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Baltimore, MD | Guided Gallery Tour of “What We Do, We’ve Always Done” with Dr. Lauren Davidson and Bria Edwards
March 27 | 1:00 pm – 2:00 pm
Join Dr. Lauren Davidson, curator and founder of Museum Nectar Art Consultancy, and artist Bria Edwards for a guided gallery tour of What We Do, We’ve Always Done, a compelling solo exhibition by Edwards at Julio Fine Arts Gallery, Loyola University Maryland. This tour offers an inside look at Edwards’ two-year exploration of Black horse rider culture in Maryland, brought to life through vivid oil paintings, documentary photography, and video. Together, we will examine how Edwards’ multidisciplinary practice captures the power, grace, and enduring joy of Black equestrians—honoring a living tradition shaped by resilience, heritage, and an unbreakable bond between rider and horse.
For questions about access or to request accommodations please contact us at [email protected].
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Program Admission:
- General Admission – $25
- ArtTable Members – $15
- ArtTable Member Guests – $20
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Dr. Lauren P. Davidson is an independent art curator and founder of Museum Nectar Art Consultancy, specializing in African Diasporic art and supporting emerging and mid-career artists. Her curatorial practice fosters essential dialogue on the Black experience through contemporary art, with exhibitions including The Ties That Bind, [IR]REVERENT, and Solace and Sisterhood, which premiered at the Museum of Contemporary Art Arlington. Davidson holds an M.A. in Museum Studies from Johns Hopkins University and is actively engaged in the Washington, D.C. area arts community, serving on several arts organization advisory committees and boards.
Bria Edwards is a multidisciplinary artist based in the DMV (DC/Maryland/Virginia) area whose practice spans painting, photography, and documentary storytelling. Through immersive research and community engagement, Edwards creates work that centers Black leisure, joy, and cultural agency. Her previous solo exhibition, More Time in a Day (Eaton DC, 2023-2024), explored Black life in Prince George’s County, Maryland, and received critical acclaim for its celebration of unbothered Black leisure and presence. Edwards’ work continues to build a practice rooted in authentic representation and rigorous methodology.
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