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DTSTART;TZID=America/New_York:20230601T180000
DTEND;TZID=America/New_York:20230601T193000
DTSTAMP:20260404T140326
CREATED:20230517T144322Z
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SUMMARY:New York\, NY | Tour of Martine Gutierrez "ANTI-ICON: APOKALYPSIS" at Ryan Lee Gallery
DESCRIPTION:Join ArtTable to ring in pride month as we visit Ryan Lee Gallery for a guided tour of ANTI-ICON: APOKALYPSIS\, a daring new body of work by artist Martine Gutierrez. Our tour guide will be Partner and gallery Co-Founder Mary Lee. \n\n\n\nThe series continues Guiterrez’s exploration of identity across the cultural landscapes of gender\, race and celebrity. In 17 new works\, Gutierrez has transformed herself into a multitude of idols. Costumed by the barest of essentials\, Gutierrez’s figure is the catalyst\, reflecting dystopian futurism upon the symbols of our past. Through each metamorphosis\, Gutierrez re-envisions a diverse canon of radical heroines who have achieved legendary cultural influence over thousands of years in both art history and pop culture. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\nPublic – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Martine Gutierrez. Cleopatra from ANTI-ICON: APOKALYPSIS\, 2021. \n\n\n\n\n\n\n\n\n\nFounded in 2013 by Mary Ryan and Jeffrey Lee\, RYAN LEE gallery has established itself as a welcoming place of discovery and dialogue for art ranging from post-war art to the contemporary. Celebrating emerging and established artists and estates\, the gallery takes a multi-generational approach to its programming\, presenting innovative and scholarly exhibitions across all spectrums of art practices\, including painting\, photography\, video\, sculpture\, and performance. The gallery takes chances on a wide variety of boundary-pushing artists; their work consistently transcends political\, cultural\, material\, or technical boundaries. In addition\, RYAN LEE has\, throughout its history\, demonstrated its long-standing interest and dedication to feminist\, Black and Asian American\, as well as queer narratives in the twentieth and twenty first centuries. The gallery is led by partners of different generations and backgrounds with over six decades of combined experiences informing its unique approach. \n\n\n\n\n\n\n\nMartine Gutierrez (b. 1989 Berkeley\, CA) is a transdisciplinary artist\, performing\, writing\, composing and directing narrative scenes to subvert pop-culture identity tropes—both personally and collectively intersectional to the discriminations of race\, gender\, class and nationality. Guiterrez examines advertising in order to hybridize the industry’s objectification of sex with the individual’s pursuit of self\, satirically undermining the aesthetics of what we know. It is Gutierrez herself who executes every role—simultaneously acting as subject\, artist\, and muse. These complicated intersections are innate to Gutierrez’s own multicultural upbringing as a first generation artist of indigenous descent and as an LGBTQ ally. Her malleable\, ever-evolving self-image catalogs the confluence of seemingly disparate modes\, conveying limitless potential for reinvention and reinterpretation.
URL:https://www.arttable.org/event/new-york-ny-tour-of-martine-gutierrez-anti-icon-apokalypsis-at-ryan-lee-gallery/
LOCATION:Ryan Lee Gallery\, 515 W 26th St floor 3\, New York\, New York\, 10001\, United States
CATEGORIES:New York
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230606T173000
DTEND;TZID=America/New_York:20230606T190000
DTSTAMP:20260404T140326
CREATED:20230519T150321Z
LAST-MODIFIED:20230525T011241Z
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SUMMARY:New York\, NY | Gallery Tuesdays | Tour of "Robin Coste Lewis: Intimacy"
DESCRIPTION:Join ArtTable at the Marian Goodman Gallery for a bespoke viewing of Intimacy\, a moving-image and sound film by Robin Coste Lewis. We’ll meet Marian Goodman Gallery Managing Partner Emily-Jane Kirwan at 5:30 pm for a talk—and enjoy a glass of wine\, courtesy of the gallery—and start the film at 6 pm.  \n\n\n\nA single-channel video projection with sound\, the installation features projected images from a selection of 66 photographs representing a modern 20th-Century photographic archive depicting the Lewis family and their friends. The trove of portraits\, discovered by Lewis approximately 25 years ago in the home of her maternal grandmother\, Dorothy Mary Coste Thomas Brooks\, are sepia\, tintypes\, color and black-and-white pictures that recount the history of the Lewis family and circle. \n\n\n\nThe Lewis family\, along with millions of other Americans\, fled the Southern States of America in the 20th Century as part of the Great Migration west\, in search of a place devoid of racism\, injustice\, and white terrorism.  With the upheaval of forced migration\, and concomitant scattering of a family unit and dispersal of possessions\, the existence of this deep collection of photographic images represents a distinctive vernacular collection\, especially notable for its volume\, rarity and joyful\, private sentiment.  \n\n\n\nAdmission: \n\n\n\n\nArtTable Members $10\n\n\n\nArtTable Member Guests – $20\n\n\n\nPublic – $25\n\n\n\n\n \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\nImage: Still from Robin Coste Lewis: Intimacy. \n\n\n\n\n\n\n\n\n\nRobin Coste Lewis (b. 1964\, Compton\, California) is the former poet laureate for the city of Los Angeles\, where she now lives and works. In 2015\, her first book of poems\, Voyage of the Sable Venus\, which examined the fraught history of art\, gender\, and race\, won The National Book Award in poetry\, marking the first time a debut by an African American had ever won the prize in the Foundation’s history\, and the first time a debut collection of poetry had won the award since 1974. The images in Intimacy also appear in her new book of poetry\, To the Realization of Perfect Helplessness (2022)\, published by Knopf\, which recently won an NAACP Award in Poetry and PEN Award in poetry.Lewis received her Bachelor of Art from Hampshire College in creative writing and comparative literature; a Master of Theological Studies degree in Sanskrit and comparative religious literature from the Divinity School at Harvard University; a Master of Fine Art in poetry at New York University; and a PhD from the University of Southern Creative Writing and Literature Program. Lewis\, who has taught at Hampshire College\, Hunter College\, Wheaton College\, and the NYU MFA in Paris\, is writer-in-residence at the University of Southern California. In 2021\, she was the Joseph Brodsky Rome Prize Fellow at the American Academy in Rome\, and is currently a Ford Foundation Scholar-in-Residence at the Museum of Modern Art.
URL:https://www.arttable.org/event/new-york-ny-tour-of-robin-coste-lewis-intimacy/
LOCATION:Marion Goodman Gallery\, 24 W 57th St\, New York\, NY\, 10019
CATEGORIES:New York
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DTSTART;TZID=America/New_York:20230607T100000
DTEND;TZID=America/New_York:20230607T113000
DTSTAMP:20260404T140326
CREATED:20230516T133016Z
LAST-MODIFIED:20230525T162619Z
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SUMMARY:* WAITING LIST * New York\, NY | Curator-Led Tour of Cecily Brown "Death and the Maid" at the Met
DESCRIPTION:Join ArtTable for an exclusive curator-led tour of “Death and the Maid” at The Metropolitan Museum of Art; we’ll have access when the museum is closed to the public! For more than twenty-five years\, Cecily Brown (b. 1969) has transfixed viewers with sumptuous color\, bravura brushwork\, and complex narratives that relate to some of Western art history’s grandest and oldest themes. After moving to New York from London in the 1990s\, she revived painting for a new generation alongside a handful of other artists—many of them also women—at the very moment critics were questioning its import and relevance. The first full-fledged museum survey of Brown’s work in New York since she made the city her home\, “Cecily Brown: Death and the Maid” assembles a select group of some fifty paintings\, drawings\, sketchbooks\, and monotypes from across her career to explore the intertwined themes of still life\, memento mori\, mirroring\, and vanitas—symbolic depictions of human vanity or life’s brevity—that have propelled her dynamic and impactful practice for decades. The tour will be led by by the Aaron I. Fleischman Curator\, Modern and Contemporary Art\, Ian Alteveer. \n\n\n\nBrown has work in public collections including The MoMA\, The Whitney Museum of American Art\, and the Solomon R. Guggenheim Museum\, New York\, NY; Hirshhorn Museum and Sculpture Garden\, Smithsonian Institution\, Washington\, D.C.; The Broad\, Los Angeles; Museum für Moderne Kunst\, Frankfurt\, Germany; The Tate\, London\, UK; and Louisiana Museum of Modern Art\, Humlebæk\, Denmark. \n\n\n\nPlease see The Met website for full exhibition acknowledgments.  \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\nPublic – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n* WE HAVE A WAITING LIST TO JOIN THIS EVENT: YOU CAN ADD YOUR NAME BY CLICKING “REGISTER HERE” Thank you! \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Cecily Brown. Maid in a Landscape\, 2021. Oil on linen. Private collection. Courtesy of the artist. Photo by Genevieve Hanson.
URL:https://www.arttable.org/event/new-york-ny-curator-led-tour-of-cecily-brown-death-and-the-maid-at-the-met/
LOCATION:The Metropolitan Museum of Art\, 1000 Fifth Avenue\, New York\, New York\, 10028
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230610T110000
DTEND;TZID=America/Los_Angeles:20230610T150000
DTSTAMP:20260404T140326
CREATED:20230525T191154Z
LAST-MODIFIED:20230608T210113Z
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SUMMARY:Philadelphia\, PA | Old City Art Tour & "Rising Sun: Artists in an Uncertain America"
DESCRIPTION:Please join ArtTable in Philadelphia\, PA for a private tour of the exhibitions on view at Twelve Gates Arts and Pentimenti Gallery with remarks by Christine Pfister\, Director at Pentimenti Gallery\, and Aisha Zia Khan\, Executive Director & President/Founder at Twelve Gates Arts. \nMake a day of it! After the tour\, we encourage attendees to visit Rising Sun: Artists in an Uncertain America\, a collaborative exhibition by the African American Museum in Philadelphia and the Pennsylvania Academy of the Fine Arts. We are pleased to be able to provide attendees with discounted general admission to the museum shows! Attendees will retrieve their tickets at Pentimenti and Twelve Gates Arts during their complimentary lunch. \n_______________________ \nITINERARY\n11:00 am – 1:00 pm Old City Art Tour\nWHAT SURVIVES IN THE ARCHIVE OF INDENTURE? | Group ExhibitionNAZRINA RODJAN – NICHOLAS DORNELLAS – SARAH ROHANI DREPAULSHARIFA KHAN – VANESSA GODDENTWELVE GATES ARTS\, 106 NORTH SECOND ST. PHILADELPHIA\, PA 19106 \nTwelve Gates Arts invited curator Suzanne Persard for a group show of women and nonbinary artists. What survives in the archive of indenture? Remnants of Another investigates the traces of memory among artists of Indo-Caribbean and indentured Indian descent from Suriname\, Trinidad\, and Guyana. Juxtaposing historical and family archives alongside photography and film\, these multidisciplinary artists rework temporalities of diaspora and self to create a new visual archive of genealogy. Remnants of Another traverses the contours of memory among indentured descendants\, refracting the violence of the colonial archive through queer and feminist re-imaginings of ancestral selves\, kinship and diaspora. \n\nREKINDLED PROMISE | Group ExhibitionCHELSEA KAIAH – MELISSA LEANDRO – CHAU NGUYENBRIAN SINGER – TANEKEYA WORDPENTIMENTI GALLERY\, 145 NORTH SECOND ST. Philadelphia\, PA 19106 \nPentimenti Gallery invited five artists\, four of them women\, who draw inspiration from the challenges we face while living in America today. The selected artworks were created through the lenses of artists of different backgrounds and different concerns\, such as climate change\, immigration\, material culture\, and America’s complex past. These cultural critiques aim to turn a mirror on what modern America is versus what it purports itself to be. \n\n \n1:00 pm – 3:00 pm “Rising Sun” \nRISING SUN: ARTISTS in an UNCERTAIN AMERICA \n20 artists respond to the critical question: Is the sun rising or setting on the experiment of American democracy? A collaborative exhibition by the African American Museum in Philadelphia and the Pennsylvania Academy of the Fine Arts. Installations by 20 celebrated artists explore themes of equality\, free speech\, and other tenets of democracy. In a time when perspectives in the U.S. are radically disparate\, we invite you to explore how art inspires us to reflect on\, challenge\, and expand our own lived experiences. Artists include: Shiva Ahmadi\, John Akomfrah CBE\, La Vaughn Belle\, Tiffany Chung\, Lenka Clayton\, Petah Coyne\, Martha Jackson Jarvis\, Demetrius Oliver\, Eamon Ore-Giron\, Alison Saar\, Dread Scott\, Rose B. Simpson\, Sheida Soleimani\, Renée Stout\, Mark Thomas Gibson\, Dyani White Hawk\, Hank Willis Thomas\, Deborah Willis\, Wilmer Wilson IV\, and Saya Woolfalk. \nBe part of this transformative exhibition at two historic museums within walking distance of each other: \nAfrican American Museum in Philadelphia701 Arch Street Philadelphia\, PA 19106 \nPennsylvania Academy of the Fine Arts118-128 North Broad Street | Philadelphia\, PA 19102_______________________ \n\nArtTable members $25\nMember guests $35\nPublic $40 \nPricing includes entry to both museums\, complimentary lunch\, and both galleries. Not a member? Join today! \n  \n\n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nImage: Rekindled Promise | CHELSEA KAIAH – MELISSA LEANDRO – CHAU NGUYEN – BRIAN SINGER – TANEKEYA WORD. \n\n\n\n\n\n\n\n\n\n\n\n\n\nAisha Zia Khan is Co-founder of Twelve Gates Arts\, where as the Executive Director since 2009 she provides a platform for artists and diasporic audiences to present and experience contemporary art projects. Aisha has dedicated her career to curating innovative programs and exhibitions that bridge cultures\, foster dialogue\, and promote artistic diversity. She brings six years of experience as a Strategic and Financial Analyst at Merrill Lynch to her work. With this expertise\, she works towards the founding vision for 12G: a space as expansive and malleable as the artists it accommodates. \n\n\n\n\nAisha’s recently concluded Curatorial Residency in Penn’s Asian American Studies Program (ASAM) in spring 2023 (as part of the ASAM’s Sachs 2022 Grant)  titled “The Third Space: Unfurling Diasporic Arts of South Asia”\, consisted of a series of programs seeking to highlight Diasporic Arts of South Asia as a distinct\, expansive\, and emergent tradition within American contemporary art. This residency was not just a critical opportunity for ASAM to premier South Asian American arts in an examination of diaspora\, ethnic identity\, and immigration history\, but also a culmination of her own work highlighting these aspects in artistic productions of diasporic artists. \n\n\n\n\n\n\n\n\nChristine Pfister was born in Switzerland. Upon moving to the United States\, she attended Christie’s Education at Christie’s New York\, NY. As an accomplished Gallerist with over 20 years of curating exhibitions featuring local\, national\, and international artists at Pentimenti Gallery\, Christine Pfister is an experienced gallerist\, advocate\, educator\, and collections advisor. She has worked with museum curators\, private collectors\, and corporate clients located in the United States\, Asia\, South America\, and Europe. She has also given many lectures and participated in panels. Lectures include the Barnes Foundation\, the University of Pennsylvania\, the University of the Arts\, the American Association of Museums\, and more.
URL:https://www.arttable.org/event/philadelphia-pa-old-city-art-tour-rising-sun-artists-in-an-uncertain-america/
LOCATION:Maryland
CATEGORIES:Philadelphia
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/05/Rekindled-Promise-CMYK-postcard-final-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230613T170000
DTEND;TZID=America/New_York:20230613T180000
DTSTAMP:20260404T140326
CREATED:20230522T135231Z
LAST-MODIFIED:20230522T155855Z
UID:12313-1686675600-1686679200@www.arttable.org
SUMMARY:New York\, NY | Gallery Tuesdays | Ruby Rumié "Us\, 172 Years Later”
DESCRIPTION:Join ArtTable and Nohra Haime for a tour of “Us\, 172 Years Later” by Ruby Rumié at the Nohra Haime Gallery. The project is based on the 19th Century Chorographic Commission in Colombia that includes the inhabitants of the Caribbean coast which were missing in the original scientific study. Rumié puts together one hundred people from the Caribbean region whose unique characteristics share the passion and commitment for their trade\, and express in a special way their taste and the value they place on the food from this region\, as food is one of the most relevant cultural elements. Rumié inserts the women as a type who were not included in the original Commission due to gender and race. \n\n\n\nBorn in Cartagena de Indias\, Rumié studied painting\, drawing and sculpture at the Cartagena School of Fine Arts (1980-1982). From 1989 to 1996 she worked on hyperrealist painting. She then broke away from academia and pursued her work with a clear focus on social issues\, both territorial and on patrimony\, questioning her commitment as an artist to society. She has held important exhibitions in Colombia\, Chile\, the United States and France. She exhibited Hálito Divino (Divine Breath) and Tejiendo calles (Weaving Streets) at the Nohra Haime Gallery in New York and at NH Galería in Cartagena\, Colombia. She participated in Art Paris and in the first Biennial of Contemporary Art of Cartagena de Indias with her work Lugar común (Common Place). She was awarded the Rockefeller Foundation Bellagio Center fellowship and Women Together from the United Nations (UN) for her anthropological\, social and artistic works. Special thanks to Julia P. Herzberg\, PhD. \n\n\n\n \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nArtTable Member Guests – $20\n\n\n\nPublic – $25\n\n\n\n\n \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\nImage: RUBY RUMIÉ. Us\, 172 Years Later\, 2022. Images of works. \n\n\n\n\n\n\n\n\n\n\nNohra Haime founded the Nohra Haime Gallery in 1979 a variety of modern and contemporary American and international artists that she has placed in important private and public collections. In 2011 she opened NH Galería in Cartagena\, Colombia where she cofounded in 2014 the First International Contemporary Art Biennial. Nohra has curated many exhibitions and has written and published books.  \n\n\n\n\nHaime started writing for the art section of the Spanish Edition of Harper’s Bazaar in the 1980s\, and later through her own publications on the diverse artists she has represented and worked with. She has equally juried several exhibitions and has been invited to lecture\, give talks and participate in panels. In 2011\, Nohra was awarded the Key to the City of Cartagena\, Colombia. In 2013 she received the Jessica Cosgrave award from Finch College Alumnae Association in New York and was nominated in 2014 as one of the 100 Colombians by the 100 Colombians Foundation.
URL:https://www.arttable.org/event/new-york-ny-gallery-tuesdays-ruby-rumie-us-172-years-later/
LOCATION:Nohra Haime Gallery\, 500A West 21st Street\, New York\, 10011
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230614T183000
DTEND;TZID=America/New_York:20230614T200000
DTSTAMP:20260404T140326
CREATED:20230522T195500Z
LAST-MODIFIED:20230608T214242Z
UID:12328-1686767400-1686772800@www.arttable.org
SUMMARY:Dallas\, TX | Curator-Led Tour of "If You Look Hard Enough\, You Can See Our Future"
DESCRIPTION:Join us for a special behind-the-scenes tour of the critically-acclaimed exhibition “If You Look Hard Enough\, You Can See Our Future: Selections from the Nando’s Art Collection.” Curated by Laurie Ann Farrell\, this exhibition at the African American Museum of Dallas features some of the most notable South African artists including Zanele Muholi\, Claudette Schreuders\, Kagiso Patrick Mautloa\, Igshaan Adams\, Stephen Hobbs\, Vivien Kohler\, Anastasia Pather\, Penny Siopis\, William Kentridge\, and Samson Mnisi. After the tour\, we’ll enjoy Spier South African wines—courtesy of Nando’s—discuss\, and network.The exhibition brings together paintings\, works on paper\, sculptures\, and photography as visual documentation of forgotten images and histories. These works were all created in South Africa between 1948 and 2020\, and while they are bound by a specific time and place\, they chronicle universal issues that touch us all: love\, loss\, and hope for a better future. \n\n\n\nThe African American Museum\, Dallas was founded in 1974 as a part of Bishop College. The Museum has operated independently since 1979. For more than 40 years\, the African American Museum has stood as a cultural beacon in Dallas and the Southwestern United States. Located in Dallas’ historic Fair Park\, the African American Museum is the only museum in the Southwestern United States devoted to the collection\, preservation and display of African American artistic\, cultural and historical materials that relate to the African American experience. Learn more at aamdallas.org.Enjoy this Dallas Morning News article about Farrell and the exhibition. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\nPublic -$25\n\n\n\n\n\n\n\n\n \n\n\n\n• • •\n\n\n\nImage credit:  Zanele Muholi | Fisani\, Parktown\, 2016. © Zanele Muholi. Courtesy of the artist and Yancey Richardson\, New York. \n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Curator:\n\n\n\n\nLaurie Ann Farrell is a globally-recognized curator\, art historian\, and writer. Farrell was Senior Curator at the Dallas Contemporary\, and previously Head of Modern and Contemporary Art Department and Curator at the Detroit Institute of Arts from 2016 to 2019. From 2007 to 2016 Farrell was Executive Director of exhibitions at the Savannah College of Art and Design. She started her career in 1999 at the Museum for African Art in New York\, where she was the first Curator of Contemporary Art.  \n\n\n\n\nIn 2006\, she organized the American participation at the inaugural Trienal de Luanda with support and funding provided by the U.S. Department of State. Farrell received the Abraaj Capital Art Prize with artist Kader Attia in 2010\, ArtTable New Leadership award in 2011\, and Southeast Museum Conference 2015 Museum Leadership Award. Widely published\, Farrell’s work has been featured in The New York Times\, the Wall Street Journal\, African Arts\, Vogue\, CNN\, the Detroit Free Press\, the Washington Post\, Artnews\, Flash Art\, and ArtForum. In 2020\, Farrell led a conversation with Carrie Mae Weems and André Leon Talley for the RESIST COVID project.
URL:https://www.arttable.org/event/dallas-tx-curator-led-tour-of-if-you-look-hard-enough-you-can-see-our-future/
LOCATION:African American Museum of Dallas\, 3536 Grand Ave\, Dallas\, Texas\, 75210
CATEGORIES:Dallas-Fort Worth
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230615T180000
DTEND;TZID=America/New_York:20230615T190000
DTSTAMP:20260404T140326
CREATED:20230512T155349Z
LAST-MODIFIED:20230614T215005Z
UID:12213-1686852000-1686855600@www.arttable.org
SUMMARY:*Waiting List* New York\, NY | National Arts Club Exhibition with Artist JoAnne McFarland
DESCRIPTION:Join ArtTable at the historic National Arts Club on Gramercy Park to see the exhibit of their artist Fellows and meet artist JoAnne McFarland. The NAC Artist Fellowship program continues the Club’s over 120-year history of supporting the arts and artists.  \n\n\n\nJoAnne McFarland is a painter\, sculptor\, poet\, and the Artistic Director of the Artpoetica Project Space in Gowanus\, Brooklyn which exhibits works that focus on the intersection of language and visual representation. McFarland has artwork in the collections of The Library of Congress\, The Columbus Museum of Art\, The Department of State\, General Electric\, Ikon Corporation\, and AT&T Corporation among others. Recent shows include: “Best & Brightest” and “The Indivisible Spectrum\,” both at The Painting Center in New York City. She has also exhibited at June Kelly and A.I.R. Gallery\, among other venues. A graduate of Princeton University\, McFarland’s poetry collections include: Acid Rain\, 13 Ways of Looking at a Black Girl\, and Identifying the Body. Her latest multimedia collection\, Pullman\, will be published by Grid Books in 2023. McFarland has had fellowships at The BARD Graduate Center Library\, and KALA Art Institute. McFarland’s traveling project SALLY\, a collaboration with artist Sasha Chavchavadze\, explores the histories of women whose lives have been marginalized\, or forgotten. The National Arts Club (NAC) was founded in 1898\, admitting women on a full and equal basis from its inception. Renowned for its expansive American art collection\, the Club owns works by Edward Potthast\, Francis Mora\, Ella Lamb\, Charles Curran\, Henry Watrous\, Oscar Fehrer\, Helen Turner and Will Barnet among many others. The National Arts Club is proud of its early recognition of innovative art media such as photography\, film and digital media. NAC’s home since 1906 is the historic Samuel Tilden Mansion.  \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – complimentary\n\n\n\nArtTable Member Guests – $10\n\n\n\nPublic – $20\n\n\n\nNAC Members – add your coupon code at checkout for a complimentary ticket\n\n\n\n\n \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\nPlease note that this event is *WAITLISTED.* Click the “register here” button to join the waiting list. \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: JoAnne McFarland by Rachel Eliza Griffiths.
URL:https://www.arttable.org/event/new-york-ny-national-arts-club-exhibition-with-artist-joanne-mcfarland/
LOCATION:National Arts Club\, 15 Gramercy Park South\, New York\, New York\, 10003
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/05/JoAnne-McFarland-by-Rachel-Eliza-Griffiths-1-835x1080-1.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20230628T170000
DTEND;TZID=America/New_York:20230628T183000
DTSTAMP:20260404T140326
CREATED:20230524T194144Z
LAST-MODIFIED:20230525T010416Z
UID:12513-1687971600-1687977000@www.arttable.org
SUMMARY:New York\, NY | "Gego: Lines in Space" at LGDR
DESCRIPTION:LGDR is pleased to welcome ArtTable to Gego: Lines in Space. The exhibition is the first to present Gego’s work at the gallery’s new flagship on 19 East 64th St. A leading figure of Venezuelan abstraction in the 1960s and ’70s\, Gego (1912–1994) created multidimensional works that radically engage the properties of line and space. The tour will be led by LGDR Senior Partner\, Emilio Steinberger. Presented in collaboration with Fundación Gego\, Lines in Space will offer a concentrated survey of the artist’s works across media\, including the constellated wire structure Chorro (1979/86)\, the six-part steel-and-bronze sculpture Cornisa I (1967)\, and her luminous watercolors\, collages\, and drawings. \n\n\n\nThis presentation follows those organized by Lévy Gorvy in New York (2015) and London (2016)\, continuing a long-standing relationship with the artist’s estate. Lines in Space coincides with a major retrospective of the artist’s work on view at the Solomon R. Guggenheim Museum\, New York (March–September 2023)\, which traveled from Museo Jumex in Mexico City (October 2022–February 2023)\, and the Museu de Arte de Sao Paulo (2019–20)\, and will continue on to the Guggenheim Bilbao (October 2023–February 2024). Thank you to Julia P Herzberg\, PhD for coordinating this program. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nArtTable Member Guests – $20\n\n\n\nPublic – $25\n\n\n\n\n \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Gego Chorro. Bronze and stainless steel wire and acrylic base. 193 x 48 x 57 cm 76 x 18 7/8 x 22 7/16 inches. © Fundación Gego. Courtesy Lévy Gorvy.
URL:https://www.arttable.org/event/new-york-ny-gego-lines-in-space-at-lgdr/
LOCATION:LGDR East 64th Street\, 19 East 64th Street\, New York\, 10065
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/05/Chorro-1.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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