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DTSTART;TZID=America/New_York:20210205T140000
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SUMMARY:Virtual | Conversation: Howardena Pindell and Adeze Wilford\, 'Rope/Fire/Water' at The Shed
DESCRIPTION:2pm ET | 1pm CT | 11am PT\nArtTable’s Curatorial Perspective program series invites curators to present and discuss timely exhibitions and initiatives. Please join us for a discussion with artist Howardena Pindell and Adeze Wilford\, Assistant Curator at The Shed and organizer of the exhibition\, Howardena Pindell: Rope/Fire/Water\, currently on view at The Shed in New York. \nPlease join us after the discussion for 10-15 minutes of virtual networking in Zoom Breakout Rooms! In pre-pandemic times\, ArtTable programs were a time for members and non-members to connect with old friends and meet new people\, and we aim to simulate that in the virtual realm! \nAdmission \n\nNon-Members – $20\nArtTable Members – $15\nArtTable Circle Members – Free \n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout the Speakers \nBorn in Philadelphia in 1943\, Howardena Pindell studied painting at Boston University and Yale University. After graduating\, she accepted a job at the Museum of Modern Art\, where she worked for 12 years (1967–1979). Her first role was an Exhibition Assistant\, then Assistant Curator in the Department of National and International Traveling Exhibitions\, and finally Associate Curator and Acting Director in the Department of Prints and Illustrated Books. In 1979\, she began teaching at the State University of New York\, Stony Brook where she is now a full-time professor. Throughout her career\, Pindell has exhibited extensively. Notable solo-exhibitions include: Spelman College (1971\, Atlanta)\, Just Above Midtown (1977\, New York)\, Lerner-Heller Gallery (1980\, 1981\, New York)\, The Studio Museum in Harlem (1986\, New York)\, the Wadsworth Atheneum (1989\, Hartford)\, G.R. N’Namdi Gallery (1992\, 1995\, 1996\, 2000\, 2002\, 2006\, Chicago\, Detroit\, and New York)\, Garth Greenan Gallery\, New York (2014\, 2017)\, Spelman College Museum of Fine Art\, Atlanta (2015) and the Museum of Contemporary Art\, Chicago (2018). \nPindell often employs lengthy\, metaphorical processes of destruction/reconstruction. She cuts canvases in strips and sews them back together\, building up surfaces in elaborate stages. She paints or draws on sheets of paper\, punches out dots from the paper using a hole punch\, drops the dots onto her canvas\, and squeegees paint through the “stencil” left in the paper from which she had punched the dots. Almost invariably\, her paintings are installed unstretched\, held to the wall merely by the strength of a few finishing nails. The artist’s fascination with gridded\, serialized imagery\, along with surface texture appears throughout her oeuvre. Even in her later\, more politically charged work\, Pindell reverts to these thematic focuses in order to address social issues of homelessness\, AIDs\, war\, genocide\, sexism\, xenophobia\, and apartheid. \nMost recently\, Pindell’s work appeared in: Black in the Abstract: Part I\, Epistrophy (2013\, Contemporary Arts Museum\, Houston)\, and Painting 2.0: Expression in the Information Age\, (2015–2016\, Museum Brandhorst; 2016\, Museum Moderner Kunst) and We Wanted a Revolution: Black Radical Women\, 1965–1985 (2017\, the Brooklyn Museum\, New York). Howardena Pindell was the subject of the 2018 retrospective at the Museum of Contemporary Art\, Chicago titled ‘Howardena Pindell: What Remains to Be Seen.’ The exhibition later traveled to the Virginia Museum of Fine Arts (2018) and the Rose Art Museum (2019). \nView the artist’s full biography here. \n \nAdeze Wilford is an Assistant Curator at The Shed. She was an inaugural joint curatorial fellow at The Studio Museum in Harlem and the Museum of Modern Art. She organized Vernacular Interior at Hales Gallery in 2019\, as well as Excerpt (2017) at the Studio Museum and Black Intimacy (2017)\, a film series at MoMA. Other curatorial projects include Harlem Postcards F/W 2016/2017 and Color in Shadows the 2016 Expanding The Walls exhibition at Studio Museum. Prior to this Adeze was the Public Programs and Community Engagement assistant at the Studio Museum. She has contributed scholarship to various catalogues and magazines including Young\,Gifted and Black and Black Refractions. She graduated from Northwestern University with a BA in Art History and African-American Studies.\n \nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information. \n\nImages: Installation view of ‘Howardena Pindell: Rope/Fire/Water’ at The Shed; Howardena Pindell; Adeze Wilford\, © 2015 Scott Rudd
URL:https://www.arttable.org/event/virtual-conversation-howardena-pindell-and-adeze-wilford/
LOCATION:Zoom
CATEGORIES:National
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20210225T203000
DTEND;TZID=America/New_York:20210225T203000
DTSTAMP:20260421T200116
CREATED:20210128T181921Z
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SUMMARY:RESCHEDULED | MFA Artists Talk: Recent Cadogan Scholarship Awardees
DESCRIPTION:8:30pm ET | 7:30pm CT | 5:30pm PT\nThis program has been rescheduled to a later date. Stay tuned for updates.\nIn support of Bay Area MFA candidates\, the Northern California Chapter invites you to join us on Thursday\, February 25 (8:30pm ET/ 7:30pm CT/ 5:30pm PT) for a visit with recent Cadogan Scholarship Awardees Dominique Birdsong\, Amy Elkins\, and Claudia Huenchuleo Paquien. \nThe distinction is part of The Jack K. and Gertrude Murphy Award and the Edwin Anthony and Adalaine Boudreaux Cadogan Scholarships (aka The Murphy Cadogan Contemporary Art Awards). These awards help fuel the forward-thinking visual arts movement that makes the Bay Area unique. Established in 1986\, the awards were designed to further the development of the region’s MFA students and to foster exploration of their artistic potential. \nThe winners receive financial awards and have their work displayed in an exhibition at SOMArts Cultural Center. As universities and students have been impacted by COVID-19 this past year\, the 2020 exhibition\, curated by artist\, curator\, and educator Kevin B. Chen\, made the pivot online so awardees can celebrate safely from their homes. We are pleased to present this Artists Talk by three of the year’s talented awardees. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\n\nNot a member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout the Artists \nDominique Birdsong is a San Francisco-based artist working in a variety of media\, from acrylic paint to concrete\, plaster\, and resin cloth. Her work explores the relationship between death and identity. Reflecting on a personal experience of loss\, she states\, “The impact that it has on me is extreme\, prompting me to question my identity: who I am now and who I was before I lost them.” Birdsong completed her BFA from Humboldt State University. She is currently an MFA candidate at the San Francisco Art Institute. \nAmy Elkins works primarily in photography and with a series-based approach that oscillates between formal\, conceptual and documentary. She has spent the past fifteen years researching\, creating and exhibiting work that explores the multifaceted nature of masculine identity as well as the psychological and sociological impacts of incarceration. Elkins received her BFA in Photography from the School of Visual Arts in New York. She is currently an MFA candidate in the Art Practice program at Stanford University. She has exhibited and published both nationally and internationally. \nClaudia Huenchuleo Paquien is a multimedia artist based in San Francisco. An urban Mapuche descendant\, born and raised in Chile\, her work reflects on feelings of sadness\, nostalgia\, and dislocation as collective constructions in attunement to places and territories. Through collage\, photography\, and installation\, her work interrogates the way in which memory\, culture\, and race function in relation to Indigenous contemporary identities and new systems of knowledge. Huenchuleo Paquien graduated from University of Concepción\, Chile\, with a degree in psychology. She completed a Post Baccalaureate in Visual Arts at UC Berkeley Extension. She is currently a third year MFA candidate at San Francisco State University. \nThank you to Northern California Chapter Executive Committee members Donna Napper\, Co-Chair and Maren Jones\, Finance Chair for organizing this program. \n\nImages clockwise from top left: Dominique Birdsong\, A Conversation\, 2019\, clay\, concrete\, red LED light and wood base; Amy Elkins\, Holding Pattern\, 2020\, pigment print on adhesive fabric\, stop motion animation on two 13” Clear Tech Televisions\, print on cotton\, used prison uniforms\, stainless steel hangers\, industrial steel pipes and fittings. Claudia Huenchuleo Paquien\, Kallfü Füdo\, 2020\, photograph. Images courtesy of the artists.
URL:https://www.arttable.org/event/virtual-mfa-artists-talk-recent-cadogan-scholarship-awardees/
LOCATION:Zoom
CATEGORIES:National,Northern California
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
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