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SUMMARY:Virtual | Tour of 'Emma Amos: Color Odyssey' with Shawnya Harris
DESCRIPTION:9am PT/10am MT/11am CT/12pm ET\nPlease join us for a virtual tour of Emma Amos: Color Odyssey with exhibition curator\, Shawnya Harris\, curator of African American and African Diasporic Art at the Georgia Art Museum. \nAt the end of the tour\, Harris will be joined by Laurel Garber\, Assistant Curator of Prints and Drawings at the Philadelphia Museum of Art\, who oversaw the museum’s installation of the show and contributed to the catalogue\, as well as Curator of Contemporary Art at the Pennsylvania Academy of the Fine Arts Jodi Throckmorton\, who curated the exhibition Joan Semmel: Skin in the Game*. They will discuss the coincidence of major retrospectives by two extraordinary\, under-appreciated artists of the same generation\, working at the same time in the same city\, and connections between the two artists’ work. Shelley Langdale\, Curator and Head of Modern Prints and Drawings\, National Gallery of Art\, will moderate. \n*Stay tuned for an in-person tour of ‘Joan Semmel: Skin in the Game’ with Jodi Throckmorton as part of the rescheduled ‘A Day in Philadelphia’ program\, coming this Spring. \nAdmission: \n\n\n\nArtTable Circle Members – Free\nAll Other ArtTable Members – $10\nMember Guests – $15\nNon-Members – $20\n\nNot a member? Join today! \n\n  \n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout the speakers\nLaurel Garber is Park Family Assistant Curator of Prints and Drawings at the Philadelphia Museum of Art. She is the PMA’s curator of Emma Amos: Color Odyssey\, organized by the Georgia Museum of Art. Laurel is also a PhD candidate at Northwestern University\, where she is completing a dissertation on the social position of the printer in nineteenth-century France. Laurel has held positions and fellowships at the Art Institute of Chicago\, Getty Museum\, Clark Art Institute\, and Courtauld Gallery. She received an MA at the Courtauld as well as a BA from Cornell University. \nShawnya L. Harris\, Ph.D. is the organizing curator for Emma Amos: Color Odyssey\, centering on the work of the late feminist artist Emma Amos (1937-2020). Harris is the Larry D. and Brenda A. Thompson Curator of African American and African Diasporic Art at the Georgia Museum of Art\, University of Georgia. Recently\, Harris has been a fellow at the Center for Curatorial Leadership. She earned her doctorate in art history from the University of North Carolina at Chapel Hill. She is also an alumna of Yale University. \nJodi Throckmorton is the curator of contemporary art at the Pennsylvania Academy of the Fine Arts (PAFA) in Philadelphia. Before joining PAFA in fall 2014\, she was curator of modern and contemporary art at the Ulrich Museum of Art at Wichita State University in Kansas. Prior to that\, she was associate curator at the San Jose Museum of Art in California. She organized the exhibition and publications for Rina Banerjee: Make Me a Summary of the World (2018) with Lauren Dickens and Postdate: Photography and Inherited History in India (2015). Her other recent projects include Nick Cave: Rescue (2018)\, Paul Chan: Pillowsophia (2017)\,  Melt/Carve/Forge: Embodied Sculptures by Cassils (2016)\, Alyson Shotz: Plane Weave (2016)\, Bruce Conner: Somebody Else’s Prints (2014)\, Questions from the Sky: New Work by Hung Liu (2013)\, Dive Deep: Eric Fischl and the Process of Painting (2013)\, Ranu Mukherjee: Telling Fortunes (2012)\, and This Kind of Bird Flies Backward: Paintings by Joan Brown (2011). The major retrospective\, Joan Semmel: Skin in the Game is Throckmorton’s most recent exhibition and publication project. \nAbout the exhibition\nEmma Amos: A Color Odyssey | Across her prolific career as a pioneering artist\, educator\, and activist\, Emma Amos (American\, 1937–2020) created boldly colorful and innovative works that explore the intersections of race and gender in American life. This exhibition surveys her body of work from the 1950s to the 2010s for the first time\, spotlighting her inventive approach to printmaking\, painting\, and weaving as well as her signature practice of combining distinctive materials and artistic techniques. Amos’ works investigate identity and privilege while unsettling the lines between figuration and abstraction\, craft and fine art\, beauty and power. \n\nImage: Emma Amos (1937-2020)\, Pool Lady\, 1980; etching\, aquatint and stencil; Gift of the Collectors Committee; courtesy the National Gallery of Art // Emma Amos (1937-2020)\, Never (for Vivian Browne)\, 1993\, Acrylic on canvas with African fabric borders\, 45 × 34 inches; Amos Family\, courtesy RYAN LEE Gallery \nThank you to Shelley Langdale\, ArtTable DC Chapter Programs Co-chair\, for organizing this program.
URL:https://www.arttable.org/event/virtual-emma-amos-color-odyssey-with-shawnya-harris/
LOCATION:Zoom
CATEGORIES:Philadelphia,Washington, D.C.
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SUMMARY:New York | Curator-led tour of 'Greater New York' at MoMA PS1
DESCRIPTION:5pm ET\nPlease join us for a tour of Greater New York at MoMA PS1\,  led by curator Ruba Katrib and assistant curator Jody Graf. This signature survey of artists living and working in the New York City area returns for its fifth edition\, after a one year delay due to the COVID-19 pandemic. This year’s iteration offers an intimate portrayal of New York City\, forging connections between often under-examined histories of art-making in the city. \nThis program is open to ArtTable members and their guests only. Not a member? Join today!\n \nAdmission \n\nArtTable Members – $15\nMembers may bring a guest for an additional $20\n\n\nPlease review before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. All visitors (ages 5+) to The Museum of Modern Art and its Stores must show proof of COVID-19 vaccination authorized by the United States Food and Drug Administration or by the World Health Organization. Visit the Key to NYC for dosage requirements and timeline details. We continue to require masks for visitors (ages 2+) and staff in all indoor areas of the Museum; complimentary face masks are available. To enter the Museum\, you may show any of these accepted forms of proof of COVID-19 vaccination (together with a valid photo ID for ages 18+): NYC COVID Safe AppCLEAR Health PassNew York State Excelsior App or Excelsior Plus AppA photo or hard copy of an official immunization record of a vaccine administered from within or outside the U.S.For visitors who received an immunization within the U.S.\, a photo or hard copy of their CDC vaccination card or other official immunization record showing proof of the following vaccines is acceptable: Pfizer-BioNTech\, Moderna\, Johnson & Johnson\, or an active (not placebo) COVID-19 vaccine candidate that is part of a U.S.-based clinical trialFor visitors who received an immunization outside of the U.S.\, in addition to those listed above\, proof of the following vaccines is acceptable: AstraZeneca/SK Bioscience\, Serum Institute of India/COVISHIELD and Vaxzevria\, Sinopharm-BBIBP\, or Sinovac.Learn more about Key to NYC requirementsWe are working to keep you safe and healthy\, but we cannot guarantee you won’t be exposed to COVID-19. By entering MoMA or MoMA PS1 you assume the risk of such exposure. If you feel sick or have a cough\, sore throat\, shortness of breath or trouble breathing\, fever\, chills\, loss of smell\, or muscle pain\, or if you have been exposed to COVID-19\, contact your health care provider and please do not visit MoMA or MoMA PS1. We may share your name and email address with a governmental health authority should that information be requested for COVID-19 contact tracing purposes. If you do not want your name or email address used for these purposes\, please email donotshare@moma.org. Admire artwork from a distance\, at least an arm’s length. And no touching art\, platforms\, or cases (unless a sign or label says it’s okay). MoMA PS1’s checkroom is currently closed. Visitors will not be admitted with bags larger than 11 × 17 × 5” (28 × 43 × 13 cm). Still photography is permitted for personal\, noncommercial use only unless otherwise noted. Video is not permitted. Flash\, tripods\, and camera extension poles are not allowed.  Accessibility MoMA PS1 offers a variety of free programs and services to make the museum accessible to all. MoMA PS1’s public entrance on Jackson Avenue\, including the entrance to the main building\, is accessible by ramp. Wheelchairs are available free of charge at the admissions desk\, lobby\, and coat check on a first-come\, first-served basis. The three main floors of the museum\, including the bookstore\, café\, and basement level\, are accessible by elevator. For elevator access to the basement\, please ask for assistance at the greeter podium in the lobby of the main museum building. Wheelchair-accessible bathrooms are located on floors one and three. For more information\, or to request accommodations\, please call the front desk during regular public hours\, Thursday to Monday\, 12:00–6:00 p.m.\, at (718) 784-2086. Visit MoMA's website for more information.  Getting There Enter the museum at 46-01 21st Street\, Long Island City\, NY 11101. We will meet in the 1st Floor Lobby.MoMA PS1 is accessible by car and public transportation via the G\, 7\, E\, & M trains. Click here to access directions from your location.\n  \n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout the curators\nJody Graf is a curator and writer based in New York. She is an Assistant Curator at MoMA PS1\, where she has worked on exhibitions including Greater New York 2021; Niki de Saint Phalle: Structures for Life (2021); Marking Time: Art in the Age of Mass Incarceration (2020); Theater of Operations: The Gulf Wars 1991-2011 (2019); Simone Fattal: Works and Days (2019); and Sue Coe: Graphic Resistance (2018)\, among others. She curated the 2021 Parsons MFA Thesis show\, and has worked as an independent curator on numerous projects. Her writing has been featured in publications including Texte Zur Kunst\, Frieze\, Mousse\, CURA\, and The Exhibitionist. She received her BA from the Gallatin School of Individualized Study at NYU\, and her MA from the Center for Curatorial Studies\, Bard College. \nRuba Katrib is Curator at MoMA PS1. At MoMA PS1 she has curated exhibitions such as Niki de Saint Phalle: Structures for Life (2021)\, Theater of Operations: The Gulf Wars 1991 – 2011 (2019) (co-curated with Peter Eleey)\, the retrospective of Simone Fattal in 2019\, and the solo shows of Edgar Heap of Birds (2019)\, Karrabing Collective (2019)\, Fernando Palma Rodríguez\, and Julia Phillips (2018). From 2012 – 2018 she was Curator at SculptureCenter in New York where she curated over twenty solo and group exhibitions\, including solo shows of the work of Carissa Rodriguez (2018)\, Kelly Akashi\, Sam Anderson\, Teresa Burga\, Nicola L.\, Charlotte Prodger (all 2017)\, Rochelle Goldberg\, Aki Sasamoto\, Cosima von Bonin (all 2016)\, Anthea Hamilton\, Araya Rasdjarmrearnsook\, Magali Reus\, Gabriel Sierra\, Michael E. Smith\, Erika Verzutti (all 2015)\, David Douard\, and Jumana Manna (both 2014). Previously\, Katrib was the Associate Curator at the Museum of Contemporary Art North Miami from 2007 – 2012. Katrib was also co-founder of the residency and exhibition space Threewalls in Chicago\, and has also held positions at the Renaissance Society and the Center for Curatorial Studies at Bard College\, where she currently serves on the Graduate Committee. She was a research advisor for the 2018 Carnegie International and a member of the Advisory Board for Recess\, a non-profit artist residency and exhibition space in New York. Katrib co-curated SITE Santa Fe’s 2018 biennial\, Casa Tomada\, along with José Luis Blondet and Candice Hopkins. \nAbout the exhibition\nFeaturing the work of 47 artists and collectives\, Greater New York opens up geographic and historical boundaries by expanding familiar narratives around artists and art movements in New York. Bridging strategies of the documentary and the archive on the one hand\, and surrealism and fabulation on the other\, the exhibition considers the ways that artists record experiences of belonging and estrangement. Drawing connections across the interdisciplinary practices of international and intergenerational artists\, Greater New York examines the many ways that affinities form in relation to place and through time. \nThe exhibition foregrounds the resilience of artists and artist communities in the city\, while marking ways these artists have both profoundly shaped New York\, and borne witness to its many transformations. As New York emerges from the COVID-19 pandemic\, the exhibition offers an opportunity to mourn\, celebrate\, and reconnect with artist communities. This iteration of Greater New York honors not only the persistence of artists\, many of whom have worked unrecognized over decades\, but their ability to help us make sense of the many ruptures—social\, political\, and ecological—that have shaped New York City in this critical and transformative moment. \n\nImage: Installation view of Shanzhai Lyric\, Incomplete Poem (2015-ongoing). Greater New York 2021 on view at MoMA PS1 from October 7\, 2021 to April 18\, 2022. Image courtesy MoMA PS1. Photo: Noel Woodford; headshots courtesy of the speakers
URL:https://www.arttable.org/event/new-york-curator-led-tour-of-greater-new-york-at-moma-ps1/
LOCATION:MoMA PS1\, 22–25 Jackson Avenue\, Queens\, NY\, United States
CATEGORIES:New York,National
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