represented by Vellum Projects; Asako Tabata\, represented by SEIZAN Gallery; Dana Sherwood\, represented by Galerie Heike Strelow; and Chellis Baird\, represented by FORMAH. Be sure to keep your eye out for them! \n\n\n\nYour ticket covers general access to the fair\, access to the brunch reception\, tour\, and refreshments. \n\n\n\n*Please note that your reply/confirmation email will contain an EventBrite link to book your complimentary fair passes before the brunch! Please be sure to do that in advance.* \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $55\n\n\n\nArtTable Member +1 Guest – $120\n\n\n\nAdditional Guest -$50_________________________\n\n\n\nNon-Members – $75\n\n\n\nNon-Member’s Guest – $50\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\nAbout VOLTA\n\n\n\nVOLTA debuted in New York in 2008 to support ambitious international galleries to participate in the art markets’ major cities. Now\, VOLTA returns to present over 50 international galleries at our 2023 edition May 17 – 21 at the Metropolitan Pavilion.  \n\n\n\n“Beginning as an art fair collaboration between dealers and their friends in Basel\, VOLTA has built up a reputation as a gallery favorite. Purposefully planned during Frieze New York\, it’s ideal to hit both. “ VOLTA Art Fair fosters galleries in staging ambitious solo and group presentations\, refining the experience to its essential elements: the artists and their work. This focus on compelling visual statements by up-and-coming and established artists cultivates a vibrant and approachable environment of discovery for the engaged collector.  \n\n\n\n\n\n\n\nImage: VOLTA New York\, Courtesy of VOLTA
URL:https://www.arttable.org/event/national-arttable-reception-tour-at-volta-new-york/
LOCATION:Volta New York 2023\, 125 West 18th Street\, New York\, New York\, 10011
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/04/Volta2218.6150dpi-42.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230523T170000
DTEND;TZID=America/New_York:20230523T193000
DTSTAMP:20260415T064322
CREATED:20230506T144108Z
LAST-MODIFIED:20230506T144241Z
UID:12141-1684861200-1684870200@www.arttable.org
SUMMARY:DC | MeetAT Doyle Bar & Lounge
DESCRIPTION:Come meet current ArtTable members and invite interested guests to join us over happy hour at the last event of the season before the summer break from programming! We’ll meet at Doyle Bar & Lounge. Designed by the renowned Martin Brudnizki Design Studio\, Doyle is a warm\, club-like bar with panoramic views of Dupont Circle. We encourage members to bring friends and colleagues to engage over refreshments and conversation and to learn more about ArtTable and our lively and active chapter in the Washington\, DC region. \n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/dc-meetat-doyle-bar-lounge/
LOCATION:Doyle at The Dupont Circle Hotel\, 1500 New Hampshire Ave NW\, Washington\, District of Columbia\, 20036
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/05/MeetAT.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230524T120000
DTEND;TZID=America/New_York:20230524T130000
DTSTAMP:20260415T064322
CREATED:20230427T204243Z
LAST-MODIFIED:20230522T220646Z
UID:12112-1684929600-1684933200@www.arttable.org
SUMMARY:National | Virtual Lunch & Learn: Understanding the Gender Pay Gap in the Arts
DESCRIPTION:9 am PDT / 10 am MDT / 11 am CDT / 12 pm EDT\n\n\n\nWelcome to our Virtual Lunch & Learn Series! We’re looking forward to seeing you at our complimentary lunchtime professional development series on Wednesdays this spring—join us from wherever you happen to be. \n\n\n\nHow are we addressing the gender pay gap in our industry as a whole\, and in each of our organizations? Is there progress being made\, and what are the current challenges? On May 24\, please join ArtTable’s Lila Harnett Executive Director\, Jessica L. Porter\, in conversation with sociologist Dr. Gillian Gualtieri\, who specializes in the relationship between race\, gender\, organizations\, and culture\, and is the lead on ArtTable’s ArtTable Survey on Working in the Arts. \n\n\n\n\n\nDr. Gillian Gualtieri’s cross-disciplinary scholarship examines the field of cultural production in its widest sense: how art is made and valued; and how taste\, gatekeeping\, and criticism shape prestige. Gualtieri looks at who is operating in these spaces and how systems of racial\, gender\, class\, and national inequality shape the field. \n\n\n\nA widely-published scholar\, she has studied art and craft as categories—examining where ideas of creativity and function intersect in American fine dining and food writing\, and how innovation across and within artistic practices in general is starting to destabilize the traditional hierarchies between art and craft. \n\n\n\nGualtieri is most recently a co-author of “Campus Connections for Creative Careers: Social capital\, gender inequality\, and artistic work\,” in Poetics 96 (2023). This analysis of the data from the Strategic National Arts Alumni Project (SNAAP) examines how social capital in college supports more successful post-graduation job searches—but found there are disparities between men and women in their access to social capital and the impact of social capital and its ability to confer career advantages. A recommendation for focused networking and mentorship in the arts is one of the possible calls to action from the study. This is impactful research for post-secondary educators and those who are working with early-career colleagues to consider some of the deeper systemic issues at play as we work toward equity in our professions. \n\n\n\n\n\nAdmission: \n\n\n\n\nComplimentary with optional donation\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\nAfter registration\, you will receive an email containing the Zoom link.All virtual programs offer live automatic closed captioning. \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\n\n\n\nAbout Gillian Gualtieri\nGillian Gualtieri\, PhD\, is a Visiting Assistant Professor in the Department of Sociology at Barnard College. Previously\, she was a postdoctoral scholar at the Curb Center for Art\, Enterprise and Public Policy at Vanderbilt University and a postdoctoral fellow at New York University. In 2018\, Gillian received her PhD in Sociology at the University of California\, Berkeley. Her research broadly considers the relationship between race\, gender\, organizations\, and culture. Gillian has published research on symbolic compliance and sexual harassment on college campuses (in Sociological Forum)\, the intellectual development of the theoretical concept of institutional logics (in the Oxford Research Encyclopedia of Business and Management) and the gender dynamics of the western literary canon (published in Gender Issues). gilliangualtieri.com \n  \nAbout Jessica Porter\nJessica Porter is ArtTable’s Lila Harnett Executive Director. She joined ArtTable as the ED in 2018\, after 4 years on the Board of Directors and 8 years of membership. In this role\, she is responsible for developing the long-range strategy of ArtTable\, providing leadership and oversight in fundraising to meet financial goals\, and directing communications and brand management to enhance the success of the organization. She oversees and provides leadership to the staff and the membership as a whole\, expanding and educating through research\, programs\, and communications. In 2020 she was the first to assume the name of ArtTable’s founder\, Lila Harnett\, and became the Lila Harnett Executive Director.  \nPrior to this role\, she was the Executive Director of New York Artists Equity Association\, Inc (NYAEA) a 501(c)(3) non-profit organization founded in 1947 by artists and art patrons with the mission to promote opportunities for artists. It operates Equity Gallery\, an art space located on the Lower East Side of New York City.   \nIn 2001\, Porter launched Porter Advisory\, working with galleries and other organizations as an independent curator\, creating exhibitions in alternative spaces and advising artists on unique opportunities and career advancement. From 2006 to 2017\, Porter founded and directed Porter Contemporary\, a Chelsea art gallery\, where she was responsible for the overall strategy\, business development and market growth\, marketing\, communications\, and talent acquisition.  \nShe has spoken as an expert on CNBC about art collecting and investment of emerging artists\, to the Harvard Business Women’s Association about starting an art collection\, and has participated in panel discussions on such topics as art and music\, women in the art industry\, art and social justice\, contemporary visions of Picasso and art collecting. She is also a lawyer. \nPorter’s natural networking skills\, combined with strategic event planning and social marketing\, have made her a leader in the growth of her own businesses as well as other organizations. Porter demonstrates a commitment to providing guidance and opportunities to other women as part of the Leadership Advisory Board for the Girl Scouts of Greater New York’s annual Women of Distinction Fundraiser and as a Board Member and former Vice President of Membership at ArtTable. She also enjoys coaching little league softball and serving as a supporter and role model to girls in sports. Porter has a Bachelor’s in Art History and French Language and Literature from the University of Delaware and a Juris Doctor from the University of Maryland. 
URL:https://www.arttable.org/event/national-virtual-lunch-learn-understanding-the-gender-pay-gap-in-the-arts/
LOCATION:Virtual
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/04/Jessica-Gillian.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230525T160000
DTEND;TZID=America/Los_Angeles:20230525T170000
DTSTAMP:20260415T064322
CREATED:20230509T223901Z
LAST-MODIFIED:20230511T180856Z
UID:12182-1685030400-1685034000@www.arttable.org
SUMMARY:National | Guided Tour of the Hammer Museum with Ann Philbin
DESCRIPTION:Join ArtTable for a tour of the Hammer Museum with Director Ann Philbin!The Hammer Museum’s completion of a 90-million dollar renovation this March is the most recent step in a more than 20-year transformation of this Los Angeles institution\, which Ann Philbin has overseen since becoming its director in 1999. This major capital campaign has allowed the museum to add visibility\, expand its galleries\, showcase its collection\, and build community and public spaces. The Hammer Museum is one of three public arts institutions of the School of the Arts and Architecture at UCLA\, and is one of the most influential museums in the country. \n\n\n\nArtTable Members $10\nArtTable Guests $15\nPublic $20\n\nNot an ArtTable member? Join today! \n \nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\nImage: Hammer’s new entrance at Wilshire and Westwood. Photo by Eric Staudenmaier. \n\n\n\n\n\n\n\n\n\n\n\nAnn PhilbinAnn Philbin began her career in New York as an independent curator at the Ian Woodner Family Collection and then was an art dealer at the Curt Marcus Gallery. Philbin served as director of The Drawing Center in New York from 1990 through 1999\, where she curated exhibitions of works on paper. She the moved to Los Angeles\, where she has been the visionary Director of The Hammer Museum for the past 24 years. Philbin was recognized in ArtReview’s “Power 100” eight times\, and has been included on Los Angeles Business Journal’s LA500 list. She has received the rank of Officier in National des Arts et des Lettres from the French Consulate of Los Angeles\, and was recently elected to the American Academy of Arts and Sciences.
URL:https://www.arttable.org/event/national-guided-tour-of-the-hammer-museum-with-ann-philbin/
LOCATION:The Hammer Musem\, 10899 Wilshire Blvd.\, Los Angeles\, 90024
CATEGORIES:National,Southern California
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ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20230530T173000
DTEND;TZID=America/New_York:20230530T190000
DTSTAMP:20260415T064322
CREATED:20230523T182900Z
LAST-MODIFIED:20230523T182905Z
UID:12228-1685467800-1685473200@www.arttable.org
SUMMARY:New York\, NY | Gallery Tuesday | Marilyn Minter at LGDR with Jeanne Greenberg Rohatyn
DESCRIPTION:Join us for a tour of Marilyn Minter’s newest exhibition led by curator and LGDR Gallery partner Jeanne Greenberg Rohatyn. Spanning three floors and six gallery spaces\, this ambitious show is Minter’s first solo exhibition in New York since her celebrated retrospective Pretty/Dirty at the Brooklyn Museum in 2016–17. \n\n\n\nIt introduces several new bodies of work\, including portraiture\, and highlights Minter’s daring fifty-year exploration of beauty\, representation\, autonomy\, and desire through a feminist\, sex-positive perspective. A jaw-dropping display of jewel-toned paintings comingle with sculpture\, video\, photographs\, and prints. \n\n\n\nMinter approaches some of her now familiar themes with a critical\, fresh eye and fearlessly tackles the art-historical canon by reinterpreting traditional genres such as bathers\, odalisques\, and portraiture. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\nPublic – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\nAbout the Jeanne Greenberg Rohatyn\nJeanne Greenberg Rohatyn has helped shape the art world both directly as curator of three art galleries and indirectly as the host of salons where artists of all stripes have met and begun surprising collaborations. Greenberg Rohatyn studied art at Vassar and NYU before becoming a private curator and advisor\, making connections between prospective patrons\, including hip-hop legend and filmmaker Jay-Z\, and up-and-coming artists. She continued to forge such connections through her salons\, and nurture and advise artists whose potential she recognizes. Her gallery\, Salon 94\, has three locations and is known for showcasing artists of wildly different styles and backgrounds; Greenberg Rohatyn is known for seeking out artists for the variety and range of their work. She chairs the board of Performa\, a performance art biennial\, and is part of the selection committee for the Frieze New York Art Fair. In 2014\, Artfair named her one of the 25 most important women in the art world. \n\n\n\n\n\n\nImage: Marilyn Minter. About Damn Time\, 2023.
URL:https://www.arttable.org/event/new-york-ny-gallery-tuesday-marilyn-minter-at-lgdr-with-jeanne-greenberg-rohatyn/
LOCATION:LGDR Gallery\, 3 East 89th Street\, New York\, New York\, 10128
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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