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New York, NY | Curator-Led Tour of “Krasner and Pollock: Past Continuous” with Brinda Kumar

October 20 | 9:00 am 10:00 am

Lee Krasner (American, 1908–1984), Rising Green, 1972. Oil on canvas 82 3/8 × 69 1/4 in. (209.2 × 175.9 cm), Framed: 85 1/4 × 72 3/8 × 2 3/4 in. (216.5 × 183.8 × 7 cm). Gift of Mr. and Mrs. Eugene Victor Thaw, 1983 © 2026 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York

Lee Krasner (American, 1908–1984), Bald Eagle, 1955. Oil, paper, and canvas collage on linen, 77 × 51 1/2 in. (195.6 × 130.8 cm). ASOM Collection © 2026 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York
Lee Krasner (American, 1908–1984), Rising Green, 1972. Oil on canvas 82 3/8 × 69 1/4 in. (209.2 × 175.9 cm), Framed: 85 1/4 × 72 3/8 × 2 3/4 in. (216.5 × 183.8 × 7 cm). Gift of Mr. and Mrs. Eugene Victor Thaw, 1983 © 2026 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York
Lee Krasner (American, 1908–1984), Bald Eagle, 1955. Oil, paper, and canvas collage on linen, 77 × 51 1/2 in. (195.6 × 130.8 cm). ASOM Collection © 2026 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York

Join ArtTable for a Curator-Led Tour of Krasner and Pollock: Past Continuous with Brinda Kumar before the museum opens to the public.

Drawing its subtitle, Past Continuous, from a 1976 painting by Krasner, the exhibition traces parallel lives and practices—forged first by lived experience, then shadowed by memory. Krasner, born in Brooklyn to Jewish immigrant parents from what is now Ukraine, and Pollock, raised in Los Angeles and the American West, brought specific geographies and inheritances into a shared artistic context. Their early paths traced distinct strands of American modernism that would ultimately converge in the rupture known as Abstract Expressionism, a movement that valued the translation of inner feelings into dramatic visual action. In the wake of World War II, artists asked why art mattered and what it could be. For Pollock, his breakthrough was the “drip” technique, a radical mode of painting that flourished in a condensed but prolific period. Krasner’s varied practice was typified by ceaseless explorations of abstraction, often cued by her abiding interest in the possibilities of nature and color.

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