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DTSTART;TZID=America/New_York:20231005T180000
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DTSTAMP:20260406T072705
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SUMMARY:Virtual | Fine Art in Healthcare with Melissa Dallal\, Ellen Rudolph\, Cade Tompkins\, Susana Bautista\, and Jane Borthwick
DESCRIPTION:3 pm PDT / 4 pm MDT / 5 pm CDT / 6 pm EDT\n\n\n\nMajor medical institutions take art seriously and recognize its importance in healthcare settings. Creating sophisticated cultural spaces in these environments is its own professional discipline—parallel to how art advisors collaborate with art and design partners in hospitality and corporate settings\, but with its own purpose\, parameters\, and vision. Join us for a fascinating virtual panel discussion featuring Melissa Dallal\, Project Manager\, Interior Design at Memorial Sloan Kettering Cancer Center; Ellen Rudolph\, in-house Curator and Senior Director\, Cleveland Clinic Art Collection; Susana Smith Bautista\, Associate Vice President and Chief Curator\, AltaMed Art Collection; and curator and gallerist Cade Tompkins of Cade Tompkins Projects. The conversation will be moderated by art advisor and collection strategist—and former ArtTable Board President—Jane Borthwick.We’ll look at themes including how art advisors in this field access art and artists\, and how they can identify artists from diverse and adjacent community backgrounds who can connect with the patient\, staff\, and visitor populations at specific locations. Art advisors also identify and present emergent talent whose work will appreciate in value and that is affordable for healthcare institutions. We will hear about evolving and innovative collaborative models where art advisors are actively incorporating the input of stakeholders including healthcare professionals\, patients\, and families; ultimately serving the purpose of healing and inspiration in these communities while creating a built-in stewardship of the collection. \n\n\n\n\n\n\n\n\n\nAdmission: \n\n\n\n\nComplimentary with optional donation\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\nAfter registration\, you will receive an email containing the Zoom link. All virtual programs offer live automatic closed captioning. \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\n\n\n\n\nImages: 1) Eva Rothschild\, Live Edge\, 2016\, Aluminum sculpture commissioned for Cleveland Clinic\, Taussig Cancer Center. Courtesy of the artist and Modern Art.2) The David H. Koch Center for Cancer Care at Memorial Sloan Kettering.  \n\n\n\n\n\n\n\n\n\n\n\nAbout the Panelists \n\n\n\n\nMelissa Dallal is the Project Manager for Interior Design at Memorial Sloan Kettering Cancer Center in New York\, where she brings her experience in award-winning hospitality design to the design of healthcare spaces. In her role\, Melissa manages art acquisitions for the hospital’s 30+ locations throughout the New York tri-state area\, working with art consultants\, galleries and stakeholders to furnish art for new construction and renovation projects\, while also curating special\, site-specific commissions. \n\n\n\nMelissa ensures that MSK’s art collection aligns with the hospital’s broader environmental design vision\, which is to provide positive patient\, staff and visitor experiences through creating moments of joy\, inspiration and engagement. MSK’s large-scale\, site-specific commissions “Long Island Tapestries” by artist Alexandra Kehayoglou and “New York Sculptures” by artist Kim Dickey were both recognized with the international CODA Award (Collaboration of Art + Design) in 2019 and 2020. Melissa previously worked at the Rockwell Group and was an editor at I.D. Magazine. She holds an B.A. in architecture from Columbia University and a Masters in Interactive Telecommunications from NYU’sTisch School of the Arts. \n\n\n\n\n\n\n\n\n\nHaving joined Cleveland Clinic in 2019\, Ellen Rudolph is Curator and Senior Director of the Art Collection. She leads the program in its mission to create meaningful interactions with contemporary art placed throughout the Enterprise. Rudolph oversaw the art installation at Cleveland Clinic London hospital and commissioned artists Jacolby Satterwhite\, Sandra Cinto and Eva LeWitt for site-specific projects in Cleveland and Florida. She also led a collaborative exhibition of work by Derrick Adams at the Cleveland Museum of Art. Prior to joining Cleveland Clinic\, Rudolph was Chief Curator at the Akron Art Museum\, where she staged ambitious exhibitions and drove notable acquisitions\, including works by Mickalene Thomas\, Nick Cave\, Yinka Shonibare and Jenny Holzer among others. Rudolph has served as Executive Director of the Maltz Museum of Jewish Heritage and also worked at Progressive Corporation and Sotheby’s New York. She has Art History degrees from Northwestern University (BA) and Case Western Reserve University (MA). \n\n\n\n\n\n\n\n\n\nAs a trusted art advisor and strategist\, Jane Borthwick specializes in managing diverse and specialized collections. Jane advises families\, private collectors\, foundations\, and museums in creating strategies for initiating\, building\, or dispersing art collections. She has handled the marketing and sales plans for the estates of prominent artists. Jane has sold works by Amedeo Modigliani\, Pablo Picasso\, Joan Miró\, Alexander Calder\, Joan Mitchell\, Henry Moore\, Louise Bourgeois\, Fairfield Porter\, Louise Nevelson\, and Andy Warhol\, among other artists. Jane has been quoted in The New York Times\, Private Asset Management\, and Private Wealth Focus and speaks frequently on best practices in art collection management. She is a graduate of Harvard College and the Harvard Business School. Jane is a past Board President at ArtTable\, and recipient of the ArtTable 2020 Chapter Leadership Award. \n\n\n\n\n\n\n\n\n\nCade Tompkins Projects focuses on advancing and exhibiting contemporary art\, featuring work by emerging artists as well as mid-career and established artists in various mediums including painting\, sculpture\, printmaking\, video\, drawing\, and installation. Clients range from major museums to new collectors as well as corporations\, hospitals\, and seasoned art connoisseurs. She is interested in finding art for clients at all levels of collecting.  \n\n\n\nCade Tompkins has been a contemporary art dealer for over 40 years. Her gallery opened in September 2009 and to date has featured over 50 exhibitions by represented artists. Tompkins graduated from the Appraisal Studies in Art program at the Rhode Island School of Design. Cade Tompkins Projects has exhibited gallery artists at Master Drawings New York 2018\, 2020\, and 2022; Art in an Airstream during the IFPDA Print Fair 2016; SPRING/BREAK Art Show (2016-2023); and the E/AB Fair (2006-2013) and the forthcoming IFPDA Fair 2024 in New York. Cade Tompkins is a member of the International Fine Print Dealers Association (IFPDA); Candidate Member of the American Society of Appraisers (ASA); ArtTable\, the national professional organization advancing leadership of women in the visual arts; and a sustaining member of the Association of Print Scholars (APS). Gallery Services include Curation of Corporate and Private Collections\, Fine Art Appraisals\, Installation\, Placement and Framing Consultation. \n\n\n\n\n\n\n\n\n\nSusana Smith Bautista\, Ph.D.\, is the Associate Vice President and Chief Curator of the AltaMed Art Collection at AltaMed Health Services. She is an art historian\, curator\, and museum leader for over 25 years with the Mexican Cultural Institute of Los Angeles\, USC Pacific Asia Museum\, Pasadena Museum of California Art\, Museum of Contemporary Art Los Angeles\, and LA Plaza de Cultura y Artes. She has been an independent consultant for strategic museum projects around the United States\, she worked as an art critic while living in Greece\, and was an independent curator with a focus on Chicano/a\, Latino/a\, and Mexican art. Dr. Bautista obtained her doctorate degree in Communication and her Master’s degree in Art History/Museum Studies\, both from the University of Southern California. She has taught in universities\, published extensively\, lectured around the world on the topic of museums\, and served on the Board of Directors for the American Alliance of Museums.
URL:https://www.arttable.org/event/virtual-fine-art-in-healthcare-with-melissa-dalial-ellen-rudolph-cade-tompkins-and-jane-borthwick/
LOCATION:Virtual
CATEGORIES:National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231008T110000
DTEND;TZID=America/New_York:20231008T130000
DTSTAMP:20260406T072705
CREATED:20230922T222344Z
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SUMMARY:Berkeley\, CA | Reading at the (Art)Table: Kathan Brown "Know That You Are Lucky"
DESCRIPTION:Join Reading at the (Art)Table for a discussion of Know That You Are Lucky by Kathan Brown. From Europe to the United States\, this memoir of fifty years of printmaking reveals the cross-pollination that includes East and West Coasts\, Northern and Southern California\, as well as the collaborative influence of Japan.  \n\n\n\nKathan Brown has authored eight books\, including Ink\, Paper\, Metal\, Wood\, which was published by Chronicle Books in 1996. Artforum’s Bookforum describes her work as “the next best thing to being there.” Brown is additionally known as the editor of the “MAGIC SECRETS” instructional series for printmakers\, which is published by Crown Point Press. She has contributed articles to significant publications including “A John Cage Reader” (published by Wesleyan University Press in 1983)\, the “Cambridge Companion to John Cage” (published in 2002)\, and The Guardian in 2002.  \n\n\n\nThis program is free to attend (optional donation) and open to ArtTable members.Registration is required below. \n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Book cover of The Surreal Life of Leonora Carrington by Joanna Moorhead.
URL:https://www.arttable.org/event/berkeley-ca-reading-at-the-arttable-kathan-brown-know-that-you-are-lucky/
LOCATION:Gilman Grill\, 1300 Fourth Street\, Berkeley\, California\, 94710
CATEGORIES:Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/09/KnowThatYouAreLucky_KathanBrown.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231010T173000
DTEND;TZID=America/Los_Angeles:20231010T183000
DTSTAMP:20260406T072705
CREATED:20230924T112715Z
LAST-MODIFIED:20231009T180703Z
UID:13684-1696959000-1696962600@www.arttable.org
SUMMARY:National | Philadelphia\, PA | Artist-Led Tour of Chelsey Luster's "Finding Home" Philadelphia
DESCRIPTION:Join ArtTable for an artist talk and exhibition tour with Chelsey Luster! Luster’s immersive solo exhibition “Finding Home” at Vox Populi Gallery tells the stories of their models’ safe spaces through mixed-media paintings\, text\, and film. Each model’s individual story informs the creation of these imaginative havens that come together to form a physical safe space. The exhibition acts as a place of healing for black and queer people and the respective communities. Luster highlights their identity and perspective through the luminescence of black skin with fluorescent undertones and the vibrance of queerness through shimmering overlays of glitter. Other materials\, such oil and acrylic paints\, fabric\, glue\, market on paper\, wood panels\, found objects\, and canvas\, come together to materialize these idyllic realms. \n“At the beginning of my practice\, I focused on self-portraiture and explored the lack of security and safety as a Queer Black woman through depictions of unsettling bathroom scenes in “The American Bathroom” series. This body of work critiqued our failed incarceration system and the unhinged violence I experienced along with others in my community through large-scale erie-colored oil paintings on wooden panels. I developed creative programming and community building with other Queer\, Women\, and Black-led organizations and community leaders through talks\, fellowships\, and residencies that allowed me to collaborate on performances and discussions on Black and Queerness with regards to self-autonomy\, community discussions\, and collage workshops that welcomed people of all artistic backgrounds to create work that explored identity. Through this work\, I shared the universal feeling of wanting to feel safe with individuals of all backgrounds. Through the relationships formed and stories I heard during the creation of “The American Bathroom” series\, I knew that our stories could not end with trauma and violence. I discovered that creating a sacred space within myself and others in my community leads to healing\, peace\, and safety. This inspired my current project “Finding Home.” “ \nAdmission: \n\n\n\nArtTable Members $10\nMember Guests $20\nPublic $25\nNot a member? Join today! \n\n\n\n \nPLEASE NOTE THAT THIS EVENT HAS BEEN POSTPONED: PLEASE CONTACT programs@artttable.org \n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nImage: Chelsey Luster. Luster\, 20″ x 30″\, 2023 \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nChelsey Luster is a Philadelphia-based visual artist and educator from Baltimore\, Maryland. Luster’s visual art work explores the complexities of safe spaces in Queer and Black culture through mixed medium paintings and installations. Luster is a Vox Populi member and has been awarded the Mural Arts 2022 Black Artists Fellowship and the 2021 Center for Emerging Artists fellowship. Luster is the Exhibition Manager at Philadelphia’s Magic Gardens and has independently curated multiple art exhibitions with art institutions in Philadelphia including IceBox Project Space\, Da Vinci Art Alliance\, William Way LGBT+ Center\, and the Center for Emerging Visual Artists. Luster holds a BFA in Painting and Drawing from the Temple University’s Tyler School of Art.
URL:https://www.arttable.org/event/philadelphia-pa-artist-led-tour-of-chelsey-lusters-finding-home/
LOCATION:Vox Populi Gallery\, 319 N. 11th Street\, 3rd Floor\, Philadelphia\, Pennsylvania\, 19107
CATEGORIES:National,Philadelphia
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/09/luster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231011T180000
DTEND;TZID=America/New_York:20231011T200000
DTSTAMP:20260406T072705
CREATED:20230922T231443Z
LAST-MODIFIED:20231011T183506Z
UID:13668-1697047200-1697054400@www.arttable.org
SUMMARY:Rosa Lowinger in Conversation with Nereida Garcia-Ferraz at District Reads
DESCRIPTION:Join ArtTable members and the Miami Design District community as Cuban artist Nereida Garcia-Ferraz interviews conservator Rosa Lowinger\, “one of the few prominent Latinas in the field of art and architectural conservation” about her moving memoir\, Dwell Time. Book signing and rooftop reception to follow. Please note that we have limited tickets\, and an October 5 RSVP deadline.Rosa Lowinger is a Cuban-born\, Miami-raised art conservator specializing in sculpture and architecture. She is the founder and co-chief conservator of RLA Conservation of Art + Architecture\, a firm with offices in Miami and L.A. A graduate of NYU’s Institute of Fine Arts Conservation Program\, and a Fellow of American Institute for Conservation and the Association for Preservation Technology\, Rosa was the 2008-09 Rome Prize Fellow in Conservation at the American Academy in Rome\, where she researched the history of vandalism and iconoclasm. She has curated the exhibitions “Concrete Paradise: Miami Marine Stadium at the Coral Gables Museum” and “Promising Paradise: Cuban Allure\, American Seduction” at the Wolfsonian. Her books include Tropicana Nights: The Life and Times of the Legendary Cuban Nightclub\, and Dwell Time: A Memoir of Art\, Exile and Repair. Nereida Garcia Ferraz is a Cuban-born artist whose practice encompasses painting\, photography\, video\, sculpture\, and social art projects exploring identity and feminist themes\, nature\, beauty\, and the physical world. Her work has been exhibited by or is in collections of institutions such as the Museum of Modern Art in New York\, Yale University\, The San Francisco Art Institute\, The Museo de Arte Moderno in Mexico City\, and MDC Museum of Art and Design.Thank you to Miami Design District and DISTRICT READS! \n\n\n\n“An insightful tale that reveals a kaleidoscope of worlds that Lowinger navigates to chart a life in colors and materials\, joys and calamities\, rendering lives that were forced into exile many times but always eager to build a sense of home and purpose. A moving account filled with the eccentricities of life\, family\, and the love of something (and its preservation) that is sometimes beyond words.”— Hrag Vartanian\, Co-founder & Editor-in-chief: Hyperallergic \n\n\n\n \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – complimentary\n\n\n\n\nNot a member? Join today! \n\n\n\nREGISTRATION DEADLINE WAS OCTOBER 5\, 2023. Questions? please email programs@arttable.org\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Rosa Lowinger. photo by Scarlett Freund.
URL:https://www.arttable.org/event/miami-fl-rosa-lowinger-in-conversation-with-nereida-garcia-ferraz/
LOCATION:Istituto Marangoni Library\, 3704 NE 2nd Ave. Floor 5\, Miami\, Florida\, 33137
CATEGORIES:Florida
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/09/dwell-time-header-1080x600-2.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231012T080000
DTEND;TZID=America/New_York:20231012T090000
DTSTAMP:20260406T072705
CREATED:20230927T143737Z
LAST-MODIFIED:20231011T195612Z
UID:13832-1697097600-1697101200@www.arttable.org
SUMMARY:Washington\, DC | BreakfastTable with Caroline Mariz
DESCRIPTION:Join ArtTable’s DC Chapter in October for BreakfastTable with Caroline Mariz\, Director of the Cultural Exchange Programs at International Arts & Artists! Caroline will offer insights into her experience providing exchange opportunities and J-1 visa facilitation for students\, professionals\, artists\, and researchers from around the world participating in programs across the United States. In her role at IA&A Caroline works closely with the State Department\, American museums\, art institutions\, cultural organizations\, and design firms. Her work demonstrates a career path for women and nonbinary arts professionals; and how one can work directly with arts institutions\, art professionals\, and the State Department. Mariz will provide a different lens into what it means to create cross-cultural connections while supporting international artists in concrete ways. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – complimentary\n\n\n\nMember Guests – $10\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\nThank you to ArtTable member Nora van Trotsenburg for organizing this program.
URL:https://www.arttable.org/event/washington-dc-breakfasttable-with-caroline-mariz/
LOCATION:IA&A at Hillyer\, 9 Hillyer Court\, NW\, Washington\, District of Columbia\, 20008
CATEGORIES:Washington, D.C.
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231013T163000
DTEND;TZID=America/New_York:20231013T173000
DTSTAMP:20260406T072705
CREATED:20230921T180510Z
LAST-MODIFIED:20231011T183410Z
UID:13621-1697214600-1697218200@www.arttable.org
SUMMARY:*WAITING LIST* | Guided Tour of "Judy Chicago: Herstory" at the New Museum
DESCRIPTION:Judy Chicago is scheduled to make a cameo appearance for ArtTable members at an exclusive tour of “Judy Chicago: Herstory”! This comprehensive exhibition celebrates Judy Chicago’s iconic six-decade career. It showcases the diversity of her artistic contributions\, spanning a wide range of media including painting\, sculpture\, installation\, drawing\, textiles\, photography\, stained glass\, needlework\, and printmaking. This multi-faceted approach reflects Chicago’s versatility as an artist and her commitment to pushing the boundaries of traditional artistic practices. \n\n\n\nThe “City of Ladies” exhibition-within-the-exhibition is a unique concept that brings together artworks and archival materials from more than eighty artists\, writers\, and thinkers. This juxtaposition allows visitors to explore the connections and dialogues between Chicago’s work and the creative contributions of other women throughout history.“Judy Chicago: Herstory” is curated by Massimiliano Gioni\, Edlis Neeson Artistic Director\, Gary Carrion-Murayari\, Kraus Family Senior Curator\, Margot Norton\, Chief Curator\, Berkeley Art Museum and Pacific Film Archive (former Allen and Lola Goldring Senior Curator at the New Museum)\, and Madeline Weisburg\, Assistant Curator. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $35\n\n\n\n\n \n\n\n\nNot a member? Join today! \n\n\n\nPLEASE NOTE THAT WE ARE WAIT-LISTED FOR THIS EVENT! CLICK “REGISTER HERE” BELOW TO JOIN THE WAITING LIST. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\n\n\nFeatured Image: Judy Chicago\, Through the Flower 2\, 1973. Sprayed acrylic on canvas\, 60 x 60 in (152.4 x 152.4 cm). Collection Diane Gelon. © Judy Chicago/Artists Rights Society (ARS)\, New York. Photo: Donald Woodman/Artists Rights Society (ARS)\, New York.Artist photo (below): Judy Chicago 2023 by Donald Woodman. \n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Artist\n\n\n\n\nJudy Chicago‘s contributions to feminist art and her exploration of women’s history and culture have left a lasting legacy in the art world\, inspiring generations of artists and pushing the boundaries of traditional artistic practices for over sixty years. \n\n\n\nChicago’s work has been exhibited in the United States\, Canada\, Europe\, Asia\, Australia\, and New Zealand. Throughout her career\, Chicago has remained steadfast in her commitment to the power of art as a vehicle for intellectual transformation and social change and to women’s right to engage in the highest level of art production. She has become a symbol for people everywhere\, known and respected as an artist\, writer\, teacher\, feminist and humanist whose work and life are models for an enlarged definition of art\, an expanded role for the artist\, and women’s right to freedom of expression. In 2018 Chicago was named both one of Time Magazine’s “100 Most Influential People” and a 2018 “Most Influential Artist” by Artsy Magazine. In 2019\, she received the Visionary Woman award from the Museum of Contemporary Art in Chicago. \n\n\n\nHer work is in the collections of the British Museum\, Moderna Museet (Stockholm)\, Metropolitan Museum of Art (New York)\, National Gallery (Washington DC)\, Los Angeles County Museum of Art\, Museum of Contemporary Art Los Angeles\, Hammer Museum\, Getty Trust and Getty Research Institute\, San Francisco Museum of Modern Art\, Tate Modern\, Crystal Bridges Museum of American Art\, Art Institute of Chicago\, The Nevada Museum of Art\, The M. H. de Young Memorial Museum and over twenty-five university art museums such as Brandeis\, Cornell\, Harvard\, Illinois\, Michigan\, UCLA\, Canterbury (New Zealand) and Cambridge (UK). judychicago.com
URL:https://www.arttable.org/event/national-guided-tour-of-judy-chicago-herstory-at-the-new-museum/
LOCATION:The New Museum\, 235 Bowery\, New York\, New York\, 10002\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/09/Chicago-3-1.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231014T110000
DTEND;TZID=America/New_York:20231014T120000
DTSTAMP:20260406T072705
CREATED:20230829T140450Z
LAST-MODIFIED:20231011T183349Z
UID:13419-1697281200-1697284800@www.arttable.org
SUMMARY:Tour of Candice Lin's "Lithium Sex Demons In The Factory" with Summer Guthery
DESCRIPTION:Canal Projects introduces “Lithium Sex Demons in the Factory\,” the inaugural New York solo show for Los Angeles artist Candice Lin. Our tour will be hosted by Artistic Director Summer Guthery. This project\, a collaborative effort between Canal Projects and the 14th Gwangju Biennale\, involves the recreation of a lithium battery factory as a site-specific installation. This endeavor seamlessly extends the artist’s persistent exploration of themes of globalization\, intricate trade networks\, the nature of materials\, and the dynamics of labor.Canal Projects is a nonprofit\, women-led contemporary art institution dedicated to supporting forward-thinking international artists at pivotal moments in their careers. Through production\, exhibition\, research and interpretation of this work they foster artistic practices that challenge and reflect the current moment. \n\n\n\nCandice Lin has gained recognition for her innovative use of diverse materials: from tea and cactus tinctures to fungi and deceased bats—accentuating their unique characteristics\, such as scents and flavors. Lin repurposes presentation techniques commonly linked with anthropology and natural history\, investigating their colonial narratives. Her work has been exhibited at Portikus\, Frankfurt (2018); Moderna Museet\, Stockholm (2017); Bétonsalon—Center for Art and Research\, Paris (2017); Human Resources\, Los Angeles (2017); New Museum\, New York (2017); SculptureCenter\, Long Island City\, New York (2017); Los Angeles Contemporary Exhibitions (2016); and Vincent Price Art Museum\, Los Angeles (2013)\, among others. She is the recipient of several residencies\, grants\, and fellowships\, including a California Community Foundation Award (2014)\, Fine Arts Work Center Residency (2012)\, Frankfurter Kunstverein Deutsche Börse Residency (2010)\, and Smithsonian Artist Research Fellowship (2009). \n\n\n\nThank you to ArtTable NY Chapter Member Diana McClure for initiating this program. \n\n\n\nPlease visit Canal Project’s website for visitor accessibility\, health\, and safety information. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nArtTable Member Guests – $20\n\n\n\nPublic – $25\n\n\n\n\n \n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Candice Lin\, Lithium Sex Demons in the Factory\, 2023. Installation view\, 14th Gwangju Biennale (Apr 7 – Jul 9\, 2023). Commissioned by the 14th Gwangju Biennale and Canal Projects. Image courtesy the artist\, François Ghebaly Gallery and the Gwangju Biennale Foundation. Photo: glimworkers. \n\n\n\n\n\n\n\n\n\nAbout the Curator\n\n\n\n\nSummer Guthery is the Artistic Director of Canal Projects\, a new non-profit organization in New York City’s Soho neighborhood. Prior to this she was the Director of JOAN\, a not-for-profit exhibition space focusing on emerging and underrepresented artists and the Curator of Performance and Public Programming at LAXART in Los Angeles. In 2013 & 2011 she was the Assistant Curator of Performa Biennial 2013 & 2011. Her writing can be seen in Frieze\, Artforum\, ArtReview\, and Art in America. Guthery received an M.A. from the Center for Curatorial Studies at Bard College.
URL:https://www.arttable.org/event/new-york-tour-of-candice-lins-lithium-sex-demons-in-the-factory-with-summer-guthery/
LOCATION:Canal Projects\, 351 Canal St New York\, NY 10013
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/08/CandiceLin.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20231017T180000
DTEND;TZID=America/New_York:20231017T200000
DTSTAMP:20260406T072705
CREATED:20230911T172724Z
LAST-MODIFIED:20231011T183326Z
UID:13294-1697565600-1697572800@www.arttable.org
SUMMARY:Reception and Collection Visit with Juanita Hardy
DESCRIPTION:Join ArtTable’s Lila Harnett Executive Director\, Jessica L. Porter and ArtTable members for a private collection visit and networking reception at the home of Silver Spring-based art collector\, and leading Creative Placemaking writer\, consultant\, and public speaker\, Juanita Hardy! With a collection spanning Elizabeth Catlett\, Sam Gilliam\, Al Loving\, Camille Billops\, Herb Gentry\, Jacob Lawrence\, Ed Clark\, Joe Overstreet\, Renée Stout\, and Michael Platt—and more! You won’t want to miss the opportunity to experience this remarkable collection\, hosted by an honored member of the art\, culture\, and business communities. Ms. Hardy is an esteemed friend of ArtTable: she has served on the ArtTable Board and is a longtime member of the organization. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $35\n\n\n\nArtTable Member Guests – $45\n\n\n\nPublic – $55\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Herbert Gentry. Masquerade. Silkscreen print on paper\, 22 1/2 × 25 1/4 in | 57.2 × 64.1 cm\, 1986 \n\n\n\n\n\n\n\n\n\nJuanita Hardy\n\n\n\n\n\n\n\nJuanita Hardy has a passion for fostering healthy\, thriving\, and equitable places to live\, work\, learn and play through her work with individuals and businesses. Hardy is an avid collector of fine art and\, with her husband\, has acquired many works on paper\, canvas\, sculptures\, and African art. Hardy has over 45 years of business experience\, including 31 years with IBM\, where she retired in 2005\, and over a decade in the real estate industry.  \n\n\n\nIn 2006\, Hardy founded Tiger Management Consulting Group\, an executive coaching and business consulting services firm. Hardy’s client portfolio comprises for-profit and non-profit organizations\, including global human capital development firm\, Right Management.  Hardy has been associated with Urban Land Institute\, a global non-profit committed to responsible land use\, since 2016. She has served ULI in various advisory and consulting roles\, including its Senior Visiting Fellow for Creative Placemaking.  \n\n\n\nHardy has been recognized for her work in the arts and in business\, for example\, as a 2022 honoree by The Phillips Collection\, a prominent Washington\, DC museum\, and as 2010 Minority Business Leader by the Washington Business Journal.  Hardy is an accomplished writer and public speaker.  Her recent writings include an essay\, “Development Without Displacement” in Volume 3 of The Place Economy published by Hoyne based in Australia; she is author of ULI 2022 Publication\, “Creative Placemaking: Recommendations from and Impact of Six Advisory Services Panels;” and co-author of ULI 2020 Publication “Creative Placemaking: Sparking Development with Art and Culture.” Between 2016 and 2023\, Hardy has written a sextet of articles on creative placemaking for Urban Land magazine. \n\n\n\nHardy’s non-profit board affiliations include co-founder of Millennium Arts Salon\, Mid Atlantic Arts\, Mosaic Theatre Company and serving as board chairperson for International Arts and Artists. \n\n\n\nAfter retiring from IBM\, Hardy founded Tiger Management Consulting Group\, an executive coaching and business consulting services firm. Hardy’s client portfolio comprises for-profit and non-profit organizations\, including global human capital development firm\, Right Management. \n\n\n\nHardy’s board affilations include Mid Atlantic Arts\, Mosaic Theatre Company and serving as board chairperson for International Arts and Artists.
URL:https://www.arttable.org/event/national-reception-and-collection-visit-with-juanita-hardy/
LOCATION:Silver Spring\, Silver Spring\, MD
CATEGORIES:National,Washington, D.C.
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/09/Screenprint-in-colors-on-paper-22-12-×-25-14-in-57.2-×-64.1-cm.png
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DTSTART;TZID=America/New_York:20231024T173000
DTEND;TZID=America/New_York:20231024T183000
DTSTAMP:20260406T072705
CREATED:20230926T145706Z
LAST-MODIFIED:20231019T173805Z
UID:13784-1698168600-1698172200@www.arttable.org
SUMMARY:Artist-Led Tour of Elizabeth Turk's "Written in Stone" at Hirschl & Adler
DESCRIPTION:As our culture shifts\, artists are the witnesses\, reflecting back to us how our world is changing; memorializing the endangered\, and mourning the lost. Artist Elizabeth Turk speaks through one of our most permanent media\, marble\, to immerse us in a conversation about the fragility of handwritten language. Turk herself will guide the ArtTable group on a tour of Written in Stone\, with Hirschl & Adler Managing Director\, Elizabeth Feld. \n\n\n\n \n\n\n\nElegant and understated\, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone\, a group of twenty-three hand-carved marble sculptures made over the past decade\, marks the change caused by technological communication – the ubiquitous keyboard and AI – and seeks to question the transformation of everyday handwriting. What happens when the curved lines of a scripted passage no longer hold meaning\, or even exist? Or when the generations of tomorrow merely glance at a handwritten letter\, fail to understand it\, cannot decipher it\, and simply move on\, losing the nuances to history? Through this new body of work\, Elizabeth Turk conveys this fundamental shift with unmatched grace and technical dexterity.  There is an obvious paradox in a memorial of something as ephemeral and humancentric as script created with a solid\, seemingly permanent rock gilded with a mineral\, gold leaf. Long after the changes of this moment take place\, these sculptures will remind us of the strength\, endurance\, and lasting importance of what we have left behind. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $25\n\n\n\nPublic – $30\n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.Artist Talks are presented with support from the Pollock-Krasner Foundation. \n\n\n\n• • •\n\n\n\nFeatured Image: Elizabeth Turk (b. 1961) Passage 8\, 2016-2023 Marble and gold leaf\, 8 3/8 x 23 x 2 1/2 in. © Eric Stoner\, Courtesy of Hirschl & Adler Modern and the Artist.Photo Below: © Eric Stoner\, Courtesy of Hirschl & Adler Modern and the Artist. \n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Artist\n\n\n\n\nBorn in Pasadena and raised in Orange County\, Elizabeth Turk earned her M.F.A. at the Rinehart School of Sculpture\, Maryland Institute College of Art in Baltimore. A recipient of awards including a MacArthur Foundation Fellowship (2010)\, a Barnett and Annalee Newman Foundation Fellowship (2010)\, and a Smithsonian Artist Research Fellowship (2011)\, Turk is internationally recognized for transforming her signature medium of marble into strikingly intricate objects that defy convention and challenge our preconceptions of what marble can do. Through the use of electric grinders\, dental tools\, and files\, Turk pushes her medium to its limit\, creating in each sculpture a provocative tension between the intrinsic strength of the stone and its inherent fragility\, while speaking to larger conceptual and spiritual concerns of time\, matter\, and space. \n\n\n\nDuring the twenty-two years that Turk has been represented by Hirschl & Adler Modern\, the gallery has mounted five solo exhibitions of her work\, each accompanied by publications; as well as a solo Art Kabinett at Art Basel Miami Beach (2012)\, a solo presentation at Masterpiece London (2014)\, and a solo presentation at the ADAA Art Show in 2017.  \n\n\n\nTurk’s work resides in numerous prestigious private and public collections\, including the Los Angeles County Museum of Art\, CA; the Jewish Museum\, New York\, NY; American University\, Washington\, D.C. (formerly\, the Corcoran Gallery of Art) and the National Museum of Women in the Arts\, Washington\, D.C.; the Weatherspoon Gallery\, University of North Carolina at Greensboro\, NC; The Mint Museum\, Charlotte\, NC; the Catalina Museum for Art & History\, CA; and the Dixon Gallery & Gardens\, Memphis\, TN. Institutional monographic exhibitions include Tipping Point: Echoes of Extinction\, Woodson Art Museum\, Wausau\, WI (2022); Double Take\, with Mel Chin\, Frederik Meijer Gardens & Sculpture Park (2022)\, Elizabeth Turk: Heaven\, Earth\, Home\, Brattleboro Museum and Art Center\, VT (2018-19); Elizabeth Turk: Sentient Forms\, Laguna Art Museum\, CA (2015); Elizabeth Turk: Wings\, The Dayton Art Institute\, OH (2013); and Elizabeth Turk\, The Collars: Tracings of Thought\, Mint Museum of Art\, Charlotte\, NC (2004). Turk lives and works in Santa Ana\, CA\, and New York\, NY\, and is the cofounder of ET Projects\, a Foundation that infuses civic spaces with interdisciplinary communal art. \n\n\n\n\n\n\n\n\n\nElizabeth Feld is the Managing Director and Director\, Furniture & Decorative Arts at Hirshl & Adler. She curated the gallery’s 50-anniversary exhibition\, Of the Newest Fashion: Masterpieces of American Neo-Classical Decorative Arts (2001–02). In 2006\, she co- curated Elizabeth Turk: The Collars and In Pointed Style: The Gothic Revival in America\, 1800–1860\, both accompanied by extensive catalogues; and in 2007\, For Work & For Play: A Selection of American Neo-Classical Furniture. More recent exhibitions include: Elizabeth Turk: Recent Sculpture (2008); The World of Duncan Phyfe: The Arts of New York\, 1800–1847 (2012)\, a celebration of the gallery’s 60th anniversary; Elizabeth Turk Cages (2012); Alexander Creswell: Fire & Light (2012); Very Rich & Handsome: American Neo-Classical Decorative Arts (2014–15); Elizabeth Turk: Tensions (2016); Augmenting the Canon: Recent Acquisitions of American Neo-Classical Decorative Arts (2018); and Elizabeth Turk: Tipping Point: Echoes of Extinction (2019).Elizabeth is a regular lecturer on American Decorative Arts and the antiques and art market. Elizabeth offers advisory services for clients in a range of specialties both within and beyond the gallery’s area of expertise. Elizabeth served as the Chairman of the Winter Antiques Show Dealers’ Committee for six years. She graduated Magna Cum Laude from The University of Pennsylvania and has a Master’s Degree in Fine and Decorative Arts from Sotheby’s Institute.
URL:https://www.arttable.org/event/national-artist-led-tour-of-elizabeth-turks-written-in-stone-at-hirschl-adler/
LOCATION:Hirschl & Adler Galleries\, 41 E 57th St 9th floor\, New York\, NY\, 10022\, United States
CATEGORIES:Dallas-Fort Worth
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/09/Passage-8.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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