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DTSTART;TZID=America/New_York:20231011T180000
DTEND;TZID=America/New_York:20231011T200000
DTSTAMP:20260403T185404
CREATED:20230922T231443Z
LAST-MODIFIED:20231011T183506Z
UID:13668-1697047200-1697054400@www.arttable.org
SUMMARY:Rosa Lowinger in Conversation with Nereida Garcia-Ferraz at District Reads
DESCRIPTION:Join ArtTable members and the Miami Design District community as Cuban artist Nereida Garcia-Ferraz interviews conservator Rosa Lowinger\, “one of the few prominent Latinas in the field of art and architectural conservation” about her moving memoir\, Dwell Time. Book signing and rooftop reception to follow. Please note that we have limited tickets\, and an October 5 RSVP deadline.Rosa Lowinger is a Cuban-born\, Miami-raised art conservator specializing in sculpture and architecture. She is the founder and co-chief conservator of RLA Conservation of Art + Architecture\, a firm with offices in Miami and L.A. A graduate of NYU’s Institute of Fine Arts Conservation Program\, and a Fellow of American Institute for Conservation and the Association for Preservation Technology\, Rosa was the 2008-09 Rome Prize Fellow in Conservation at the American Academy in Rome\, where she researched the history of vandalism and iconoclasm. She has curated the exhibitions “Concrete Paradise: Miami Marine Stadium at the Coral Gables Museum” and “Promising Paradise: Cuban Allure\, American Seduction” at the Wolfsonian. Her books include Tropicana Nights: The Life and Times of the Legendary Cuban Nightclub\, and Dwell Time: A Memoir of Art\, Exile and Repair. Nereida Garcia Ferraz is a Cuban-born artist whose practice encompasses painting\, photography\, video\, sculpture\, and social art projects exploring identity and feminist themes\, nature\, beauty\, and the physical world. Her work has been exhibited by or is in collections of institutions such as the Museum of Modern Art in New York\, Yale University\, The San Francisco Art Institute\, The Museo de Arte Moderno in Mexico City\, and MDC Museum of Art and Design.Thank you to Miami Design District and DISTRICT READS! \n\n\n\n“An insightful tale that reveals a kaleidoscope of worlds that Lowinger navigates to chart a life in colors and materials\, joys and calamities\, rendering lives that were forced into exile many times but always eager to build a sense of home and purpose. A moving account filled with the eccentricities of life\, family\, and the love of something (and its preservation) that is sometimes beyond words.”— Hrag Vartanian\, Co-founder & Editor-in-chief: Hyperallergic \n\n\n\n \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – complimentary\n\n\n\n\nNot a member? Join today! \n\n\n\nREGISTRATION DEADLINE WAS OCTOBER 5\, 2023. Questions? please email programs@arttable.org\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Rosa Lowinger. photo by Scarlett Freund.
URL:https://www.arttable.org/event/miami-fl-rosa-lowinger-in-conversation-with-nereida-garcia-ferraz/
LOCATION:Istituto Marangoni Library\, 3704 NE 2nd Ave. Floor 5\, Miami\, Florida\, 33137
CATEGORIES:Florida
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/09/dwell-time-header-1080x600-2.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20231017T180000
DTEND;TZID=America/New_York:20231017T200000
DTSTAMP:20260403T185404
CREATED:20230911T172724Z
LAST-MODIFIED:20231011T183326Z
UID:13294-1697565600-1697572800@www.arttable.org
SUMMARY:Reception and Collection Visit with Juanita Hardy
DESCRIPTION:Join ArtTable’s Lila Harnett Executive Director\, Jessica L. Porter and ArtTable members for a private collection visit and networking reception at the home of Silver Spring-based art collector\, and leading Creative Placemaking writer\, consultant\, and public speaker\, Juanita Hardy! With a collection spanning Elizabeth Catlett\, Sam Gilliam\, Al Loving\, Camille Billops\, Herb Gentry\, Jacob Lawrence\, Ed Clark\, Joe Overstreet\, Renée Stout\, and Michael Platt—and more! You won’t want to miss the opportunity to experience this remarkable collection\, hosted by an honored member of the art\, culture\, and business communities. Ms. Hardy is an esteemed friend of ArtTable: she has served on the ArtTable Board and is a longtime member of the organization. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $35\n\n\n\nArtTable Member Guests – $45\n\n\n\nPublic – $55\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Herbert Gentry. Masquerade. Silkscreen print on paper\, 22 1/2 × 25 1/4 in | 57.2 × 64.1 cm\, 1986 \n\n\n\n\n\n\n\n\n\nJuanita Hardy\n\n\n\n\n\n\n\nJuanita Hardy has a passion for fostering healthy\, thriving\, and equitable places to live\, work\, learn and play through her work with individuals and businesses. Hardy is an avid collector of fine art and\, with her husband\, has acquired many works on paper\, canvas\, sculptures\, and African art. Hardy has over 45 years of business experience\, including 31 years with IBM\, where she retired in 2005\, and over a decade in the real estate industry.  \n\n\n\nIn 2006\, Hardy founded Tiger Management Consulting Group\, an executive coaching and business consulting services firm. Hardy’s client portfolio comprises for-profit and non-profit organizations\, including global human capital development firm\, Right Management.  Hardy has been associated with Urban Land Institute\, a global non-profit committed to responsible land use\, since 2016. She has served ULI in various advisory and consulting roles\, including its Senior Visiting Fellow for Creative Placemaking.  \n\n\n\nHardy has been recognized for her work in the arts and in business\, for example\, as a 2022 honoree by The Phillips Collection\, a prominent Washington\, DC museum\, and as 2010 Minority Business Leader by the Washington Business Journal.  Hardy is an accomplished writer and public speaker.  Her recent writings include an essay\, “Development Without Displacement” in Volume 3 of The Place Economy published by Hoyne based in Australia; she is author of ULI 2022 Publication\, “Creative Placemaking: Recommendations from and Impact of Six Advisory Services Panels;” and co-author of ULI 2020 Publication “Creative Placemaking: Sparking Development with Art and Culture.” Between 2016 and 2023\, Hardy has written a sextet of articles on creative placemaking for Urban Land magazine. \n\n\n\nHardy’s non-profit board affiliations include co-founder of Millennium Arts Salon\, Mid Atlantic Arts\, Mosaic Theatre Company and serving as board chairperson for International Arts and Artists. \n\n\n\nAfter retiring from IBM\, Hardy founded Tiger Management Consulting Group\, an executive coaching and business consulting services firm. Hardy’s client portfolio comprises for-profit and non-profit organizations\, including global human capital development firm\, Right Management. \n\n\n\nHardy’s board affilations include Mid Atlantic Arts\, Mosaic Theatre Company and serving as board chairperson for International Arts and Artists.
URL:https://www.arttable.org/event/national-reception-and-collection-visit-with-juanita-hardy/
LOCATION:Silver Spring\, Silver Spring\, MD
CATEGORIES:National,Washington, D.C.
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/09/Screenprint-in-colors-on-paper-22-12-×-25-14-in-57.2-×-64.1-cm.png
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DTSTART;TZID=America/New_York:20231024T173000
DTEND;TZID=America/New_York:20231024T183000
DTSTAMP:20260403T185404
CREATED:20230926T145706Z
LAST-MODIFIED:20231019T173805Z
UID:13784-1698168600-1698172200@www.arttable.org
SUMMARY:Artist-Led Tour of Elizabeth Turk's "Written in Stone" at Hirschl & Adler
DESCRIPTION:As our culture shifts\, artists are the witnesses\, reflecting back to us how our world is changing; memorializing the endangered\, and mourning the lost. Artist Elizabeth Turk speaks through one of our most permanent media\, marble\, to immerse us in a conversation about the fragility of handwritten language. Turk herself will guide the ArtTable group on a tour of Written in Stone\, with Hirschl & Adler Managing Director\, Elizabeth Feld. \n\n\n\n \n\n\n\nElegant and understated\, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone\, a group of twenty-three hand-carved marble sculptures made over the past decade\, marks the change caused by technological communication – the ubiquitous keyboard and AI – and seeks to question the transformation of everyday handwriting. What happens when the curved lines of a scripted passage no longer hold meaning\, or even exist? Or when the generations of tomorrow merely glance at a handwritten letter\, fail to understand it\, cannot decipher it\, and simply move on\, losing the nuances to history? Through this new body of work\, Elizabeth Turk conveys this fundamental shift with unmatched grace and technical dexterity.  There is an obvious paradox in a memorial of something as ephemeral and humancentric as script created with a solid\, seemingly permanent rock gilded with a mineral\, gold leaf. Long after the changes of this moment take place\, these sculptures will remind us of the strength\, endurance\, and lasting importance of what we have left behind. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $25\n\n\n\nPublic – $30\n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.Artist Talks are presented with support from the Pollock-Krasner Foundation. \n\n\n\n• • •\n\n\n\nFeatured Image: Elizabeth Turk (b. 1961) Passage 8\, 2016-2023 Marble and gold leaf\, 8 3/8 x 23 x 2 1/2 in. © Eric Stoner\, Courtesy of Hirschl & Adler Modern and the Artist.Photo Below: © Eric Stoner\, Courtesy of Hirschl & Adler Modern and the Artist. \n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Artist\n\n\n\n\nBorn in Pasadena and raised in Orange County\, Elizabeth Turk earned her M.F.A. at the Rinehart School of Sculpture\, Maryland Institute College of Art in Baltimore. A recipient of awards including a MacArthur Foundation Fellowship (2010)\, a Barnett and Annalee Newman Foundation Fellowship (2010)\, and a Smithsonian Artist Research Fellowship (2011)\, Turk is internationally recognized for transforming her signature medium of marble into strikingly intricate objects that defy convention and challenge our preconceptions of what marble can do. Through the use of electric grinders\, dental tools\, and files\, Turk pushes her medium to its limit\, creating in each sculpture a provocative tension between the intrinsic strength of the stone and its inherent fragility\, while speaking to larger conceptual and spiritual concerns of time\, matter\, and space. \n\n\n\nDuring the twenty-two years that Turk has been represented by Hirschl & Adler Modern\, the gallery has mounted five solo exhibitions of her work\, each accompanied by publications; as well as a solo Art Kabinett at Art Basel Miami Beach (2012)\, a solo presentation at Masterpiece London (2014)\, and a solo presentation at the ADAA Art Show in 2017.  \n\n\n\nTurk’s work resides in numerous prestigious private and public collections\, including the Los Angeles County Museum of Art\, CA; the Jewish Museum\, New York\, NY; American University\, Washington\, D.C. (formerly\, the Corcoran Gallery of Art) and the National Museum of Women in the Arts\, Washington\, D.C.; the Weatherspoon Gallery\, University of North Carolina at Greensboro\, NC; The Mint Museum\, Charlotte\, NC; the Catalina Museum for Art & History\, CA; and the Dixon Gallery & Gardens\, Memphis\, TN. Institutional monographic exhibitions include Tipping Point: Echoes of Extinction\, Woodson Art Museum\, Wausau\, WI (2022); Double Take\, with Mel Chin\, Frederik Meijer Gardens & Sculpture Park (2022)\, Elizabeth Turk: Heaven\, Earth\, Home\, Brattleboro Museum and Art Center\, VT (2018-19); Elizabeth Turk: Sentient Forms\, Laguna Art Museum\, CA (2015); Elizabeth Turk: Wings\, The Dayton Art Institute\, OH (2013); and Elizabeth Turk\, The Collars: Tracings of Thought\, Mint Museum of Art\, Charlotte\, NC (2004). Turk lives and works in Santa Ana\, CA\, and New York\, NY\, and is the cofounder of ET Projects\, a Foundation that infuses civic spaces with interdisciplinary communal art. \n\n\n\n\n\n\n\n\n\nElizabeth Feld is the Managing Director and Director\, Furniture & Decorative Arts at Hirshl & Adler. She curated the gallery’s 50-anniversary exhibition\, Of the Newest Fashion: Masterpieces of American Neo-Classical Decorative Arts (2001–02). In 2006\, she co- curated Elizabeth Turk: The Collars and In Pointed Style: The Gothic Revival in America\, 1800–1860\, both accompanied by extensive catalogues; and in 2007\, For Work & For Play: A Selection of American Neo-Classical Furniture. More recent exhibitions include: Elizabeth Turk: Recent Sculpture (2008); The World of Duncan Phyfe: The Arts of New York\, 1800–1847 (2012)\, a celebration of the gallery’s 60th anniversary; Elizabeth Turk Cages (2012); Alexander Creswell: Fire & Light (2012); Very Rich & Handsome: American Neo-Classical Decorative Arts (2014–15); Elizabeth Turk: Tensions (2016); Augmenting the Canon: Recent Acquisitions of American Neo-Classical Decorative Arts (2018); and Elizabeth Turk: Tipping Point: Echoes of Extinction (2019).Elizabeth is a regular lecturer on American Decorative Arts and the antiques and art market. Elizabeth offers advisory services for clients in a range of specialties both within and beyond the gallery’s area of expertise. Elizabeth served as the Chairman of the Winter Antiques Show Dealers’ Committee for six years. She graduated Magna Cum Laude from The University of Pennsylvania and has a Master’s Degree in Fine and Decorative Arts from Sotheby’s Institute.
URL:https://www.arttable.org/event/national-artist-led-tour-of-elizabeth-turks-written-in-stone-at-hirschl-adler/
LOCATION:Hirschl & Adler Galleries\, 41 E 57th St 9th floor\, New York\, NY\, 10022\, United States
CATEGORIES:Dallas-Fort Worth
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/09/Passage-8.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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