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DTSTART;TZID=America/New_York:20230912T183000
DTEND;TZID=America/New_York:20230912T193000
DTSTAMP:20260423T160201
CREATED:20230823T162047Z
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SUMMARY:National  | Artist-Led tour of "Flower Atlas" with Miya Ando
DESCRIPTION:You won’t to miss the opportunity for an artist-guided tour of a botanical wonderland with Miya Ando! Imagine a world where time is not measured in months\, days\, and hours\, but in flowers. Flower Atlas envisions this unique concept. In this artistic creation\, the year 2023 is represented by 365 signature flowers\, each blooming on a different day somewhere on Earth. Curated by Kendal Henry at Brookfield Place.  \n\n\n\nSpecial thanks to Brookfield Place for welcoming the ArtTable Community!Venue Sponsor: Brookfield PropertiesCommissioning Entity: Arts Brookfield  \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\nPublic – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.ArtTable’s Artist Talks are made possible by the Pollock Krasner Foundation. \n\n\n\n\n\nImage: Miya Ando Flower Atlas. Image by Fadi-Kheir. Courtesy of Brookfield Place \n\n\n\n\n\n\n\n\nAbout the Artist\n\n\n\n \n\n\n\n\nMiya Ando is a Japanese/American artist based in New York. Her art is rooted in the dialectic coexistence of Eastern and Western cultures through the lens of natural phenomena. Her work is part of many public collections such as: Los Angeles County Museum of Art\, Los Angeles\, CA; Nassau County Museum of Art\, Roslyn Harbor\, NY; Corning Museum of Glass\, Corning\, NY; Detroit Institute of Arts\, Detroit\, MI; Luftmuseum\, Amberg\, Germany; Scottsdale Museum of Contemporary Art\, Scottsdale\, AZ; Santa Barbara Museum of Art\, Santa Barbara\, CA; The Museum of Art and History\, Lancaster\, CA\, as well as in numerous private collections. Solo exhibitions of her work have been presented at the Bolinas Museum\, Bolinas\, CA; the Asia Society Museum\, Houston\, TX; the Noguchi Museum\, New York\, NY; Savannah College Of Art and Design Museum\, Savannah\, GA; the Nassau County Museum\, Roslyn Harbor\, NY; and The American University Museum\, Washington DC. Her work has been included in recent group exhibitions at Crystal Bridges Museum of American Art\, Bentonville\, AR; Los Angeles County Museum of Art\, Los Angeles\, LA; Haus Der Kunst\, Munich\, Germany; Bronx Museum\, Bronx\, NY; and Queens Museum of Art\, Queens\, NY. Ando has been the recipient of several grants and awards including the Pollock-Krasner Foundation Grant Award\, and has produced several public commissions\, most notably a thirty-foot-tall sculpture built from World Trade Center steel for Olympic Park in London to mark the ten-year anniversary of 9/11\, for which she was nominated for a DARC Award in Best Light Art Installation. Ando was also commissioned to create artwork for the historic Philip Johnson Glass House\, New Canaan\, CT. Most recently\, Ando received the 2023 Brookfield Place New York Annual Arts Commission. The site-specific commission Flower Atlas Calendar will premier at the Winter Garden in Brookfield Place\, New York\, NY in July 2023.The artist holds a bachelor’s degree in East Asian Studies from the University of California\, Berkeley\, studied East Asian Studies at Yale University and apprenticed with a Master Metalsmith in Japan. www.miyaando.com
URL:https://www.arttable.org/event/national-artist-led-tour-of-flower-atlas-with-miya-ando/
LOCATION:Brookfield Place\, 230 Vesey St\, New York\, New York\, 10281
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20230919T100000
DTEND;TZID=America/New_York:20230919T110000
DTSTAMP:20260423T160201
CREATED:20230819T153641Z
LAST-MODIFIED:20230819T153728Z
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SUMMARY:Washington\, DC | Curator-led tour of "1898: U.S. Imperial Visions and Revisions" National Portrait Gallery
DESCRIPTION:Join co-curators Taína Caragol and Kate Lemay for an exclusive tour of “1898: U.S. Imperial Visions and Revisions” at the Smithsonian National Portrait Gallery! “That single year launched the United States on a path that would end with the annexation of Hawaii\, intervention in Cuba\, and the invasions of Puerto Rico\, the Philippines and Guam—profound geopolitical changes resulting from U.S. domination during the Philippine-American War (1899-1902) and the Spanish-American War (April to August 1898)\, now often referred to as the War of 1898.”—Maya Wei-Haas\, The Smithsonian Magazine. \n\n\n\nPortraiture is part of how we represent ourselves\, and how we memorialize our historic public figures from the heroic to the problematic. 125 years after this extensive series of conflicts\, the U.S. continues to grapple with its imperial legacy. The Smithsonian exhibition revisits these representations from multiple\, culturally-complex perspectives\, “and recognizes that the Smithsonian Institution’s collecting practices legitimized the imperial project.”Please see the Museum’s Visitor Page for Health\, Safety\, and Accessibility information. \n\n\n\n\nArtTable Members – suggested donation $10\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Queen Liliʻuokalani;. Harris & Ewing Studio (active 1905–1977). 1908 Gelatin silver print 37.4 × 28.8 cm (14 3/4 × 11 5/16 in.) National Portrait Gallery\, Smithsonian Institution; gift of Aileen Conkey. \n\n\n\nThank you to ArtTable member Laura Roulet for initiating this program. \n\n\n\n\n\n\n\n\n\nAbout the Curators \n\n\n\n\nTaína Caragol\, Curator of Painting and Sculpture and Latino Art and History\, joined the National Portrait Gallery in 2013 as the first curator for Latino art and history and her role was expanded to curator of painting and sculpture in 2015. Caragol has led the effort to increase the representation of Latino historical figures and artists at the museum\, adding over 170 portraits to the collection and ensuring that Latino contributions to American history and art are interwoven through the museum’s exhibitions and permanent collection. \n\n\n\nIn 2014\, she was the lead curator for “Portraiture Now: Staging the Self\,” which examined the forces that shape identity–from friendships\, to gender dynamics\, and histories of migration–through the work of contemporary Latino artists. In 2015\, she curated “One Life: Dolores Huerta\,” exploring Huerta’s role as co-architect of the farm workers movement with César Chávez. She co-curated “The Face of Battle: Americans at War\, 9/11 to Now” (2017) and “UnSeen: Our Past in a New Light\, Ken Gonzales-Day and Titus Kaphar” (2018).  \n\n\n\nPreviously\, Caragol was the curator of education at Museo de Arte de Ponce\, Puerto Rico\, where she organized the museum’s symposium on Pre-Raphaelite art and led a program of talks with contemporary Puerto Rican artists. She was the Museum of Modern Art’s Latin American bibliographer from 2004-2007\, and she worked as a postdoctoral researcher for Latin American Art in the United Kingdom: History\, Historiography\, Specificity\, 1960 to the Present\, an investigation led by the University of Essex (2007–2008). \n\n\n\nCaragol earned her PhD in art history from the City University of New York. Her dissertation “Boom and Dust: The Rise of Latin American and Latino Art in New York Exhibition Venues and Auction Houses\, 1970s–1980s\,” examined the incubating role of New York City’s alternative museums and art spaces and market during the “Latin American art boom” of the late 1980s. Her essay on Kehinde Wiley’s portrait of President Barack Obama was published in The Obama Portraits in February 2020 (Princeton University Press / National Portrait Gallery). \n\n\n\n\n\n\n\n\n\nKate Clarke Lemay\, Historian\, joined the National Portrait Gallery in 2015. She is a Fulbright Scholar; a Presidential Counselor to the National WWII Museum; and the founding director of PORTAL\, the Portrait Gallery’s scholarly center. Lemay also served as the founding coordinating curator for the Smithsonian American Women’s History Initiative. In 2019\, Lemay curated “Votes for Women: A Portrait of Persistence” to usher in the centennial of the U.S. American women’s suffrage anniversary. She published its eponymous catalogue with Princeton University Press which was awarded the 2021 Smithsonian Secretary’s Prize for Excellence in Research and the 2020 Amelia Bloomer Book Award from the American Library Association. \n\n\n\nIn 2017\, Lemay’s first book Triumph of the Dead: American WWII Cemeteries\, Monuments and Diplomacy in France was awarded the Terra Foundation in American Art publication grant. In 2018\, she served as guest editor for The International Journal of Military History and Historiography. She has published essays on art and military history for the University of North Texas Press\, Oxford University Press\, The Strategy Bridge\, Zócalo Public Square\, Reviews in American History\, and the Marine Corps University Press. Lemay’s research has been supported by a Terra Foundation in American Art predoctoral fellowship at the Smithsonian American Art Museum\, a fellowship in American Modernism at the Georgia O’Keeffe Museum Research Center\, and a fellowship from the Centre National de la Recherche Scientifique at the Caen Mémorial Museum in France. Lemay served as the lead historian for the transformation of the museum’s landmark exhibition “America’s Presidents” (2017). Her other exhibitions include “Marlene Dietrich: Dressed for the Image” (2017). \n\n\n\nBefore joining the National Portrait Gallery\, Lemay was an assistant professor of art history at Auburn University Montgomery and visiting assistant professor of the history of modern and contemporary art at Brigham Young University. She earned a dual PhD in American art history and American studies from Indiana University (Bloomington).
URL:https://www.arttable.org/event/washington-dc-curator-led-tour-of-1898-u-s-imperial-visions-and-revisions-national-portrait-gallery/
LOCATION:National Portrait Gallery\, 8th & G Streets NW\, Washington\, DC\, 20001\, United States
CATEGORIES:Washington, D.C.
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DTSTART;TZID=America/New_York:20230922T160000
DTEND;TZID=America/New_York:20230922T173000
DTSTAMP:20260423T160201
CREATED:20230824T143635Z
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SUMMARY:New York | Tour of Ebony G. Patterson's "...things come to thrive..." at New York Botanical Garden
DESCRIPTION:Join Vice President for Exhibitions and Programming at New York Botanical Garden\, Joanna L. Groarke\, to usher in the first day of fall at one of New York City’s gems! Experience the beauty of gardens through the eyes of celebrated contemporary artist Ebony G. Patterson. Known for her lavishly-detailed mixed media installations\, Patterson brings her signature style to the Enid A. Haupt Conservatory and New York Botanical Garden landscape and galleries in a major site-specific exhibition featuring provocative displays of art and nature. Patterson’s work explores entanglements of race\, gender and colonialism while inviting visitors to contemplate their own relationships with gardens and the natural world. ArtTable members and guests will enjoy a bespoke\, guided tour of the work\, rain or shine\, as much of it is viewable from indoors. Please note we have limited spots available. Book yours today!SUBWAY DIRECTIONS \n\n\n\nB\, D\, or 4 trains to Bedford Park Blvd. Station. Take the Bx26 bus east to the Garden’s Mosholu Entrance OR walk eight blocks down the hill on Bedford Park Blvd (20 min). Turn left onto Southern Blvd. and walk one block to Mosholu Entrance.\n\n\n2 train to Allerton Ave. station. Walk three blocks west on Allerton Ave. Turn left on Bronx Park East and walk two blocks to Waring Ave. At the park entrance\, walk up the small hill leading directly to the Garden’s East Gate.\n\n\n\nVisit the NYBG website for directions by car\, accessibility information\, and visitor policies. \n\n\n\n\n\n\n\nAdmission \n\n\n\n\nArtTable Members – $50\n\n\n\nGuests – $60\n\n\n\nPublic -$65\n\n\n\n\nNot a member? Join today! \n\n\n\n\nREGISTER HERE\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\nImages: Detail of Ebony G. Patterson things come to thrive…in the shedding…in the molting (2023) in the Palms of the World Gallery of the Enid A. Haupt Conservatory (NYBG Photo). \n\n\n\n\n\n\n\n\n\n\nEbony G. Patterson received her BFA in painting from Edna Manley College of Visual and Performing Arts in Kingston\, Jamaica in 2004. She received an MFA degree in 2006 in printmaking and drawing from the Sam Fox School of Design & Visual Arts at Washington University in St. Louis. \n\n\n\nPatterson has taught at the University of Virginia; Edna Manley College School of Visual and Performing Arts; has served as Associate Professor in Painting and Mixed Media at the University of Kentucky; and was the Bill and Stephanie Sick Distinguished Visiting Professor at the School of the Art Institute of Chicago. She has been featured in biennials worldwide including Liverpool (2021)\, Athens (2021)\, São Paulo (2016)\, and Havana (2015). Her work is in the collections of institutions including 21c Museum and Foundation\, Louisville\, Kentucky; Art Gallery of Ontario\, Toronto; Los Angeles County Museum of Art\, Los Angeles\, CA; Museum of Art and Design\, New York; Nasher Museum\, Duke University\, Durham\, NC; the National Gallery of Jamaica\, Kingston; the Pérez Art Museum Miami; San Francisco Museum of Modern Art; Speed Art Museum\, Louisville\, Kentucky; Studio Museum in Harlem; the Virginia Museum of Fine Art; and the Whitney Museum of American Art. Patterson is Co-Artistic Director\, along with curator Miranda Lash\, of Prospect.6 New Orleans\, slated to open in Fall 2024. \n\n\n\n\n\n\n\n\n\nJoanna L. Groarke is the Vice President for Exhibitions and Programming at New York Botanical Garden where she has led a team that develops exhibitions\, interpretive materials and publications\, and public programming integrating NYBG’s multidisciplinary mission areas of science\, education\, and horticulture. Her service to NYBG extends over 10 years\, having previously worked as Director of Public Engagement & Library Exhibitions Curator\, Curator of Interpretive Content for Public Engagement\, and Interpretive Specialist. She has more than 15 years of experience creating exhibitions\, events\, and audience development programs for institutions including the Irish Arts Center and Tufts University Art Gallery. She will bring to her new role extensive experience in innovative\, visitor-centered exhibition and program development\, purposeful strategy and business planning\, and building talented\, motivated teams. \n\n\n\nHer strength in program planning and implementation is complemented by her involvement with the American Alliance of Museums as a Board Member & Program Co-Chair for the National Association for Museum Exhibition. In 2018\, she was awarded the Gold Davey Award for Best User Experience for the Georgia O’Keeffe Interactive Guide. Groarke holds a bachelor of arts in sociology from The College of William and Mary and a master of arts in Art History from Tufts University.
URL:https://www.arttable.org/event/new-york-tour-of-ebony-g-pattersons-things-come-to-thrive-at-new-york-botanical-gardens/
LOCATION:New York Botanical Gardens\, 2900 Southern Blvd\, Bronx\, New York\, 10458
CATEGORIES:New York
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