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DTSTART;TZID=America/New_York:20220607T130000
DTEND;TZID=America/New_York:20220607T130000
DTSTAMP:20260411T023709
CREATED:20220512T151459Z
LAST-MODIFIED:20220517T204748Z
UID:8955-1654606800-1654606800@www.arttable.org
SUMMARY:Virtual | Curatorial Perspective: 'Cartier and Islamic Art' at the Dallas Museum of Art\, with Senior Curator of Decorative Arts and Design\, Sarah Schleuning
DESCRIPTION:10am PT / 11am MT / 12pm CT / 1pm ET\n\n\n\nPlease join us for a virtual presentation of highlights from the exhibition Cartier and Islamic Art: In Search of Modernity led by Sarah Schleuning\, Senior Curator of Decorative Arts and Design at the Dallas Museum of Art. \n\n\n\nThis major exhibition traces Islamic art’s influence on the objects created by Louis Cartier and the designers of the great French jewelry Maison from the early 20th century to today. The exhibition explores how Cartier’s designers adapted forms and techniques from Islamic art\, architecture\, and jewelry\, as well as materials from India\, Iran and the Arab lands\, synthesizing them into a modern stylistic language unique to the house of Cartier. \n\n\n\nCo-organized by the Dallas Museum of Art and the Museé des Arts Décoratifs\, Paris\, in partnership with the Maison Cartier\, Cartier and Islamic Art presents over 400 objects from major international collections\, including the Department of Islamic Arts at the Louvre Museum and the Keir Collection of Islamic Art on loan to the Dallas Museum of Art. \n\n\n\nAdmission: \n\n\n\nArtTable Circle Members – FreeAll Other ArtTable Members – $10Member Guests/Non-Members – $20\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nCan’t make the program at this time? Register anyway to receive a recording after! \n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n \n\n\n\n\n\n\n\n\nAbout the Curator\nSarah Schleuning is dedicated to presenting and promoting the power and impact of design to the public through exhibitions\, publications\, and programming. Schleuning has a record of organizing thoughtful exhibitions and programs that are not only high profile and highly popular\, but also recognized for their contributions to scholarship. She has more than two decades of expertise in forming relationships with living designers and artists\, bridging the gap between historical and contemporary design\, and exploring how engaging with art and design can extend beyond museum walls. She is the Margot B. Perot Senior Curator of Decorative Arts and Design at the Dallas Museum of Art\, and her recent exhibitions and publications include the upcoming Cartier and Islamic Art: In Search of Modernity\, Electrifying Design: A Century of Lighting\, and Curbed Vanity: A Contemporary Foil by Chris Schanck. \nAs Senior Curator of Decorative Arts and Design\, Schleuning oversees the decorative arts and design collection\, internationally recognized as one of the foremost decorative arts collections in the United States. The collection includes more than 8\,000 works of art from the 15th century to the present\, with a strength in European and American decorative arts\, most significantly 18th-century English silver\, 19th- and 20th-century American silver and ceramics\, and modern and contemporary jewelry and design. As the Museum focuses on the expansion of its contemporary holdings\, Schleuning’s deep experience in working with and maintaining relationships with contemporary designers and artist is a significant asset\, as is her interest in connecting design’s past and present. Among her other responsibilities\, Schleuning also oversees the decorative arts and design collection planning\, development\, scholarship\, and acquisitions. \nSchleuning served as Curator of Decorative Arts and Design at the High Museum of Art\, Atlanta\, from 2011 until 2018. She organized numerous exhibitions\, including two of the 10 most attended exhibitions in the museum’s history. She was co-organizing curator for the nationally touring exhibition Iris van Herpen: Transforming Fashion\, which broke attendance records and became the eighth most-attended show at the High Museum of Art. Other notable exhibitions that ranged from historical scholarship to pushing the conceived boundaries of what defines a museum exhibition were Technicolor: New Works by Jaime Hayon (2017); Dream Cars: Innovative Design\, Visionary Ideas (2014)\, the 10th most-attended show at the High Museum; Earl Pardon’s Portable Art: Jewelry & Design (2015); and Bangles to Benches: Contemporary Jewelry and Design (2013). From 2013 to 2018\, she curated five dynamic and highly acclaimed designer interventions/playscapes that engages the community by activating the High’s Sifly Piazza\, and through that established the designer-in-residency project. \nPrior to joining the High Museum\, Schleuning served as Curator at The Wolfsonian–Florida International University\, having previously held positions as a Fellowship Coordinator and Assistant Curator at the institution\, where she produced exhibitions\, publications\, and programs with a focus on highlighting the power and impact of art and design in daily life. Before that\, she worked at the Cranbrook Art Museum in Bloomfield Hills\, Michigan\, beginning in 2000 as Curatorial Collections Fellow\, advancing to Assistant Curator with a focus on art\, architecture\, craft\, and design. \nSchleuning graduated from Cornell University College of Arts and Sciences with a Bachelor of Arts. She received her Master of Arts in the History of Decorative Arts from Cooper-Hewitt National Design Museum in conjunction with Parsons School of Design. In 2015 she was a fellow at the Center for Curatorial Leadership. She frequently contributes to scholarly publications and serves as a leading resource for decorative arts and design\, delivering lectures and speaking at symposiums and public programs throughout the country. \n\n\n\n\n\n\n\n\nImages: Bandeau\, Cartier Paris\, special order\, 1923. Platinum\, diamonds. Made as a special order for Madame Ossa Ross. Cartier Collection. Vincent Wulveryck\, Cartier Collection © Cartier / Bib necklace\, Cartier Paris\, special order\, 1947. Twisted 18-karat and 20-kar-at gold\, platinum\, brilliant- and baguette-cut diamonds\, one heart-shaped faceted amethyst\, twenty-seven emerald-cut amethysts\, one oval faceted amethyst\, turquoise cabochons. Cartier Collection. Nils Herrmann\, Cartier Collection © Cartier / Bracelet\, Cartier Paris\, 1923. Platinum\, diamonds. Cartier Collection. Vincent Wulveryck\, Collection Cartier © Cartier \n\n\n\nThank you to ArtTable member Sarah McNaughton for organizing this program. \n\n\n\nLink.
URL:https://www.arttable.org/event/virtual-curatorial-perspective-cartier-and-islamic-art-at-the-dallas-museum-of-art/
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/05/Screen-Shot-2022-05-12-at-11.10.08-AM.png
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20220622T170000
DTEND;TZID=America/New_York:20220622T170000
DTSTAMP:20260411T023709
CREATED:20220516T194122Z
LAST-MODIFIED:20220526T204736Z
UID:8976-1655917200-1655917200@www.arttable.org
SUMMARY:New York | Curator’s Talk with Cecilia Alemani\, Artistic Director of the 59th Venice Biennale\, on “The Milk of Dreams”
DESCRIPTION:The James Howell Foundation and ArtTable present a special curator’s talk with Cecilia Alemani\, Artistic Director of the 59th International Art Exhibition of La Biennale di Venezia\, on this edition’s theme: “The Milk of Dreams.” Alemani will be in conversation with Laura Bardier\, Executive Director of the James Howell Foundation. \n\n\n\nOrganized around Leonora Carrington’s The Milk of Dreams\, the exhibition reflects on what it means to be human today. It focuses on three thematic areas in particular: the representation of bodies and their metamorphoses; the relationship between individuals and technologies; and the connection between bodies and the Earth. \n\n\n\nThis program is free and open to ArtTable Circle\, Board\, and Executive level members only. Registration is required. ArtTable Circle and Board members receive priority registration. Registration for Executive level members will open on Wednesday\, June 8\, 2022. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional though recommended inside the gallery. Please note that by registering for this event you consent to have your contact information shared with the James Howell Foundation and ArtTable to be used in the event that contact tracing is needed.  Accessibility The James Howell Foundation is wheelchair accessible. If you would like more information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There The James Howell Foundation is located in the West Village neighborhood of New York City. The nearest subway station is Christopher Street (1 and 2 trains). The exact address will be shared with attendees upon registration. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Cecilia Alemani\n\n\n\nCecilia Alemani is an Italian curator based in New York. Currently\, she is the Artistic Director of the upcoming 59th International Art Exhibition (2022) in Venice. Since 2011\, she has been the Director & Chief Curator of High Line Art\, the public art program presented by the High Line in New York. In 2018\, Alemani served as Artistic Director of the inaugural edition of Art Basel Cities: Buenos Aires. In 2017\, she curated the Italian Pavilion at the Venice Biennale. \n\n\n\nAbout the James Howell Foundation\n\n\n\nThe James Howell Foundation is a proud sponsor of the 59th International Art Exhibition of La Biennale di Venezia “The Milk of Dreams.” The James Howell Foundation supports Howell’s vision of committed investigation of like-minded endeavors through a variety of professional programs and projects. The Foundation creates and furthers philanthropic initiatives that empower art professionals\, curators and artists\, as a contribution to cultural and humanistic advancement.  \n\n\n\n\n\n\n\n\n\n\n\nAbout The Milk of Dreams\n\n\n\n“The Milk of Dreams” takes its title from a book by Leonora Carrington (1917–2011) in which the Surrealist artist describes a magical world where life is constantly re-envisioned through the prism of the imagination. The exhibition The Milk of Dreams takes Leonora Carrington’s otherworldly creatures\, along with other figures of transformation\, as companions on an imaginary journey through the metamorphoses of bodies and definitions of the human. \n\n\n\nThis exhibition is grounded in many conversations with artists held in the last few years. The questions that kept emerging from these dialogues seem to capture this moment in history when the very survival of the species is threatened\, but also to sum up many other inquiries that pervade the sciences\, arts\, and myths of our time. How is the definition of the human changing? What constitutes life\, and what differentiates plant and animal\, human and non-human? What are our responsibilities towards the planet\, other people\, and other life forms? And what would life look like without us? \n\n\n\n\n\n\n\nThank you to ArtTable Board member Laura Bardier for organizing this program. \n\n\n\nImage: Cecilia Alemani; Cover art for the 59th Venice Biennale Catalog
URL:https://www.arttable.org/event/new-york-curator-talk-cecilia-alemani-milk-of-dreams/
LOCATION:The James Howell Foundation\, New York\, New York\, 10014\, United States
CATEGORIES:National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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