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DTSTART;TZID=America/New_York:20261002T173000
DTEND;TZID=America/New_York:20261002T203000
DTSTAMP:20260729T154641Z
CREATED:20260729T154630Z
LAST-MODIFIED:20260729T154641Z
UID:178577-1790962200-1790973000@www.arttable.org
SUMMARY:Washington\, DC | An Evening with Lynda Roscoe Hartigan
DESCRIPTION:This special evening celebrates Lynda Roscoe Hartigan’s return to Washington\, DC as the incoming Margaret and Terry Stent Director of the Smithsonian American Art Museum — the very museum where her career in the arts began.For over four decades\, ArtTable has championed the women and nonbinary leaders shaping museums\, galleries\, and cultural institutions across the country. Lynda’s return to Washington is a moment worth marking together — and a celebration of the extraordinary leadership our community continues to bring to the arts. \n\n\n\nWith special thanks to our host: Carol Duke\, ArtTable Board Member \n\n\n\nPlease note\, this event is invitation only.
URL:https://www.arttable.org/event/washington-dc-an-evening-with-lynda-roscoe-hartigan/
LOCATION:New York
CATEGORIES:Washington, D.C.
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261009T113000
DTEND;TZID=America/New_York:20261009T123000
DTSTAMP:20260608T160300Z
CREATED:20260529T184829Z
LAST-MODIFIED:20260608T160300Z
UID:170740-1791545400-1791549000@www.arttable.org
SUMMARY:New York\, NY | Curator-Led Tour of "Locating Girlhood: Place and Identity in Early American “Schoolgirl” Art" with Emelie Gevalt\, PhD
DESCRIPTION:Sampler c.1789\, Ruthy Rogers.\n\n\n\n\n\nJoin ArtTable for a Curator-Led Tour of “Locating Girlhood: Place and Identity in Early American “Schoolgirl” Art with Emelie Gevalt\, PhD. \n\n\n\nFeaturing spectacular examples of needlework and other ornamental arts made by American girls in the eighteenth and nineteenth centuries\, Locating Girlhood: Place and Identity in Early American “Schoolgirl” Art sheds new light on a rich but understudied genre\, offering one of the most significant presentations on the subject in recent memory. This major loan exhibition brings together approximately 100 exceptional objects from over 35 museums and private collections nationwide\, uniting celebrated masterpieces with remarkable lesser-known gems rarely seen by the public. \n\n\n\nUnlike many earlier exhibitions\, Locating Girlhood explores girlhood artworks from an explicitly art historical perspective\, reframing these objects through the lens of place. Though the story of landscape art in the United States has traditionally centered on male academic painters\, American girls and young women were laboring over a variety of landscape scenes long before the Hudson River School. From the eighteenth century onwards\, representations of landscape were a common visual thread in samplers\, needlework pictures\, watercolors\, and other artworks commonly united under the umbrella term “schoolgirl art\,” extending from country scenes and cityscapes to maps and other cartographic compositions. By considering these works as deeply resonant expressions of place\, the exhibition expands the story of the American landscape and situates women at its heart. \n\n\n\nEmelie Gevalt\, PhD\, is the Deborah Davenport and Stewart Stender Deputy Director & Chief Curatorial and Program Officer. \n\n\n\nLearn more about accessibility at the museum here. For questions about access or to request accommodations please contact us at programs@arttable.org. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Member Guest – $20\n\n\n\nGeneral Admission – $30\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported\, in part\, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
URL:https://www.arttable.org/event/new-york-ny-curator-led-tour-of-locating-girlhood-place-and-identity-in-early-american-schoolgirl-artwith-emelie-gevalt-phd/
LOCATION:American Folk Art Museum\, 2 Lincoln Square\, NY\, United States
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261013T123000
DTEND;TZID=America/New_York:20261013T133000
DTSTAMP:20260916T180652Z
CREATED:20260916T180407Z
LAST-MODIFIED:20260916T180652Z
UID:199361-1791894600-1791898200@www.arttable.org
SUMMARY:New York\, NY | Curator-Led Tour of "Goddesses in the Machine: Fashion in American Silent Film" with Emma Cormack
DESCRIPTION:Famous Players-Lasky costume department on Vine Street in Hollywood\, 1918. Photograph. Marc Wanamaker/Bison Archives.\n\n\n\n\n\nWhen films were silent\, fashion spoke volumes. Goddesses in the Machine reveals the untold story of costume and style in early Hollywood\, from actors wearing their own clothes to the birth of the movie costume designer. The first major exhibition to explore fashion in American silent film\, Goddesses in the Machine shows how silent films transformed fashion from personal expression into powerful storytelling\, creating the blueprint for modern movie glamour. Bringing together a selection of rare surviving objects from the advent of cinema\, the exhibition highlights the behind-the-scenes work of famous designers such as Travis Banton\, Henri Bendel\, Clare West\, and Lucile\, Lady Duff-Gordon\, as well as lesser-known names including Madame Frances\, I. Miller\, Natacha Rambova\, and Lilian St. Cyr. A vibrant display of ensembles and accessories at the Bard Graduate Center Gallery will be enriched by accompanying film clips and works on paper including photographs\, posters\, film stills\, and costume design sketches. \n\n\n\nEmma Cormack (BGC MA 2018) is associate curator for exhibitions and Study Collection curator at Bard Graduate Center. With a background in decorative arts\, design history\, and material culture\, her research specialties include the history of fashion and textiles with a particular interest in department stores\, consumer culture\, and print advertising in late nineteenth- and early twentieth-century France and the United States. At BGC\, she was the cocurator of Threads of Power: Lace from the Textilmuseum St. Gallen (2022–23) and coeditor of the accompanying publication; assistant curator of French Fashion\, Women\, and the First World War (2019–20); and curatorial and editorial assistant for Eileen Gray (2020). With Michelle Finamore\, she is cocurator and coeditor of Goddesses in the Machine: Fashion in American Silent Film (2026). \n\n\n\nFor questions about access or to request accommodations please contact us at programs@arttable.org. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Member Guest – $20\n\n\n\nGeneral Admission – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported\, in part\, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
URL:https://www.arttable.org/event/new-york-ny-curator-led-tour-of-rosalyn-drexler-my-life-has-a-life-of-its-own-with-fiona-laugharn-2/
LOCATION:Bard Graduate Center Gallery\, 18 West 86th St.\, New York\, New York\, 10024
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261020T090000
DTEND;TZID=America/New_York:20261020T100000
DTSTAMP:20260810T171407Z
CREATED:20260810T171402Z
LAST-MODIFIED:20260810T171407Z
UID:179777-1792486800-1792490400@www.arttable.org
SUMMARY:New York\, NY | Curator-Led Tour of "Krasner and Pollock: Past Continuous" with Brinda Kumar
DESCRIPTION:Lee Krasner (American\, 1908–1984)\, Rising Green\, 1972. Oil on canvas 82 3/8 × 69 1/4 in. (209.2 × 175.9 cm)\, Framed: 85 1/4 × 72 3/8 × 2 3/4 in. (216.5 × 183.8 × 7 cm). Gift of Mr. and Mrs. Eugene Victor Thaw\, 1983 © 2026 Pollock-Krasner Foundation / Artists Rights Society (ARS)\, New YorkLee Krasner (American\, 1908–1984)\, Bald Eagle\, 1955. Oil\, paper\, and canvas collage on linen\, 77 × 51 1/2 in. (195.6 × 130.8 cm). ASOM Collection © 2026 Pollock-Krasner Foundation / Artists Rights Society (ARS)\, New York\n\n\n\n\n\nJoin ArtTable for a Curator-Led Tour of Krasner and Pollock: Past Continuous with Brinda Kumar before the museum opens to the public. \n\n\n\nDrawing its subtitle\, Past Continuous\, from a 1976 painting by Krasner\, the exhibition traces parallel lives and practices—forged first by lived experience\, then shadowed by memory. Krasner\, born in Brooklyn to Jewish immigrant parents from what is now Ukraine\, and Pollock\, raised in Los Angeles and the American West\, brought specific geographies and inheritances into a shared artistic context. Their early paths traced distinct strands of American modernism that would ultimately converge in the rupture known as Abstract Expressionism\, a movement that valued the translation of inner feelings into dramatic visual action. In the wake of World War II\, artists asked why art mattered and what it could be. For Pollock\, his breakthrough was the “drip” technique\, a radical mode of painting that flourished in a condensed but prolific period. Krasner’s varied practice was typified by ceaseless explorations of abstraction\, often cued by her abiding interest in the possibilities of nature and color. \n\n\n\nLearn more about accessibility at the museum here. For questions about access or to request accommodations please contact us at programs@arttable.org. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – Free\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization.
URL:https://www.arttable.org/event/new-york-ny-curator-led-tour-of-krasner-and-pollock-past-continuous-with-brinda-kumar/
LOCATION:The Metropolitan Museum of Art\, 1000 Fifth Avenue\, New York\, New York\, 10028
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2026/08/Untitled-design-8-1.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261021T123000
DTEND;TZID=America/New_York:20261021T133000
DTSTAMP:20260914T135534Z
CREATED:20260914T135524Z
LAST-MODIFIED:20260914T135534Z
UID:199203-1792585800-1792589400@www.arttable.org
SUMMARY:New York\, NY | Curator-Led Tour of "Rosalyn Drexler: My Life Has a Life of Its Own" with Fiona Laugharn
DESCRIPTION:To inaugurate its new space at 25 Greene Street in SoHo\, Garth Greenan Gallery is pleased to present Rosalyn Drexler: My Life Has a Life of Its Own\, a major exhibition dedicated to the Bronx-born artist. Curated by Fiona Laugharn\, the presentation is on view from September 9 through October 24\, 2026. The show is the fifth presentation of Drexler’s work with the gallery\, and her first exhibition since her death last year at the age of 98. \n\n\n\nThe exhibition offers a detailed overview of Drexler’s landmark Pop work of the 1960s. Featuring private and institutional loans\, the show reunites several important works and series from this generative decade. To augment these iconic paintings\, the show also presents a selection of never-before-seen drawings\, objects\, source imagery\, and journals. These materials—uncovered through newly conducted archival research—provide\, for the first time\, a full picture of Drexler’s creative activities\, tracing the depth and complexity of her sui generis approach to the appropriated image. \n\n\n\nFiona Laugharn is an independent curator\, writer\, artist legacy consultant\, and USPAP-compliant appraiser with fourteen years of experience across museums\, galleries\, auction houses\, artist estates\, and foundations. Her work focuses on American modern\, postwar\, and contemporary art\, with particular interests in archives\, provenance\, and the ways research can reshape our understanding of an artist’s life and work. \n\n\n\nFor questions about access or to request accommodations please contact us at programs@arttable.org. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Member Guest – $20\n\n\n\nGeneral Admission – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported\, in part\, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
URL:https://www.arttable.org/event/new-york-ny-curator-led-tour-of-rosalyn-drexler-my-life-has-a-life-of-its-own-with-fiona-laugharn/
LOCATION:Garth Greenan Gallery\, 25 Greene Street\, New York\, New York
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2026/09/25-Greene-Install-15-hi-res-scaled.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261029T120000
DTEND;TZID=America/New_York:20261029T130000
DTSTAMP:20260911T182706Z
CREATED:20260911T182659Z
LAST-MODIFIED:20260911T182706Z
UID:198130-1793275200-1793278800@www.arttable.org
SUMMARY:Miami Beach\, FL | Curator-Led Tour of "Yuko Mohri: Unviolated Imperfection" and "Amalia Pica: Lecturas Posibles" with Jasa McKenzie
DESCRIPTION:Join ArtTable for a Curator-Led Tour at the Bass Museum of Art. Jasa McKenzie will lead tours of Yuko Mohri: Unviolated Imperfection and Amalia Pica: Lecturas Posibles. \n\n\n\nUnviolated Imperfection is Tokyo-based artist Yuko Mohri’s first solo exhibition in a US museum\, on view September 17\, 2026 through May 30\, 2027. The exhibition spans three galleries\, each highlighting three interconnected ideas that embody her exploration of imperfect compositions. Through nature and technology in Decomposition\, improvisation and kinetics in Moré Moré (Leaky)\, and chance and sound in Piano Solo\, the installations reveal the invisible systems that connect people\, objects\, and environments. \n\n\n\nEveryone is invited into Amalia Pica’s world. Emphasizing imagination\, language\, and play as fundamental tools for human connection\, Pica constructs environments that encourage participants to redraw\, rewrite\, and recontextualize their surroundings. Lecturas Posibles takes the form of an almost two-dimensional library—an immersive\, interactive installation in which every surface is transformed into a site of inscription and image. Walls\, furniture\, and familiar objects are rendered in chalkboard paint and traced with white\, hand-drawn outlines\, creating a flattened\, graphic environment that oscillates between object and image\, presence and representation. \n\n\n\nAssociate Curator Jasa McKenzie (she/her) is a queer curator whose practice is informed by questions of identity\, human connection\, and expansive modes of imagination. Prior to The Bass\, she led creative programming for The Great Northern\, a multidisciplinary festival in Minneapolis dedicated to climate change solutions. \n\n\n\nLearn more about accessibility at the museum here. For questions about access or to request accommodations please contact us at programs@arttable.org. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $25\n\n\n\nArtTable Member Guests – $30\n\n\n\nGeneral Admission – $35\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization.
URL:https://www.arttable.org/event/miami-beach-fl-curator-led-tour-of-yuko-mohri-unviolated-imperfection-and-amalia-pica-lecturas-posibles-with-jasa-mckenzie/
LOCATION:The Bass Museum of Art\, 2100 Collins Avenue\, Miami Beach\, Florida
CATEGORIES:Florida
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2026/09/Screen-Shot-2026-09-11-at-2.14.05-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261104T150000
DTEND;TZID=America/New_York:20261104T160000
DTSTAMP:20260716T204636Z
CREATED:20260716T204603Z
LAST-MODIFIED:20260716T204636Z
UID:176971-1793804400-1793808000@www.arttable.org
SUMMARY:Washington\, DC | Curator-Led Tour of "Esther Bubley: Photographing the Homefront" with Sarah Leavitt
DESCRIPTION:Courtesy of Library of Congress\, Prints & Photographs Division\, Office of War Information\n\n\n\n\n\n\nJoin ArtTable for a Curator-Led Tour of Esther Bubley: Photographing the Homefront with Sarah Leavitt at the Lillian and Albert Small Capital Jewish Museum. \n\n\n\nEsther Bubley (1921-1998)\, the daughter of Jewish immigrants\, was a documentary photographer who worked for the Office of War Information during WWII. While in the capital\, she photographed Wilson (now Jackson-Reed) High School students and followed uniformed soldiers throughout the city—to the Loew’s Theater\, Glen Echo amusement park\, and Dissin’s Jewish boarding house\, where her sister lived. Bubley’s evocative black-and-white photographs show us a bustling city welcoming thousands of new residents experiencing urban life. This exhibition pairs dramatic photography with artifacts from the Museum collection that help illustrate this glimpse into the capital city at a critical time in our nation’s history.Learn more about accessibility at the museum here. For questions about access or to request accommodations please contact us at programs@arttable.org. \n\n\n\n\n \n\n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $20\n\n\n\nArtTable Member Guests – $25\n\n\n\nGeneral Admission – $30\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization.
URL:https://www.arttable.org/event/washington-dc-curator-led-tour-of-esther-bubley-photographing-the-homefront-with-sarah-leavitt/
LOCATION:Lillian and Albert Small Capital Jewish Museum\, 575 3rd Street\, NW\, Washington\, DC\, Washington\, DC\, 20001
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2026/07/Hero-Image-1-low-res.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261123T110000
DTEND;TZID=America/New_York:20261123T150000
DTSTAMP:20260818T131219Z
CREATED:20260812T213426Z
LAST-MODIFIED:20260818T131219Z
UID:180064-1795431600-1795446000@www.arttable.org
SUMMARY:New Canaan\, CT | Day Trip to New Canaan: Onera Foundation & The Glass House
DESCRIPTION:View of the façade of the Onera Foundation in New Canaan\, Connecticut\, with banners from America Abroad: Art\, Architecture\, and Diplomacy: Works from the FAPE Collection . The exhibition is on view through December 31\, 2026. Photo by Simon Cherry.\n\n\n\n\n\nJoin ArtTable for a day trip to New Canaan\, Connecticut. \n\n\n\nOur day begins with an Executive Director & Curator-Led Tour of America Abroad: Art\, Architecture\, and Diplomacy with Laurence Lafforgue at the Onera Foundation. Presented on the occasion of the 250th anniversary of the United States\, the exhibition offers rare public access to artworks typically seen only at US embassies—spaces not generally open to the public—and explores how art and architecture have shaped the United States’ diplomatic presence abroad from the Cold War to today. The exhibition includes works by leading American artists including Carmen Herrera\, Jasper Johns\, Ellsworth Kelly\, Sol LeWitt\, Roy Lichtenstein\, Julie Mehretu\, Martin Puryear\, Robert Rauschenberg\, Ed Ruscha\, Joel Shapiro\, Frank Stella\, Carrie Mae Weems and many others. A replica of the 1823 William J. Stone engraving of the Declaration of Independence will also be on view. A parallel section focuses on the evolution of US embassy architecture\, featuring buildings designed by leading midcentury architects such as Edward Durell Stone and Walter Gropius\, alongside more recent contributions by firms including Skidmore\, Owings & Merrill (SOM) and KieranTimberlake\, among others. \n\n\n\nIn the afternoon\, we will visit The Glass House and Galleries for a two hour tour. The tour includes access to 5 structures – the Glass House\, Brick House\, Painting Gallery\, Sculpture Gallery\, and Da Monsta – with a three-quarter mile walk over paths (gravel and paved) and grass. To mark the centennial of Robert Rauschenberg’s birth\, The Glass House together with the Robert Rauschenberg Foundation proudly presents Tomashi Jackson and Robert Rauschenberg: The Catch One. Featuring newly commissioned paintings by Jackson in dialogue with works by Rauschenberg from the historic site’s permanent collection\, the exhibition contributes to a global slate of 2025–26 initiatives that reexamine Rauschenberg’s legacy\, honoring his expansive creativity\, spirit of curiosity\, and commitment to change. \n\n\n\nItinerary: \n\n\n\n11am: Curator-Led Tour of America Abroad: Art\, Architecture\, and Diplomacy at the Onera Foundation \n\n\n\n12pm: Break for Lunch \n\n\n\n1pm: The Glass House & Galleries Tour \n\n\n\nFor questions about access or to request accommodations please contact us at programs@arttable.org. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $50\n\n\n\nArtTable Member Guest – $55\n\n\n\nGeneral Admission – $60\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization.
URL:https://www.arttable.org/event/new-canaan-ct-day-trip-to-new-canaan-onera-foundation-the-glass-house/
LOCATION:New Canaan\, CT\, New Canaan\, Connecticut
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2026/08/Onera-Foundation-5.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
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