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DTSTART;TZID=America/Los_Angeles:20200107T183000
DTEND;TZID=America/Los_Angeles:20200107T203000
DTSTAMP:20260406T194906
CREATED:20191212T202412Z
LAST-MODIFIED:20210216T195341Z
UID:1769-1578421800-1578429000@www.arttable.org
SUMMARY:SOCAL | 18th Street Studio Visits with Michal Heiman and Lita Albuquerque
DESCRIPTION:Image: Lita Albuquerque. Photo courtesy of the artist and 18th Street Arts Center. \nClick here to Register\nPlease join ArtTable SoCal for an exclusive evening with artists Michal Heiman and Lita Albuquerque at 18th Street Art Center. \nAcclaimed Israeli artist Michal Heiman will be in residence at 18th Street in January in preparation for her exhibition Hearing opening at Platt and Bornstein Galleries at the American Jewish University on January 12\, 2020 (a special preview for ArtTable is scheduled prior to the opening).  Renowned installation artist and professor in the graduate studies department at Arts Center School of Art in Pasadena\, Lita Albuquerque is currently\, is currently one of 18th Street’s local artists in residence. Both artists will open their studios to us for a presentation of their work followed by conversation and light refreshments. \nFor more about Michal Heiman at AJU: https://arts.aju.edu/exhibitions/future-exhibitions/hearing-michal-heiman/ \nFor more about Lita Albuquerque at 18th Street: https://18thstreet.org/artists/lita-albuquerque/ \n \nImage: Michal Heiman. Photo courtesy of the artist and 18th Street Arts Center. \nMichal Heiman \nFounded as a non-profit in 1988\, 18th Street Arts Center has a long history as a space for artists. It originally served as studio space for a group of feminist artists in the 1970s – 80s\, including Susanna Bixby Dakin (who ran for President in 1984)\, Judy Chicago\, Barbara T. Smith\, Linda Frye Burnham\, and others. It became a hub for the West Coast arm of ACT-UP\, an activist grassroots organization addressing the AIDS crisis\, and was home to three of the NEA Four (Tim Miller\, John Fleck\, and Holly Hughes). It also grew out of early performance art and was the site of publication for High Performance Magazine\, and later\, Highways Performance Space (still located on the 18th Street Arts Center campus). Once 18th Street incorporated as a non-profit\, it became an artist residency program with a wide range of public programs and exhibitions. \nAmple street parking available.  \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Susan Power\, Co-Chair SoCal and Frida Cano\, Assistant Curator/Artist Residency Coordinator\, 18th Street
URL:https://www.arttable.org/event/socal-18th-street-studio-visits-with-michal-heiman-and-lita-albuquerque/
LOCATION:18th Street Arts Center\, 1639 18th Street\, Los Angeles\, CA\, 90404\, United States
CATEGORIES:Southern California
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200111T100000
DTEND;TZID=America/New_York:20200111T130000
DTSTAMP:20260406T194906
CREATED:20191220T182358Z
LAST-MODIFIED:20210216T195157Z
UID:1849-1578736800-1578747600@www.arttable.org
SUMMARY:FL | Five Minute Rounds
DESCRIPTION:Click here to Register!\nArtTable Florida is thrilled to invite to 5-minute rounds. Seven of our outstanding members will be talking about their career in the arts:  \nNuria Richards I Clandestina I @clandestina.washere \nSil Dibar I Art History Lecturer ♾ Founder of A Journey Through Art I @sildibar.art \nJean Blackwell Font | Co-founder Warehouse 4726 | @warehouse4726 \nCarola Bravo | @carolabravoart I hARTvest Project at Pinecrest Gardens \nAldeide Delgado | Art Researcher & Curator | @aldeide_delgado \nAmy Galpin | Chief Curator. Frost Art Museum FIU | @agalpin1 \nKimberly Jones | Vice President | FORTRESS Miami \nMembers\, guests\, and friends welcome! \nThank you to Rochi Llaneza\, Florida Chair\, and Nuria Richards\, Florida Programs Chair\, for organizing this program.
URL:https://www.arttable.org/event/fl-five-minute-rounds/
LOCATION:hARTVEST Project Pinecrest Gardens\, 11000 Red Road\, Pinecrest\, FL\, 33156\, United States
CATEGORIES:Florida
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2019/12/unnamed-17.jpg
ORGANIZER;CN="ArtTable Florida":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200112T140000
DTEND;TZID=America/New_York:20200112T160000
DTSTAMP:20260406T194906
CREATED:20191212T205309Z
LAST-MODIFIED:20210216T195112Z
UID:1785-1578837600-1578844800@www.arttable.org
SUMMARY:SOCAL | Exclusive Preview Walkthrough: Hearing: Michal Heiman at American Jewish University
DESCRIPTION:Image: Michal Heiman\, Mask: Plate 34\, by Dr. Hugh W. Diamond\, ca. 1855\, Return: Asylum (The Dress\, 1855-2019)\, 2016. Courtesy of the artist. \nClick here to Register!\nFollowing our studio visit with the artist at 18th Street Center for the Arts\, we invite you to join us for a special preview walkthrough with curator and fellow SoCal ArtTable member Rotem Rozental of Hearing: Michal Heiman\, her first West Coast one-woman show. One of the foremost artists working in Israel today\, Heiman’s cross-disciplinary practice incorporates photography\, archival research\, critical theory\, psychoanalysis\, gender and performance. In this exhibition\, the artist explores the forgotten histories of women who have been confined to asylums\, inviting the audience to engage with their untold stories. \nArtTable members and their guests are invited to attend the opening reception after the walkthrough at 3:00 pm. \nBorn and based in Tel Aviv\, Michal Heiman is an artist\, curator\, founder of the Photographer Unknown archive (1984)\, and creator of the Michal Heiman Tests (M.H.Ts) 1–4. Heiman teaches at Bezalel Academy of Arts and Design and is a member of the Tel Aviv Institute for Contemporary Psychoanalysis. For over three decades\, Heiman has been developing methodologies that operate between art\, therapy\, photography\, human rights\, theory\, and practice. She studies neglected histories and their visual aspects\, focusing on the history of women\, questions of identity\, the history of aesthetic production in psychoanalysis\, and the role of archives. In 2015\, she founded the public-benefit corporation An Academy of Her Own\, which advocates gender equality in various academic institutions. For more on Michal Heiman: https://www.heimanmichal.com \nRotem Rozental is the Chief Curator of the American Jewish University in Los Angeles and serves as the Assistant Dean of the Whizin Center and the Director of the Institute for Jewish Creativity (IJC). She has contributed as a consultant\, editor\, writer\, educator and organizer to international publications\, such as Photographies\, Philosophy of Photography\, Artforum.com\, Tablet.com\, and Uncertain State\, as well as cultural non-profits and organizations\, among them Dia:Beacon\, The Liverpool Biennial\, The Brooklyn Institute for Social Research\, and the Jerusalem Season of Culture. Traversing the domains of technology\, media and art\, her scholarly and curatorial projects have been supported by Artis\, Independent Curators International\, NurtureArt and the Center for Jewish History (NYC). \nWho’s attending this program? Click here to see who’s currently registered!
URL:https://www.arttable.org/event/socal-exclusive-preview-walkthrough-hearing-michal-heiman-at-american-jewish-university/
LOCATION:Platt and Bornstein Galleries American Jewish University\, 15600 Mulholland Drive\, Bel Air\, CA\, 90077\, United States
CATEGORIES:Southern California
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200118T140000
DTEND;TZID=America/Los_Angeles:20200118T150000
DTSTAMP:20260406T194906
CREATED:20191211T175352Z
LAST-MODIFIED:20210216T195024Z
UID:1742-1579356000-1579359600@www.arttable.org
SUMMARY:NOCAL | ArtTable + Untitled: Re-Imagining Equity in the Art World 2020
DESCRIPTION:Image: Surrogate: Mother to Myself\, 2017 Indira Allegra. Redwood\, 600 feet of cotton lead line rope\, brass\, steel. 65 x 54 x 18 IN | 165 x 137 x 4.5 CM \n  \nFor ArtTable’s third panel discussion at Untitled’s San Francisco edition and to celebrate ArtTable’s 40th year advocating for women working in the visual arts\, three noted San Francisco artists working in diverse media will discuss their art practices\, concerns and challenges\, and where the equity movement might lead in coming years.  \nFeaturing artists Indira Allegra\, Katherine Vetne and Erica Deeman\, will joined by Heidi Rabben\, Senior Curator at the Contemporary Jewish Museum. The conversation will be moderated by James Voorhies\, Chair\, Graduate Program in Curatorial Practice\, California College of the Arts\, with an audience Q&A to follow.  \nAre you an ArtTable member? Email programs@arttable.org to receive a discounted passcode for this event and Untitled’s program. \nThank you to Tracy Freedman\, Executive Committee\, ArtTable Northern California.  \n 
URL:https://www.arttable.org/event/nocal-arttable-untitled-re-imagining-equity-in-the-art-world-2020/
LOCATION:Untitled\, Art San Francisco  Pier 35\, 1454 The Embarcadero\, San Francisco\, CA\, United States
CATEGORIES:Northern California
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200122T180000
DTEND;TZID=America/New_York:20200122T193000
DTSTAMP:20260406T194906
CREATED:20191223T220609Z
LAST-MODIFIED:20250903T181251Z
UID:1858-1579716000-1579721400@www.arttable.org
SUMMARY:ArtTable Circle ⎟ JPMorgan Chase Collection Tour
DESCRIPTION:Content is protected.
URL:https://www.arttable.org/event/arttable-circle-%e2%8e%9f-jpmorgan-chase-collection-tour/
LOCATION:JP Morgan Private Bank\, 390 Madison Avenue\, New York\, NY
CATEGORIES:New York,National
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200125T103000
DTEND;TZID=America/New_York:20200125T153000
DTSTAMP:20260406T194906
CREATED:20200103T193055Z
LAST-MODIFIED:20210216T194554Z
UID:1916-1579948200-1579966200@www.arttable.org
SUMMARY:SOCAL | A Saturday in Pomona: Ceramics\, Networking Lunch\, and Artist Todd Gray!
DESCRIPTION:Image:  Todd Gray leading a tour of Todd Gray: Euclidean Gris Gris\, September 2019. \nClick here to Register!\nJoin ArtTable for an extraordinary day in Pomona with visits to the American Museum of Ceramic Art (AMOCA)\, the Pomona College Museum of Art\, and the Williamson Gallery at Scripps College. \nAt AMOCA\, Executive Director Beth Ann Gerstein will lead us on a tour of Julie Green: Flown Blue. Bringing together over 800 plates\, platters\, and dishware\, the exhibition explores the artist’s longstanding engagement with secondhand porcelain and stoneware dishes\, drawing from both the large-scale political works for which Green is acclaimed and more recent works interrogating societal gender biases and personal histories. \nFollowing a self-pay group lunch at a restaurant nearby\, acclaimed photographer\, performance artist\, and sculptor Todd Gray will conduct a walkthrough of TODD GRAY: Euclidean Gris Gris at the Pomona College Museum of Art. The exhibition consists of a site-specific wall drawing and an evolving selection of photographs from Gray’s ongoing artistic examination of the legacies of colonialism in Africa and Europe. Los Angeles-based Gray\, whose work has been featured in solo and group exhibitions internationally including the Whitney Biennial 2019\, is currently serving as artist-in-residence at the college. \nAt the Williamson Gallery\, we will be treated to a preview of the 76th Scripps College Ceramic Annual: Duality and Context. The exhibition features work by eleven artists whose ceramics engage with and offer a variety of perspectives on the environment. \nThe schedule for the day will be as follows: \n10:30 AM Meet at AMOCA for a tour of the Julie Green and other exhibitions on view with Beth Ann Gerstein. \n12:00 PM Group self-pay lunch at a nearby restaurant. \n1:30 PM Visit to Pomona College Museum of Art and exhibition walkthrough with Todd Gray. \n3:00 PM Preview 76th Scripps College Ceramic Annual at the Williamson Gallery\, Scripps College. For those who can stay\, the Ceramic Annual Lecture with Garth Johnson\, Curator of Ceramics at the Everson Museum of Art\, Syracuse\, New York\, will be held at the Humanities Auditorium at Scripps at 4:00\, followed by the opening\, with live music and light refreshments\, at the gallery\, from 7:00 to 9:00. \nPlease note that yet another James Turrell Skyspace–Diving the Light\, 2007–is less than a ten-minute walk away from both the Pomona Museum Art and the Williamson Gallery. We will make a stop when time permits! \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to with thanks to Alexandra Ehrlich and Roni Feinstein
URL:https://www.arttable.org/event/socal-a-saturday-in-pomona-ceramics-networking-lunch-and-artist-todd-gray/
LOCATION:American Museum of Ceramic Art (AMOCA)\, 399 N Garey Ave\, Pomona\, CA\, 91767\, United States
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/IMG_4186-1.jpg
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200127T173000
DTEND;TZID=America/New_York:20200127T190000
DTSTAMP:20260406T194906
CREATED:20200110T222155Z
LAST-MODIFIED:20210216T194524Z
UID:1970-1580146200-1580151600@www.arttable.org
SUMMARY:NY | The Aesthetics of Femininity through the Ages at The Winter Show
DESCRIPTION:Image: Max Colby. Cadmium Wilt. Crystal and plastic beads\, sequins\, found fabric\, trim\, fabric flowers\, polyester batting\, thread. 12 x 12 x 16”. 2018. \nThis event is free and open to the public. Click here to RSVP. \n\n\nArtTable\, in collaboration with the Winter Show\, invites guests to investigate the aesthetics of femininity throughout the ages in antiques\, fine and decorative arts. Touching on examples included in this year’s show\, we’ll be engaging dealers\, scholars\, writers and experts in a lively panel to explore expressions and appearances of femininity. How has the feminine been employed by makers and designers of the past? We’ll be breaking down cliches and contemplating how feminine aesthetics reflect periodical trends and power structures. This conversation will be moderated by Elissa Auther\, Deputy Director of Curatorial Affairs and the William and Mildred Lasdon Chief Curator at the Museum of Arts and Design. \n\nElissa Auther is the Deputy Director of Curatorial Affairs and William and Mildred Lasdon Chief Curator at the Museum of Arts and Design (MAD). Previously\, she was the Windgate Research Curator at MAD and Visiting Associate Professor at the Bard Graduate Center\, where her teaching focused on the intersection of craft and contemporary art. She has published widely on a diverse set of topics\, including the history of modernism and its relationship to craft and the decorative\, the material culture of the American counterculture\, and feminist art. Her monograph\, String\, Felt\, Thread: The Hierarchy of Art and Craft in American Art (University of Minnesota Press)\, focuses on the broad utilization of fiber in art of the 1960s and 1970s and the changing hierarchical relationship between art and craft expressed by the medium’s new visibility. Auther is also an accomplished curator. Her exhibitions include West of Center: Art and the Counterculture Experiment in America\, 1965–1977\, Pretty/Dirty\, the retrospective exhibition of the painter and photographer Marilyn Minter\, and Improvisational Gestures\, a survey exhibition of the sculptor and performance artist Senga Nengudi. Her most recent exhibitions for the Museum of Arts and Design include Surface/Depth: The Decorative After Miriam Schapiro and Vera Paints a Scarf: The Art and Design of Vera Neumann. A feminist public intellectual\, Auther founded and co-directed for ten years the program “Feminism & Co.: Art\, Sex\, Politics\,” which focused on issues of women and gender through the lens of creative practice.  \nPanelists:  \nMax Colby\, artist \nThrough lush\, detailed work in embroidery and textiles\, Max Colby reframes traditional notions of domesticity\, power\, and gender through a queer and non-binary lens. Colby has exhibited internationally including Jane Lombard Gallery\, Wave Hill\, and Museum Rijswijk. Colby’s work has been featured in the Huffington Post\, NBC Out\, Gay City News\, and The Evergreen Review\, among others. They were recently an artist in residence at the Museum of Arts and Design in Manhattan\, The Wassaic Project\, MASS MoCA and a Leslie-Lohman Museum Queer Artists’ Fellow. Born in West Palm Beach\, Colby received their BFA from the School of the Museum of Fine Arts\, Boston and Tufts University. They live and work in Brooklyn.  \nElizabeth Feld\, Managing Director; Director\, Furniture & Decorative Arts\, Director\, American Decorative Arts\, Hirschl & Adler \nElizabeth has just celebrated her 20th anniversary at Hirschl & Adler Galleries\, where she serves as Managing Director as well as Director of American Furniture and Decorative Arts. Since 1999\, she has curated six furniture and decorative arts exhibitions for the gallery\, all with extensive accompanying catalogues\, as well as five exhibitions of the work of contemporary artist MacArthur grant recipient Elizabeth Turk\, one of the gallery’s represented living artists. \nElizabeth served as the Chairman of the Winter Antiques Show Dealers’ Committee for six years and is a regular lecturer on the subjects of furniture\, decorative arts\, and the art market in general. \nGabriella Picone\, Director of Communications\, R&Company\, and founder of Idda Studio\n\nGabriella Picone is a New York-based artist working in painting\, textiles\, and ceramics. She is currently the Director of Communications at R & Company\, the renowned design gallery based in New York City. She plays an integral role in the conception and promotion of numerous exhibitions\, international fairs\, and projects for the contemporary and historical artists represented by the gallery\, all bridging fine art and collectable design. Prior to her current role\, she worked at leading New York creative agency Black Frame developing branding and marketing strategies for a range of art\, design and fashion clients including Lindsey Adelman\, MoMA PS1\, Jean Nouvel\, David Kordansky Gallery\, Nike\, and RxArt. She has also worked with Frieze Art Fair and was part of the inaugural team to launch the first Frieze Art Fair in New York. She continually maintains her own studio practice as a painter and is the founder of idda studio\, an emerging design studio that specializes in fabric artworks for women that are both wearable and sculptural. 
URL:https://www.arttable.org/event/ny-the-aesthetics-of-femininity-through-the-ages-at-the-winter-show/
LOCATION:The Winter Show\, Park Avenue Armory\, Park Avenue at 67th Street\, New York\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/Cadmium-Wilt-e1578414011901.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
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