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DTSTART;TZID=America/New_York:20250404T160000
DTEND;TZID=America/New_York:20250404T170000
DTSTAMP:20260516T172328
CREATED:20250211T221424Z
LAST-MODIFIED:20250314T171349Z
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SUMMARY:New York\, NY | Curator-Led Tour of "Anonymous Was a Woman: The First 25 Years" at NYU's Grey Art Museum
DESCRIPTION:Join ArtTable for a curator-led tour of Anonymous Was A Woman: The First 25 Years at the Grey Art Museum at New York University\, led by exhibition co-curators Nancy Princenthal and Dr. Vesela Sretenović. \n\n\n\nIn 1996\, artist and philanthropist Susan Unterberg founded the Anonymous Was A Woman (AWAW) award\, making a simple\, yet radical commitment to redress the lack of institutional support for women visual artists over the age of 40. She sought to provide mid-career artists with the means to procure workspace\, art supplies\, childcare\, or whatever else they needed to further their artistic careers. For the past two and a half decades\, AWAW has provided unrestricted grants of $25\,000 to ten or more artists each year.  \n\n\n\nShowcasing some 50 artworks by 41 of the 251 award recipients from AWAW’s first 25 years (1996 through 2020)\, this exhibition explores several themes surrounding anonymity and\, ultimately\, celebrates the transformative impact women artists have made on contemporary art since the award’s founding. With each year represented by at least one artist\, the exhibition includes works created within a few years of their grant\, demonstrating the significance of the award to the artist’s growth. The range of artists featured in the exhibition demonstrates the demographic and aesthetic diversity of past awardees. All 251 artists are represented in a publication accompanying the exhibition\, which also includes critical essays about the awardees by Princenthal\, Sretenović\, and other women scholars. \n\n\n\nClick here to read more about the landmark exhibition. \n\n\n\n\n\nVisitor Notes: \n\n\n\n\nThe Grey is fully walker- and wheelchair-accessible\, and several portable stools are available to borrow for use within the galleries upon request.\n\n\n\nPlease note that large bags and backpacks must be checked in a secure locker\, and food & drink (including water bottles) are not permitted. \n\n\n\n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\n\n\nAll registrants for this event will be provided with a 20% discount on ArtTable’s limited edition scarf celebrating 25 Years of Anonymous Was a Woman\, created in 2021 in conjunction with ArtTable’s 45 year anniversary and the year Susan Unterberg received the Distinguished Service to the Visual Arts Award. Made of 100% silk habotai\, only a handful of scarves remain in our inventory!  \n\n\n\n\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Curators \n\n\n\nNancy Princenthal is a Brooklyn-based writer whose book Agnes Martin: Her Life and Art (2015) received the 2016 PEN/Jacqueline Bograd Weld Award for Biography. She is also the author of Hannah Wilke (2010) and Unspeakable Acts: Women\, Art\, and Sexual Violence in the 1970s (2019)\, and co-author of Mothers of Invention: The Feminist Roots of Contemporary Art (2024). Princenthal has taught at Bard\, Princeton\, Yale\, the School of Visual Arts\, NYU’s Institute of Fine Arts\, and elsewhere. \n\n\n\nDr. Vesela Sretenović has been a long-time curator of modern and contemporary art with special interest in cross-disciplinary art practices and in bridging theoretical knowledge with hands-on experience. Most recently (2009-23) she served as Director of Contemporary Art Initiatives and Academic Affairs at The Phillips Collection in Washington DC. During her tenure\, she had organized Intersections\, a series of ongoing contemporary art projects\, as well as monographic exhibitions of prominent artists including Robert Ryman\, Ellsworth Kelly\, Antony Gormley\, and the first museum retrospective of Cuban artist Zilia Sanchez. Additionally\, she oversaw academic partnership initiatives with the University of Maryland (UMD) and the University of Virginia (UVA). Prior to The Phillips\, Sretenović worked at Brown University\, the University at Buffalo SUNY\, and the Brooklyn Museum of Art. She is a frequent visiting faculty\, teaching modern and contemporary art history and theory\, and works as an independent curator. Sretenović holds a BA in Art History from University of Belgrade\, Former Yugoslavia\, an MA from the School of the Art Institute of Chicago\, and a PhD in Humanities from Syracuse University. \n\n\n\n\n\n\n\nImage credits:Judy Pfaff\, Ram’s Delhi\, 2012. Wood\, mild steel rod\, melted plastics\, black aluminum foil\, and LED and UV Fluorescent light\, 70 x 132 x 17 in. Collection of the artist\, New York
URL:https://www.arttable.org/event/new-york-ny-curator-led-tour-of-anonymous-was-a-woman-the-first-25-years-at-nyus-grey-art-museum/
LOCATION:NYU Grey Art Museum\, 18 Cooper Square\, New York\, New York\, 10003
CATEGORIES:New York,National
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DTSTART;TZID=America/New_York:20250408T150000
DTEND;TZID=America/New_York:20250408T160000
DTSTAMP:20260516T172328
CREATED:20250117T162233Z
LAST-MODIFIED:20250130T212028Z
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SUMMARY:Washington\, DC | Curator-Led Tour of "Elizabeth Catlett: A Black Revolutionary Artist" at the National Gallery of Art
DESCRIPTION:Join ArtTable for a curator-led tour of Elizabeth Catlett: A Black Revolutionary Artist at the National Gallery of Art\, led by Dr. Lynn K. Matheny\, Deputy Head of Interpretation and Curator of Special Projects. \n\n\n\nThis retrospective exhibition showcases the enduring legacy of Elizabeth Catlett (1915–2012) as a visionary artist and an unwavering activist. As the most comprehensive presentation devoted to Catlett in the United States\, it features more than 150 works\, including well-known sculpture and prints\, rare paintings and drawings\, and important ephemera. The exhibition is co-organized by the Brooklyn Museum and the National Gallery of Art\, Washington\, and presented in collaboration with the Art Institute of Chicago. \n\n\n\nOne of the defining artists of the 20th century\, Elizabeth Catlett addressed the injustices she witnessed and experienced through her bold prints and dynamic sculptures. In striving to make art for the people—from her roots in Washington\, DC\, Chicago\, and New York to the remarkable body of work she made during some 60 years in Mexico—Catlett put social justice at the very center of her work. An avowed feminist\, lifelong activist\, and deft formalist\, Catlett passionately addressed injustices such as class inequality\, racial violence\, and U.S. expansionism through her politically engaged art\, injustices which continue to shape the world today.  \n\n\n\n\n\n“I have been\, and am currently\, and always hope to be a Black Revolutionary Artist and all that it implies.”– Elizabeth Catlett\, 1970 \n\n\n\n\n\n\n\n\n\nClick here to read more about the exhibition and this visionary artist-activist. \n\n\n\nPlease review the National Gallery of Art’s accessibility page for available accommodations. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that ArtTable registration fees go toward administrative costs for the nonprofit organization. The National Gallery of Art does not charge an admission fee. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Lynn K. Matheny \n\n\n\n\nDr. Lynn K. Matheny currently serves as Deputy Head of Interpretation and Curator of Special Projects at the National Gallery of Art. She has worked on a wide array of modern and contemporary art exhibitions\, including Philip Guston Now; Afro-Atlantic Histories; Gordon Parks: The New Tide\, Early Work 1940-1950; and Sally Mann: A Thousand Crossings\, among many others. She frequently collaborates with museums in the United States and abroad and is honored to help bring to the National Gallery Elizabeth Catlett: A Black Revolutionary Artist. \n\n\n\n\n\n\n\n\nImage credits:Elizabeth Catlett\, Gossip\, 2005color digital and photo-lithograph on wove paperimage: 37.47 x 45.72 cm (14 3/4 x 18 in.)sheet: 59.69 x 60.96 cm (23 1/2 x 24 in.)National Gallery of Art\, Washington\, Reba and Dave Williams Collection\, Gift of Reba and Dave Williams© 2024 Mora-Catlett Family / Licensed by VAGA at Artists Rights Society (ARS)\, NY \n\n\n\nLynn K. Matheny\, courtesy of the Corcoran School of the Arts & Design\, George Washington University.
URL:https://www.arttable.org/event/dc-elizabeth-catlett-national-gallery-of-art/
LOCATION:National Gallery of Art\, East Building\, 4th St and Constitution Ave NW\, Washington\, District of Columbia\, 20565\, United States
CATEGORIES:National,Washington, D.C.
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DTSTART;TZID=America/New_York:20250425T093000
DTEND;TZID=America/New_York:20250425T110000
DTSTAMP:20260516T172328
CREATED:20250319T181812Z
LAST-MODIFIED:20250418T174455Z
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SUMMARY:Chicago\, IL | ArtTable Brunch at EXPO Chicago
DESCRIPTION:Here at ArtTable\, we love nothing more than a pre-art fair brunch. Join us at EXPO Chicago for drinks\, bites\, and networking before exploring the 2025 edition of the fair. We are excited to be joined by Kate Sierzputowski\, Artistic Director of the fair! \n\n\n\nEXPO CHICAGO Contemporary Art Fair showcases leading contemporary and modern art galleries each April at Navy Pier’s Festival Hall\, alongside a diverse and inventive program of talks\, on-site installations\, and public art initiatives. Inaugurated in 2012\, EXPO CHICAGO draws upon the city’s robust history as a vibrant international cultural destination\, while highlighting the region’s contemporary arts community. In 2023\, EXPO CHICAGO was acquired by Frieze\, the world’s leading platform for modern and contemporary art. \n\n\n\nPlease review EXPO Chicago’s accessibility page for available accommodations. Please email us at programs@arttable.org with any accommodation requests. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $50\n\n\n\nMember Guests – $60\n\n\n\nGeneral Admission – $70\n\n\n\n\nNot a member? Join today! \n\n\n\nAll registration fees go toward administrative costs for the nonprofit organization.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage credits:The scene at the 2023 edition of Expo Chicago\, at Navy Pier.
URL:https://www.arttable.org/event/chicago-il-arttable-brunch-at-expo-chicago/
LOCATION:EXPO Chicago\, Navy Pier\, Chicago\, Illinois\, 60611\, United States
CATEGORIES:National,Washington, D.C.
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