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DTSTART;TZID=America/New_York:20260909T123000
DTEND;TZID=America/New_York:20260909T133000
DTSTAMP:20260606T165521
CREATED:20260605T173507Z
LAST-MODIFIED:20260605T173519Z
UID:171391-1788957000-1788960600@www.arttable.org
SUMMARY:Boston\, MA | Curator-Led Tour of "Leilah Babirye" with Ruth Erickson
DESCRIPTION:Images courtesy of ICA Boston\n\n\n\n\n\n\nGather at ICA Boston for a guided tour of Leilah Babirye with Ruth Erickson\, Barbara Lee Chief Curator and Director of Curatorial Affairs! \n\n\n\nThe evocative\, adorned sculptures of Leilah Babirye (b. 1985 in Kampala\, Uganda) feature the artist’s inventive reuse of debris with her deft carving of wood and work with ceramics. She uses the metal gears and chains of bicycles to create elaborate headdresses and jewelry\, and the rubber inner tubes of bicycle tires to form long tresses that mingle with the burnt-black angles of her carved sculptures and the colorful glazes of her bulbous ceramic forms. For the ICA\, Babirye premieres a new body of ceramic sculptures inspired by the idea of the queer wedding. Each sculpture adopts a role—bride\, groom\, ring bearer\, flower girl\, bridesmaid\, or groomsman—in a vivid installation that is both wedding ceremony and celebration. Witnessing this central event are a number of large-scale works in charred wood\, representing the aunties\, uncles\, and ancestors who have populated the artist’s practice from the beginning. For Babirye\, who fled Uganda after being outed as gay\, the exhibition continues her commitment to uplift LGBTQ identities through her singular\, striking sculptural practice. The exhibition will be accompanied by the artist’s first book. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Member Guests – $20\n\n\n\nGeneral Admission – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization.
URL:https://www.arttable.org/event/boston-ma-curator-led-tour-of-leilah-babirye-with-ruth-erickson/
LOCATION:ICA Boston\, 25 Harbor Shore Drive\, Boston\, Massachusetts\, 02210\, United States
CATEGORIES:National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20261009T113000
DTEND;TZID=America/New_York:20261009T123000
DTSTAMP:20260606T165521
CREATED:20260529T184829Z
LAST-MODIFIED:20260529T193333Z
UID:170740-1791545400-1791549000@www.arttable.org
SUMMARY:New York\, NY | Curator-Led Tour of "Locating Girlhood: Place and Identity in Early American “Schoolgirl” Art" with Emelie Gevalt\, PhD
DESCRIPTION:Sampler c.1789\, Ruthy Rogers.\n\n\n\n\n\nJoin ArtTable for a Curator-Led Tour of “Locating Girlhood: Place and Identity in Early American “Schoolgirl” Art with Emelie Gevalt\, PhDwilding with Elissa Auther. \n\n\n\nFeaturing spectacular examples of needlework and other ornamental arts made by American girls in the eighteenth and nineteenth centuries\, Locating Girlhood: Place and Identity in Early American “Schoolgirl” Art sheds new light on a rich but understudied genre\, offering one of the most significant presentations on the subject in recent memory. This major loan exhibition brings together approximately 100 exceptional objects from over 35 museums and private collections nationwide\, uniting celebrated masterpieces with remarkable lesser-known gems rarely seen by the public. \n\n\n\nUnlike many earlier exhibitions\, Locating Girlhood explores girlhood artworks from an explicitly art historical perspective\, reframing these objects through the lens of place. Though the story of landscape art in the United States has traditionally centered on male academic painters\, American girls and young women were laboring over a variety of landscape scenes long before the Hudson River School. From the eighteenth century onwards\, representations of landscape were a common visual thread in samplers\, needlework pictures\, watercolors\, and other artworks commonly united under the umbrella term “schoolgirl art\,” extending from country scenes and cityscapes to maps and other cartographic compositions. By considering these works as deeply resonant expressions of place\, the exhibition expands the story of the American landscape and situates women at its heart. \n\n\n\nEmelie Gevalt\, PhD\, is the Deborah Davenport and Stewart Stender Deputy Director & Chief Curatorial and Program Officer. \n\n\n\nLearn more about accessibility at the museum here. For questions about access or to request accommodations please contact us at programs@arttable.org. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Member Guest – $20\n\n\n\nGeneral Admission – $30\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported\, in part\, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
URL:https://www.arttable.org/event/new-york-ny-curator-led-tour-of-locating-girlhood-place-and-identity-in-early-american-schoolgirl-artwith-emelie-gevalt-phd/
LOCATION:American Folk Art Museum\, 2 Lincoln Square\, NY\, United States
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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