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DTSTART;TZID=America/New_York:20230905T183000
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SUMMARY:New York | Annual Leadership Series: The Future of Gender-Based Organizations
DESCRIPTION:Welcome to ArtTable’s 2023 Annual Leadership Series panel discussion on Tuesday\, September 5 in New York City! “The Future of Gender Based Organizations” engages the arts and business communities in a critical examination of how organizations dedicated to addressing existing gender-based disparities in wages and opportunities can continue to research\, advocate\, network\, and address inequities—particularly as the culture moves forward into a more evolved understanding of gender identity. In the panel discussion\, we will consider the value and meaning of gender-based organizations\, their changing roles\, purposes\, and goals\, and the context and consequences of leading such organizations in a changing political and cultural moment. The program will continue to establish ArtTable as an advocate for equality within and beyond the art community. Our panel features: Alyssa Nitchun\, Executive Director of the Leslie-Lohman Museum of Art; Subha V. Barry\, President of Seramount; Alicin Williamson\, Chief Diversity and Culture Officer\, Yahoo!; and Jessica L. Porter\, Lila Harnett Executive Director of ArtTable. Sociologist Dr. Gillian Gualtieri will moderate this important discussion. We’ll open with time to network and socialize over refreshments and light bites.This signature ArtTable program was initially launched in 2016\, and since its inception\, the series has been featured during Armory Show week\, fostering engaging conversations among prominent women-identifying and nonbinary professionals. It has provided a platform for these influential voices to discuss the most pressing and relevant topics within our industries. We are proud to partner with the Women’s Forum of New York\, a leading organization that is similarly committed to equity\, advocacy\, and community engagement. Women’s Forum Members can register here. \n\n\n\n\n\n\n\nThe program will be moderated by Dr. Gillian Gualtieri\, Visiting Assistant Professor in the Department of Sociology at Barnard College\, with panelists: \n\n\n\n\nSubha V. Barry | President of Seramount\n\n\n\nAlyssa Nitchun | Executive Director of the Leslie-Lohman Museum of Art\n\n\n\nAlicin Williamson | Chief Diversity and Culture Officer of Yahoo!\n\n\n\nJessica L. Porter | Lila Harnett Executive Director of ArtTable\n\n\n\n\nAdmission: \n\n\n\n\nArtTable & Women’s Forum Members – $35\n\n\n\nNon-members/Guests – $45\n\n\n\n\nNot an ArtTable member? Join today! \n\n\n\n\nREGISTER HERE\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.\n\n\n\n\n\n\n\n\n\n\nAbout the Speakers\n\n\n\nSubha V. Barry is a C-suite leader and an Advisor who brings a unique perspective on the alignment of corporate culture to talent strategy and business results. As a transformational change agent\, she has a proven record of identifying and accelerating new business creation\, driving sales\, and increasing profitability. She is president of Seramount\, now part of EAB. Seramount is a strategic professional services firm dedicated to advancing diversity\, equity and inclusion in the workplace. Here\, she drives the firm’s vision\, strategy\, and business development. \n\n\n\n\nPrior to Seramount\, Subha was SVP and Chief Diversity Officer at Freddie Mac\, where she served on the firm’s management committee and led their Foundation. During her 20+ years at Merrill Lynch\, Subha was a Managing Director and the company’s first Global Head of Diversity and Inclusion\, driving strategy\, infrastructure and execution with a lens on both global and local community.  \n\n\n\nShe has taught Gender Policy at Columbia University and speaks passionately about the ability to drive innovation by embracing diversity and creating a culture of inclusion. She serves on a number of boards aligned with her passions—education\, cancer research\, and women’s advancement. \n\n\n\nA native of India\, Subha holds a BA from Bombay University and an MBA and MS in Accounting from Rice University. She enjoys golfing\, reading poetry and rallying for social change. She has two grown children and lives in Naples\, Florida and New Hope\, PA with her husband.  \n\n\n\n\n\n\n\n\nAlyssa Nitchun is Executive Director of The Leslie-Lohman Museum of Art (LLMA)\, where she oversees the Museum’s many initiatives and long-term growth. Alyssa was the first queer woman to be selected by the Board to lead LLMA and in her two years as Director\, she is already ushering the Museum into the future\, building a queer\, revelatory\, radically affirming art Museum\, that centers people and collective meaning making. Prior to her appointment at LLMA\, Alyssa had a career in cultural consulting and nonprofits\, spending time advising artists and cultural institutions on realizing thought-provoking projects in the Middle East and Europe. \n\n\n\n\nAlyssa also served as Acting Executive Director at the public art organization Creative Time\, where she spent nearly seven years working in development\, communications\, and team management. She previously oversaw Institutional Giving for the public media organization\, StoryCorps and was the Director of Development for the CUNY Graduate Center’s Center for Lesbian and Gay Studies. Alyssa has held multiple creative positions in the worlds of art\, fashion\, and music\, and received an MA in Gender Politics with a focus in Queer theory from New York University. In her current role at The Leslie-Lohman Museum of Art\, Alyssa is expanding the Museum’s purpose beyond its position as an art museum\, into a hub for community and creative expression\, actively shaping a better future for LGBTQIA+ people with artists leading the way. \n\n\n\n\n\n\n\n\nAlicin Reidy Williamson is a global diversity and strategy executive. Her experience includes being a Managing Principal at strategic policy firm\, The Raben Group\, SVP of Public Affairs and Corporate Responsibility for MTV Networks and Viacom\, Chief Inclusion Officer at Endeavor and she now serves as Chief Diversity and Culture Officer at Yahoo!. In her current role\, Alicin leads global diversity and inclusion\, employee engagement and culture for the company. In her partnerships\, she’s developing the external relationships that will increase Yahoo’s diversity footprint as a thought leader in this space. Alicin currently sits as a board member of The Dalton School\, She Should Run\, March on Washington Film Festival and is an advisor for the Council on Juvenile and Family Court Judges and chairs a joint collaboration of veteran service organizations\, Hire Heroes and Operation Homefront. \n\n\n\n\n\n\n\n\n\nJessica L. Porter is ArtTable’s Lila Harnett Executive Director. She joined ArtTable as the executive director in 2018\, after 4 years on the Board of Directors and 8 years of membership. Porter is responsible for developing the long-range strategy of ArtTable\, providing leadership and oversight in fundraising to meet financial goals\, and directing communications and brand management. In 2020\, she was the first to assume the name of ArtTable’s founder as the Lila Harnett Executive Director.  \n\n\n\n\nPrior to this role\, she was the Executive Director of the New York Artists Equity Association\, Inc (NYAEA)—a 501(c)(3) nonprofit organization founded in 1947. In 2001\, Porter launched Porter Advisory\, working as an independent curator\, creating exhibitions and advising artists on career advancement. From 2006 to 2017\, Porter founded and directed Porter Contemporary\, a Chelsea art gallery\, where she was responsible for strategy\, business development and market growth\, marketing\, communications\, and talent acquisition. Porter has spoken on CNBC about art collecting and investment in emerging artists\, to the Harvard Business Women’s Association about starting an art collection\, and has participated in panel discussions on topics including art and music\, women in the art industry\, art and social justice\, contemporary visions of Picasso and art collecting. Porter has served as part of the Leadership Advisory Board for the Girl Scouts of Greater New York’s annual Women of Distinction Fundraiser. She also enjoys coaching little league softball and supporting girls in sports. Porter has a Bachelor’s in Art History and French Language and Literature from the University of Delaware and a Juris Doctor from the University of Maryland. \n\n\n\n\n\n\n\n\nGillian Gualtieri\, PhD\, is a Visiting Assistant Professor in the Department of Sociology at Barnard College\, where she teaches classes in the sociology of art\, race and ethnicity\, gender\, organizations\, and culture. Previously\, she was a postdoctoral scholar at the Curb Center for Art\, Enterprise and Public Policy at Vanderbilt University and a postdoctoral fellow at New York University. In 2018\, Gillian received her Ph.D. in Sociology at the University of California\, Berkeley.  Gillian has published research on symbolic compliance and sexual harassment on college campuses (in Sociological Forum)\, inequality in the art world (Poetics; SNAAP Report)\, and racial and gender inequality in fine dining (Social Problems; Poetics). Gualtieri is the lead researcher on ArtTable’s 2023 Survey on Working in the Arts. Gilliangualtieri.com
URL:https://www.arttable.org/event/new-york-annual-leadership-series-the-future-of-gender-based-organizations/
LOCATION:22 Vanderbilt\, 335 Madison Ave\, New York\, New York\, 10017
CATEGORIES:New York,National
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DTSTART;TZID=America/New_York:20230909T110000
DTEND;TZID=America/New_York:20230909T123000
DTSTAMP:20260404T155126
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SUMMARY:National | ArtTable Annual Brunch Reception at The Armory Show 2023
DESCRIPTION:Please join us for ArtTable’s Annual Brunch at The Armory Show! This is a great time for members and friends from across the country to come together and network at New York’s premiere art fair\, taking place annually in September at the Javits Center in New York City. Your ticket covers access to the fair\, early private access to the VIP Lounge\, and refreshments. \n\n\n\nArtTable members won’t want to miss this year’s show\, featuring an all-women lineup of fair curators! Eva Respini chief curator at the Institute of Contemporary Art\, Boston\, curates the Platform section\, which features large-scale and site-specific works. Chief curator of Forge Project in Taghkanic\, New York\, Candice Hopkins\, curates the Focus section\, which covers solo and dual artist presentations. Adrienne Edwards\, director of curatorial affairs at the Whitney Museum of American Art in New York\, will chair the event’s sixth annual Curatorial Leadership Summit. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $55\n\n\n\nMember Guests – $65\n\n\n\nNon-Members – $75\n\n\n\nCombo Ticket – $65 for Members / $100 for Non-Members – Save when registering for this event and ArtTable’s Annual Leadership Series on Tuesday\, September 5.\n\n\n\n\nNot a member? Join today! \n\n\n\n\nPLEASE NOTE THAT WE ARE WAITLISTED FOR THIS EVENT! THIS PAGE WILL UPDATE IF MORE TICKETS BECOME AVAILABLE!\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThanks to The Armory Show\, for welcoming the ArtTable community with partner and VIP passes. \n\n\n\n\n\nThanks to our friends at Photofairs\, who have shared VIP passes. \n\n\n\n\n\nArtTable members have enjoyed access to Art on Paper: thank you! \n\n\n\n\n\nGratitude to Superfine Art Fair for welcoming ArtTable members. \n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\nImage: Vincent Tullo\, courtesy of The Armory Show 2022.
URL:https://www.arttable.org/event/national-arttable-annual-brunch-reception-at-the-armory-show-2023/
LOCATION:Armory Show at the Javits Center\, 429 11th Av\, New York\, New York\, 10001
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20230912T173000
DTEND;TZID=America/New_York:20230912T183000
DTSTAMP:20260404T155126
CREATED:20230803T134803Z
LAST-MODIFIED:20230815T191526Z
UID:13099-1694539800-1694543400@www.arttable.org
SUMMARY:Dallas\, TX | Tour of Helen Houp Fine Art Conservation
DESCRIPTION:Immerse yourself in a behind-the-scenes tour of the Helen Hope Fine Art Conservation studio led by Helen Houp herself. We will see artwork in the process of being treated\, discuss the different techniques Helen uses\, and the difference between conservation versus restoration. This is a unique opportunity to see a conservation studio up close. Please note\, it is limited to 10 members only. Confusion sometimes arises over the terms conservator and conservation and restorer and restoration. In conservation\, it’s of paramount importance that in treating a work that the intent of the artist is preserved. Conservators use reversible materials in their treatments\, provide narrative reports on the condition of the work as received and the treatment procedures employed with supporting photographs. The practice of conservation involves a thorough examination\, scientific analysis\, and research to reveal the materials employed in the execution of the work and the extent of the damages present. Based on these findings a regimen of conservation treatment is determined. Traditionally\, restorers have not been guided by the principles as stated above. Their emphasis is placed on what may be a short term rejuvenation rather than the long term preservation of the work of art. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nGuests – $25\n\n\n\n\n\n\n\n\n \n\n\n\n• • •\n\n\n\nImage credit:  \n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Conservator:\n\n\n\n\nHelen Houp is a paintings conservator with over 30 years experience preserving works of art. Following her graduation from the University of California\, Santa Barbara she joined the conservation staff of the Kimbell Art Museum\, Fort Worth\, Texas and there received training in painting conservation. Since 2001\, she has conducted a private conservation practice from her 2200 square foot studio/lab in Dallas\, Texas. She has treated paintings from diverse eras and movements\, works by Rembrandt to Rauschenberg and works from the folk to the contemporary art genre. In addition to the conservation treatment of the work of well known artists\, she has treated the paintings and murals of distinguished regional artists and the treasured heirlooms of individuals as well. Her clients include major art museums\, institutions of higher learning\, corporations\, art dealers\, ardent collectors\, and individuals. In addition to the treatment of paintings\, accomplished conservators associated with Helen A. Houp Fine Art Conservation assist in the conservation of objects\, photographs and works of art on paper. helenhoup.com
URL:https://www.arttable.org/event/dallas-tx-tour-of-helen-houp-fine-art-conservation/
LOCATION:HELEN HOUP Fine Art Conservation\, 2626 Lombardy Ln Ste 106\, Dallas\, Texas\, 75220
CATEGORIES:Dallas-Fort Worth
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20230912T183000
DTEND;TZID=America/New_York:20230912T193000
DTSTAMP:20260404T155126
CREATED:20230823T162047Z
LAST-MODIFIED:20231017T142754Z
UID:13383-1694543400-1694547000@www.arttable.org
SUMMARY:National  | Artist-Led tour of "Flower Atlas" with Miya Ando
DESCRIPTION:You won’t to miss the opportunity for an artist-guided tour of a botanical wonderland with Miya Ando! Imagine a world where time is not measured in months\, days\, and hours\, but in flowers. Flower Atlas envisions this unique concept. In this artistic creation\, the year 2023 is represented by 365 signature flowers\, each blooming on a different day somewhere on Earth. Curated by Kendal Henry at Brookfield Place.  \n\n\n\nSpecial thanks to Brookfield Place for welcoming the ArtTable Community!Venue Sponsor: Brookfield PropertiesCommissioning Entity: Arts Brookfield  \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\nPublic – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.ArtTable’s Artist Talks are made possible by the Pollock Krasner Foundation. \n\n\n\n\n\nImage: Miya Ando Flower Atlas. Image by Fadi-Kheir. Courtesy of Brookfield Place \n\n\n\n\n\n\n\n\nAbout the Artist\n\n\n\n \n\n\n\n\nMiya Ando is a Japanese/American artist based in New York. Her art is rooted in the dialectic coexistence of Eastern and Western cultures through the lens of natural phenomena. Her work is part of many public collections such as: Los Angeles County Museum of Art\, Los Angeles\, CA; Nassau County Museum of Art\, Roslyn Harbor\, NY; Corning Museum of Glass\, Corning\, NY; Detroit Institute of Arts\, Detroit\, MI; Luftmuseum\, Amberg\, Germany; Scottsdale Museum of Contemporary Art\, Scottsdale\, AZ; Santa Barbara Museum of Art\, Santa Barbara\, CA; The Museum of Art and History\, Lancaster\, CA\, as well as in numerous private collections. Solo exhibitions of her work have been presented at the Bolinas Museum\, Bolinas\, CA; the Asia Society Museum\, Houston\, TX; the Noguchi Museum\, New York\, NY; Savannah College Of Art and Design Museum\, Savannah\, GA; the Nassau County Museum\, Roslyn Harbor\, NY; and The American University Museum\, Washington DC. Her work has been included in recent group exhibitions at Crystal Bridges Museum of American Art\, Bentonville\, AR; Los Angeles County Museum of Art\, Los Angeles\, LA; Haus Der Kunst\, Munich\, Germany; Bronx Museum\, Bronx\, NY; and Queens Museum of Art\, Queens\, NY. Ando has been the recipient of several grants and awards including the Pollock-Krasner Foundation Grant Award\, and has produced several public commissions\, most notably a thirty-foot-tall sculpture built from World Trade Center steel for Olympic Park in London to mark the ten-year anniversary of 9/11\, for which she was nominated for a DARC Award in Best Light Art Installation. Ando was also commissioned to create artwork for the historic Philip Johnson Glass House\, New Canaan\, CT. Most recently\, Ando received the 2023 Brookfield Place New York Annual Arts Commission. The site-specific commission Flower Atlas Calendar will premier at the Winter Garden in Brookfield Place\, New York\, NY in July 2023.The artist holds a bachelor’s degree in East Asian Studies from the University of California\, Berkeley\, studied East Asian Studies at Yale University and apprenticed with a Master Metalsmith in Japan. www.miyaando.com
URL:https://www.arttable.org/event/national-artist-led-tour-of-flower-atlas-with-miya-ando/
LOCATION:Brookfield Place\, 230 Vesey St\, New York\, New York\, 10281
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230913T180000
DTEND;TZID=America/New_York:20230913T200000
DTSTAMP:20260404T155126
CREATED:20230729T181514Z
LAST-MODIFIED:20230829T145157Z
UID:13004-1694628000-1694635200@www.arttable.org
SUMMARY:National | "The Private Eye in Public Art" with Joyce Pomeroy Schwartz & Lowery Stokes Sims
DESCRIPTION:Beyond a traditional book launch\, spend an evening with two leading lights of the art world\, Joyce Pomeroy Schwartz and Lowery Stokes Sims. Their foundational contributions to ArtTable and the art community cannot be overstated; you won’t want to miss this chance to dive into their professional expertise\, stories\, and unique perspectives as they discuss Pomeroy Schwartz’s 2023 book The Private Eye in Public Art. Joyce will honor ArtTable’s founder\, Lila Harnett\, (in absentia) and foundational members Carole Morgan and Randy Rosen.  \n\n\n\nOur zoom guests will be with us for the interview; our in-person guests are welcome to network from 6-6:30 and enjoy wine and light bites—with gratitude to Joyce for hosting! (If you’re in the Washington\, DC area\, you can join your DC Chapter for a watch party—see below.)The Private Eye in Public Art\, “is an indispensable guide to the perils\, pains\, and pleasures of making art for architecture\, how people respond to that art\, and how and why that reception may change over time. This book is for all who are involved in the creation\, exhibition\, and preservation of contemporary public art: artists\, selection committees\, scholars\, students\, art professionals\, and the wider public.”“I have known Joyce for a long time―since 1972\, when there was a glass ceiling for working women―but not for Joyce. She joined the Pace Gallery as Director of Commissions\, helping artists realize their works of public art―and cracked her way through that ceiling. When I founded ArtTable\, the leadership organization for professional women in the visual arts\, Joyce came aboard\, and to this day she is a member of that team.” ―Lila Harnett\, Founder\, ArtTable \n\n\n\n\n\n\n\n\nFor our in-person guests: this event is Bring-Your-Own-Book! Joyce would be delighted to sign your copy of The Private Eye in Public Art if you would be so kind as to bring it with you. You can purchase it on Amazon (faster delivery) or from the publisher\, Oro Editions. \n\n\n\n\nIn-Person in NYC \n\n\n\n*We now have a waiting list! Please click “register here” to add your name\, and we will notify you if there are cancellations. You can also register for the zoom program below.* \n\n\n\n\nArtTable Members – $25\n\n\n\nGuests – $35\n\n\n\nPublic $40\n\n\n\n\nNot a member? Join today! \n\n\n\n\nREGISTER HERE: IN-PERSON NYC\n\n\n\n\n\n\n\n\nJoin us Virtually on Zoom\n\n\n\nThe interview starts at 6:30 pm Eastern\, 5:30 pm Central\, 4:30 pm Mountain\, 3:30 pm Pacific \n\n\n\n\nArtTable Members\, Guests\, and Public—optional donation appreciated!\n\n\n\n\n\nREGISTER HERE: ZOOM\n\n\n\n\n\n\n\n\nJoin the Washington\, DC Chapter’s Watch Party!\n\n\n\nJoin Washington\, DC ArtTable Chapter members to socialize\, connect\, and watch the livestream of Joyce & Lowery’s interview together! \n\n\n\n•  ArtTable Members and Guests—optional donation appreciated! \n\n\n\n\nREGISTER HERE: DC WATCH PARTY\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\nImages: Main: THE PRIVATE EYE IN PUBLIC ART. ORO Editions.Joyce Pomeroy Schwartz photo below: Costas Picadas.Lowery Stokes Simms photo below: Grace Roselli\, Pandora’s BoxX Project. \n\n\n\n\n\n\n\n\n\n\nJoyce Pomeroy Schwartz is a curator\, lecturer and public art consultant with a unique concentration in public art policy\, modern and contemporary art for architecture and the landscape in the broader context of cultural\, urban and environmental revitalization. In 1968-1971 she founded “The Photographer’s Gallery\,” the first gallery in New York City exhibiting photography as fine art. She was Director of Commissions at Pace Gallery in New York from 1972-1982\, implementing public sculpture projects with Pace artists. In 1982 Joyce founded “Works of Art for Public Spaces\, Ltd.”\, dedicated to working with American and International artists creating major works of Art for Architecture. She recently established the Harold and Joyce Pomeroy Schwartz “Archives of Public Art” at the Fales Special Collections/NYU Bobst Library\, of artists’ monographs\, photographs and papers available for public art historical research. It now includes the archives of the Public Art fund and Creative Time. She is also one of the founding board members of ARTTABLE. joycepomeroyschwartz.com \n\n\n\n\n\n\n\n\n\nLowery Stokes Sims served on the education and curatorial staff of The Metropolitan Museum of Art (1972-99)\, as executive director and president The Studio Museum in Harlem (2000-2007) and retired as Curator Emerita from the Museum of Art and Design (2007-2015). She has been an independent curator and consultant for the Caribbean Cultural Center\, the Contemporary Arts Center\, Cincinnati\, Craft Contemporary\, Grounds for Sculpture\, the Baltimore Museum of Art and the Center for Art\, Design & Visual Culture\, University of Maryland\,Baltimore County. She was Visiting Professor at the Institute of Fine Arts\, New York University (2018-2020) and the 2021-22 Kress-Beinecke Professor at the Center for Advanced Study in the Visual Arts at the National Gallery of Art\, Washington\, D.C. She is also one of the founding board members of ARTTABLE. Met Stories | Curator and Art Historian | Lowery Stokes Sims.
URL:https://www.arttable.org/event/national-the-private-eye-in-public-art-with-joyce-pomeroy-schwartz-lowery-stokes-sims/
LOCATION:West 54th St. or Zoom\, New York
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230914T160000
DTEND;TZID=America/New_York:20230914T164500
DTSTAMP:20260404T155126
CREATED:20230912T200215Z
LAST-MODIFIED:20230912T200216Z
UID:13544-1694707200-1694709900@www.arttable.org
SUMMARY:Virtual | New Member Orientation & Member Portal Walkthrough
DESCRIPTION:1pm PT / 2pm MT / 3pm CT / 4pm ET\nWelcome new ArtTable members! Please join us for a virtual orientation session where you will meet other new members and learn how to take full advantage of all the ArtTable community has to offer. This program is free and open to all ArtTable members. \nWhether you are new to our community or have been a long-time member\, there’s no wrong time for a refresher course! Connect with other members in a casual and relaxed online environment and learn more about what our community is all about. \nNot a member? Join today! \n \n(You will receive an email confirmation containing the Zoom link.) \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nCan’t join us for this new member orientation? Don’t worry\, we host virtual orientation sessions every 3 months! In the meantime\, we hope you can join us for another upcoming program or support other ArtTable initiatives!
URL:https://www.arttable.org/event/virtual-new-member-orientation-member-portal-walkthrough/
LOCATION:Zoom
CATEGORIES:National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230919T100000
DTEND;TZID=America/New_York:20230919T110000
DTSTAMP:20260404T155126
CREATED:20230819T153641Z
LAST-MODIFIED:20230819T153728Z
UID:13295-1695117600-1695121200@www.arttable.org
SUMMARY:Washington\, DC | Curator-led tour of "1898: U.S. Imperial Visions and Revisions" National Portrait Gallery
DESCRIPTION:Join co-curators Taína Caragol and Kate Lemay for an exclusive tour of “1898: U.S. Imperial Visions and Revisions” at the Smithsonian National Portrait Gallery! “That single year launched the United States on a path that would end with the annexation of Hawaii\, intervention in Cuba\, and the invasions of Puerto Rico\, the Philippines and Guam—profound geopolitical changes resulting from U.S. domination during the Philippine-American War (1899-1902) and the Spanish-American War (April to August 1898)\, now often referred to as the War of 1898.”—Maya Wei-Haas\, The Smithsonian Magazine. \n\n\n\nPortraiture is part of how we represent ourselves\, and how we memorialize our historic public figures from the heroic to the problematic. 125 years after this extensive series of conflicts\, the U.S. continues to grapple with its imperial legacy. The Smithsonian exhibition revisits these representations from multiple\, culturally-complex perspectives\, “and recognizes that the Smithsonian Institution’s collecting practices legitimized the imperial project.”Please see the Museum’s Visitor Page for Health\, Safety\, and Accessibility information. \n\n\n\n\nArtTable Members – suggested donation $10\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Queen Liliʻuokalani;. Harris & Ewing Studio (active 1905–1977). 1908 Gelatin silver print 37.4 × 28.8 cm (14 3/4 × 11 5/16 in.) National Portrait Gallery\, Smithsonian Institution; gift of Aileen Conkey. \n\n\n\nThank you to ArtTable member Laura Roulet for initiating this program. \n\n\n\n\n\n\n\n\n\nAbout the Curators \n\n\n\n\nTaína Caragol\, Curator of Painting and Sculpture and Latino Art and History\, joined the National Portrait Gallery in 2013 as the first curator for Latino art and history and her role was expanded to curator of painting and sculpture in 2015. Caragol has led the effort to increase the representation of Latino historical figures and artists at the museum\, adding over 170 portraits to the collection and ensuring that Latino contributions to American history and art are interwoven through the museum’s exhibitions and permanent collection. \n\n\n\nIn 2014\, she was the lead curator for “Portraiture Now: Staging the Self\,” which examined the forces that shape identity–from friendships\, to gender dynamics\, and histories of migration–through the work of contemporary Latino artists. In 2015\, she curated “One Life: Dolores Huerta\,” exploring Huerta’s role as co-architect of the farm workers movement with César Chávez. She co-curated “The Face of Battle: Americans at War\, 9/11 to Now” (2017) and “UnSeen: Our Past in a New Light\, Ken Gonzales-Day and Titus Kaphar” (2018).  \n\n\n\nPreviously\, Caragol was the curator of education at Museo de Arte de Ponce\, Puerto Rico\, where she organized the museum’s symposium on Pre-Raphaelite art and led a program of talks with contemporary Puerto Rican artists. She was the Museum of Modern Art’s Latin American bibliographer from 2004-2007\, and she worked as a postdoctoral researcher for Latin American Art in the United Kingdom: History\, Historiography\, Specificity\, 1960 to the Present\, an investigation led by the University of Essex (2007–2008). \n\n\n\nCaragol earned her PhD in art history from the City University of New York. Her dissertation “Boom and Dust: The Rise of Latin American and Latino Art in New York Exhibition Venues and Auction Houses\, 1970s–1980s\,” examined the incubating role of New York City’s alternative museums and art spaces and market during the “Latin American art boom” of the late 1980s. Her essay on Kehinde Wiley’s portrait of President Barack Obama was published in The Obama Portraits in February 2020 (Princeton University Press / National Portrait Gallery). \n\n\n\n\n\n\n\n\n\nKate Clarke Lemay\, Historian\, joined the National Portrait Gallery in 2015. She is a Fulbright Scholar; a Presidential Counselor to the National WWII Museum; and the founding director of PORTAL\, the Portrait Gallery’s scholarly center. Lemay also served as the founding coordinating curator for the Smithsonian American Women’s History Initiative. In 2019\, Lemay curated “Votes for Women: A Portrait of Persistence” to usher in the centennial of the U.S. American women’s suffrage anniversary. She published its eponymous catalogue with Princeton University Press which was awarded the 2021 Smithsonian Secretary’s Prize for Excellence in Research and the 2020 Amelia Bloomer Book Award from the American Library Association. \n\n\n\nIn 2017\, Lemay’s first book Triumph of the Dead: American WWII Cemeteries\, Monuments and Diplomacy in France was awarded the Terra Foundation in American Art publication grant. In 2018\, she served as guest editor for The International Journal of Military History and Historiography. She has published essays on art and military history for the University of North Texas Press\, Oxford University Press\, The Strategy Bridge\, Zócalo Public Square\, Reviews in American History\, and the Marine Corps University Press. Lemay’s research has been supported by a Terra Foundation in American Art predoctoral fellowship at the Smithsonian American Art Museum\, a fellowship in American Modernism at the Georgia O’Keeffe Museum Research Center\, and a fellowship from the Centre National de la Recherche Scientifique at the Caen Mémorial Museum in France. Lemay served as the lead historian for the transformation of the museum’s landmark exhibition “America’s Presidents” (2017). Her other exhibitions include “Marlene Dietrich: Dressed for the Image” (2017). \n\n\n\nBefore joining the National Portrait Gallery\, Lemay was an assistant professor of art history at Auburn University Montgomery and visiting assistant professor of the history of modern and contemporary art at Brigham Young University. She earned a dual PhD in American art history and American studies from Indiana University (Bloomington).
URL:https://www.arttable.org/event/washington-dc-curator-led-tour-of-1898-u-s-imperial-visions-and-revisions-national-portrait-gallery/
LOCATION:National Portrait Gallery\, 8th & G Streets NW\, Washington\, DC\, 20001\, United States
CATEGORIES:Washington, D.C.
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DTSTART;TZID=America/New_York:20230922T160000
DTEND;TZID=America/New_York:20230922T173000
DTSTAMP:20260404T155126
CREATED:20230824T143635Z
LAST-MODIFIED:20230921T233219Z
UID:13366-1695398400-1695403800@www.arttable.org
SUMMARY:New York | Tour of Ebony G. Patterson's "...things come to thrive..." at New York Botanical Garden
DESCRIPTION:Join Vice President for Exhibitions and Programming at New York Botanical Garden\, Joanna L. Groarke\, to usher in the first day of fall at one of New York City’s gems! Experience the beauty of gardens through the eyes of celebrated contemporary artist Ebony G. Patterson. Known for her lavishly-detailed mixed media installations\, Patterson brings her signature style to the Enid A. Haupt Conservatory and New York Botanical Garden landscape and galleries in a major site-specific exhibition featuring provocative displays of art and nature. Patterson’s work explores entanglements of race\, gender and colonialism while inviting visitors to contemplate their own relationships with gardens and the natural world. ArtTable members and guests will enjoy a bespoke\, guided tour of the work\, rain or shine\, as much of it is viewable from indoors. Please note we have limited spots available. Book yours today!SUBWAY DIRECTIONS \n\n\n\nB\, D\, or 4 trains to Bedford Park Blvd. Station. Take the Bx26 bus east to the Garden’s Mosholu Entrance OR walk eight blocks down the hill on Bedford Park Blvd (20 min). Turn left onto Southern Blvd. and walk one block to Mosholu Entrance.\n\n\n2 train to Allerton Ave. station. Walk three blocks west on Allerton Ave. Turn left on Bronx Park East and walk two blocks to Waring Ave. At the park entrance\, walk up the small hill leading directly to the Garden’s East Gate.\n\n\n\nVisit the NYBG website for directions by car\, accessibility information\, and visitor policies. \n\n\n\n\n\n\n\nAdmission \n\n\n\n\nArtTable Members – $50\n\n\n\nGuests – $60\n\n\n\nPublic -$65\n\n\n\n\nNot a member? Join today! \n\n\n\n\nREGISTER HERE\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\nImages: Detail of Ebony G. Patterson things come to thrive…in the shedding…in the molting (2023) in the Palms of the World Gallery of the Enid A. Haupt Conservatory (NYBG Photo). \n\n\n\n\n\n\n\n\n\n\nEbony G. Patterson received her BFA in painting from Edna Manley College of Visual and Performing Arts in Kingston\, Jamaica in 2004. She received an MFA degree in 2006 in printmaking and drawing from the Sam Fox School of Design & Visual Arts at Washington University in St. Louis. \n\n\n\nPatterson has taught at the University of Virginia; Edna Manley College School of Visual and Performing Arts; has served as Associate Professor in Painting and Mixed Media at the University of Kentucky; and was the Bill and Stephanie Sick Distinguished Visiting Professor at the School of the Art Institute of Chicago. She has been featured in biennials worldwide including Liverpool (2021)\, Athens (2021)\, São Paulo (2016)\, and Havana (2015). Her work is in the collections of institutions including 21c Museum and Foundation\, Louisville\, Kentucky; Art Gallery of Ontario\, Toronto; Los Angeles County Museum of Art\, Los Angeles\, CA; Museum of Art and Design\, New York; Nasher Museum\, Duke University\, Durham\, NC; the National Gallery of Jamaica\, Kingston; the Pérez Art Museum Miami; San Francisco Museum of Modern Art; Speed Art Museum\, Louisville\, Kentucky; Studio Museum in Harlem; the Virginia Museum of Fine Art; and the Whitney Museum of American Art. Patterson is Co-Artistic Director\, along with curator Miranda Lash\, of Prospect.6 New Orleans\, slated to open in Fall 2024. \n\n\n\n\n\n\n\n\n\nJoanna L. Groarke is the Vice President for Exhibitions and Programming at New York Botanical Garden where she has led a team that develops exhibitions\, interpretive materials and publications\, and public programming integrating NYBG’s multidisciplinary mission areas of science\, education\, and horticulture. Her service to NYBG extends over 10 years\, having previously worked as Director of Public Engagement & Library Exhibitions Curator\, Curator of Interpretive Content for Public Engagement\, and Interpretive Specialist. She has more than 15 years of experience creating exhibitions\, events\, and audience development programs for institutions including the Irish Arts Center and Tufts University Art Gallery. She will bring to her new role extensive experience in innovative\, visitor-centered exhibition and program development\, purposeful strategy and business planning\, and building talented\, motivated teams. \n\n\n\nHer strength in program planning and implementation is complemented by her involvement with the American Alliance of Museums as a Board Member & Program Co-Chair for the National Association for Museum Exhibition. In 2018\, she was awarded the Gold Davey Award for Best User Experience for the Georgia O’Keeffe Interactive Guide. Groarke holds a bachelor of arts in sociology from The College of William and Mary and a master of arts in Art History from Tufts University.
URL:https://www.arttable.org/event/new-york-tour-of-ebony-g-pattersons-things-come-to-thrive-at-new-york-botanical-gardens/
LOCATION:New York Botanical Gardens\, 2900 Southern Blvd\, Bronx\, New York\, 10458
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/08/Screen-Shot-2023-08-22-at-5.56.54-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230928T150000
DTEND;TZID=America/New_York:20230928T160000
DTSTAMP:20260404T155126
CREATED:20230916T163234Z
LAST-MODIFIED:20230916T163236Z
UID:13563-1695913200-1695916800@www.arttable.org
SUMMARY:Florida | Virtual Afternoon Tea & Networking
DESCRIPTION:Come and join your fellow Florida ArtTable members for a virtual networking event where we delve into the insights gathered from our summer survey. We’ll explore the types of programming that ArtTable Members residing in the Sunshine State are particularly enthusiastic about. This event will be co-hosted by Sharikay Sloboda and Barbara Chamberlain\, offering a relaxing tea break during which we can engage in conversations about the events our members wish to see in our diverse region. Florida boasts a thriving art industry\, and we’re eager to learn more about your contributions to it and your vision for the future of programs in our area. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – complimentary\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/florida-virtual-afternoon-tea-networking/
LOCATION:Zoom
CATEGORIES:Florida
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/09/Untitled-design-14.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20230928T150000
DTEND;TZID=America/New_York:20230928T160000
DTSTAMP:20260404T155126
CREATED:20231106T160529Z
LAST-MODIFIED:20231120T161435Z
UID:14167-1695913200-1695916800@www.arttable.org
SUMMARY:TEST-Program Submission Forms
DESCRIPTION:Are you interested in submitting a program proposal for a Content-based program to ArtTable’s Programming Committee?  \n\n\n\nContent–based programs can happen virtually or in person anywhere in the United States. All proposed programs should be aligned with ArtTable’s mission and be focused on expanding and enriching our attendee’s art knowledge and access.  \n\n\n\nSome examples of programs are major art exhibition talks and tours\, women and nonbinary artist talks or studio visits\, curatorial talks and tours\, information-rich panel discussions\, and more. Please click here to submit your proposal.  \n\n\n\nAll submissions will be reviewed by ArtTable’s Programming Committee. This committee meets 4 – 5 times per year and we suggest a lead time of four to six months for all proposals.  \n\n\n\nContent-Based Program: \n\n\n                      Program Submission for ArtTable Programming Committee                                Thank you for submitting a  program proposal to the ArtTable Programming Committee.  Content–based programs can happen virtually or in person anywhere in the United States. All proposed programs should be aligned with ArtTable’s mission and be focused on expanding and enriching our attendee’s art knowledge and access. Some examples of programs are major art exhibition talks and tours\, women and nonbinary artist talks or studio visits\, curatorial talks and tours\, information-rich panel discussions\, and more.  All submissions will be reviewed by ArtTable’s Programming Committee. This committee meets 4 – 5 times per year and we suggest a lead time of four to six months for all proposals.                        Your Name*FirstLast    Your Email*    Are you currently an ArtTable member?*YesNo    Where are you located?    Program TypePanel DiscussionCuratorial Talk/TourArt Exhibition Talk/TourStudio Visit: Woman/Nonbinary ArtistBehind the Scenes at an Art InstitutionOther    Proposed Program Description:*    Why should this be an ArtTable program? How does it fit within the organization's mission and goals?*    Are you in any way affiliated with the organization/speaker/topic featured in this program proposal?*YesNo    If you answered yes to the previous question\, please elaborate.    What is the date range for this event? ie\, Exhibition Dates\, etc.  *    Location*    Proposed Speakers*    Please share any links or information as evidence of the speakers' past speaking experience (other panels they have been on\, lecture experience\, etc.)*    Program Format*VirtualIn Person    If in person\, please provide and name and address of the proposed location:    If you have any information about the health\, safety\, or accessibility for this program\, please add it here.       Please share any additional supporting press releases\, articles\, etc. in relation to this program proposal:SubmitReset\n\n\n\nWould you like to host a networking event for ArtTable? ArtTable networking events are in-person events taking place anywhere in the United States. These networking opportunities are just that\, an opportunity to network and get to know members and potential members. (Please note that networking programs can only be submitted by current members). There is no educational content; but rather\, an opportunity to boost member engagement and expand our network. For ideas on types of networking events\, click here. Would you like to propose a content-based program instead? Click here. \n\n\n\nNetworking Program Form: \n\n\n                      Networking Event Proposal                                Thank you for submitting a networking event proposal. ArtTable networking events are in-person events taking place anywhere in the United States. These networking opportunities are just that\, an opportunity to network and get to know members and potential members. (Please note that networking programs can only be submitted by current members). There is no educational content; but rather\, an opportunity to boost member engagement and expand our network. For ideas on types of networking events\, click here. If you found yourself in the wrong place and would like to propose a content-based program instead to the ArtTable Programming Committee\, click here.                       Your Name*    City/State*    Email Address*    Phone Number (to be shared with attendees for in-person programs)*    Years/Months of Host's ArtTable Membership to-date (please write number + months or years as applicable)    Type of Networking EventMeetATArtTable Topic Dinner'Coffee' Talk on ArtCocktails & CuriositiesMeet @ The Park Picnicsother    Three Proposed Dates/Times* (*More than 4 weeks) from now for this event.    Time Zone*Select valuePacific (Los Angeles\, GMT-7)Mountain (Denver\, GMT-6)Central (Chicago\, GMT-5)Eastern (NYC\, GMT-4)    Venue Name & Address:    Please provide accessibility information for the location:*Does the venue provide elevator or ramp access? Is there accessible parking? Etc.    Please provide health & safety guidelines as outlined by the location:*Are masks required? Do attendees need to show proof of vaccination? Etc.    Capacity of Venue (How many people can this event hold)?    Image Caption(s) and Photo Credit*    Please confirm the below:I am willing to plan and coordinate this program and acknowledge I will take attendance and photos of the event.I understand and agree that ArtTable will only reimburse me up to $50 for hosting this event. I also understand and agree that I must submit my receipts to ArtTable within 7 days of the networking event taking place to be reimbursed. All receipts should be sent to membership@arttable.org. I also understand and agree that it will take up to 2 weeks to receive reimbursement.    Any additional notes or details:SubmitReset
URL:https://www.arttable.org/event/test-program-submission-forms/
LOCATION:FL
CATEGORIES:Florida
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/09/Untitled-design-14.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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