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DTSTART;TZID=America/New_York:20260323T143000
DTEND;TZID=America/New_York:20260323T160000
DTSTAMP:20260408T170815
CREATED:20260211T154323Z
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SUMMARY:Washington\, DC | Unboxing at the Smithsonian’s Archives of American Art with Christina Ayson-Plank and Jayna Josefson
DESCRIPTION:Join ArtTable at the Smithsonian’s Archives of American Art to discover collections that document the history of women in American visual arts. During this tour and presentation\, attendees will learn about the lives and legacies of Toshiko Takaezu and Hung Liu through archival collections. \n\n\n\nFor more than 70 years\, the Archives has provided researchers worldwide with access to the largest collection of primary source materials collected from artists\, galleries\, and other art world institutions and professionals. The Archives holds nearly 6\,500 collections comprised of more than 30 million primary sources including correspondence\, diaries\, sketchbooks\, photographic\, audiovisual\, and born-digital materials. As one of the oldest and most respected oral history collections in the world\, the Archives’ Oral History Program has preserved the voices of the American art world in more than 2\,600 interviews. Learn more about the Archives here.Toshiko Takaezu (1922–2011) was a pioneering 20 th century ceramic artist known for her signature closed forms and installations. Born in Pepeekeo\, Hawai‘i\, Takaezu attended Cranbrook Academy in Michigan and taught for decades at Princeton University. \n\n\n\nHung Liu (1948–2021) was a groundbreaking painter whose works drew primarily from historical Chinese photographs of women and children. Born in Changchun\, China\, Liu studied under Allan Kaprow at the University of California\, San Diego and taught for decades at Mills College. \n\n\n\nChristina Ayson-Plank is the Asian Pacific American Collections Specialist at the Archives of American Art. She earned her Ph.D. in Visual Studies from the University of California\, Santa Cruz. \n\n\n\nJayna Josefson is a project archivist at the Archives of American Art with a focus on processing the papers of women artists. She earned her MA in Public History from Wright State University. \n\n\n\nFor questions about access or to request accommodations please contact us at programs@arttable.org. \n\n\n\n\n \n\n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Member Guests – $20\n\n\n\nGeneral Admission – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Evon Streetman. Toshiko Takaezu throwing a ceramic pot\, 1974.Toshiko Takaezu papers\, circa 1925-circa 2010. Archives of American Art\, SmithsonianInstitution.
URL:https://www.arttable.org/event/washington-dc-unboxing-at-the-smithsonians-archives-of-american-art-with-christina-ayson-plank-and-jayna-josefson/
LOCATION:The Smithsonian’s Archives of American Art\, 750 9 th Street NW\,\, Washington\, DC\, Washington\, DC
CATEGORIES:Washington, D.C.
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260324T123000
DTEND;TZID=America/New_York:20260324T133000
DTSTAMP:20260408T170815
CREATED:20260125T124949Z
LAST-MODIFIED:20260212T155323Z
UID:146173-1774355400-1774359000@www.arttable.org
SUMMARY:New York\, NY | Curator-Led Tour of "Carol Bove" with Katherine Brinson
DESCRIPTION:Carol Bove\, Offenbach Barcarolle\, 2019. Found steel\, stainless steel\, and urethane paint\, 82 1/2 × 76 × 41 in. (209.6 × 193 × 104.1 cm). Solomon R. Guggenheim Museum\, New York\, Purchased with funds contributed by the International Director’s Council\, and partial gift of David Zwirner 2023.11. © Carol Bove Studio LLC. Photo: Maris Hutchinson\n\n\n\n\n\nCarol Bove will be the first museum survey and largest presentation to date of the work of American artist Carol Bove. The exhibition will trace pivotal shifts across Bove’s 25-year career\, ranging from her early drawings to a new\, monumental series of her scrap metal and steel tubing compositions known as “collage sculptures.” The artist will also orchestrate a series of design interventions that subtly inflect the experience of navigating Frank Lloyd Wright’s iconic rotunda\, reflecting her longstanding interest in the way objects and images are transformed by their surroundings. \n\n\n\nBove’s inventive practice spans many mediums and formal approaches but is unified by an exacting play of material\, scale\, color\, and space. She places these elements in dialogue with cultural histories and the viewer’s imagination to create the conditions for a resonant perceptual encounter—one that will function\, in the words of the artist\, as “a way of opening the world.” \n\n\n\nKatherine Brinson joined the Guggenheim’s curatorial staff in 2005. She has curated and cocurated numerous exhibitions at the Solomon R. Guggenheim Museum\, Guggenheim Museum Bilbao\, and the former Deutsche Guggenheim in Berlin\, including Carol Bove (2026); Alex Katz: Gathering (2022–23); Etel Adnan: Light’s New Measure  (2021–22); The Hugo Boss Prize 2020: Deana Lawson\, Centropy (2021); The Hugo Boss Prize 2018: Simone Leigh (2019); Danh Vo: Take My Breath Away (2018); The Hugo Boss Prize 2016: Anicka Yi\, Life Is Cheap (2017); Doris Salcedo (2015); Storylines (2015); The Hugo Boss Prize 2014: Paul Chan\, Nonprojections for New Lovers (2015); Christopher Wool (2013–14); The Hugo Boss Prize 2012: Danh Vo (2013); The Hugo Boss Prize 2010: Hans-Peter Feldmann (2011); The Luminous Interval: The D. Daskalopoulos Collection (2011); Agathe Snow: All Access World (2011); Intervals: Ryan Gander (2010–11); Intervals: Kitty Kraus (2009–10); and Intervals: Julieta Aranda (2009). She is one of the organizing curators for the museum’s International Directors Council. She holds a BA in English literature from University of Oxford and an MA in art history from the Institute of Fine Arts\, New York University. \n\n\n\nLearn more about accessibility at The Solomon R. Guggenheim Museum here. For questions about access or to request accommodations please contact us at programs@arttable.org. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $30\n\n\n\nArtTable Member Guest – $35\n\n\n\nGeneral Admission – $40\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported\, in part\, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
URL:https://www.arttable.org/event/new-york-ny-curator-led-tour-of-carol-bove-with-katherine-brinson/
LOCATION:The Solomon R. Guggenheim Museum\, 1071 5th Ave\, New York\, New York\, 10128
CATEGORIES:New York
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DTSTART;TZID=America/New_York:20260331T180000
DTEND;TZID=America/New_York:20260331T190000
DTSTAMP:20260408T170815
CREATED:20251216T214127Z
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SUMMARY:New York\, NY | Exhibition Walkthrough at Pace Gallery
DESCRIPTION:Join ArtTable at Pace Gallery for an exhibition walkthrough of Maysha Mohamedi: Maysha the Fool with Isabel Ross and Oliver Shultz. \n\n\n\nVibrant and playful\, Maysha Mohamedi’s (b. 1980\, Los Angeles) innovative practice points toward a new mode of atmospheric abstraction that registers certain conditions specific to Los Angeles—and American life as a whole—in the early twenty-first century. Reflecting her personal history and key constellations in her own cultural matrix\, her palette is both purely abstract and directly connected to the patchwork of landscapes\, objects\, and environments that comprise her life. These range from an Ojai\, California\, playground the artist visited with her children to clippings from cookbooks and magazines and sea glass found on the shore. Mohamedi’s works are reflections of her own thinking\, crystallized as moments of haptic communion. The artist’s academic background in neuroscience is found in the liveliness and expansiveness of her paintings. Liberated from the constraints and dictates of the three-dimensional world\, her immersive works exude a sense of freedom and illimitability. For Mohamedi\, the viewer is an equal creator in this shared universe of boundless possibilities. \n\n\n\nFor questions about access or to request accommodations please contact us at programs@arttable.org. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Member Guest – $20\n\n\n\nGeneral Admission – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported\, in part\, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.  \n\n\n\n\n\n\n\n\n\nImage credit:Mohamedi\, MayshaAbsolute Zero\, 2025oil on canvas49″ × 41″ (124.5 cm × 104.1 cm)No. 97415
URL:https://www.arttable.org/event/new-york-ny-exhibition-walkthrough-with-maysha-mohamedi/
LOCATION:Pace Gallery\, 540 W 25th St\, New York\, New York\, 10001\, United States
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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