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DTSTART;TZID=America/New_York:20260123T120000
DTEND;TZID=America/New_York:20260201T180000
DTSTAMP:20260515T132613
CREATED:20251117T155343Z
LAST-MODIFIED:20260116T203816Z
UID:118246-1769169600-1769968800@www.arttable.org
SUMMARY:2026 The Winter Show | Insider & Early Access VIP Passes
DESCRIPTION:Photo Credit: Simon Cherry\n\n\n\nArtTable Members are invited to claim their complimentary Insider and Early Access VIP pass for The Winter Show\, taking place January 23 – February 1\, 2026\, in New York City at the Park Avenue Armory. \n\n\n\nThe Winter Show is America’s leading art\, antiques\, and design fair\, held annually at the Park Avenue Armory\, and showcases works spanning 5\,000 years.  Over 70 internationally renowned dealers present fine and decorative arts\, from paintings and furniture to jewelry and contemporary ceramics. The Winter Show is known for its rigorous vetting by 120 experts; the Fair ensures the highest standards of authenticity and quality. \n\n\n\nThese passes allow for the registrant to choose from one of the following:  \n\n\n\n\nInsiders Preview | Friday\, January 23 | 10 am – 12 pm\n\n\n\nEarly-Access Morning – Friday | Friday\, January 30 | 11 am – 12 pm\n\n\n\nEarly-Access Morning – Saturday | Saturday\, January 31 | 11 am – 12 pm\n\n\n\n\nThese passes are only offered to ArtTable members while supplies last. \n\n\n\nAll registrants will receive an email after registration with instructions on how to obtain their ticket(s). \n\n\n\nLocationPark Avenue Armory643 Park AveNew York\, NY 10065 \n\n\n\nPublic Opening HoursFriday\, January 23 | 12 pm – 8 pmSaturday\, January 24 | 12 pm – 7 pmSunday\, January 25 | 12 pm – 6 pmMonday\, January 26 | 12 pm – 8 pmTuesday\, January 27 | 12 pm – 4:30 pmWednesday\, January 28 | 12 pm – 8 pmThursday\, January 29 | 12 pm – 4:30 pmFriday\, January 30 | 12 pm – 8 pmSaturday\, January 31 | 12 pm – 7 pmSunday\, February 1 | 12 pm – 6 pm \n\n\n\nIf you want to be eligible for this or other opportunities\, consider joining membership! Apply today or reach out to membership@arttable.org with any questions!
URL:https://www.arttable.org/event/2026-the-winter-show-complimentary-vip-passes/
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/11/wintershow.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260209T170000
DTEND;TZID=America/New_York:20260209T180000
DTSTAMP:20260515T132613
CREATED:20251103T160636Z
LAST-MODIFIED:20260115T204746Z
UID:112706-1770656400-1770660000@www.arttable.org
SUMMARY:Virtual | ArtTable’s Professional Development Series: Navigating AI\, Policy\, and Innovation in the Contemporary Art World with Mika Noh
DESCRIPTION:This professional development program will explore the intersection of AI\, cultural policy\, and the evolving global art market\, providing arts professionals with practical insights on navigating innovation\, strategy\, and governance. Drawing on Noh’s experience as Chairman of the AI Art Forum\, Art Market Strategy & Partnership Director at Niio Art\, and legislative work with the Korean National Assembly\, this session will cover:  \n\n\n\nHow AI is transforming art creation\, curation\, and market practices.  \n\n\n\nUnderstanding policy and regulatory frameworks affecting digital and physical art markets.  \n\n\n\nStrategies for artists and arts professionals to engage with technology ethically and effectively.  \n\n\n\nBest practices for international partnerships\, collaborations\, and exhibitions in a rapidly evolving art ecosystem.  \n\n\n\nAttendees will gain actionable insights to enhance their professional practice\, navigate digital innovation\, and expand global networks\, particularly in areas of AI\, technology\, and cultural policy. The session will include time for Q&A to address participants’ specific challenges and interests. \n\n\n\nThe zoom link will be provided upon registration.  \n\n\n\n \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $10\n\n\n\nGeneral Admission – $15\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMika (Jaeyun) Noh is a cultural policy strategist\, legal scholar\, and curator specializing in the intersection of technology\, governance\, and the arts. She has over a decade of experience working with Korea’s National Assembly and Ministry of Culture\, Sports and Tourism\, where she contributed to policy development on digital innovation\, cultural infrastructure\, and artist welfare. \n\n\n\nAs a Co-founder and Chair of the AI Art Forum (AiAF)\, Mika leads international dialogue on AI ethics\, authorship\, and cultural trust in machine-mediated creativity. She also serves as Strategy & Partnership Director at Niio Art\, a global media art platform\, and  Co-founder  of Space Ba\, a curatorial studio advancing cross-sector collaborations that bridge urban regeneration\, media art\, and public engagement. \n\n\n\nHer initiatives include developing AI-driven systems for aesthetic classification and content governance through Realsnap\, and spearheading AMFM (Audio\, Music & Further More)\, a creative consortium promoting K-Audio and sound design as new pillars of the global creative economy. \n\n\n\nMika’s writing has appeared in Artsy\, ENCATC Magazine\, and Harvard Art Law Organization\, and she has presented her research at international venues such as UNESCO-affiliated forums\, Frieze Seoul\, and Cinema for Peace Foundation. She holds an M.A. in Arts Management from the Korea National University of Arts and an LL.B. in Law from Ewha Womans University. \n\n\n\nThrough her multidisciplinary work\, Mika explores how AI and digital systems reshape cultural production\, authorship\, and governance\, bridging the gap between policy innovation and creative practice to envision inclusive and sustainable futures for art and society. \n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported\, in part\, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
URL:https://www.arttable.org/event/virtual-arttables-professional-development-series-navigating-ai-policy-and-innovation-in-the-contemporary-art-world-with-mika-noh/
LOCATION:Virtual Via Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/11/Yellow-Professional-Gradient-App-Development-Brainstorm-Presentation-4.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260219T150000
DTEND;TZID=America/New_York:20260219T170000
DTSTAMP:20260515T132613
CREATED:20260128T181817Z
LAST-MODIFIED:20260212T154057Z
UID:147097-1771513200-1771520400@www.arttable.org
SUMMARY:Washington\, DC | Artist Talk with Joan Danziger
DESCRIPTION:Join ArtTable for an artist talk and exhibition walkthrough with Joan Danziger! Joan has two concurrent exhibitions on view at the American University Museum at the Katzen Arts Center. \n\n\n\nSpanning 60 years of imaginative artistry\, The Magical World of Joan Danziger is the first career retrospective for Joan Danziger\, who is actively producing art at the age of 91. Danziger has been a working artist since the 1960s. The retrospective traces her evolution from a surrealist painter to a multimedia artist who transforms her creations into three-dimensional sculptures. Over the decades\, she evolved into a sculptor and glass artist who imbues her work with secret meanings from world religions\, history and mythology.A major milestone in her career was transitioning from an artist who worked on canvas to a three-dimensional artist. In 2008\, she added glass to her repertoire when she began her Beetles series. She enjoyed the results of working with glass so much that it led to two other series of glass sculptures of horses and her newest creation\, ravens. \n\n\n\nRavens: Spirits of the Sky will transform the American University Museum’s Long Gallery into an aviary. Featuring never-before-exhibited artworks\, the show is comprised entirely of 21 metal and glass raven sculptures inspired by the bird’s appearance in world mythology. Snow Crystal Raven references a Native American myth that expresses reverence and thankfulness to the Great Spirit. Smoky Raven demonstrates ‘lift’ in the bird’s preparation for flight. Colorful and predatory\, Amethyst Raven with Frog depicts a raven gripping a frog in its beak. The iridescent violets and yellow glass contrast to express the struggle of life and death. The ravens are captured in various poses\, including flight\, with three of the sculptures suspended from the ceiling. \n\n\n\nFor more than 60 years\, Washington\, D.C.-based artist Joan Danziger has beguiled audiences with her artworks born of mythology\, imagination and fantasy. As an artist\, she has metamorphosized from a painter to a sculptor to a glass artist. Danziger began her career as a surrealist painter and the dramatic hues in her paintings fed directly into painted sculptures — from vivid\, surreal flowers in vases resting on pigmented patterned\, handwoven carpets to large colorful figures of acrobats and musicians\, to brilliantly hued figures riding bicycles with parrots.Her public commissions can be seen along the Eastern Seaboard in Maryland\, New Jersey and Washington\, D.C. She has exhibited in museums from New York to California\, and her work is included in the collections of museums including the Smithsonian American Art Museum and the National Museum of Women in the Arts (Washington\, D.C.); New Orleans Museum of Art; National Sporting Library & Museum (Middleburg\, Virginia); Grounds For Sculpture (Hamilton Township\, New Jersey); Reading Public Museum (Reading\, Pennsylvania); New Jersey State Museum (Trenton\, New Jersey); Museum of Science & Industry (Jacksonville\, Florida); and the San Diego Museum of Art (San Diego\, California). \n\n\n\n\n\nMore information about accessibility at the Katzen Art Center can be found here.  \n\n\n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Member Guests – $20\n\n\n\nGeneral Admission – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization.
URL:https://www.arttable.org/event/washington-dc-artist-talk-with-joan-danziger/
LOCATION:Katzen Arts Center American University Museum\, 4400 Massachusetts Ave NW\, Washington\, DC\, 20016\, United States
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2026/01/Joan-Danziger2024-01a-scaled.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260219T173000
DTEND;TZID=America/New_York:20260219T190000
DTSTAMP:20260515T132613
CREATED:20251212T171210Z
LAST-MODIFIED:20260126T172656Z
UID:132135-1771522200-1771527600@www.arttable.org
SUMMARY:Boston\, MA | MeetAT at Krakow Witkin Gallery
DESCRIPTION:You’re invited to a Boston\, MA MeetAT networking event on February 19\, graciously hosted by Krakow Witkin Gallery. Join us for an evening of light refreshments and engaging conversations with fellow ArtTable members and new connections. \n\n\n\nAbout Krakow Witkin Gallery:Krakow Witkin Gallery began exhibiting artists in 1959 and has been in its 10 Newbury Street Boston location since 1983. The gallery’s prior incarnations are Barbara Krakow Gallery\, Harcus Krakow Gallery\, Harcus Krakow Rosen Sonnabend\, Parker 470 and Carriage House Gallery.  \n\n\n\nKrakow Witkin Gallery has a commitment to an extensive\, yet focused group of artists known as part of the movements commonly called “Minimalism” and/or “conceptual art\,” along with younger artists who have come to renown since the 1960s with reductivist aesthetics. The gallery’s exhibition program runs three shows simultaneously with six to seven rotations over the course of the September – July season. During each cycle\, there is one larger show\, one smaller show and one show of a single work. This juxtaposition of types of exhibition gives viewers three different rigorous contexts with which to view work and consider various ideas of presentation. \n\n\n\nWe are available to assist the public in many ways – from discussing the art\, to issues of evaluation\, purchasing (the gallery has a deep inventory of art available for purchase from $1\,200 and beyond)\, framing\, shipping\, insuring\, installing\, conserving\, and even de-accessioning (selling). The gallery encourages and welcomes all viewers by demystifying contemporary art and providing an educationally-rich\, friendly\, open\, and welcoming environment in which to observe\, study\, and learn about the art and artists. \n\n\n\nFurthermore\, as long-standing members of the greater Boston community\, the gallery is devoted to participating in and supporting local communities.  We would be happy to suggest activities\, people\, and places to explore and/or connect with in the greater Boston area. \n\n\n\nOn view at Krakow Witkin Gallery: Krakow Witkin Gallery presents an exhibition of Sylvia Plimack Mangold’s works made between 1975 and 1986 that incorporate imagery of tape. From paintings of the depiction of bits of tape “adhering” imagery of paper to the surface of real paper or canvas\, to the representation of tape as a cropping and/or masking tool\, the current show gives viewers a deep look into how the artist progressed in her thinking and execution over the course of a decade. \n\n\n\nSylvia Plimack Mangold’s works from 1975 to 1986\, as exhibited in this show\, display the psychological charge of the exchange between artist and viewer\, human and nature\, image and object\, and process and result. As such\, they are deliberately open-ended\, experiential\, and self-reflective\, offering the viewer a journey of layered examination to mirror and continue the artist’s practice. \n\n\n\nAre you considering joining ArtTable and want to know more about who we are and what we do? This is a great opportunity for potential members to get to know us! \n\n\n\nAdmission: \n\n\n\n\nFREE to ArtTable Members and their guests\n\n\n\n\n \n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/boston-ma-meetat-at-krakow-witkin-gallery/
LOCATION:Krakow Witkin Gallery\, 10 Newbury St 5th Floor\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/12/2022.More_-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260220T120000
DTEND;TZID=America/New_York:20260220T140000
DTSTAMP:20260515T132613
CREATED:20251215T150354Z
LAST-MODIFIED:20260212T154202Z
UID:133500-1771588800-1771596000@www.arttable.org
SUMMARY:Los Angeles\, CA |  Private Preview and Behind the Scenes Tour with Cierra Britton
DESCRIPTION:ArtTable invites you to join Cierra Britton for a curator-led walkthrough of her exhibition\, The Dance\, at Abigail Ogilvy Gallery in the Downtown Arts District\, LA. Food and drinks will be provided. \n\n\n\nCurated by Cierra Britton (Cierra Britton Gallery)\, The Dance is a meditation on the politics and poetics of bodily movement. Rooted in the visual language of classical forms and experimental gesture\, the exhibition explores the significance of femme movement as both ritual and resistance. From ballet to voguing\, to gestural abstract painting while listening to music\, movement has long transcended the stage and dancefloor—becoming a vital tool for self-expression\, community formation\, and the preservation of bodily autonomy. \n\n\n\nFounded in 2021\, the Cierra Britton Gallery is the first NYC-based gallery dedicated to representing BIPOC womxn artists whose work contributes to the contemporary cultural dialogue across the globe. The gallery’s mission is to make space for artists who are creating exploratory work\, inclusive of all mediums such as painting\, photography\, drawing\, and performance. Starting as a nomadic and online gallery\, our programming has focused on a diverse roster of artists making work that is rooted in storytelling\, exploration\, and cultural commentary. \n\n\n\nCierra Britton Gallery is creating a safe and much-needed space for BIPOC womxn artists who have historically been marginalized from the mainstream art world. We aim to uphold artists and create community through dialogue and support for the arts. \n\n\n\nCierra Britton (b.1996\, Baltimore\, MD) is a curator and art dealer living and working in New York City. As the director of the Cierra Britton Gallery\, her mission is to make space for artists who are creating exploratory work across all mediums. \n\n\n\nLimited parking is available on site at the gallery. Additional street parking is available. For questions about access or to request accommodations please contact us at programs@arttable.org. \n\n\n\nProgram Admission: \n\n\n\n\nGeneral Admission – $25\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Guests – $20\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization.
URL:https://www.arttable.org/event/los-angeles-ca-private-preview-and-behind-the-scenes-tour-with-cierra-britton/
LOCATION:Abigail Ogilvy Gallery\, 1923 S Santa Fe Ave #100\, Los Angeles\, California\, 90021
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/12/JOEFG-INT-19-1.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260220T123000
DTEND;TZID=America/New_York:20260220T133000
DTSTAMP:20260515T132613
CREATED:20260115T151123Z
LAST-MODIFIED:20260212T154329Z
UID:143924-1771590600-1771594200@www.arttable.org
SUMMARY:New York\, NY | Curator-Led Tour of "Art X Fashion" with Elizabeth Way
DESCRIPTION:Join ArtTable at The Museum at FIT for a curator-led tour of Art X Fashion. \n\n\n\n“This exhibition will garner strong opinions and spark lively dialogue\, but whether you decide that fashion is art or not\, fashion’s strong and mutual relationship with fine art is undeniable.” – Elizabeth Way\, MFIT Curator of Costume and Accessories \n\n\n\nThe exhibition highlights how fashion is utilized as an expressive tool for artists\, such as Salvador Dalí\, Pablo Picasso\, and Sonia Delaunay\, alongside designers like Scott Barrie and Hussein Chalayan who root their concepts deeply in their art education\, while Fabrice Simon and Ralph Rucci are both painters as well as designers. Contemporary figures such as Cat Chow\, Mary Ping\, and Tavares Strachan exemplify the fluid\, modern boundary that exemplifies how these worlds can merge.  \n\n\n\nArt X Fashion equally surveys the ways in which fashion has been inspired by fine art. Through examples from designers such as Gianni Versace and Franco Moschino\, the exhibition spotlights ways that fashion has used odes to Pop Art classics as a means of commenting on consumer and celebrity culture. These replications of famous artworks on garments and accessories democratized these priceless masterpieces for a mass audience\, lending value\, recognition\, and even humor to fashion pieces\, but also adding cultural capital to the artworks. In some cases\, such as with Grace Wales Bonner\, the application of fine art to fashion extends the message of the original artist.  \n\n\n\n\n\n\n\nElizabeth Way is curator of costume and accessories at The Museum at FIT\, where her recent exhibitions include Black Fashion Designers (2016)\, Fabric In Fashion (2018)\, Head to Toe (2021)\, Fresh\, Fly\, and Fabulous: Fifty Years of Hip Hop Style (2023)\, Food & Fashion (2023)\, and Africa’s Fashion Diaspora (2024). She guest-curated Ann Lowe: American Couturier at Winterthur Museum Garden & Library (2023) and edited the books Black Designers in American Fashion (2021) and Ann Lowe: American Couturier (2023). Way holds an M.A. in costume studies from New York University and a doctorate in fashion curation from Central Saint Martins\, University of the Arts London. \n\n\n\n\nLearn more about accessibility at the Museum at FIT here. For questions about access or to request accommodations please contact us at programs@arttable.org. \n\n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Member Guest – $20\n\n\n\nGeneral Admission – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported\, in part\, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
URL:https://www.arttable.org/event/new-york-ny-curator-led-tour-of-art-x-fashion-with-elizabeth-way/
LOCATION:The Museum at FIT\, 227 West 27th Street\, New York\, New York\, 10001\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2026/01/art-fashion-banner1.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260225T150000
DTEND;TZID=America/New_York:20260225T160000
DTSTAMP:20260515T132613
CREATED:20260108T191134Z
LAST-MODIFIED:20260212T154550Z
UID:142893-1772031600-1772035200@www.arttable.org
SUMMARY:Washington\, DC | Curator-Led Tour of "Mary Cassatt: An American in Paris" at the National Gallery of Art
DESCRIPTION:Join ArtTable for a curator-led tour of Mary Cassatt: An American in Paris. The exhibition celebrates this pioneering American impressionist on the 100th anniversary of her death.  \n\n\n\nThis special installation includes several of Cassatt’s beloved paintings alongside groundbreaking prints and drawings that are rarely on view. \n\n\n\nOur tour will be led by Kimberly A. Jones\, curator of nineteenth-century French paintings\, department of French paintings; Rena Hoisington\, curator and head\, department of old master prints; Mary Morton\, curator and head\, department of French paintings; and Michelle Bird\, curatorial associate\, department of French paintings\, all of the National Gallery of Art.  \n\n\n\n\nLearn more about accessibility at the National Gallery of Art here. For questions about access or to request accommodations please contact us at programs@arttable.org. \n\n\n\n\nProgram Admission:  \n\n\n\n\nGeneral Admission – $25\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Guests – $20\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImages:  \n\n\n\nMary Cassatt\, Girl Arranging Her Hair\, 1886\, oil on canvas\, Chester Dale Collection\, 1963.10.97 \n\n\n\nMary Cassatt\, Woman with a Sunflower\, c. 1905\, oil on canvas\, Chester Dale Collection\, 1963.10.98
URL:https://www.arttable.org/event/washington-dc-curator-led-tour-of-mary-cassatt-an-american-in-paris-at-the-national-gallery-of-art/
LOCATION:National Gallery of Art\, West Building\, 6th St and Constitution Ave NW\, Washington\, DC\, District of Columbia\, 20565\, United States
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2026/01/Screen-Shot-2026-01-08-at-2.03.00-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260226T100000
DTEND;TZID=America/New_York:20260301T180000
DTSTAMP:20260515T132613
CREATED:20260113T212322Z
LAST-MODIFIED:20260113T214705Z
UID:143665-1772100000-1772388000@www.arttable.org
SUMMARY:2026 Frieze L.A. | Complimentary VIP Passes
DESCRIPTION:Photo by Casey Kelbaugh. Courtesy of Frieze and CKA.\n\n\n\nArtTable Members are invited to claim a complimentary VIP pass for Frieze L.A.\, taking place February 26 – March 1\, 2026\, at the Santa Monica Airport. \n\n\n\nFrieze Los Angeles largely focuses on contemporary art and celebrates the exceptionally dynamic culture of Los Angeles and its global contributions to the visual arts. The seventh edition of the fair returns to Santa Monica Airport from February 26 – March 1\, 2026 and will feature approximately 100 galleries\, an expansive program of ambitious installations\, collaborations with nonprofit organizations\, and pop-ups from some of Los Angeles’ most beloved restaurants. \n\n\n\nThese passes are only offered to ArtTable members while supplies last. \n\n\n\nAll registrants will receive an email after registration\, closer to the event date\, with instructions on how to obtain their ticket(s). \n\n\n\nLocationSanta Monica Airport3027 Airport AvenueSanta Monica\, 90405 \n\n\n\nPublic Opening HoursThursday\, February 26: 10 am – 7 pm (invitation only)Friday\, February 27: 11 am – 7 pm (invitation only 11 am – 1 pm\, open to the public from 1 pm)Saturday\, February 28: 11 am – 7 pmSunday\, March 1: 11 am – 6 pm \n\n\n\nIf you want to be eligible for this or other opportunities\, consider joining membership! Apply today or reach out to membership@arttable.org with any questions!
URL:https://www.arttable.org/event/2026-frieze-l-a-complimentary-vip-passes/
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2026/01/Screenshot-2026-01-13-at-4.17.41-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260226T183000
DTEND;TZID=America/New_York:20260226T193000
DTSTAMP:20260515T132613
CREATED:20260123T202142Z
LAST-MODIFIED:20260212T154647Z
UID:145926-1772130600-1772134200@www.arttable.org
SUMMARY:New York\, NY | Studio Visit with Marilyn Minter
DESCRIPTION:Join ArtTable in New York City for a Studio Visit with Marilyn Minter.  \n\n\n\nMarilyn Minter (b. 1948\, USA) is an artist based in New York. Recent solo exhibitions include Marilyn Minter\, Lehmann Maupin\, Seoul\, South Korea (2024). Marilyn Minter\, LGDR\, New York\, NY (2023); Marilyn Minter\, Lehmann Maupin\, Hong Kong\, China (2021); All Wet\, Montpellier Contemporary (Mo.Co)\, Montpellier\, France (2021); Smash\, MoCA Westport\, Westport\, CT (2021); Fierce Women\, The Cube\, Moss Arts Center\, Virginia Polytechnic Institute and State University\, Blacksburg\, VA (2020); Nasty Woman\, SCAD Museum of Art\, Savannah GA (2020); among others. From 2015 through 2017\, her retrospective\, Marilyn Minter: Pretty/Dirty\, traveled to the Contemporary Arts Museum\, Houston (TX); the Museum of Contemporary Art\, Denver (CO); the Orange County Museum of Art\, Newport Beach (CA); and the Brooklyn Museum\, Brooklyn (NY). Her video Green Pink Caviar was on view at The Museum of Modern Art\, New York from 2010-2011.  \n\n\n\nMinter is the recipient of numerous prestigious awards\, including the Louis Comfort Tiffany Grant (2006) and the Guggenheim Fellowship (1998). Minter’s work is in the collections of many museums globally\, including the the Museum of Contemporary Art\, Los Angeles (CA); San Francisco Museum of Modern Art\, San Francisco (CA); (MA); the Museum of Modern Art\, New York (NY); the Perez Art Museum\, Miami (FL); the Tate Modern\, London (U.K); the Solomon R. Guggenheim Museum\, New York (NY); and the Whitney Museum of American Art\, New York (NY)\, among many others.Minter is represented by Salon 94\, New York\, Regen Projects\, Los Angeles\, Lehmann Maupin\, Hong Kong/Seoul. \n\n\n\nFor questions about access or to request accommodations please contact us at programs@arttable.org. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Circle\, Patron\, and Benefactor Members – $35\n\n\n\nArtTable Members – $40\n\n\n\nIf space allows\, this program will open to Executive Members on February 2\, and all members on February 9. \n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage credits: \n\n\n\nImage 1: Headshot of Marilyn Minter\, Photo by Ryan McGinleyImage 2: After Guston\, #23 (Lightbulb)\, 2024\, Enamel on Wood Panel\, 30 x 20 inches
URL:https://www.arttable.org/event/new-york-ny-studio-visit-with-marilyn-minter/
LOCATION:Full Address Provided Upon Registration\, Garment District / Midtown West\, New York\, 10018
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260227T100000
DTEND;TZID=America/New_York:20260227T130000
DTSTAMP:20260515T132613
CREATED:20260211T172502Z
LAST-MODIFIED:20260211T215651Z
UID:149717-1772186400-1772197200@www.arttable.org
SUMMARY:Beverly Hills\, CA | Preview of DOYLE’s Spring Marquee Sales
DESCRIPTION:Mel Bochner\, I Don’t Get It/ I Still Don’t Get It/So What\, 2021\n\n\n\n\n\n\n\n\nJoin ArtTable and the Association of Professional Art Advisors for a preview of DOYLE’s Spring Marquee Sales\, including paintings\, prints and photographs with works by Mel Bochner\, Lynne Drexler\, Henri Matisse\, Roy Lichtenstein\, Scott Kahn\, August Herbin\, Vik Muniz\, Richard Lindner. \n\n\n\nFor questions about access or to request accommodations please contact us at programs@arttable.org. \n\n\n\nProgram Admission: \n\n\n\n\nFree
URL:https://www.arttable.org/event/los-angeles-ca-preview-of-doyles-spring-marquee-sales/
LOCATION:DOYLE Beverly Hills\, 310 North Camden Drive\, Beverly Hills\, California\, 90210
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2026/02/Screen-Shot-2026-02-11-at-11.50.31-AM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260228T110000
DTEND;TZID=America/New_York:20260228T120000
DTSTAMP:20260515T132613
CREATED:20260121T221814Z
LAST-MODIFIED:20260212T154829Z
UID:145543-1772276400-1772280000@www.arttable.org
SUMMARY:Chicago\, IL | Studio Visit with Edra Soto
DESCRIPTION:Visit Edra Soto’s studio in the Belmont Cragin neighborhood of Chicago on February 28. \n\n\n\nEdra Soto (b. 1971) is a Puerto Rican-born artist\, educator\, and co-director of outdoor project space The Franklin. Soto instigates meaningful\, relevant\, and often difficult conversations surrounding socioeconomic and cultural oppression\, erasure of history\, and loss of cultural knowledge. Having grown up in Puerto Rico\, and now immersed in her Chicago community\, the artist has evolved to raise questions through her work about constructed social orders\, diasporic identity\, and the legacy of colonialism. \n\n\n\nSoto has presented recent solo exhibitions at Comfort Station\, Chicago\, IL (2024); Maine College of Art & Design\, ME (2024); Morgan Lehman Gallery\, NY (2024); Hyde Park Art Center\, Chicago\, IL (2023); Institute of Contemporary Art\, San Diego\, CA (2023); Abrons Art Center\, New York\, NY (2021); Museum of Contemporary Art\, Chicago\, IL (2018); Headlands Center for the Arts\, Sausalito\, CA (2017); The Arts Club of Chicago\, IL (2017). Her work has been featured in notable group exhibitions including Widening the Lens: Photography\, Ecology\, and the Contemporary Landscape\, Carnegie Museum of Art\, Pittsburgh\, PA (2024); Diasporic Collage: Puerto Rico and the Survival of a People\, MSU Broad Art Museum\, MI (2024); Entre Horizontes\, Museum of Contemporary Art Chicago\, IL (2023); no existe un mundo poshuracán\, Whitney Museum of American Art\, New York\, NY (2022); and Estamos Bien\, La Trienal 20/21\, El Museo del Barrio\, New York\, NY (2021). \n\n\n\nShe has been awarded the United States Artists Fellowship\, the Joyce Award; 3Arts Next Level Award; Illinois Arts Council Fellowship; Joan Mitchell Foundation Painters & Sculptors Grant; Bemis Center’s Ree Kaneko Award; and US LatinX Art Forum Fellowship; and MacArthur Foundation International Connections Fund. Soto has received numerous public commissions\, for Public Art Fund at the Doris C. Freedman Plaza\, Central Park\, NY (2024); Noor Riyadh\, Saudi Arabia (2024); Now & There\, Central Wharf Park\, Boston\, MA (2023); the Chicago Architecture Biennial\, IL (2023); Terminal 5 at O’Hare International Airport\, IL (2023); Chicago Botanic Garden\, IL (2022) and Millennium Park in Chicago\, IL (2019). Her work is in the collection of institutions including the Whitney Museum of American Art\, New York; Pérez Art Museum Miami; Museo de Arte de Puerto Rico and Museum of Contemporary Art of Chicago. \n\n\n\nParking is available in front of and around the building. Please arrive promptly at 11 am as the door wll be locked afterward. There is a short set of stairs with rails to access the studio space. No elevator is available. For questions about access or to request accommodations please contact us at programs@arttable.org. \n\n\n\nPlease wear closed-toed shoes. \n\n\n\n\n\nProgram Admission:  \n\n\n\n\nGeneral Admission – $25\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Guests – $20\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImages:  \n\n\n\nHeadshot of Edra SotoEdra Soto\, 2025\, La Casa de Todos | the Sculpture Center
URL:https://www.arttable.org/event/chicago-il-studio-visit-with-edra-soto/
LOCATION:Full Address Provided Upon Registration\, Belmont Cragin\, 60639
CATEGORIES:Chicago
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2026/01/Untitled-design-1.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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