BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//ArtTable - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:ArtTable
X-ORIGINAL-URL:https://www.arttable.org
X-WR-CALDESC:Events for ArtTable
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20190310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20191103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20200308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20201101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20210314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20211107T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200113T173000
DTEND;TZID=America/New_York:20200113T190000
DTSTAMP:20260504T132544
CREATED:20191211T214552Z
LAST-MODIFIED:20210216T195045Z
UID:1757-1578936600-1578942000@www.arttable.org
SUMMARY:NY | Curatorial Perspective: Memory Palaces: Inside the Collection of Audrey B. Heckler
DESCRIPTION:Image: Aloïse Corbaz (1886\, Lausanne\, Switzerland–1964\, Gimel\, Switzerland) Untitled (“l’Amérique Stubborn Président”) 1953 Colored pencil\, graphite\, and sewn paper cutouts on paper 47 x 30 in. Collection of Audrey B. Heckler.  © L’association Aloïse Photography  © Visko Hatfield\, courtesy of the Foundacion to Promote Self Taught Art and Rizzoli International Publications\, Inc. \nClick here to REGISTER\nJoin ArtTable and Valérie Rousseau\, PhD\, Senior Curator & Curator of Self-Taught Art and Art Brut at The American Folk Art Museum\, for a curatorial walk- through of Memory Palaces: Inside the Collection of Audrey B. Heckler. \nThe collection of Audrey B. Heckler is emblematic of the growth of the field of self-taught art in the United States\, which manifests a strong interest for African American artists\, a consistent attention on American classics\, a curiosity for European art brut\, and a search for international discoveries. For the last twenty-seven years\, Heckler—a long time and committed patron of the American Folk Art Museum—has surrounded herself with excellent examples by the most significant artists associated to this art niche\, among them Emery Blagdon\, Aloïse Corbaz\, William Edmondson\, August Klett\, Augustin Lesage\, Martín Ramírez\, Thornton Dial\, and Anna Zemánková. For more information see here. \nThank you to Valérie Rousseau and Elisabeth Rochau- Shalem\, NY Programs Committee Chair\, for organizing this program.
URL:https://www.arttable.org/event/ny-curatorial-perspective-memory-palaces-inside-the-collection-of-audrey-b-heckler/
LOCATION:American Folk Art Museum\, 2 Lincoln Square\, NY\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200118T153000
DTEND;TZID=America/New_York:20200118T180000
DTSTAMP:20260504T132544
CREATED:20200107T205306Z
LAST-MODIFIED:20210216T194950Z
UID:1986-1579361400-1579370400@www.arttable.org
SUMMARY:POSTPONED: DC | Curator's Talk and Preview of Moira Dryer
DESCRIPTION:Image: The Power of Suggestion\, Moira Dryer\, 1991 \nThis event has been postponed! Check back soon for a new date. \nGreater Reston Arts Center (GRACE) will present a selection of works by artist Moira Dryer (b. 1957\, Toronto\, Ontario; d. 1992\, New York\, New York) in conjunction with the major exhibition of Dryer’s early work at the Phillips Collection in Washington\, DC\, entitled Moira Dryer: Back in Business. Both exhibitions are curated by GRACE Executive Director and Curator Lily Siegel. \nDryer is primarily known for her large abstract paintings on wood panels. This exhibition will provide an intimate look at the artist’s practice through works given as gifts to friends and family\, many never previously shown publicly. Her work has been exhibited extensively across the United States in institutions such as Boston’s Institute for Contemporary Art; Whitney Museum of Modern Art; and The Museum of Modern Art\, New York. Dryer’s work is included in the permanent collections of The Solomon R. Guggenheim Museum\, New York; Museum of Contemporary Art\, Los Angeles; and Museum of Modern Art\, New York. This exhibition is generously supported in part by Robert and Theresa Goudie and ARTSFAIRFAX. \n3:30 pm – Private champagne toast with ArtTable \n4 – 6 pm – Curator’s talk & Opening Reception \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Elizabeth Denholm\, Advancement Officer\, Greater Reston Arts Center. 
URL:https://www.arttable.org/event/dc-curators-talk-and-preview-of-moira-dryer-yours-for-the-taking-champagne-toast/
LOCATION:Greater Reston Arts Center\, 12001 Market St #103\, Reston\, VA\, 20190\, United States
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/image001-8.jpg
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200123T090000
DTEND;TZID=America/New_York:20200123T100000
DTSTAMP:20260504T132544
CREATED:20200103T155257Z
LAST-MODIFIED:20210216T194738Z
UID:1885-1579770000-1579773600@www.arttable.org
SUMMARY:NY | Curatorial Perspective: Making Knowing: Craft in Art\, 1950–2019 with Jennie Goldstein
DESCRIPTION:Image: Liza Lou\, Kitchen\, 1991-96. Beads\, plaster\, wood and found objects\, 96 × 132 × 168 in. (243.8 × 335.3 × 426.7 cm). Whitney Museum of American Art\, New York; gift of Peter Norton 2008.339a-x. © Liza Lou. Photograph by Tom Powel\, courtesy the artist \nClick here to Register!\nJoin ArtTable NY for an early morning curatorial walkthrough of Making Knowing: Craft in Art\, 1950–2019 with Jennie Goldstein\, assistant curator\, Whitney Museum\, and co-curator of this exhibition. \nMaking Knowing: Craft in Art\, 1950–2019 foregrounds how visual artists have explored the materials\, methods\, and strategies of craft over the past seven decades. Some expand techniques with long histories\, such as weaving\, sewing\, or pottery\, while others experiment with textiles\, thread\, clay\, beads\, and glass\, among other mediums. The traces of the artists’ hands-on engagement with their materials invite viewers to imagine how it might feel to make each work. For more information see here. \nJennie Goldstein is an Assistant Curator at the Whitney Museum of American Art. Most recently she co-curated Making Knowing: Craft in Art\, 1950–2019\, which is on view until early 2021. Other exhibitions include Christine Sun Kim: Too Much Future (2018) and An Incomplete History of Protest: Selections from the Whitney Museum\, 1940 – 2017 (2017-2018). \nPlease meet in the Whitney’s Lobby at 8:50 AM. \nThank you to ArtTable member\, Jennie Goldstein.
URL:https://www.arttable.org/event/ny-curatorial-perspective-making-knowing-craft-in-art-1950-2019-with-jennie-goldstein/
LOCATION:Whitney Museum of American Art\, 99 Gansevoort Street\, New York\, NY\, 10014\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/xlarge_LizaLou_lores-e1578066597413.jpg
END:VEVENT
END:VCALENDAR