BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//ArtTable - ECPv6.15.18//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:ArtTable
X-ORIGINAL-URL:https://www.arttable.org
X-WR-CALDESC:Events for ArtTable
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20180311T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20181104T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20190310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20191103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20200308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20201101T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:America/Los_Angeles
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20180311T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20181104T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20190310T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20191103T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20200308T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20201101T090000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191001T190000
DTEND;TZID=America/New_York:20191001T203000
DTSTAMP:20260404T215702
CREATED:20190918T184104Z
LAST-MODIFIED:20210216T202828Z
UID:770-1569956400-1569961800@www.arttable.org
SUMMARY:NY | Yayoi Kusama Private Viewing and the Opening of MoCA Westport
DESCRIPTION:Image: Yayoi Kusama with Narcissus Garden\, 1966 \nThis event offers ArtTable members and friends the unique opportunity to view Yayoi Kusama’s Where the Lights in My Heart Goand Narcissus Garden at MoCA Westport\, one week following the museum’s opening on September 22nd. To celebrate the museum’s opening and the first time these two works have been shown in tandem on the East Coast\, members will hear directly from Amanda Innes\, Executive Director\, MoCA Westport\, formerly the Westport Arts Center and enjoy a private after hours reception. \nThroughout her career\, Yayoi Kusama has developed a practice\, which\, though it shares affiliations with movements such as Surrealism\, Minimalism and Pop Art\, resists any singular classification. Born in Matsumoto City\, Japan\, in 1929\, she studied painting in Kyoto before moving to New York in the late 1950s\, and became well known in the avant-garde world for her provocative happenings and exhibitions. Since then Kusama’s extraordinary artistic endeavours have spanned painting\, drawing\, collage\, sculpture\, performance\, film\, printmaking\, installation and environmental art as well as literature\, fashion and product design. In 2016\, Kusama received the Order of Culture\, one of the highest honours bestowed by the Imperial Family in Japan. Kusama is the first woman to be honoured with the prestigious medal for drawings and sculptures. Kusama lives and works in Tokyo\, where the Yayoi Kusama Museum opened in October 2017. Over the past decade there have been museum exhibitions of Kusama’s work enjoyed by millions of visitors in Argentina\, Australia\, Brazil\, Canada\, Chile\, China\, Denmark\, England\, Finland\, France\, Indonesia\, Japan\, Mexico\, Norway\, Russia\, South Korea\, Singapore\, Spain\, Sweden\, and the United States. For more information on these installations see here. \nGetting to MoCA Westport:\nBy Train: Directions from the Westport Train Station:\nTaxis are readily available at the Westport Train Station. \nWe recommend: \nTo Westport:\n1562 Train leaving New York Grand Central at 5:46 PM\, arriving at Westport at 6:53 PM \nReturn to New York: \n1591 Train leaving Westport at 8:28 PM and arriving at Grand Central at 9:51 PM\n1595 Train leaving Westport at 9:22 PM and arrving at Grand Central at 10:46 PM \nBy Car: \nConnecticut I-95 exit 17:\nFrom New Haven or New York\, turn left off ramp\, WAC is approx. 1.4 miles on right.\nMerritt Parkway\, exit 41:\nFrom New Haven\, turn right off ramp\, 2 miles on left.\nFrom New York\, turn left off ramp\, 1.8 miles on left. \nRead this: “Yayoi Kusama ‘Infinity Mirror Room’ Will Alight in Connecticut This Fall” \nThank you to Amanda Innes\, Executive Director\, MoCA Westport\, formerly the Westport Arts Center for organizing this event.  \nClick here to REGISTER!
URL:https://www.arttable.org/event/reception-and-private-viewing-of-yayoi-kusamas-where-the-lights-in-my-heart-go-and-narcissus-garden-to-celebrate-the-opening-of-moca-westport/
LOCATION:MoCA Westport\, 19 Newtown Turnpike\, Westport\, CA\, 06880\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191003T180000
DTEND;TZID=America/New_York:20191003T200000
DTSTAMP:20260404T215702
CREATED:20190814T001859Z
LAST-MODIFIED:20210216T202810Z
UID:209-1570125600-1570132800@www.arttable.org
SUMMARY:SOCAL | Women of Influence: Studio Visit with Michele Mattei
DESCRIPTION:Image: Michele Mattei\, Portrait of Betye Saar \nArtTable SoCal invites you to join us for a visit to Michele Mattei’s studio\, where we will view this and other photographic portfolios. The evening will also be devoted to networking among ArtTable SoCal members. Refreshments will be served. \nWomen of Influence is the name of a collection of portraits and conversations with some of the world ‘s most extraordinary women by renowned photographer and ArtTable member Michele Mattei. The series includes images of political activists Betty Friedan\, Dolores Huerta\, and Bette Bao Lord\, of artists Louise Bourgeois\, Betye Saar\, and Beatrice Wood\, and of other outstanding women who empowered and inspired generations worldwide in literature\, finance\, fashion\, dance\, and more. A selection of the portraits were presented at the National Museum of Women in the Arts under the title Fabulous! for their twenty-fifth anniversary celebration. \nMichele Mattei has had a long and distinguished career as a journalist\, photojournalist\, filmmaker\, and fine art photographer. Born in Paris\, she attended L’Ecole Normale Superieure and then studied Political Sciences at the University of Chile. While there\, she was recruited by Gamma\, the premiere French photo agency\, to open and head their first Latin American Bureau. During this time\, Michele traveled throughout the continent to cover political stories\, civil unrest\, indigenous peoples\, environmental problems\, and women’s issues. She obtained exclusive interviews with several heads of state including Eduardo Frei\, Salvador Allende\, Augusto Pinochet\, the presidents of Chile\, and Juan and Isabel Peron\, the presidents of Argentina. As the political situation became more dangerous\, she relocated to California and initiated her own photo agency\, Mega Productions\, supplying photographs and texts to media networks in 21 countries. This work incorporated diverse projects including advertising campaigns\, books\, and film. \nMattei wrote and co-produced The Longest Holiday\, a video program on the joys of aging\, which was selected for the New York Film Festival. In 2007\, she filmed a documentary in Ethiopia on the team of doctors who travel to remote locations to repair children’s cleft palates. An experimental cinema project followed in which she collaborated with resident patients at the Mental Institute of Thuir in France as a therapeutic aid to their illness. \nPublishing internationally (in Paris Match\, Vogue\, GQ\, …)\, she has interviewed and photographed over a hundred Hollywood celebrities\, among them Richard Gere\, Clint Eastwood\, Tom Cruise\, Bill Pullman\, and Muhammad Ali. \nAs a fine art photographer\, she has developed several series:\nButterflies: Image and Imago \nFlowers: Style\, Stigma and Stamen \nShells: Fibonacci by the Sea\nPortraits: Women of Age\, Influence and Accomplishment\, which is of relevance to the ArtTable visit. \nHer portraiture and fine art have been exhibited worldwide. Her work is in the collections of the Smithsonian National Portrait Gallery\, the National Museum of Women in the Arts\, the Newseum\, and in the archives of MoMA as well as in many private collections. \n  \n 
URL:https://www.arttable.org/event/studio-visit-michele-mattei/
LOCATION:To be revealed on registration\, CA\, United States
CATEGORIES:Southern California
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191003T183000
DTEND;TZID=America/New_York:20191003T203000
DTSTAMP:20260404T215702
CREATED:20190730T210034Z
LAST-MODIFIED:20210216T202753Z
UID:69-1570127400-1570134600@www.arttable.org
SUMMARY:NOCAL| Art Law 2019
DESCRIPTION:Image: Protesters in May demanding that Warren B. Kanders be removed from the board of the Whitney Museum of American Art. He resigned on Thursday. Credit: Jeenah Moon for The New York Times \nFrom Kanders to Contracts: Four Experts Discuss the Legal\, Policy and Ethical Issues Confronting Museums\, Dealers\, Donors and Collectors.\nEvery day brings news of a lawsuit\, court ruling or dispute relating to art. Did a prominent dealer sell a fake to an esteemed collector? Should a museum reject a gift from tainted hands? Should an important painting be deaccessioned so a museum can expand the breadth of its collection?  What is the intellectual property in visual art and how may it be used? Who has the final word on a work’s authenticity? \nEvent Schedule: \n6-6:30 PM: Exclusive Hosted Cocktail Reception for ArtTable Members for ArtTable’s Executive Director\, Jessica Porter\n6:30-8:30 PM: Panel Discussion \nExclusive Opportunity for ArtTable Members:\nPlease join ArtTable’s Northern CA’s Executive Committee for a private meeting with ArtTable Executive Director Jessica Porter at 6:00 p.m.\, prior to the Panel Discussion in the YBCA Lounge. Thank you to WithersWorldwide for hosting. \nThe program is organized by the Northern California Chapter of ArtTable and is sponsored by Withers Worldwide\, a global law firm specializing in complex legal needs. \nThank you to ArtTable Executive Committee Members Kimberly Almazan\, Dorothy Davila\, Tracy Freedman and Donna Napper\, Yerba Buena Center for the Arts\, and sponsor WithersWorldwide. \nMeet Our Panelists: \nLauren Curry serves as General Counsel to San Francisco’s municipal arts and cultural organizations\, including: Fine Arts Museums of San Francisco (de Young Museum and Legion of Honor)\, Asian Art Museum\, Arts Commission\, Film Commission and Grants for the Arts.  Curry has over a decade of experience advising art professionals including teaching Art & the Law at the San Francisco Art Institute.  Most recently Curry was invited to present on a panel at the annual Legal Issues in Museums Administration conference on the topic\, #FreeSpeech: Museums and the First Amendment.  Curry completed her undergraduate work at UCLA\, and received her JD from U.C. Hastings College of the Law. \nJenny Dixon is Director Emeritus at the Isamu Noguchi Foundation and Garden Museum effective January 1\, 2018 after fourteen and a half years as its Director.  While at the Noguchi she uniquely changed the IRS status of what had been a private artist foundation\, of which the Museum was a program\, into a public benefit institution. Prior her to her tenure at Noguchi\, she had served as the Director of The Bronx Museum.  Dixon has taught courses in public art and arts administration and served as an Associate Professor at Parsons School of Design\, the Cooper Union and NYU’s Langone School of the Arts.  Dixon has served on numerous boards\, received both a BA and BFA in arts education and sculpture from the University of Colorado at Boulder.  She is currently serving her second term as a Board Member of ArtTable. \nSimon Frankel has been lead counsel in a wide range of complex civil disputes and copyright and trademark cases\, with an emphasis on the technology and consumer products sectors. Frankel has also led defense of numerous consumer class actions\, including unfair competition and false advertising claims under California Business and Professions Code Section 17200. He has served as lead counsel to numerous Internet service providers in putative class actions asserting privacy claims that were dismissed at the pleading stage.  He is also a recognized authority in the field of art law\, where he has handled disputes involving cultural property claims\, title issues\, moral rights claims\, and resale royalties and also advised on a range of fine art transactions. He teaches a class on Art and the Law at Stanford Law School and is chair of Covington’s Copyright and Trademark practice group. \nKimberly Almazan is Counsel at Withers Worldwide and a member of its Art Law team.  Almazan’s art law practice includes the representation of artists\, dealers\, appraisers and auction houses in litigation and contractual negotiations. She has extensive experience with authenticity issues\, as well as transactions in which works of art are pledged as collateral for loans. She was lead counsel in a group of lawsuits to recover collateral for a client that had a perfected security interest in a California gallery’s works of art; she successfully recovered damages for valuable works of art by\, among others\, Marc Chagall\, Georgia O’Keeffe\, and Jeff Koons\, that had been fraudulently conveyed after the gallery owner defaulted. Almazan is the Membership Chair and an Executive Committee member of ArtTable’s Northern California chapter. \n 
URL:https://www.arttable.org/event/art-law-2019/
LOCATION:Yerba Buena Center for the Arts\, 701 Mission Street\, San Francisco\, CA\, 94103\, United States
CATEGORIES:Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2019/07/merlin_154442487_7cda26b2-f382-4a9d-9514-2dfc9451a2a1-superJumbo-e1568834958917.jpg
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191007T183000
DTEND;TZID=America/New_York:20191007T200000
DTSTAMP:20260404T215702
CREATED:20190918T191401Z
LAST-MODIFIED:20210216T202520Z
UID:782-1570473000-1570478400@www.arttable.org
SUMMARY:NY | Collection Visit: Helen Fioratti
DESCRIPTION:Image: Helen Fioratti’s home and collection. \nClick here to REGISTER!\nJoin ArtTable for a visit and reception at the home of Helen Fioratti\, the owner of L’Antiquaire & The Connoisseur\, a gallery that celebrates art from the eighteenth century and earlier in Upper East Side.  \nHelen Fioratti is opening her home to ArtTable members for wine and hors d’oeuvres. This is an opportunity to enter an Old World setting for the collection of Renaissance art including\, fifteenth century paintings of saints\, as will as antiques from France\, Turkey and other places Helen has gathered in her travels. \nHelen’s mother\, Countess Ruth Costantino is though t to be the first woman’s art dealer in New york having established the gallery that Helen now runs. \nWendy Moonan\, Art Table member and author of New York Splendor: The City’s Most Memorable Rooms will also be present to discuss Helen’s collection and the home in the context of her book and New York’s design and architectural landscape. \nThank you to Susan Halper\, ArtTable Member\, and Wendy Moonan for organizing this program. \nArtTable is a 501.c.3 organization. All programs are non-refundable. \n  \n\n 
URL:https://www.arttable.org/event/ny-collection-visit-helen-fioratti/
LOCATION:To be given on registration
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191015T173000
DTEND;TZID=America/New_York:20191015T190000
DTSTAMP:20260404T215702
CREATED:20191003T171758Z
LAST-MODIFIED:20210216T202322Z
UID:995-1571160600-1571166000@www.arttable.org
SUMMARY:NY |Vija Celmins: To Fix the Image in Memory
DESCRIPTION:Image: Vija Celmins\, Untitled (Big Sea #1)\, 1969. Graphite on acrylic ground on paper. © Vija Celmins\, courtesy the artist and Matthew Marks Gallery. Photo © McKee Gallery\, New York \nClick here to REGISTER!\nJoin ArtTable NY for a curatorial walk through of “Vija Celmins: To Fix the Image in Memory” at the Met Breuer\, New York City\, with Meredith Brown\, Research Associate\, the Metropolitan Museum of Art.  \nThis retrospective will provide a comprehensive view of Vija Celmins’s career through a selection of approximately 120 works—from her earliest paintings made in Los Angeles in the 1960s to objects completed in New York in the last five years. \nThroughout an accomplished career that spans more than fifty years\, Celmins has sustained a practice of deep focus and extraordinary skill in a wide range of media. Celmins bases her exquisitely wrought paintings\, sculpture\, drawings\, and prints on the world around us—sometimes through direct observation\, but more often mediated by photography. Whether her sources are quotidian objects from her first studio in Venice\, California\, photographs of the Pacific Ocean taken at the local pier\, or reproductions from newspapers\, magazines\, scientific exploration and inquiry\, the resulting work possesses a magical verisimilitude. \nMeredith A. Brown first joined the department as the 2013–14 Chester Dale Senior Fellow\, conducting research for a book project on feminist politics and American art institutions in the 1970s. In her current role\, she has worked on various exhibitions of contemporary art\, including The Roof Garden Commission: Pierre Huyghe (2015)\, Kerry James Marshall: Mastry (2016)\, Marisa Merz: The Sky Is a Great Space (2017)\, Range: Experiments in New York\, 1961–2007 (2017)\, David Hockney (2017)\, Odyssey: Jack Whitten Sculpture\, 1963–2017 (2018) and Everything is Connected: Art and Conspiracy (2018). She also researches art for acquisition. A graduate of Stanford University\, Meredith received her MA and PhD from the Courtauld Institute of Art\, University of London\, and previously worked at the Solomon R. Guggenheim Museum. \nThank you to Ian Alteveer\, Aaron I. Fleischman Curator\, Modern and Contemporary Art for helping organize this program. 
URL:https://www.arttable.org/event/995/
LOCATION:The MET Breuer\, 945 Madison Avenue\, New York\, 10021\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191015T183000
DTEND;TZID=America/New_York:20191015T203000
DTSTAMP:20260404T215702
CREATED:20190925T141253Z
LAST-MODIFIED:20210216T202253Z
UID:826-1571164200-1571171400@www.arttable.org
SUMMARY:NOCAL | MeetAT: Root Division's 2019 Collector's Preview
DESCRIPTION:Image: Courtesy of Root Division\, San Francisco \nClick here to REGISTER!\nThe October MeetAT will offer ArtTable members the opportunity to network while previewing more than 170 auction artworks over cocktails and refreshments at Root Division’s 2019 Collector’s Preview Tour. \nOur members are invited to join Root Division’s VIPs to preview auction artworks by both established and emerging artists from the Bay Area and beyond. Docents will lead previews of highlighted artworks in the exhibition. \nOur members are invited to join Root Division’s VIPs to preview auction artworks by both established and emerging artists from the Bay Area and beyond. Docents will lead previews of highlighted artworks in the exhibition. \nRoot Division is non-profit arts organization offering programs that not only nurture creativity\, but also foster volunteerism and community engagement that is vital to the social\, economic\, and cultural health of the Bay Area. Established in 2004\, the organization has since forged strong connections with the community to provide: \n\nGroup exhibitions and solo features of work by more than 1\,700 artists\nSubsidized studio space for more than 130 emerging artists\nMore than 4\,000 hours of free art classes for neighborhood youth\nPartnership with two-dozen public schools and community centers\, and more than 150 local businesses\nTraining for 240 artist-teachers\n\nThe October 15 MeetAT is an invitation-only ARTWORK PREVIEW event held for Root Divisions high level donors and collectors\, and is extended to ArtTable members for free. Space is limited and registration is required. \nA 20% special discount is extended to ArtTable members for the Silent & Live Auction event to be held on October 24. Email programs@arttable.org for details. \nThank you to Donna Napper\, Co-Chair of Art Table Northern California Chapter and Samantha Reynolds\, Art Program Director\, Root Division for organizing this event. \nArtTable is a 501.c.3 organization. All programs are non-refundable. \n 
URL:https://www.arttable.org/event/nocal-meetat-root-divisions-2019-collectors-preview/
CATEGORIES:Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2019/09/RootDivisionAuction_4-1.jpg
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191018T100000
DTEND;TZID=America/New_York:20191018T140000
DTSTAMP:20260404T215702
CREATED:20190918T192028Z
LAST-MODIFIED:20210216T202234Z
UID:786-1571392800-1571407200@www.arttable.org
SUMMARY:NY | "Yto Barrada: The Dye Garden" at the Neuberger Museum
DESCRIPTION:Image: Yto Barrada. Untitled (After Stella\, Rabat)\, 2017. Cotton\, indigo\, chamomile. 44 x 38 inches. Courtesy of the artist and Pace Gallery. Photography by Mark Waldhauser\, courtesy Pace Gallery. \nClick here to REGISTER!\nJoin ArtTable NY for a trip to the Neuberger Museum to see work by an internationally-acclaimed\, Moroccan-French\, multimedia artist and winner of the 2019 Roy R. Neuberger Prize\, Yto Barrada. Helaine Posner\, Chief Curator at the Neuberger Museum of Art and ArtTable member\, will lead us through this exhibition and the museum’s collection.  \nFollowing our tour\, catered lunch will be provided at the Museum. \nHow does one transmit political courage? Yto Barrada asks. \nThe Neuberger Museum’s 2019 Roy R. Neuberger Prize\, carrying an honorarium of $25\,000\, has been awarded to Yto Barrada\, an internationally-acclaimed\, Moroccan-French multi-media artist. In addition to the cash award\, the exhibition\, Yto Barrada: The Dye Garden\, will be presented for the first time in the United States. \nOriginally presented at the American Academy in Rome and expanded for the Neuberger Museum of Art\, Yto Barrada: The Dye Garden features recent work by Barrada\, whose artistic practice weaves together family history and broader sociopolitical narratives\, employing a variety of media\, including photography\, film\, video\, installation\, sculpture\, books\, and hand-dyed textiles. The artist has long investigated gestures of resistance to structures of power and control. She has an abiding interest in mechanisms of displacement and dislocation\, as well as questions of appropriation and authenticity. \nYto Barrada: The Dye Garden is co-organized by the Neuberger Museum of Art and the American Academy in Rome. Co-curated by Chief Curator Helaine Posner and Peter Benson Miller\, Curator and former Andrew Heiskell Arts Director at the American Academy. A fully-illustrated\, multi-essay catalogue will accompany the exhibition. Generous support for the Roy R. Neuberger Prize has been provided by Jim Neuberger and Helen Stambler Neuberger.\n\nYto Barrada\, who was born in Paris and raised in Tangier\, had her first solo exhibition in 2003 at the Galerie Polaris\, Paris. Since then\, her work has been featured in exhibitions at the Jeu de Paume\, Paris (2006); Venice Biennale (2007\, 2011); and San Francisco Museum of Modern Art (2009)\, among other venues. In 2011\, she received Deutsche Bank’s Artist of the Year Award. According to Ms. Posner\, Barrada’s wide-­-ranging intelligence and global perspective inform her work in a variety of media including photography\, film\, sculpture\, and hand-­-dyed textiles. She creates aesthetically compelling images and objects and tackles serious sociopolitical and cultural issues leavened with humor.” Barrada now lives and works in Brooklyn\, New York. \nHelaine Posner is Chief Curator at the Neuberger Museum of Art\, Purchase College\, SUNY\, Purchase\, New York. Her exhibitions at the Neuberger Museum include Yto Barrada: The Dye Garden (0219)\, Leandro Erlich: Port of Reflections (2017)\, Louise Fishman: A Retrospective (2016)\, Robin Rhode: Animating the Everyday (2014)\, Dana Schutz: If the Face Had Wheels (2011)\, and Tania Bruguera: On the Political Imaginary (2010)\, each accompanied by a monographic catalogue. From 1991-1998\, she was curator at the MIT List Visual Arts Center\, Cambridge\, Massachusetts where she curated such exhibitions as Mirror Images: Women\, Surrealism\, and Self-Representation (1998); Glenn Ligon: Skin Tight (1995); and Leon Golub and Nancy Spero: War and Memory (1994); among other projects.  Previously\, she was Director of the University Gallery\, University of Massachusetts/Amherst. \nPosner is the author of a monograph on the artist Kiki Smith (Monacelli\, 2005) and was United States Co-commissioner for the 48th Venice Biennale where she organized Ann Hamilton: Myein. She is the co-author of the award-winning book After the Revolution: Women Who Transformed Contemporary Art and of The Reckoning: Women Artists of the New Millennium (Prestel\, 2007 and 2013). She was curator of a mid-career survey of the work of Lorna Simpson which traveled to the Museum of Contemporary Art\, Los Angeles; the Miami Art Museum; and the Whitney Museum of American Art\, New York (2006-7). Posner is the recipient of three AICA (International Association of Art Critics) Awards.  She earned a Bachelor of Arts degree in Art History at Georgetown University and a Master of Arts degree from George Washington University\, both in Washington\, D.C.\n\nGetting to the Neuberger Museum of Art:  \nNeuberger Museum of Art is located: \n10 minutes from White Plains\, NY \n10 minutes from Greenwich\, CT \n45 minutes from mid-town Manhattan \nTrain Directions:  \nUse the Harlem Line of the Metro-North Railroad to arrive in White Plains. \nTaxicabs/ Uber are readily available for hire to Purchase College. \nPlease visit http://www.mta.nyc.ny.us/mnr for schedule and fare information. \nThank you to Randy Rosen\, ArtTable Member\, and Helaine Posner\, Chief Curator at the Neuberger Museum of Art. \nArtTable is a 501.c.3 organization. All programs are non-refundable. \n 
URL:https://www.arttable.org/event/ny-yto-barrada-the-dye-garden-at-the-neuberger-museum/
LOCATION:Neuberger Museum of Art\, 735 Anderson Hill Road\, Purchase\, NY\, 10577-1400\, United States
CATEGORIES:New York
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191022T170000
DTEND;TZID=America/Los_Angeles:20191022T190000
DTSTAMP:20260404T215702
CREATED:20191001T195007Z
LAST-MODIFIED:20210216T202214Z
UID:963-1571763600-1571770800@www.arttable.org
SUMMARY:SOCAL | Visit to the Home of Cliff and Mandy Einstein
DESCRIPTION:Images provided by Cliff and Mandy Einstein \nClick here to REGISTER!\n\n\nPlease join ArtTable for a very special visit to the Brentwood home of Cliff and Mandy Einstein\, where our tour will be led by the collectors themselves. \n \nAssembled over the course of the past several decades\, the Einstein Collection consists of about 200 works by almost as many artists. The works\, which range from pieces by John McLaughlin\, Rufino Tamayo\, George Segal\, Mark di Suvero\, Ed Ruscha\, John Baldessari\, and Gilbert and George to Sterling Ruby\, Mary Weatherford\, Mark Grotjahn\, Albert Oehlen\, Oscar Murrillo\, and Mai-Thu Perret\, fill the contemporary art gallery-like home. Outside are not only a Thomas Houseago figure and gigantic Nancy Rubins sculpture made of airplane parts\, but \na James Turrell skyspace\, Second Meeting (1985; installed in 1989)\, the artist’s first freestanding work and his first skyspace to enter a private collection in the U.S. Cliff Einstein has served on the Board of Trustees of LACMA and is currently Chairman Emeritus of MOCA LA. He has also served both as a trustee and lecturer on art and the creative process at Otis College of Art and Design\, where he was awarded an honorary Ph.D. \nIn 2019\, the Cliff and Mandy Einstein Visiting Artist Series was initiated at Otis\, which many ArtTable members have attended. Among the artists already presented were Elmgreen and Dragset\, Kara Walker\, and Edgar Heap of Birds and upcoming on Monday\, October 14th\, is Shirin Neshat. \nSpace is extremely limited and reserved for members only. As parking is also of limited availability\, we will arrange for carpooling among attendees. Please be advised as well that only soft\, rubber-soled shoes will be permitted (no socks or stockinged feet!) \nThank you to SoCal Chapter Chair\, Roni Feinstein and ArtTable member Victoria Burns of Victoria Burns Art Advisory. \nArtTable is a 501.c.3 organization. All programs are non-refundable.
URL:https://www.arttable.org/event/socal-visit-to-the-home-of-cliff-and-mandy-einstein/
LOCATION:To be provided upon registration
CATEGORIES:Southern California
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191024T081500
DTEND;TZID=America/New_York:20191024T093000
DTSTAMP:20260404T215702
CREATED:20190927T190330Z
LAST-MODIFIED:20210216T202155Z
UID:945-1571904900-1571909400@www.arttable.org
SUMMARY:NY | How to Navigate Recruiting in the Art World
DESCRIPTION:Click here to REGISTER!\nArtTable’s professional empowerment series invites experts to share their professional experiences\, knowledge and skills. Each session presents an opportunity to engage with and learn more about a topic\, issue or skill that directly impacts the professional lives of our members. Past sessions topics have included\, Art Market Legal Basics with Katie Wilson-Milne and John Koegel\, Public Speaking with Michaela Ablon\, Everything You Wanted to Know About Social Media But Were Afraid to Ask with Robin Cembalest and many more! \nSession 10: How to Navigate Recruiting in the Art World with Sarah Murkett\, Founder of Murk & Co \nWhat we’ll be discussing: \n\nThe definition of recruiting and the tools of recruitment\nFor Employers:\n\nWhat employers need to think about when starting a search\nWhy an employer would want to use a recruiter\nFee structures\nWhat employers should be thinking about to attract and retain top talent\n\n\nFor Candidates:\n\nHow the relationship between a candidate and recruiter starts\nWhat recruiters look for in a candidate\nInterview preparation\nSalary expectations and contract negotiations\n\n\n\nSarah Murkett:\nFounder and principal of Murk & Co\, an executive search firm providing staffing solutions for the art world\, Sarah Murkett has over 20-years of experience in the field.  Sarah began her art career at Marlborough and PPOW galleries after which she worked as a development and marketing consultant to art organizations and individuals in the creative industries including NADA\, Socrates Sculpture Park and Atelier 4. She joined Armand Bartos Fine Art in the fall of 2007. As Director\, she was instrumental in launching the prestigious gallery and its exhibition program\, which presented two historical exhibitions a year until the gallery closed in April of 2011.  Murk & Co began that year as a business dedicated to buying and selling artwork with a focus on Post-War and Contemporary Art\, providing advisory services for both beginning and seasoned collectors\, and curating projects with a focus on art historical themes of the 20th Century.  Before turning her focus to recruitment\, Sarah served as an advisor to both the Artist Pension Trust (APT) and MutualArt\, helping to initiate sales programs for both companies and leading to the first financial distributions to artist members of APT in August of 2016.\n \nSarah is a member of PAIAM\, POWarts\, and Art Table\, where she served as co-chair of the New York chapter’s programming committee from 2011-2013. \nThank you to Bonhams for providing breakfast and generously hosting the Optimizing Success: Professional Empowerment series. Bonhams\, founded in 1793\, is one of the world’s largest and most renowned auctioneers\, offering fine art and antiques\, motor cars and jewellery. The main salerooms are in London\, New York\, Los Angeles and Hong Kong\, with auctions also held in Knightsbridge\, Edinburgh\, Paris\, San Francisco and Sydney. With a worldwide network of offices and regional representatives in 22 countries\, Bonhams offers advice and valuation services in 60 specialist areas. For a full list of forthcoming auctions\, plus details of Bonhams specialist departments\, please visit bonhams.com. \nWho’s attending this program? Click here to see who’s currently registered! \n\n\nThank you to ArtTable Members Sarah McNaughton\, Katherine Wilson-Milne\, Eileen Jeng\, Jacqueline Towers-Perkins and Louky Keijsers Koning\, for organizing this series.  \nArtTable is a 501.c.3 organization. All programs are non-refundable.
URL:https://www.arttable.org/event/ny-how-to-navigate-recruiting-in-the-art-world/
LOCATION:Bonhams\, 580 Madison Avenue\, New York\, NY\, 10022\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2019/09/Professional-Development.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191024T190000
DTEND;TZID=America/New_York:20191024T210000
DTSTAMP:20260404T215702
CREATED:20191009T181743Z
LAST-MODIFIED:20210216T202120Z
UID:1123-1571943600-1571950800@www.arttable.org
SUMMARY:NY | MeetAT at IFPDA Fine Art Print Fair
DESCRIPTION:This program is free for members and guests\, but advance registration is required.  Click here to register!\nArtTable’s MeetAT networking program continues in October! This month we are teaming up with the IFPDA Fine Art Print Fair. We invite members and guests to join us during the IFPDA Fine Art Print Fair’s Young Collectors Cocktail Reception taking place on Thursday\, October 24\, 2019 from 7-9 PM.  At 8PM members + guests will gather in the VIP Lounge to hear remarks from Fair Director\, Helen Toomer. Fair access is included in registration. All registrants will receive a code to access their fair pass closer to the event date. \nArtTable MeetATs are a free member-hosted event for existing and potential ArtTable members from all sectors of the art world to mingle and engage with each other in a casual atmosphere. Come solo or bring a guest to this lively gathering that encourages new friends and trusted colleagues to get to know one another better. Without a formal program\, everyone is free to network and engage in conversation. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to ArtTable members Klaudia Ofwona Draber\, Founder\, KODA Labs; Helen Toomer\, Fair Director\, IFPDA Fine Art Print Fair; and creator of MeetAT programs\, Louky Keijsers-Koning\, Director/Owner\, LMAK Gallery\, for organizing and supporting this program. \n 
URL:https://www.arttable.org/event/ny-meetat-at-ifpda-fair/
CATEGORIES:New York
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191025T090000
DTEND;TZID=America/New_York:20191025T100000
DTSTAMP:20260404T215702
CREATED:20190925T145728Z
LAST-MODIFIED:20210216T202052Z
UID:834-1571994000-1571997600@www.arttable.org
SUMMARY:DC | Curator-Led Tours at the National Museum of Women in the Arts
DESCRIPTION:Image: Janaina Tschäpe\, Fiji\, from the series 100 Little Deaths\, 2002; Chromogenic color print\, 31 x 47 in.; NMWA\, Gift of Heather and Tony Podesta Collection; © Janaina Tschäpe; Image courtesy of Janaina Tschäpe studio. Creative: Tronvig \nClick here to REGISTER!\nArtTable DC invites you to enjoy curatorial tours of two new fall exhibitions at the National Museum of Women in the Arts (NMWA). \nJudy Chicago—The End: A Meditation on Death and Extinction explores the newest body of work by feminist artist and pop-cultural icon Judy Chicago. In nearly 40 works of painted porcelain and glass\, as well as two large bronze sculptures\, the artist reflects on her own mortality and issues an appeal for compassion and justice for all earthly creatures. \nThe exhibition Live Dangerously features fierce\, dreamy and witty images of the female figure integrated into the Earth’s terrain. Drawn primarily from NMWA’s collection of modern and contemporary photography\, the exhibition features artists who make the female body their sculptural material\, positioning figures in natural surroundings to suggest provocative narratives. The exhibition includes Janaina Tschäpe’s series of one hundred large-scale photographs\, 100 Little Deaths (1996–2002)\, exhibited in full for the first time. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Amy Mannarino\,  Director of Communications and Marketing at National Museum of Women in the Arts. \n  \n\n 
URL:https://www.arttable.org/event/dc-curator-tours-of-judy-chicago-the-end-a-meditation-on-death-and-extinction-and-live-dangerously/
LOCATION:National Museum of Women in the Arts\, 1250 New York Ave NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Washington, D.C.
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191028T174500
DTEND;TZID=America/New_York:20191028T190000
DTSTAMP:20260404T215702
CREATED:20190925T143548Z
LAST-MODIFIED:20210216T202028Z
UID:830-1572284700-1572289200@www.arttable.org
SUMMARY:NY | Alice Miceli: Project Chernobyl at America’s Society
DESCRIPTION:Image: Alice Miceli Chernobyl Exclusion Zone\, radioactive woods\, Belarus\, 2008 \nClick here to REGISTER!\nJoin ArtTable NY for a private curatorial walk through of Alice Miceli: Project Chernobyl at the America’s Society.  \nThis exhibition presents Alice Miceli’s Projeto Chernobyl (Chernobyl Project)\, a series of 30 radiographs produced in 2006–2010. Miceli developed a method of image making to document the enduring effects of the Soviet nuclear plant explosion of April 26\, 1986. Though gamma radiation continues to be present and to cause health problems and deaths in the area\, it is invisible to the naked eye and to traditional methods of photography that have been used to document the region’s ruins. With Projeto Chernobyl\, Miceli made this contamination visible via direct contact between the radiation and film\, which was exposed in the Chernobyl Exclusion Zone for months at a time. Both technically and conceptually complex\, Miceli’s work questions our ideas of vision\, memory\, politics\, and environmental issues. \nLearn more about the exhibition. \nDiana Flatto is assistant curator\, Visual Arts at the Americas Society\, where she has co-curated Alice Miceli: Projeto Chernobyl and assisted on Walls of Air: The Brazilian Pavilion at the 16th Venice Architecture Biennale\, Victoria Cabezas and Priscilla Monge: Give Me What You Ask For and Lydia Cabrera and Édouard Glissant: Trembling Thinking. Prior to that\, she worked for over five years as a specialist at an auction house. She graduated from Brandeis University with a BA in art history and business\, and earned an MA in art history with an advanced certificate in curatorial studies from Hunter College\, where she co-curated exhibitions including Framing Community: Magnum Photos 1947–Present and Copy\, Translate\, Repeat: Contemporary Art from the Colección Patricia Phelps de Cisneros. \nCarolina Scarborough is Assistant Curator for Public Programs\, Visual Arts at Americas Society\, where she has realized all public programs related to the organization’s exhibitions including\, Alice Miceli: Projeto Chernobyl\, Walls of Air: The Brazilian Pavilion at the 16th Venice Architecture Biennale\, Victoria Cabezas and Priscilla Monge: Give Me What You Ask For\, and Lydia Cabrera and Édouard Glissant:Trembling Thinking. At the Americas Society she also creates public programs to contextualize\, educate and promote Latin American Art. She is also responsible for the donors\, the Arts of the Americas Circle and fundraising of special public programs of the Visual Arts Department. Ms. Scarborough’s previous experience includes four years at Phillips Auction House as Latin American Art Specialist in the Latin American and Contemporary Art Departments\, and four years as Sales Associate at the Thomas Segal Gallery\, Baltimore. She interned and volunteered in prestigious museum and art institutions including the Museum of Modern Art\, New York\, Independent Curators International\, International Center of Photography\, and The Smithsonian Institution. Ms. Scarborough holds an MA in Museum Studies from New York University and a BA in Comparative Literature from Oberlin College. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Julia Herzberg\, Independent Curator and ArtTable NY Programs Committee Member\, and Carolina Scarborough\, Assistant Curator\, America’s Society\, for organizing this program.  \n 
URL:https://www.arttable.org/event/ny-alice-miceli-project-chernobyl-at-americas-society/
LOCATION:America’s Society\, 680 Park Ave\, New York\, NY\, 10065\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191028T180000
DTEND;TZID=America/Los_Angeles:20191028T200000
DTSTAMP:20260404T215702
CREATED:20191008T201505Z
LAST-MODIFIED:20210216T201829Z
UID:1116-1572285600-1572292800@www.arttable.org
SUMMARY:SOCAL | October MeetAT The Roof on Wilshire
DESCRIPTION:Image: Panoramic view from the Roof on Wilshire \nClick here to REGISTER!\nJoin us for our monthly MeetAT at The Roof on Wilshire. Come mingle with SoCal members and bring colleagues who you’d like to sponsor for membership for no-host beverages and appetizers from their Sunset Hour Menu (happy hour). \nValet parking is available for $12 at the hotel or there is a lot next door that offers a $6 flat rate. \nMeetAT\, a signature ArtTable program\, is a free\, member-hosted event for existing and potential ArtTable members from all sectors of the art world to mingle and engage with each other in a casual atmosphere. Come solo or bring a guest to this lively gathering that encourages new friends and trusted colleagues to get to know one another better. Without a formal program\, everyone is free to network and engage in conversation. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Geneen Estrada\, SoCal Chair of Communications and Melissa Pugash\, SoCal member.
URL:https://www.arttable.org/event/socal-october-meetat-the-roof-on-wilshire/
LOCATION:The Roof on Wilshire\, (located on top of the Kimpton Hotel Wilshire)\, Los Angeles\, CA\, 90048\, United States
CATEGORIES:Southern California
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191028T180000
DTEND;TZID=America/Los_Angeles:20191028T200000
DTSTAMP:20260404T215702
CREATED:20191010T153738Z
LAST-MODIFIED:20210216T201805Z
UID:1138-1572285600-1572292800@www.arttable.org
SUMMARY:NW | Professional Development: Judith Rinehart on Opening a Gallery
DESCRIPTION:Image: Judith Rinehart\, Owner and Director \nClick here to REGISTER!\nJoin ArtTable Northwest for an evening of conversation with Judith Rinehart\, Owner and Director of J. Rinehart Gallery\, opening in October. Rinehart will share her insight on opening and running an art gallery in Seattle. Appetizers and drinks will be provided. \nJ. Rinehart Gallery Has a Physical Space\, Baby! The Stranger \nBrick by Brick\, Gray \nJudith Rinehart Owner & Director\, Judith Rinehart graduated with her BFA in Art History from the University of Utah and has been working in fine art galleries since 2007. She has previously managed two highly successful art galleries in Seattle and has established herself as a fixture in the gallery community. She served for three years as treasurer of the Seattle Art Dealers Association and served as the curator and panelist at the Seattle Emerging Arts Fair in 2018. By launching J. Rinehart Gallery in 2019\, Rinehart has taken her passion for art to a personal level. As an art dealer and a collector herself\, she understands the complexities behind every purchase and strives to make the process as easy as possible for both the artist and the collector. \n\nWho’s attending this program? Click here to see who’s currently registered! \n\nThank you Judith Rinehart\, Owner and Director\, J. Rinehart Gallery.
URL:https://www.arttable.org/event/nw-professional-development-judith-rinehart-on-opening-a-gallery/
LOCATION:Judith Rinehart  Gallery\, 319 Third Ave S.\, Seattle\, Washington\, 98104
CATEGORIES:Northwest
END:VEVENT
END:VCALENDAR