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DTSTART;TZID=America/Chicago:20220310T173000
DTEND;TZID=America/Chicago:20220310T173000
DTSTAMP:20260408T120257
CREATED:20220114T164822Z
LAST-MODIFIED:20220223T154859Z
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SUMMARY:DC | Curator-led Tour of 'Hung Liu: Portraits of Promised Lands\,' with Dorothy Moss
DESCRIPTION:5:30pm ET\nNational Portrait Gallery curator Dorothy Moss will lead an in-person tour of her major exhibition on the poignant work of the artist Hung Liu\, who sadly passed away from cancer just a few weeks before the show opened. Dr. Moss will provide an overview of the exhibition currently on view at the National Portrait Gallery\, and share additional insights into her close working relationship with the artist. \nPlease note that this program will pivot to a virtual event if Covid restrictions prevent an in-person tour. Registrants will be notified of any change in advance. \nThis program is open to ArtTable members and their guests only. Not a member? Join today!\n \nAdmission \n\nArtTable Members – $10\nMembers may bring a guest for an additional $15\n\n\nPlease review before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Visitors ages two and older are required to wear a face covering during their visit. Face coverings may be removed while eating or drinking in designated spaces.   Face coverings should fit properly\, covering the nose\, mouth and chin with no large gaps on the outside of the face\, and they should have a minimum of two layers. Face shields are not permitted as a substitute for a face covering but may be worn over a face covering or mask. Bandanas\, single-ply gaiters and face coverings or masks with an exhalation valve are not permitted.  Accessibility The National Portrait Gallery offers a variety of free programs and services to make the museum accessible to all. Service dogs are welcome. The SI follows the U.S. Department of Justice’s ADA requirements for service dogs. The dog must be trained to assist a person with a disability. Visitors are not allowed to bring emotional support animals into Smithsonian museums.Wheelchairs/Mobility Devices:​​Arriving and ParkingAll visitors will be directed to enter and exit through the entrance at 8th and G Streets NW. Getting Around in the Museum Elevators serve all areas of the building. All restrooms and water fountains are wheelchair accessible. Family/companion care restrooms are located on the first and second floors near the F Street elevators. Wheelchairs are available for your comfort. To borrow one\, ask the security officer stationed at the G Street entrance. Limited metered parking is available on the streets around the museum. Red Top meters are reserved for drivers with disabled parking placards. For more information about the Red Top Meter Program\, check the District Department of Transportation website. ADA parking spaces are available\, for a charge\, at nearby parking garages. View the map of their locations. Visitors using the MetroAccess paratransit service should tell the driver to go to 800 G Street\, or to G and 8th Street.Visitors Who are Blind or have Low Vision:Navigate the National Portrait Gallery and the Smithsonian American Art Museum with Aira - a free app that connects you with sighted agents who provide verbal descriptions on demand. This subscription service is free when visiting the museums and connected to our Wi-Fi. To learn more\, download the Aira app.Audio Portrait Descriptions The Portrait Gallery has developed audio descriptions of select portraits from our permanent collection. Designed for people who are blind or have low vision\, these descriptions use precise\, evocative language to convey the visual appearance of art\, and are equally valuable for sighted visitors seeking closer observation. The descriptions can be accessed on the Audio Portrait Descriptions page or on the SmARTify app. To get the app: Download the app from the Apple or Android storeOpen the app and tap on the “Explore” iconFind the National Portrait Gallery and scroll to “Trending Tours”Select “Visual Description tour of select portraits in America’s Presidents”Visitors with Developmental and Sensory Disabilities: The Portrait Gallery is\, on average\, a relatively quiet museum.  Nevertheless\, it can get busy at certain times. If you or your family member are sensitive to noise\, consider bringing noise cancelling headphones. There are usually quiet areas throughout building to take a break. The following resources will help you plan for an enjoyable visit:Visiting the National Portrait Gallery – A Social Story [PDF]Things to Remember – A Social Story [PDF]If you have any further questions after reading this page\, please contact Visitor Services at 202-633-8300 or email: NPGAccess@si.edu  Getting There The National Portrait Gallery is located at 8th and G Streets\, Washington\, DC 20001.\n  \n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout Dorothy Moss\nDorothy Moss\, PhD is a curator of painting and sculpture at the Smithsonian Institution’s National Portrait Gallery (NPG). Her recent projects include the exhibition and book Hung Liu: Portraits of Promised Lands (Yale University Press\, 2021) and The Obama Portraits (Princeton University Press\, 2020). In 2015\, Moss initiated IDENTIFY\, the NPG’s first performance art series featuring internally recognized artists\, including Maria Magdalena Campos-Pons\, James Luna\, and Jeffrey Gibson. Her upcoming exhibitions are One Life: Maya Lin (September 2022) and Kinship\, with curators Leslie Ureña\, Robyn Asleson\, and Taína Caragol (October 2022). \nAbout the exhibition\nHung Liu (1948–2021) was a contemporary Chinese-born American artist\, whose multilayered paintings established new frameworks for understanding portraiture in relation to time\, memory\, and history. Often sourcing her subjects from photographs\, Liu elevated overlooked individuals by amplifying the stories of those who have historically been invisible or unheard. Having lived through war\, political revolution\, exile\, and displacement\, she offered a complex picture of an Asian Pacific American experience. Her portraits speak powerfully to those seeking a better life\, in the United States and elsewhere. Hung Liu: Portraits of Promised Lands will be the first major exhibition of the artist’s work on the East Coast. This is also the first time that a museum will focus on Liu’s portraiture. \n\nImage: Hung Liu (American\, born China 1948\, died California\, 2021)\, Resident Alien\, 1988\, Oil on canvas; Collection of the San Jose Museum of Art; gift of the Lipman Family Foundation; Dorothy Moss and Hung Liu \nThank you to Shelley Langdale\, Curator and Head of Modern Prints and Drawings\, National Gallery of Art (and ArtTable DC Chapter programs co-chair) and Concetta Duncan\, Head of Communications\, National Portrait Gallery for organizing this program.
URL:https://www.arttable.org/event/dc-curator-led-tour-hung-liu-portraits-of-promised-lands-dorothy-moss/
LOCATION:National Portrait Gallery\, 8th & G Streets NW\, Washington\, DC\, 20001\, United States
CATEGORIES:Washington, D.C.
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ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
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DTSTART;TZID=America/Los_Angeles:20220312T110000
DTEND;TZID=America/Los_Angeles:20220312T110000
DTSTAMP:20260408T120257
CREATED:20220225T200451Z
LAST-MODIFIED:20220311T170846Z
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SUMMARY:LAST CHANCE TO REGISTER - NoCal | A Day in San Jose
DESCRIPTION:11am PT\nJoin San Jose Museum of Art (SJMA) Oshman Executive Director Sayre Batton\, and Senior Curator Lauren Schell Dickens\, for a special in-person tour of Our whole\, unruly selves\, an exhibition that celebrates the boundlessness of human beings through an exploration of artistic figuration. After the tour\, enjoy an outdoor catered lunch at SJMA’s El Cafecito. Afterwards\, we will head down the street to Movimiento de Arte y Cultura Latino Americana (MACLA) for the closing weekend of Beyond the Diaspora. Maryela Perez\, MACLA Curator and Program Manager\, will lead us through this exhibition showcasing the African diaspora in Latinx culture through an exploration of both visual and performance art. \nAdmission: \n\nArtTable Members – $35\nMembers may bring a guest for an additional $45\n\nYour ticket includes lunch at El Cafecito at SJMA and tours at both museums. \nNot a member? Join today! \n\nPlease review before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. San Jose Museum of Art SJMA requires proof of full vaccination + booster shots for all eligible visitors—5 years and older\, or proof of a negative test from a medical provider or laboratory within 72 hours of visiting the Museum.*Please note that being fully vaccinated means that the final dose of the visitor's vaccine was administered at least 14 days prior to the date of visit. A negative COVID-19 test must be from a medical provider or laboratory. Antigen Tests ​must be conducted within 24 hours; PCR tests must be conducted within 72 hours.Masks are required for all visitors 2 years of age and older. Following the CDC’s recommendations\, SJMA suggests using an N95\, KN95\, KF94\, surgical or cloth mask with at least 2–3 layers of fabric. Cloth masks with only one layer\, bandanas\, and neck gaiters are not permitted. Accessibility San Jose Museum of Art General Information on Physical Access at SJMA Wheelchair accessible\, with an elevator connecting all three floors. A wheelchair ramp lines the front of the building at the Admissions Front desk.Wheelchairs\, seat canes (walking stick and cane)\, and strollers are available for loan at the information desk.Accessible restrooms are located on the lower level.The Museum does not have a parking facility; however\, there is one accessible parking spot on Market Street\, near the Museum’s main entrance. A disabled parking placard is required.Manual and motorized wheelchairs\, walkers\, canes\, service animals on a leash\, and other assistive devices are always permitted in the galleries.Benches are available in most galleries. Additionally\, gallery stools are available for loan in the galleries. These portable\, lightweight stools have a handle and can be easily carried throughout the galleries. Please request with a Museum Experience Rep gallery staff.Services for Visitors who are Deaf Public gallery tours and lectures can be interpreted in American Sign Language (ASL) for deaf visitors and will be booked upon request. Please provide three weeks’ advance notice for this free service. Arrangements for signed tours can be made with the Education Program Coordinator by phone 408.291.5393 (voice) or email: education@sjmusart.org.Services for Visitors who are Blind or Visually Impaired Exhibition labels in large format print are available at the Admissions Front desk.Visual Aid Device/Tools (Magnifying glass) are available upon request.Please email programs@arttable.org to request additional accommodations.      Getting There & Parking SJMA is located at 110 South Market Street\, San José\, CA. Click here to get driving and public transportation directions and parking options. MACLA is located at 510 South 1st Street\, San Jose CA. Click here to get driving and public transportation directions and parking options. \n \n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout the speakers\nLauren Schell Dickens is Senior Curator at San Jose Museum of Art. Dickens has spearheaded several major exhibitions of note since joining SJMA in 2016\, including With Drawn Arms: Glenn Kaino and Tommie Smith; Woody De Othello: Breathing Room\, the Bay Area Artist’s first museum exhibition; Rina Batterjee: Make Me a Summary of the World; Undersoul: Jay DeFeo; and Diana Al-Hadid: Liquid City. Dickens holds a BA in American Studies from Yale University\, New Haven\, Connecticut\, and an MA in Modern Art: Critical Studies from Columbia University\, New York. She was born in San José and grew up in Sonoma County. \n \nMaryela Perez is Curator and Program Manager at MACLA. A practicing visual artist\, curator and DJ\, Maryela joined MACLA in 2019 as the Visual Arts Engagement Coordinator and serves as the lead for exhibitions and related programming. She earned a BA from UC Santa Cruz and is active in the local arts community. Maryela has 5 years of experience planning\, organizing\, and hosting local arts events in San Jose and curating visual and performing arts shows in the Greater San Francisco Bay Area. \n\nImages: Christina Quarles\, I Think Yew’ve Made Yer Point Now\, 2020. Acrylic on canvas\, 55 × 86 × 2 inches. © Christina Quarles. Photography: Evan Bedford\, courtesy of the artist\, Hauser & Wirth\, and Pilar Corrias\, London; Headshot of Lauren Schell Dickens by Gary Sexton Photography \nThank you to ArtTable member Christa Cesario for organizing this program.
URL:https://www.arttable.org/event/nocal-a-day-in-san-jose-curator-led-tours-with-lauren-schell-dickens-and-sayre-batton-at-the-san-jose-museum-of-art-and-maryela-perez-at-macla/
LOCATION:San Jose Museum of Art\, 110 Market Street\, San Jose\, California\, 95113\, United States
CATEGORIES:Northern California
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ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220313T113000
DTEND;TZID=America/Los_Angeles:20220313T113000
DTSTAMP:20260408T120257
CREATED:20220217T190413Z
LAST-MODIFIED:20220311T170926Z
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SUMMARY:LAST CHANCE TO REGISTER - SoCal | Tour & Artist Talk with Nancy Buchanan & Barbara T. Smith
DESCRIPTION:11:30am PT\nPlease join us for an in-person tour of how we are in time and space: Nancy Buchanan\, Marcia Hafif\, Barbara T. Smith\, followed by a discussion with two of the exhibition artists – Nancy Buchanan and Barbara T. Smith. \nThis major group exhibition is the first to focus on the collaborations and empathic intersections between three remarkable artists in the form of drawing\, photography\, collage\, video\, performance documentation\, and architectural proposals comprising over 50 years of art making. Embracing the differences between these artists as well as their points of convergence\, the exhibition will probe various notions of being\, including the political\, scientific\, and spiritual.  \nAll three artists have deep connections to Southern California\, intersecting in the inaugural MFA program at UC-Irvine from 1969 to 1971. Buchanan\, Hafif\, and Smith all entered graduate school as mothers and were emphatically aware of the gendered expectations and hostilities toward women choosing art making as their primary pursuit\, though each presented a unique version of the struggle for liberation from the orthodoxies of gender and sexuality. The exhibition will be anchored by three time-based works demonstrating the overlaps between each artist’s practice and revealing the primary subjects of the exhibition—bodies\, communication\, and dwelling.  \nClick here to read more about the exhibition\, on view through June 12\, 2022. \nAdmission: \n\nArtTable Members – $15\nMembers may bring a guest for an additional $20.\n\nNot a member? Join today! \n\n \nPlease review before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. The following will ensure a safe experience for everyone: No more than 20 visitors will be permitted in the exhibition at any given time. Some rooms have additional restrictions.Regardless of vaccination status\, all visitors and staff must wear masks in the building. Upon arrival\, a member of the Armory staff will verify that you have no Covid symptoms and that you are fully vaccinated.Please bring proof of vaccination with you. Acceptable proof of vaccination documents and additional details regarding guidelines for visiting the Armory are available at armoryarts.org/visit/covid-19-protocols.Please reschedule your appointment if you have any of the following Covid-related symptoms: fever or chills; cough; shortness of breath or difficulty breathing; fatigue; muscle or body aches; headache; new loss of taste or smell; sore throat; congestion or runny nose; nausea or vomiting; diarrhea. Accessibility The Armory is wheelchair and stroller accessible. There are several ADA parking spots in the Marriott garage directly north of the Armory as well as metered street parking. All Armory galleries\, classrooms\, meeting rooms\, and restrooms are wheelchair and stroller accessible. Restrooms: A designated women's restroom as well as a lockable\, all-gender restroom can be found just past our front entrance\, to the right. Two more gender neutral restrooms can be found in the back of our studio. Each restroom has one ADA-compatible stall\, and each is equipped with an infant changing station. Animals: Certified service animals are welcome inside the Armory. Please email programs@arttable.org to request additional accommodations.  Getting There & Parking The Armory Center for the Arts is located at 145 North Raymond Avenue\, Pasadena\, CA 91103.Up to 90 minutes of free parking is available at the city parking structure just north of the Armory on Raymond Avenue. There are several ADA parking spots in the parking garage next door as well as metered spots throughout street parking.\n \n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout the artists\nNancy Buchanan (b. 1946\, Boston) is an artist whose work has been shown in exhibitions at the Museum of Modern Art\, the New Museum of Contemporary Art\, the Museum of Contemporary Art Los Angeles\, the Centre Pompidou\, the Getty Research Institute\, and was included in four of the Getty-sponsored Pacific Standard Time exhibitions. She was the subject of a solo screening of her videotapes at REDCAT in 2013\, and her videos have been included in group exhibitions including Agitprop at the Brooklyn Museum; RE-ACTION\, a traveling exhibition originating in Spain; and Jonny at Insitu\, Berlin. Buchanan is the recipient of four National Endowment for the Arts Individual Artist grants\, a COLA grant\, and a Rockefeller Fellowship in New Media. In 2016\, she organized It’s Your Party\, a durational performance at UC Irvine’s xMPL Theater as the second event in The Art of Performance. Beginning with her participation as a founding member of F Space Gallery in Costa Mesa\, Buchanan has been involved in numerous artists’ groups including The Los Angeles Woman’s Building and Los Angeles Contemporary Exhibitions (LACE); she has also acted as curator for several exhibitions and projects. From 1988-2012\, she taught in the Film/School at CalArts; she worked with community activist Michael Zinzun on his cable access show Message to the Grassroots for ten years and as a member of Zinzun’s LA 435 Committee; and she traveled to Namibia to produce a documentary about that country’s transition to independence from the Republic of South Africa. Buchanan lives and works in Los Angeles. \nBarbara T. Smith (b. 1931) has lived and worked in the Los Angeles area her whole life. She received a BA from Pomona College in 1953\, and MFA in 1971 from University of California\, Irvine where she was a founding member of F Space with Chris Burden and Nancy Buchanan. Smith has been represented in historic survey exhibitions including Whatever Happened to Sex in Scandinavia? at Office for Contemporary Art\, Oslo\, Norway (2009); WACK! Art and the Feminist Revolution (traveling exhibition 2008-09); Drawing in L.A.: The 1960s and 70s\, Los Angeles County Museum of Art (2016); and in several major exhibitions as part of Pacific Standard Time organized by the Getty (2011-12)\, including State of Mind: New California Art Circa 1970\, Orange County Museum of Art\, CA and Bronx Museum\, NY; and Under the Big Black Sun: California Art 1974 – 1981\, Museum of Contemporary Art\, Los Angeles. Recent notable exhibitions include The 21st Century Odyssey at The Box\, Los Angeles; Outside Chance\, Andrew Kreps Gallery\, New York; Artists and Their Books / Books and Their Artists\, the Getty Research Institute\, Los Angeles; Experiments in Electrostatics\, Whitney Museum of American Art\, New York; 56 Artillery Lane\, Raven Row\, London\, UK; Still Life with Fish: Photography from the Collection\, Hammer Museum\, Los Angeles; and Mommy\, Yale Union\, Portland\, OR. In 2005\, Smith had a retrospective The 21st Century Odyssey Part II: The Performances of Barbara T. Smith at Pomona College Museum of Art\, CA. \nAbout the venue\nArmory Center for the Arts\, in Pasadena\, California\, is one of the Los Angeles region’s leading independent institutions for contemporary art and community arts education. The Armory believes that an understanding and appreciation of the arts is essential for a well-rounded human experience and a healthy civic community. The organization’s board and staff are committed to holding deep conversations around diversity\, equity\, and inclusion; and acknowledge that these efforts are ongoing\, a process of growth\, and require intense self-reflection and collective consideration. Under Covid-19\, and in keeping with these institutional practices\, the Armory has deepened and expanded its programmatic reach to include online exhibition programs and artmaking classes\, along with hands-on art activities safely delivered in-person to those with limited digital access. For more information on the Armory Center for the Arts\, visit www.armoryarts.org. \n\nImages: Nancy Buchanan and Barbara T. Smith\, With Love from A to B\, 1977. 2022 installation photo at Armory Center for the Arts. Photo by Ian Byers-Gamber; Barbara T. Smith\, Michael Ned Holte (exhibition curator)\, and Nancy Buchanan \n \n\n\n\nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information.
URL:https://www.arttable.org/event/socal-tour-and-artist-talk-how-we-are-in-time-and-space-nancy-buchanan-barbara-t-smith/
LOCATION:Armory Center for the Arts\, 145 North Raymond Avenue\, Pasadena\, CA\, 91103\, United States
CATEGORIES:National,Southern California
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220316T173000
DTEND;TZID=America/Chicago:20220316T173000
DTSTAMP:20260408T120257
CREATED:20220214T194134Z
LAST-MODIFIED:20220223T154834Z
UID:7882-1647451800-1647451800@www.arttable.org
SUMMARY:New York | 'This Must Be the Place: Latin American Artists in New York\, 1965-1975\, Part II'
DESCRIPTION:5:30pm ET\nPlease join us for an in-person tour of Part II of This Must Be the Place: Latin American Artists in New York\, 1965–1975\, with Aimé Iglesias Lukin\, Director and Chief curator of the Americas Society. \nThis Must Be the Place: Latin American Artists in New York\, 1965–1975 is a two-part group exhibition exploring the work of a generation of migrants who created and exhibited in New York City between 1965 and 1975. Featuring installation\, photography\, video art\, painting\, and archival material\, the exhibition brings together a generation that actively participated in experimental artistic movements while pushing forward their own visual languages and ideas\, with works exploring topics of migration\, identity\, politics\, exile\, and nostalgia. Additionally\, the exhibition highlights the important contributions and solidarity initiatives of groups and collectives\, testimony of these artists’ effort to create community and to forge a space for themselves. \nPart II of the exhibition will continue the themes explored in Part I with new artworks on display\, by artists including Hélio Oiticica\, Sylvia Palacios Whitman\, Anna Maria Maiolino\, Antonio Dias\, Enrique Castro-Cid\, Beba Damianovich\, Zilia Sánchez and many more. Part II is on view through May 2022. \nAdmission \n\nArtTable Members – $10\nNon-members – $20\n\nNot a member? Join today! \n\nPlease review before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Face masks are required for the duration of your visit to the Americas Society. Proof of vaccination is also required.  Accessibility The Americas Society art gallery is located on the first floor\, with no stairs.  Getting There The Americas Society is located at 680 Park Avenue\, New York\, NY 10065. The nearest subway stop is the 4/5/6 train - 68th Street-Hunter College. \n  \n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout Aimé Iglesias Lukin\nAimé Iglesias Lukin is an art historian and curator. Born in Buenos Aires\, she received her PhD in art history from Rutgers University with a dissertation titled “This Must Be the Place: Latin American Artists in New York 1965–1975.” She completed her M.A. at The Institute of Fine Arts at New York University and her undergraduate studies in art history at the Universidad de Buenos Aires. Her research received grants from the Smithsonian American Art Museum\, the Metropolitan Museum of Art\, the Terra and Andrew W. Mellon Foundations\, and the ICAA Peter C. Marzio Award from the Museum of Fine Arts\, Houston. She curated exhibitions independently in museums and cultural centers and previously worked in the Modern and Contemporary Art Department of the Metropolitan Museum of Art\, the Institute for Studies on Latin American Art\, and Fundación PROA in Buenos Aires. \n\nImages: Leandro Katz\, Laura Marquez\, Bebe Daminovich\, friends\, Amaro (Oiticica’s model)\, Hélio Oiticica\, Jon Tob Azulay\, Susana Perea\, and Ted Castle. Inwood Hill Park. Event for the installation of Katz’s piece Columa I-Angualasto\, New York\, 1971. (Image courtesy Leandro Katz); Aime Iglesias Lukin\, courtesy of the Americas Society\n \nThank you to Julia P. Herzberg\, PhD for organizing this program.
URL:https://www.arttable.org/event/new-york-this-must-be-the-place/
LOCATION:America’s Society\, 680 Park Ave\, New York\, NY\, 10065\, United States
CATEGORIES:New York
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ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220319T123000
DTEND;TZID=America/Los_Angeles:20220320T140000
DTSTAMP:20260408T120257
CREATED:20220308T172909Z
LAST-MODIFIED:20220309T170407Z
UID:8055-1647693000-1647784800@www.arttable.org
SUMMARY:Northwest | Portland Art Weekend
DESCRIPTION:12:30pm PST\n\n\n\nEnjoy two days in Portland visiting contemporary art galleries and attending an after-hours in-person tour of Frida Kahlo\, Diego Rivera\, and Mexican Modernism from the Jacques and Natasha Gelman Collection with Sara Krajewski\, the Portland Art Museum’s Robert and Mercedes Eichholz Curator of Modern and Contemporary Art. \n\n\n\nOn Saturday afternoon from 12:30-4:30pm we’ll visit four woman-owned galleries: Russo Lee Gallery\, PDX Contemporary\, Elizabeth Leach Gallery\, and Adams and Ollman and hear about their current exhibitions. Following those visits we’ll head to Portland Art Museum at 5:00pm for the private tour\, then wrap up the day at 6:00pm with a no-host happy hour for socializing. Sunday at 12:00pm we will visit Oregon Contemporary to see the final day of their exhibition Hallie Ford Fellows in the Visual Arts 2017-19. \n\n\n\nTransportation / lodging will not be provided for anyone traveling to the event/s. Attendees are encouraged to connect with others regarding carpools and shared accommodations. \n\n\n\nAdmission \n\n\n\nSaturday\, March 19 ONLY – $25 for ArtTable members / $45 for Non-membersSunday\, March 20 ONLY – $10 for ArtTable members / $15 for Non-membersBoth Days – $30 for ArtTable members / $55 for Non-members\n\n\n\nClick here to learn more about ArtTable membership! \n\n\n\nPlease review before registering:\n\n\n\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. For everyone’s continued health and safety we request attendees be masked when indoors at all venues\, with the exception of our happy hour.  Accessibility The Portland Art Museum is fully ADA Accessible. The accessible ramp is located on the north side of the main building between SW 10th and SW Park Ave. The accessible exit will be through the Special Exhibition Gallery and out through the gift shop or out through the Center for Modern & Contemporary Art in the Mark building. Manual wheelchairs are available free of charge. Service animals are welcome. All areas are accessible via elevator. For more information\, visit the PAM website or email programs@arttable.org.  Getting There & Parking The Portland Art Museum is located at 1219 SW Park Avenue. The Museum is conveniently located on the historic Park Blocks in the center of downtown Portland\, which is easy to get around by public transit or on foot. The Portland Business Alliance has installed way-finding signs which direct you to the cultural district\, where the Museum is located. The Willamette River divides the City of Portland into east and west districts. The Portland Art Museum is roughly 12 blocks south of West Burnside Street and nine blocks west of the Willamette River. (Park Avenue is the same as 9th Avenue). The Museum is bounded by SW Park Avenue to the east\, 10th Avenue to the west\, Jefferson Street to the south\, and Main Street to the north. Thanks to forward-thinking city officials and an economical\, easy-to-use transit system\, it couldn’t be easier to get to the Museum by public transportation. The bus and streetcar travel directly past the Museum\, and the MAX light rail has a stop only four blocks away. TriMet’s Trip Planner gives you step-by-step travel directions from your location by bus\, light rail\, or streetcar. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\n\n\n\n\n\n\nAbout Sara Krajewski\n\n\nSara Krajewski was appointed Curator of Modern and Contemporary Art at the Portland Art Museum in June 2015. Over her tenure\, she has expanded the contemporary art program through exhibitions\, commissions\, collection development\, and publications\, and has fostered collaborations that bring together artists\, curators\, educators\, and the public to ask questions around access\, equity\, and new institutional models. \nFrom 2012-2015\, Krajewski was the Director of INOVA (Institute of Visual Arts) at the University of Wisconsin-Milwaukee where she curated an array of interdisciplinary exhibitions and performances with artists Xavier Cha\, Mateo Tannatt\, Morgan Thorson and many others. Krajewski was curator at the Henry Art Gallery\, Seattle from 2004 – 2012 where she focused on solo artist projects and group exhibitions exploring photography’s impact on visual culture.  \nKrajewski holds degrees in Art History from the University of Wisconsin (BA) and Williams College (MA) and has held prior positions at the Harvard Art Museum and the Madison Museum of Contemporary Art. Krajewski was awarded a curatorial research fellowship from the Andy Warhol Foundation for the Visual Arts and has received arts leadership training through the Association of Academic Museums and Galleries (AAMG) and the Center for Curatorial Leadership (2019). \n\n\n\n\n\n\nImage: Frida Kahlo (Mexican\, 1907-1954)\, Diego on my Mind\, 1943\, oil on masonite\, courtesy of the Jacques and Natasha Gelman Collection. / Frida Kahlo (Mexicana\, 1907-1954)\, Diego en mi mente\, 1943\, óleo sobre masonita\, cortesía de la Colección de Jacques y Natasha Gelman. \n\n\n\nThank you to ArtTable’s Northwest Chapter Leaders for organizing this program.
URL:https://www.arttable.org/event/northwest-portland-art-weekend/
LOCATION:Portland Art Museum\, 1219 SW Park Ave\, Portland\, Oregon\, 97205\, United States
CATEGORIES:Northwest
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DTSTART;TZID=America/Los_Angeles:20220324T160000
DTEND;TZID=America/Los_Angeles:20220324T160000
DTSTAMP:20260408T120257
CREATED:20220304T165540Z
LAST-MODIFIED:20220307T164238Z
UID:8063-1648137600-1648137600@www.arttable.org
SUMMARY:NoCal | Curator-Led Tour of 'Alice Neel: People Come First' with Lauren Palmor
DESCRIPTION:4pm PST\n\n\n\nJoin ArtTable member Lauren Palmor\, assistant curator of American art at the Fine Arts Museums of San Francisco\, for a tour of Alice Neel: People Come First at the de Young Museum. Alice Neel (1900–1984) was one of the century’s most radical painters\, a champion of social justice whose longstanding commitment to humanist principles inspired her life as well as her art. This is the first comprehensive West Coast retrospective of Neel’s work. The award-winning exhibition includes paintings\, drawings\, and watercolors\, along with additional artworks and media exclusive to the San Francisco presentation. \n\n\n\nNeel spent most of her life in New York City\, and her work testifies to the diversity\, resilience\, and passion of the people she encountered there. The exhibition includes depictions of Neel’s neighbors in Spanish Harlem\, political leaders\, queer cultural figures\, activists\, and mothers\, along with a diverse representation of nude figures\, including visibly pregnant women. Neel’s “pictures of people” embody a rare candor and irreverence. Together they emphasize her belief in the dignity and worth of all individuals\, a view that remains critical to the social and cultural politics of our time. \n\n\n\nAdmission: \n\n\n\nPlease note that this program is open to ArtTable members only. Admission to the museum is included in the below pricing. Registration is open until March 21\, 2022. \n\n\n\nFine Arts Museums of San Francisco Member – $10Adult (Non-FAMSF Member) – $33Senior (Non-FAMSF Member) – $30\n\n\n\nNot an ArtTable Member? Join today! \n\n\n\nPlease review before registering: \n\n\n\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. At the de Young Museum\, masks are mandatory for guests age 2 and above at all times in the museum and while queuing outside the museum regardless of vaccination status. We require timed tickets for every visitor\, including general admission and admission to special exhibitions\, the Museum Stores\, and the Museum Café. Click here to read more about the museum's policies.  Accessibility Please reference the below links for accessibility information at the de Young Museum: For Visitors who are Deaf\, Hard of Hearing\, or Deaf / BlindFor Visitors who have Low Vision or are BlindLanguage AccessFor Visitors with Mobility Considerations and Accessible Parking MapsAccess Program InformationOther Access Information  Getting There & Parking The de Young Museum is located at Golden Gate Park | 50 Hagiwara Tea Garden Drive\, San Francisco\, CA 94118. Please note that John F. Kennedy Drive is currently closed to vehicular traffic from Kezar Drive to Transverse Drive. There is no access to the de Young museum from the north side of the park. To cross Golden Gate Park\, please use Park Presidio Boulevard or Stanyan Street. Read more about the de Young’s position on the closure here. Click here to read more about parking and public transportation. \n\n\n\n \n\n\n\n\n\n\n\n \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\n\n\n\n\n\n\nAbout Lauren Palmor\n\n\n\nLauren Palmor is assistant curator of American art at the Fine Arts Museums of San Francisco\, where she has helped realize such recent major exhibitions as Revelations: Art from the African American South and the San Francisco presentation of Soul of a Nation: Art in the Age of Black Power 1963–1983. She received a master of arts in the history of art from the Courtauld Institute of Art (2009) and a PhD in art history from the University of Washington (2016)\, and has held fellowships at Winterthur and the Philadelphia Museum of Art. She is the author of the Bouquets of Art: A Floral Dictionary from the Fine Arts Museums of San Francisco (2022)\, and has contributed to a number of exhibition catalogues and scholarly publications\, including Revelations: Art from the African American South (2017) and Cult of the Machine: Precisionism and American Art (2018). She frequently supports institutional digital partnerships\, working collaboratively to design new ways of sharing and experiencing American art with museum audiences. \n\n\n\n\n\n\n\nImage: Alice Neel (United States\, 1900 – 1984)\, Marxist Girl (Irene Peslikis)\, 1972; Oil on canvas\, 59 3/4 x 42 inches (151.8 x 106.7 cm); Daryl & Steven Roth © The Estate of Alice Neel. Courtesy The Estate of Alice Neel and David Zwirner. \n\n\n\nThank you to ArtTable’s Northern California Chapter Leaders for organizing this program.
URL:https://www.arttable.org/event/nocal-curator-led-tour-of-alice-neel-people-come-first-with-lauren-palmor/
LOCATION:de Young Museum\, Golden Gate Park \ 50 Hagiwara Tea Garden Drive\, San Francisco\, California\, 94118\, United States
CATEGORIES:Northern California
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ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
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