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DTSTART;TZID=America/New_York:20231109T093000
DTEND;TZID=America/New_York:20231109T103000
DTSTAMP:20260505T182814
CREATED:20231010T200009Z
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SUMMARY:Artist-Led tour of Sheila Pepe's "My Neighbor's Garden" at Madison Square Park
DESCRIPTION:Join us for a tour of “My Neighbor’s Garden” with artist Sheila Pepe on November 9 at Madison Square Park. Brooke Kamin Rapaport\, Artistic Director and Martin Friedman Chief Curator\, will introduce the artist and her first outdoor exhibition. “My Neighbor’s Garden\,” places colorful and optimistic canopies of crocheted material\, as well as unexpected materials including paracord\, shoelaces\, outsize rubber bands\, and climbing vines\, and extends from the park’s extant physical structures such as light poles. In the months preceding the exhibition\, Pepe gathered novice and expert crocheters at her Brooklyn studio for crochet sessions towards the fabrication of the project. Pepe will speak about the project\, offer insights into the collaborative process\, as well as situating the exhibition within the context of her career as a whole. The event will wrap up with a Q&A.Press coverage of the exhibition: \n\n\n\n\nThe New York Times\n\n\n\nNY1 News\n\n\n\nWNYC\n\n\n\nThe Brooklyn Rail \n\n\n\nWFUV and the What’s What Podcast\n\n\n\n\nSpecial thanks to Truth Murray-Cole for spearheading this event! \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $25\n\n\n\nPublic – $30\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\nArtTable’s Artist Talks are made possible by the Pollock Krasner Foundation. \n\n\n\n\n\n\n\n\n\n\n\nImages: Sheila Pepe\, Crane\, Madison Square Park.Sheila Pepe\, photo by Rachel Stern. \n\n\n\n\n\n\nAbout the Artist\n\n\n\nSheila Pepe was born in Morristown\, New Jersey in 1959. She lives and works in Brooklyn. Pepe received a BA from Albertus Magnus College in New Haven; a BFA in ceramics from Massachusetts College of Art and Design\, Boston\, and an MFA from the School of the Museum of Fine Arts\, Boston. The artist’s mother taught her to crochet in the 1960s. Pepe discovered women artists who were a generation or two older and associated with the feminist art movement–Lynda Benglis\, Eva Hesse\, and Nancy Spero–as a crucible to launch her sculptural investigations. www.sheilapepe.com \n\n\n\n\n\n\n\n\nAbout the Curator\n\n\n\n\nBrooke Kamin Rapaport is deputy director and Martin Friedman chief curator at New York’s Madison Square Park Conservancy\, which she joined in 2013. She was commissioner and curator of the 2019 United States Pavilion at the Venice Biennale with the exhibition Martin Puryear: Liberty/Liberta. A major catalogue published by Gregory R. Miller accompanied the Venice exhibition. At Madison Square Park Conservancy\, she is responsible for the outdoor public sculpture program of commissioned work by contemporary artists including Diana AI-Hadid\, Tony Cragg\, Abigail DeVille\, Leonardo Drew\, Teresita Fernandez\, Maya Lin\, Josiah McElheny\, Martin Puryear\, Erwin Redl\, Arlene Shechet\, and Krzysztof Wodiczko. She is the founder of Public Art Consortium\, a national initiative of museum\, public art\, and sculpture park colleagues launched in 2017. Rapaport was a curator of contemporary art at the Brooklyn Museum and a guest curator at The Jewish Museum. She sits on the boards of three artist-endowed foundations and the Mead Art Museum at Amherst College.
URL:https://www.arttable.org/event/artist-led-tour-of-sheila-pepes-my-neighbors-garden-at-madison-square-park/
LOCATION:Madison Square Park\, 11 Madison Ave\, New York\, New York\, 10010\, United States
CATEGORIES:New York,National
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DTSTART;TZID=America/New_York:20231113T163000
DTEND;TZID=America/New_York:20231113T180000
DTSTAMP:20260505T182814
CREATED:20231024T155215Z
LAST-MODIFIED:20231102T194939Z
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SUMMARY:*Waiting List* Guided Tour of the Capital One Art Collection with Anne Fletcher & Susannah Haworth Dunn
DESCRIPTION:Join ArtTable for an exclusive tour of the The Capital One Art Program! This 90-minute guided tour through the Capital One Center art collection offers a premium opportunity to see the in-house work and do a deep-dive into the building\, stewardship\, and purpose of a corporate art collection. The art displayed in the company’s offices across North America is composed of over 50 rotating exhibits a year and a permanent collection of over 8\,000 pieces. The heart of the program is the belief that when people are surrounded by thoughtful\, detailed\, innovative work\, they will create thoughtful\, detailed\, innovative work. Anne Fletcher\, the Art Administrator for Capital One\, explains that above all\, through the program\, “we want to create really innovative\, vibrant work spaces for our associates.” Capital One Center is the culmination of the company’s belief in the impact of the arts and a thriving\, mixed-use cultural and retail destination for the local community and the region. \n\n\n\nArtists in the collection include Alice Aycock\, Jacob Hashimoto\, Carter Hodgkin\, and Anne Patterson. \n\n\n\n\nPlease note health\, safety\, and procedural information:\n\n\n\n\nThe Art Tour will begin in the first-floor lobby of Center 3. Please bring a government-issued ID to gain entrance. \n\n\n\nThe building is wheelchair-accessible with elevators. Those walking for the 90-minute tour will want to wear comfortable shoes.\n\n\n\nEach attendee must sign a release form two business days before the event—they are due by Friday\, November 10 at 11:00 AM Eastern. Please watch for the release form after registration\, and then complete and return it on time to make sure you can attend!\n\n\n\nSee the Capital One Center’s Parking & Transportation page for details on parking and Silver Line Metro access. General Parking is $15.00. Parking is in the public garage adjacent to Center 2 just next door (to the right) of Center 3\, where the tour begins.\n\n\n\n\n\n \n\n\n\n\nAdmission:\n\n\n\n\nArtTable Members $25\n\n\n\nGuests $35\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\nPlease note that this event is now waitlisted! Click “Register Here” to add your name. \n\n\n\n\n\n\n\n\n\nThank you to Susannah Haworth Dunn for spearheading this event! \n\n\n\n\n\n\n\nImage: Alice Aycock\, Hoop-La\, 2016-2018\, Capital One Art Collection.
URL:https://www.arttable.org/event/guided-tour-of-the-capital-one-art-collection-with-anne-fletcher-susannah-haworth-dunn/
LOCATION:Capital One Center\, 1675 Capital One Drive\, McLean\, Virginia\, 22102-3473\, United States
CATEGORIES:National,Washington, D.C.
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DTSTART;TZID=America/New_York:20231115T170000
DTEND;TZID=America/New_York:20231115T183000
DTSTAMP:20260505T182814
CREATED:20231011T182317Z
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UID:13913-1700067600-1700073000@www.arttable.org
SUMMARY:Curator-Led Tour of "El Dorado: Myths of Gold" at the Americas Society
DESCRIPTION:Join ArtTable for a curator-led tour of Pt I: El Dorado: Myths of Gold\, exploring the legend of El Dorado as a foundational myth of the Americas. Artists in the show include Olga de Amaral\, Denilson Baniwa\, Bruno Baptistelli\, Andrés Bedoya\, Wendy Cabrera Rubio\, Leda Catunda\, Chiriquí artist\, Coclé artists\, william cordova\, Juan Covelli\, Covens & Mortier\, Harmonia Rosales\, Tiago Sant’Ana\, Julia Santos Solomon\,  Moara Tupinambá\, Laura Vinci\, and Alberta Whittle. \n\n\n\nDuring the colonization of the Americas\, colonial fantasies of an Indigenous kingdom replete with gold and precious stones quickly permeated the European imagination\, galvanizing the invasion of the continent and serving as a justification for genocide as well as the destruction of ancestral territories and the environment. As we come to terms with the long-term sociopolitical and environmental effects of this dynamic\, there is a pressing need to reevaluate its influence on our identification as human beings and members of a globalized society. By placing historical and contemporary artworks together\, the exhibition facilitates dialogues between past and present to investigate how the myth has shaped the value of gold\, as well as that of territories\, peoples\, religious beliefs\, and nature.  \n\n\n\nThank you to Julia P Herzberg\, PhD for coordinating this program.Please see AS/COA website for exhibition funding acknowledgments. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nArtTable Member Guests – $20\n\n\n\nPublic – $25\n\n\n\n\n \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Alberta Whittle\, Jamestown Mythology: Amonute\, 2023. Laser-engraved woodblock print on Somerset Satin 300 gsm paper with saliva embossed in gold\, 23 5⁄8 × 26 5⁄8 inches (60 × 67.5 cm). Courtesy of the artist and The Modern Institute/Toby Webster Ltd.\, Glasgow.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires\, she has lived in New York since 2011. Her Ph.D. in art history from Rutgers University\, titled “This Must Be the Place: Latin American Artists in New York 1965–1975\,” became a show at Americas Society in 2021. She completed her M.A. at The Institute of Fine Arts at New York University and her undergraduate studies in art history at the Universidad de Buenos Aires. Her research received grants from the Metropolitan Museum of Art\, the Terra and Andrew W. Mellon Foundations\, and the ICAA Peter C. Marzio Award from the Museum of Fine Arts\, Houston. Her writing has been presented at conferences internationally and published by prestigious museums and academic journals\, including the New Museum\, the Museum of Modern Art\, and the Guggenheim Museum. She curated exhibitions independently in museums and cultural centers and previously worked in the Modern and Contemporary Art Department of the Metropolitan Museum of Art\, the Institute for Studies on Latin American Art\, and Fundación Proa in Buenos Aires. \n\n\n\n\n\n\n\n\n\nTie Jojima is an associate curator at Americas Society in New York and a PhD candidate in art history at the Graduate Center\, CUNY\, specializing in modern and contemporary Latin American art\, with a focus on Brazilian art. Her larger research interests encompass performance and media art in the 1970s and 1980s\, as well as contemporary Asian diasporic art practices in Latin America.
URL:https://www.arttable.org/event/curator-led-tour-of-el-dorado-myths-of-gold-at-the-americas-society/
LOCATION:Americas Society\, 680 Park Avenue\, New York\, 10065
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20231128T180000
DTEND;TZID=America/New_York:20231128T200000
DTSTAMP:20260505T182814
CREATED:20231103T184533Z
LAST-MODIFIED:20231103T185335Z
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SUMMARY:Curator-Led tour of "Making Their Mark" with Cecilia Alemani
DESCRIPTION:Making Their Mark is a major exhibition showcasing the works of more than 80 of the most significant women artists from the last eight decades. Curated by Cecilia Alemani\, Donald R. Mullen\, Jr. Director & Chief Curator of High Line Art and Curator of the 59th International Art Exhibition at the Venice Biennale\, the exhibition marks the first public viewing of the Shah Garg Collection: a groundbreaking body of work by women collected by Komal Shah and Gaurav Garg. \n\n\n\nMaking Their Mark includes historic and contemporary artworks by Jennifer Bartlett\, Lynda Benglis\, Firelei Báez\, Cecily Brown\, Judy Chicago\, Sonia Gomes\, Sheila Hicks\, Jacqueline Humphries\, Mary Heilmann\, Charline von Heyl\, Joan Mitchell\, Julie Mehretu\, Elizabeth Murray\, Howardena Pindell\, Jaune Quick-to-See Smith\, Joan Semmel\, Joan Snyder\, Amy Sillman\, Mary Weatherford\, and Anicka Yi\, among many others.  \n\n\n\nMaking Their Mark introduces a broader audience to the mission of the Shah Garg Foundation\, located in the historic former home of DIA Chelsea at 548 West 22nd Street. The Foundation is committed to championing the work of women artists\, from the modern era through the present day\, with Making Their Mark introducing its curatorial vision to the public for the first time.The evening will begin with an informal reception at 6 PM and progress to the exhibit tour at 7 PM. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $20\n\n\n\nMember Guests – $30\n\n\n\nPublic – $35\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\nThank you to Cara Blumstein for her assistance with this event! \n\n\n\n\n\n\n\n\n\n\n\n\n\nImages:  Install Views – Credit Tom Powel Imaging\, Courtesy Shah Garg Foundation.Cecilia Alemani\, Courtesy of the High Line. Photo Liz Ligon. \n\n\n\n\n\n\nAbout the Curator\n\n\n\nCecilia Alemani is an Italian curator based in New York. Since 2011\, she has been the Donald R. Mullen\, Jr Director & Chief Curator of High Line Art\, the public art program presented by the High Line in New York. In 2022\, she curated The Milk of Dreams\, the 59th International Art Exhibition at La Biennale di Venezia. In 2018\, Alemani served as Artistic Director of the inaugural edition of Art Basel Cities: Buenos Aires. In 2017\, she curated the Italian Pavilion at the Venice Biennale. Cecilia’s full bio is available here.
URL:https://www.arttable.org/event/curator-led-tour-of-making-their-mark-with-cecilia-alemani/
LOCATION:Shah Garg Foundation\, 548 West 22nd Street\, New York\, New York\, 10011
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/Los_Angeles:20231130T100000
DTEND;TZID=America/Los_Angeles:20231130T110000
DTSTAMP:20260505T182814
CREATED:20230924T130747Z
LAST-MODIFIED:20231031T170820Z
UID:13653-1701338400-1701342000@www.arttable.org
SUMMARY:Guided Tour of Hollyhock House with Abbey Chamberlain Brach
DESCRIPTION:This is a bespoke tour for only ten people: don’t miss your chance for this behind-the-scenes tour with Hollyhock House Site Director & Curator Abbey Chamberlain Brach—book your ticket today! \n\n\n\n“Now\, with a radical client like Miss Barnsdall\, a site like Olive Hill\, a climate like California\, an architect head on for freedom\, something had to happen… So this Romanza of California came out on Olive Hill.” —Frank Lloyd Wright: An Autobiography\, 1943 \n\n\n\nHeiress Aline Barnsdall (1882-1946) created a revolutionary life: a feminist\, traveler\, single mother by design\, supporter of experimental Chicago theatre\, close friend of Emma Goldman\, early patron of The Hollywood Bowl\, and champion of revolutionary causes. Barnsdsall commissioned an equally iconic home from Frank Lloyd Wright\, intended to be the center of an Olive Hill arts complex. Barnsdall gifted Hollyhock House and Barnsdall Park to the City of Los Angeles in 1927\, and it was designated as a UNESCO World Heritage Site in 2019.“Hollyhock House has inspired generations of artists\, architects\, and designers. It is a harbinger of California Modernism and designed by Wright in response to the region\, capturing the drama of Hollywood and embracing building traditions of the American southwest.” —Hollyhock House Education Thank you to ArtTable Board Vice-President\, Felice Axelrod!Admission: \n\n\n\nArtTable Members $25\nMember Guests $35\n\nNot an ArtTable member? Join today! \n*THIS EVENT HAS A WAITING LIST: PLEASE CLICK “REGISTER HERE” TO ADD YOURSELF TO IT! \n \nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\nImage: Stan Ecklund\, Courtesy City of Los Angeles Department of Cultural Affairs. \n\n\n\n\n\n\n\n\n\n\n\nAbbey Chamberlain Brach is Site Director & Curator at Hollyhock House\, part of the City of Los Angeles Department of Cultural Affairs. She manages interpretation\, restoration\, and preservation\, including a major restoration of the Residence A guest house begun in 2017. From 2012 to 2018\, Abbey worked at the Los Angeles County Museum of Art as part of the decorative arts and design department—contributing to exhibitions on twentieth-century design dialogues between California and Mexico\, the Arts and Crafts movement\, and Peter Zumthor’s design for LACMA.Abbey earned her master’s degree in American History at the University of Delaware\, while working in the curatorial department at Winterthur Museum. She served as the Curator & Director of Education at the Santa Barbara Maritime Museum and the Assistant Education Coordinator for the Santa Barbara Trust for Historic Preservation\, operating El Presidio de Santa Barbara State Historic Park and Casa de la Guerra.
URL:https://www.arttable.org/event/national-guided-tour-of-hollyhock-house-with-abbey-chamberlain-brach/
LOCATION:Hollyhock House\, 4800 Hollywood Blvd\, Los Angeles\, 90027
CATEGORIES:National,Southern California
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ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231130T120000
DTEND;TZID=America/New_York:20231130T130000
DTSTAMP:20260505T182814
CREATED:20231031T203840Z
LAST-MODIFIED:20231109T234849Z
UID:14098-1701345600-1701349200@www.arttable.org
SUMMARY:Tour of the National Museum of Women in the Arts with Ginny Treanor & Orin Zahra
DESCRIPTION:Come join us to tour the reopened National Museum of Women in the Arts! NMWA is the first museum in the world solely dedicated to championing women through the arts. NMWA undertook a top-to-bottom renovation from 2021 to 2023. The building’s first full renovation since 1987\, this restoration project honors the structure’s history while improving its interior spaces\, mechanical systems\, and exterior envelope. We are very fortunate to have a curator-led tour with Senior Curator Ginny Treanor\, and Associate Curator Orin Zahra! \n\n\n\nCurrent exhibitions include “The Sky’s the Limit\,” showcasing never-before-exhibited contemporary sculptures that dangle from the ceiling\, cascade down walls\, and extend far beyond their footprint on the gallery floor: recent acquisitions and never-before-exhibited works include Sonya Clark\, Beatriz Milhazes\, Cornelia Parker\, Mariah Robertson\, Shinique Smith\, and Joana Vasconcelos.  “Remix: The Collection\,” showcases familiar collection favorites as well as never-before-exhibited recent acquisitions:  Remix continues to reject outmoded and gender-based art hierarchies. \n\n\n\nRead Abigail Tracy’s recent article in Vanity Fair: “The National Museum of Women in the Arts Just Got a $68 Million Overhaul.“ \n\n\n\n \n\n\n\nPlease review NMWA visitor health\, safety\, and accessibility information before your visit! \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\nThank you to Ashley Templeton for organizing this program. \n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\nOrin Zahra is the Associate Curator at the National Museum of Women in the Arts (NMWA). Zahra earned her doctoral degree from Washington University in St. Louis in nineteenth-century French art\, with a secondary field in modern and contemporary South Asia. Recent writing credits include contributions to major survey texts Great Women Painters (2022)\, Latin American Artists (2023)\, and Vitamin Txt: Words in Contemporary Art (2024)\, published by Phaidon Press. At NMWA\, Zahra has focused on issues of gender\, race relations\, and cross-cultural exchanges in modern and contemporary art. Curated solo and group exhibitions including Hung Liu In Print (2018)\, Ambreen Butt: Mark My Words (2019)\, Live Dangerously (2019)\, Paper Routes—Women to Watch 2020 (2020)\, Hung Liu: Making History (2023)\, and the forthcoming New Worlds—Women to Watch 2024.  \n\n\n\n\n\nVirginia (Ginny) Treanor\, Ph.D. serves as Senior Curator\, National Museum of Women in the Arts Treanor is the Senior Curator at the National Museum of Women in the Arts (NMWA) in Washington\, D.C. and holds a Ph.D. in seventeenth-century Dutch and Flemish art\, which she earned at the University of Maryland. Treanor has held positions at the Smithsonian American Art Museum and the National Gallery of Art\, among other institutions. During her time at NMWA\, Treanor has curated numerous contemporary exhibitions\, including four installments of NMWA’s Women to Watch exhibition series: Organic Matters (2015)\, Heavy Metal (2018)\, Paper Routes(2020)\, and New Worlds (2024).
URL:https://www.arttable.org/event/tour-of-the-national-museum-of-women-in-the-arts/
LOCATION:National Museum of Women in the Arts\, 1250 New York Ave. NW\, Washington\, 20005
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/10/NationalMuseumofWomeninTheArts.png
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