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DTSTART;TZID=America/New_York:20200622T160000
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UID:3110-1592841600-1592845200@www.arttable.org
SUMMARY:RE/ VIEW | Navigating Public Defunding
DESCRIPTION:Introducing RE/ VIEW\, an online program discussion series to address reopening and reimagining museums\, art spaces and institutions across the country. Understanding that this crisis has upended previous conditions and revealed vulnerabilities in how we exhibit\, present and view art\, we invite leaders across our field to strategize for the future. This event is open to members and non-members with a 5$ minimum donation.  \n\nRegister here\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nArtTable’s Philadelphia chapter brings together our city’s female arts leaders to discuss strategizing the future of Arts and Culture in the wake of drastic public budget cuts of the city’s arts programs. Earlier in May\, Mayor Jim Kenny introduced a 2021 budget proposal that eliminates both the Philadelphia Cultural Fund and the Office of Arts and Culture and Creative Economy. ArtTable will discuss this industry-threatening cut\, the potential impact\, and the organizational efforts taken by arts communities to stay afloat during this crisis. \nParticipants: \nValerie Gay\, Deputy Director for Audience Engagement & Chief Experience Officer\, Barnes Foundation \nBefore joining Art Sanctuary as executive director in 2012\, Gay served as Assistant Dean for Institutional Advancement for Temple University’s College of Education\, as well as the College of Education’s Director of Development and Alumni Affairs. She also held the position of Vice President and Portfolio Manager with PNC Advisors\, where she managed investment portfolios of high net-worth individuals and family trusts. In 2006\, Gay founded Fortress Arts Academy\, a nonprofit that provides arts and skill-building lessons to children and adults\, especially those in underserved communities. In 2017\, she co-founded Davis Gay + Associates\, a firm providing targeted support for nonprofit and social-venture organizations seeking to solve societal problems. She also cofounded the EVER Ensemble\, a collective of women musicians who perform diverse musical genres\, from classical to hip-hop. \nGay serves on the boards of directors for the Barra Foundation and the Philadelphia Cultural Fund\, and is a member of the Arts + Business Council for Greater Philadelphia’s Advisory Board. She also currently serves on Mayor Jim Kenney’s Council for the Arts. She earned a Bachelor of Music in Voice Performance from the University of the Arts and a Master of Music in Vocal Performance and a Professional Studies Certificate at Temple University’s Boyer College of Music and Dance. She also completed degree coursework at Peabody Conservatory of the Johns Hopkins University and is a Certified Financial Planner. \n\nJane Golden\, Founder and Executive Director Mural Arts Philadelphia \nJane Golden has been the driving force of Mural Arts Philadelphia since its inception in 1984\, overseeing its growth from a small city agency into the nation’s largest public art program. Under Golden’s direction\, Mural Arts has created over 4\,000 works of transformative public art through community engagement. In partnership with innovative collaborators\, she has developed groundbreaking and rigorous programs that employ the power of art to transform practice and policies related to youth education\, restorative justice\, environmental issues and behavioral health. Sought-after nationally and internationally as an expert on urban transformation through art\, Golden has received numerous awards for her work\, including the Eisenhower Exchange Fellowship Award and Philadelphia Magazine’s Trailblazer Award. She is an adjunct professor at the University of Pennsylvania\, and serves on the Mayor’s Cultural Advisory Council\, the Penn Museum Advisory Committee\, and the board of directors of The Heliotrope Foundation. \nLiz Grimaldi\, Executive Director\, Fleisher Art Memorial \nLiz Grimaldi is the Executive Director of Fleisher Art Memorial\, the country’s oldest community art school. Today\, Fleisher is a celebrated and thriving community arts center\, driven by a mission to make art accessible to everyone\, regardless of economic means\, background or artistic experience. Fleisher offers creative learning opportunities to more than 20\,000 people each year through free and low-cost classes\, long-term artist residencies in public schools and community centers throughout Southeast Philadelphia\, a robust exhibitions program\, and ColorWheels\, its mobile art studio. This summer\, Fleisher is the lead arts education provider for 3\,000 children in the City of Philadelphia’s 150 summer recreation sites. \n Before Fleisher\, Grimaldi was the Executive Director of The Village of Arts and Humanities\, where she co-founded the youth-driven arts and culture publication\, CRED magazine\, piloted a digital media program with the US Attorney’s Office\, and helped launch PhillyEarth\, a center for environmental education. During her tenure\, Grimaldi advocated for the City’s definition of economic development activities to include independent contractors such as artists and program instructors\, resulting in an $850\,000 tax credit to be redirected towards the creative economy and youth entrepreneurship education. \nPrior to the States\, Grimaldi lived in Hong Kong\, Barcelona\, and Rome\, and worked for Galería Senda and Cabinet Magazine. Liz holds a B.A. in Fine Arts from Bryn Mawr College and lives in Philadelphia with her husband\, two daughters\, and pet tarantula. \n\nChristina Vassallo\, Executive Director of the Fabric Workshop and Museum \nChristina Vassallo was appointed Executive Director of the Fabric Workshop and Museum\, in Philadelphia\, effective January 2\, 2020. Previously\, she spent six productive years as Executive + Artistic Director of SPACES\, in Cleveland\, where she provided creative direction and oversaw operations for one of the longest running alternative art organizations in the country. Before relocating to Cleveland\, she was Executive Director of Flux Factory\, in NYC\, where she set the course for an expansive art collective and residency program. She is currently completing the Chief Executive Program of National Arts Strategies with a nonforprofit certificate from Harvard Business School\, as well as a Fall 2020 fellowship through the German Marshall Fund. \nModerator:  \nRachel Zimmerman\, Founding Artistic and Executive Director\, InLiquid\nRachel Zimmerman is the Founding Artistic and Executive Director of InLiquid\, a non-profit visual arts organization\, with over 20 years of experience in managing and curating art and design projects. Through her leadership\, InLiquid continues to support the careers and creative practices of over 300 working artists each year and produces over 40 public exhibitions annually. \nInLiquid has been honored with numerous awards\, including Philadelphia Magazine’s Best of Philly Award for Affordable Art and The Culture Trip’s Pennsylvania Local Favorite Award. Zimmerman has also received citations from the Commonwealth of Pennsylvania and the City of Philadelphia\, as well as a nomination for the 2017 Rad Award for Nonprofit of the Year (Rad Girls). At InLiquid’s recent 20th Anniversary Celebration\, Philadelphia’s Chief Cultural Officer\, Kelly Lee presented a mayoral proclamation to InLiquid for its work in creating a vibrant visual arts community in Philadelphia. \nAs an artist and curator\, Zimmerman has been named one of the region’s “Top 101 Emerging Connectors” in 2008\, as well as a Creative Connector by Leadership Philadelphia. She is a Leadership Philadelphia and Designing Leadership alumna\, and has served on numerous committees from Design Philadelphia to the executive board of the Philadelphia Cultural Fund. Currently\, she is on the art advisory committees of CFEVA and the Main Line Art Center\, the co- chair of ArtTable (Philadelphia)\, and the Creative Industries Working Group (Philadelphia Office of Arts\, Culture and the Creative Economy\, City of Philadelphia) and a board member of the Greater Philadelphia Cultural Alliance. \nOther events in this series:  \nTuesday\, June 23: The Rise of the Regional: Recovering Mid-sized Institutions \nTuesday\, June 30: Decentralizing the museum: Digital tools and Creating Community online \n… more to come! 
URL:https://www.arttable.org/event/postponed-re-view-navigating-public-defunding/
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/05/ArtTableREVIEW-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200629T160000
DTEND;TZID=America/New_York:20200629T170000
DTSTAMP:20210217T233711Z
CREATED:20200622T171326Z
LAST-MODIFIED:20210217T233711Z
UID:3270-1593446400-1593450000@www.arttable.org
SUMMARY:RE/ VIEW| Staffing & Leadership with The Philadelphia Museum of Art's Union Leaders
DESCRIPTION:The Philadelphia Museum of Art. Photo: Sang-Min Yoon/Flickr. \nIntroducing RE/ VIEW\, an online program discussion series to address reopening and reimagining museums\, art spaces and institutions across the country. Understanding that this crisis has upended previous conditions and revealed vulnerabilities in how we exhibit\, present and view art\, we invite leaders across our field to strategize for the future. This event is open to members and non-members with a $15 suggested donation.  \n\nRegister here\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nJoin ArtTable for a conversation on staffing\, leadership and unions with two of the main organizers behind the Philadelphia Museum of Art’s recently founded workers’ union. We’ll hear from Nicole Elizabeth Cook\, Ph.D.\, Program Manager for Graduate Academic Partnerships and Sarah Shaw\, Museum Educator and Coordinator of the Education Resource Center at the Philadelphia Museum of Art on organizing during this pandemic\, the challenges that unions are facing during this time and how unions are shifting operations to support members as museums plan to reopen.  \n\n\n\n\nThis will provide an opportunity to hear directly from Sarah and Nicole on building a union and supporting workers at the PMA\, while addressing issues related to staffing and reopening. How are museums prioritizing operations in order to work with smaller teams? What departments are we seeing dissolve and what is being prioritized during this time? \nSarah Shaw is a Museum Educator and Coordinator of the Education Resource Center at the Philadelphia Museum of Art. In her role as Resource Center Coordinator\, she works closely with classroom teachers\, teaching artists\, pre-service teachers and other educators to integrate visual arts into all kinds of teaching and learning. She was previously a classroom teacher in Philadelphia public\, charter\, and independent schools and earned an M.A. and M.S.Ed. from the University of Pennsylvania. \nNicole Elizabeth Cook is a Program Manager for Graduate Academic Partnerships at the Philadelphia Museum of Art. She develops and coordinates object-based study workshops and other initiatives for graduate students and she also works with undergraduate and graduate fellows at the museum. Nicole holds a Ph.D. in Art History from University of Delaware and a M.A. from Tyler School of Art\, Temple University. She has previously worked in research\, curatorial\, and educational positions at private art collections\, arts nonprofits\, and museums. Her personal research currently focuses on interdisciplinary approaches to early modern women artists. \nNicole Elizabeth Cook\nSarah Shaw
URL:https://www.arttable.org/event/re-view-staffing-leadership-with-the-philadelphia-museum-of-arts-union-leaders/
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/06/article00_430x.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200630T160000
DTEND;TZID=America/New_York:20200630T170000
DTSTAMP:20210217T233704Z
CREATED:20200622T180604Z
LAST-MODIFIED:20210217T233704Z
UID:3285-1593532800-1593536400@www.arttable.org
SUMMARY:RE/ VIEW | Expanding Reach and Audience with Augmented and Virtual Reality
DESCRIPTION:Clockwise from top left: Sisa Bueno\, Vashti DuBois and Robin White Owen \n Introducing RE/ VIEW\, an online program discussion series to address reopening and reimagining museums\, art spaces and institutions across the country. Understanding that this crisis has upended previous conditions and revealed vulnerabilities in how we exhibit\, present and view art\, we invite leaders across our field to strategize for the future. This event is open to members and non-members with a $15 suggested donation.  \nHow to take part! \n\nRegister here\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nJoin ArtTable for a discussion on using augmented reality (AR) and virtual reality (VR) tools to expand an institutions’ reach and programming. During this discussion we will hear from Sisa Bueno\, founder of Vuevelo\, an AR platform that works alongside museums\, Vashti DuBois\, Executive Director/Founder of the Colored Girls Museum that is working with AR/VR to develop a virtual experience that connects artists\, educators and technologists with everyday women of the African diaspora\, and Robin White Owen\, Co-founder and Principal of Media Combo\, which works within museums again focusing on AR/VR. \nSisa Bueno \nOriginally from New York City\, Sisa Bueno is an Afro-Latina film & multimedia maker who is fascinated by people of all cultures and seeks to awaken our own empowerment. She studied both film production and interactive technologies at the Tisch School of the Arts at New York University (NYU). The NBC Network named Sisa a 2013 Latina Innovator for her upcoming documentary “To the Mountains\,” which takes place in Bolivia\, South America. Sisa is a recipient of the ITVS-PBS Diversity Development grant\, HotDocs CrossCurrents grant\, and BAVC MediaMaker fellow for her current work in progress\, “For Venida\, For Kalief.” \nSisa is also currently a 2018-2020 Member of the NEW INC tech incubator program within the New Museum working with Augmented Reality (AR) developing an art-viewing app tentatively called Vuevelo (currently in prototype stage). The goal is to provide an enhanced curated experience via an interactive AR platform that gives extra media content for featured works of art in real time. Her fascination with finding solutions for providing additional context\, and her experimentation with VR and AR technology inspired her to create the Vuevelo platform to fulfill an existing need for art lovers seeking more vetted information about the works that they love straight from the creators/curators themselves. \nVashti DuBois \nPrior to creating The Colored Girls Museum (TCGM)\, Vashti DuBois held leadership positions at a number of organizations over the span of her 30-year career in non-profit and arts administration. DuBois’ work focused primarily on issues impacting girls and women of color at organizations such as The Free Library of Philadelphia\, Tree House Books\, the historic Church of the Advocate\, the Children’s Art Carnival in New York City\, the Haymarket People’s Fund in Boston\, Congreso Girls Center and The Leeway Foundation. \nIn 2015\, DuBois opened TCGM to “honor the stories\, experiences and history of Colored Girls throughout the African Diaspora.” It is the first memoir museum of its kind offering visitors a multi-disciplinary experience in a residential space. TCGM initiates the “ordinary” object\, submitted by the colored girl herself\, as a representative of an aspect of her story and personal history which she finds meaningful. \nTCGM has been engineered to pop up in other cities and neighborhoods around the country\, transforming ordinary spaces into Colored Girls Museum outposts that collect\, archive and share the stories of indigenous Colored Girls. \nDuBois is a graduate of Wesleyan University and a NAMAC Fellow. She is currently working on a book about the making of The Colored Girls Museum. \nRobin White Owen \nRobin White Owen is a Principal and Creative Producer at MediaCombo\, a digital media studio she founded with her husband\, Michael Owen\, in 2004 in New York. They produce user friendly and engaging experiences in virtual reality\, augmented reality and interactive applications\, as well as audio tours and videos. These projects are designed to build engagement\, relationships and knowledge. \nVirtual Reality (VR) and Augmented Reality (AR) create immersive experiences that can accomplish these goals because they help visitors gain a deeper\, more personal understanding of a story. \nShe is currently completing Tracing Paint: the Pollock-Krasner Studio in VR\, a VR experience for the Pollock-Krasner House and Study Center in East Hampton\, NY. Visitors in Quest VR headsets will find themselves in the studio as it looked when first Pollock and then Krasner painted their most iconic works there\, seeing those paintings in situ\, and hearing the artists speak about their process. \nHer first AR project was an AR audio tour at The Morgan Library & Museum\, launched in December 2018\, The 1907 Tour: Pierpont Morgan’s Library Revealed. It takes advantage of the unique attributes of augmented reality to merge the past with the present\, blending time and distance\, delving into Morgan’s personal life\, and his sources of inspiration. \nHer first Virtual Reality project was a 3D virtual tour of We Are Nature\, a ground- breaking exhibition examining the human causes of climate change\, at the Carnegie Museum of Natural History in Pittsburgh. \nIn addition to producing in VR & AR\, Robin has produced interactive applications\, sim games\, websites\, audio tours and video programs for a broad spectrum of internationally known cultural and civic organizations\, and corporations\, including the Rubin Museum of Art\, The Museum of the City of New York (MCNY)\, the International Center of Photography (ICP)\, the American Museum of Natural History\, the New-York Historical Society\, the Jewish Museum\, the Brooklyn Navy Yard Development Corporation\, and Metropolitan Transit Authority Capital Construction (MTACC). \nRobin has been a member of ArtTable for many years\, serving on the Program Committee for several of them. At present she volunteers as Co-Chair of the Media\, Technology & Design Commission in the Career & Technology Education program at the NYC Dept of Education\, and is an Advisory Board Member of Calm Clarity. She frequently presents at museum and technical conferences on AR and VR in museums and has recently written on this topic for the touring museum exhibition platform TEO.
URL:https://www.arttable.org/event/re-view-expanding-reach-and-audience-with-augmented-and-virtual-reality/
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2020/06/Untitled-design-1-e1592923284902.png
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