Artist Talk – Page 2

Los Angeles, CA | Private Preview and Behind the Scenes Tour with Cierra Britton

February 20 | 12:00 pm – 2:00 pm

ArtTable invites you to join Cierra Britton for a curator-led walkthrough of her exhibition, The Dance, at Abigail Ogilvy Gallery in the Downtown Arts District, LA. Food and drinks will be provided.

Curated by Cierra Britton (Cierra Britton Gallery), The Dance is a meditation on the politics and poetics of bodily movement. Rooted in the visual language of classical forms and experimental gesture, the exhibition explores the significance of femme movement as both ritual and resistance. From ballet to voguing, to gestural abstract painting while listening to music, movement has long transcended the stage and dancefloor—becoming a vital tool for self-expression, community formation, and the preservation of bodily autonomy.

Founded in 2021, the Cierra Britton Gallery is the first NYC-based gallery dedicated to representing BIPOC womxn artists whose work contributes to the contemporary cultural dialogue across the globe. The gallery’s mission is to make space for artists who are creating exploratory work, inclusive of all mediums such as painting, photography, drawing, and performance. Starting as a nomadic and online gallery, our programming has focused on a diverse roster of artists making work that is rooted in storytelling, exploration, and cultural commentary.

Cierra Britton Gallery is creating a safe and much-needed space for BIPOC womxn artists who have historically been marginalized from the mainstream art world. We aim to uphold artists and create community through dialogue and support for the arts.

Cierra Britton (b.1996, Baltimore, MD) is a curator and art dealer living and working in New York City. As the director of the Cierra Britton Gallery, her mission is to make space for artists who are creating exploratory work across all mediums.

Limited parking is available on site at the gallery. Additional street parking is available. For questions about access or to request accommodations please contact us at [email protected].

Program Admission:

General Admission – $25
ArtTable Members – $15
ArtTable Guests – $20

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Abigail Ogilvy Gallery

1923 S Santa Fe Ave #100
Los Angeles, California 90021 + Google Map

Virtual | ArtTable’s Professional Development Series: “Handle With Care”: Mastering the Movement of Art with Yudelka Tavera

January 21 | 4:00 pm – 5:00 pm

This program will take an in-depth look at the full lifecycle of an artwork in transit, from the moment it leaves a studio, gallery, or collection, to its arrival, installation, and long-term placement and storage. This presentation can include real-world logistics case studies and showcase complex and high-value art movements, including monumental public artworks, fragile historical pieces, and challenging site-specific installations. The purpose being to demonstrate creative problem-solving, innovative packing solutions, collaboration with art collectors and professionals to ensure works remain protected and accessible for the future. Some sub-topics the talk will focus on are:

•Provenance Research: Understanding the importance of historical ownership, authenticity, and cultural due diligence.

•Condition Reporting: How to create thorough, objective documentation to safeguard the value and integrity of artworks.

•Inventory & Documentation Best Practices: Maintaining accurate, accessible records for collection management and institutional accountability.

•Safe Handling & Transport Protocols: Standards for packing, climate control, insurance, and coordination with specialized art shippers.

The zoom link will be provided upon registration.

Yudelka Tavera is a Project Manager for the Contemporary Art and Museums Department at Gander and White Miami, where she oversees complex domestic and international art movements, high-value collections, and large-scale museum installations. She has more than twenty years of experience in arts education, curation, collection management, and fine art logistics, and has worked as an art advisor and consultant for private collections in the United States and internationally. Her diverse experience in education, curation, advisory, and logistics gives her a hands-on understanding of the full lifecycle of an artwork: from acquisition and transportation, to installation and long-term maintenance and care.

Yudelka has previously held roles at Evelyn Aimis Fine Art and the Clark Art Institute and is recognized as a liaison among artists, collectors, conservators, galleries, auction houses, and museums. She holds a Bachelor of Fine Arts from the State University of New York atAlbany, completed coursework in fine art and conservation practice at Scuola Lorenzo de’ Medici in Florence, and has earned graduate certificates in Art Management and Visual Communications from the Massachusetts College of Liberal Arts and Columbia University. She currently is also completing her Master’s degree in Art Business from Sotheby’s Institute of Art.

Program Admission:

ArtTable Members – $10
General Admission – $15

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Abigail Ogilvy Gallery

1923 S Santa Fe Ave #100
Los Angeles, California 90021 + Google Map

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Virtual | ArtTable’s Professional Development Series: Navigating AI, Policy, and Innovation in the Contemporary Art World with Mika Noh

February 9 | 5:00 pm – 6:00 pm

This professional development program will explore the intersection of AI, cultural policy, and the evolving global art market, providing arts professionals with practical insights on navigating innovation, strategy, and governance. Drawing on Noh’s experience as Chairman of the AI Art Forum, Art Market Strategy & Partnership Director at Niio Art, and legislative work with the Korean National Assembly, this session will cover:

How AI is transforming art creation, curation, and market practices.

Understanding policy and regulatory frameworks affecting digital and physical art markets.

Strategies for artists and arts professionals to engage with technology ethically and effectively.

Best practices for international partnerships, collaborations, and exhibitions in a rapidly evolving art ecosystem.

Attendees will gain actionable insights to enhance their professional practice, navigate digital innovation, and expand global networks, particularly in areas of AI, technology, and cultural policy. The session will include time for Q&A to address participants’ specific challenges and interests.

The zoom link will be provided upon registration.

Program Admission:

ArtTable Members – $10
General Admission – $15

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Abigail Ogilvy Gallery

1923 S Santa Fe Ave #100
Los Angeles, California 90021 + Google Map

Mika (Jaeyun) Noh is a cultural policy strategist, legal scholar, and curator specializing in the intersection of technology, governance, and the arts. She has over a decade of experience working with Korea’s National Assembly and Ministry of Culture, Sports and Tourism, where she contributed to policy development on digital innovation, cultural infrastructure, and artist welfare.

As a Co-founder and Chair of the AI Art Forum (AiAF), Mika leads international dialogue on AI ethics, authorship, and cultural trust in machine-mediated creativity. She also serves as Strategy & Partnership Director at Niio Art, a global media art platform, and Co-founder of Space Ba, a curatorial studio advancing cross-sector collaborations that bridge urban regeneration, media art, and public engagement.

Her initiatives include developing AI-driven systems for aesthetic classification and content governance through Realsnap, and spearheading AMFM (Audio, Music & Further More), a creative consortium promoting K-Audio and sound design as new pillars of the global creative economy.

Mika’s writing has appeared in Artsy, ENCATC Magazine, and Harvard Art Law Organization, and she has presented her research at international venues such as UNESCO-affiliated forums, Frieze Seoul, and Cinema for Peace Foundation. She holds an M.A. in Arts Management from the Korea National University of Arts and an LL.B. in Law from Ewha Womans University.

Through her multidisciplinary work, Mika explores how AI and digital systems reshape cultural production, authorship, and governance, bridging the gap between policy innovation and creative practice to envision inclusive and sustainable futures for art and society.

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Los Angeles, CA | Studio Visits with Julia Haft-Candell & Silvi Naçi at the Feminist Center for Creative Work

December 12, 2025 | 12:00 pm – 2:00 pm

Join ArtTable for two studio visits at the Feminist Center for Creative Work!

Julia Haft-Candell remixes ancient techniques to write new narratives, which in turn change structures that seem set in stone. Each arm of her practice—her artwork, teaching, and writing—offers alternatives to traditional models of categorization, communication, language, and education. In 2019, Haft-Candell founded The Infinite School, a new framework for ceramic education, which she runs out of her studio in Los Angeles. Haft-Candell has received grants and residencies from the Louis Comfort Tiffany Foundation, New York, NY; Skowhegan School of Painting and Sculpture, Skowhegan, ME; the Yaddo Corporation, Saratoga Springs, NY; and the California Community Foundation, Los Angeles, CA, among other national and international organizations. Her work is in the collections of the Brooklyn Museum, the Berkeley Art Museum and Pacific Film Archive, the Houston Museum of Fine Arts, among other institutions. She has exhibited at the Miller Institute of Contemporary Art in Pittsburgh, the de Saisset Museum in Santa Clara, Inman Gallery, Houston, The Craft Contemporary, Los Angeles, and Candice Madey, New York. Haft-Candell’s work has been written about in numerous publications, including The New York Times, The Los Angeles Times, Artforum, and Art in America.

Silvi Naçi is a queer Albanian educator, artist, researcher, and writer working between Albania and Tongva and Chumash territory, colonized as Los Angeles. Their praxis engages the image and its politics across photography, performance, moving-image, text, weaving, drawing, and installation. Their work examines how the marginalized body is affected by an oppressive state, the subtle and violent ways that migration results from colonialism, and how processes of decolonization affect and reshape a people, the body, language, and possibilities of gender identity.

Naçi holds a dual BFA in Fine Arts & Graphic Design from Suffolk University and an MFA in Photography & Media from California Institute of the Arts. They have exhibited works at Manifesta 14 Prishtina, XK; National Gallery of Art, Tirana, AL; The National Gallery of Kosovo, XK; Grand Hotel, Kosovo, XK; Other Places Art Fair, LA; Greater LA MFA Exhibition, LA; and is a recipient of the Tim Disney Excellence in Storytelling Prize and the Felix Gonzalez-Torres Travel Grant. Their writing on art criticism has been published in Artsy, East of Borneo, Contemporary Art Review LA, X-TRA, Big Red & Shiny, NKA Journal for Contemporary African Art, and Hunter Fashion Magazine. Naçi has participated in residency at MASS MoCA (North Adams, MA); Saas-Fee Summer Institute of Art (Berlin, Germany); Elsewhere Museum and Residency (Greensboro, NC); Évora NAU (Évora, Portugal); Vermont Studio Center (VT); perfocraZe International Artist Residency (Kumasi, Ghana), and the Feminist Center for Creative Work residency (Los Angeles, CA). Naçi is a doctoral student in the Global Studies department at UCI. Find more info on their work at silverprojects.co or follow them on Instagram @silvi.naci.

The Feminist Center for Creative Work nurtures an ever-evolving, intersectional, intergenerational, and joyful collaborative feminist praxis*—modeling ways of working and living through art, programming, media, publishing, and the redistribution of resources, from Los Angeles, within the world. The process is the product.

*Praxis: The everyday habits, conventions, and practice of living theoretical concepts.

Program Admission:

General Admission – $35
ArtTable Members – $25
ArtTable Guests – $30

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Abigail Ogilvy Gallery

1923 S Santa Fe Ave #100
Los Angeles, California 90021 + Google Map

ArtTable Artist Talk programs are generously
supported by the Pollock-Krasner Foundation.

New York, NY | Curator-Led Tour of “Lotty Rosenfeld: Disobedient Spaces” with Julia Bryan-Wilson

November 12, 2025 | 9:30 am – 10:30 am

Photo documentation of Lotty Rosenfeld, Una Milla de Cruces Sobre el Pavimento (One mile of crosses on the pavement), 1979. Art action in front of the Moneda Palace,

Santiago de Chile, 1979. Courtesy Fundación Lotty Rosenfeld

Join ArtTable at the Wallach Art Gallery for a Curator-Led Tour of Lotty Rosenfeld: Disobedient Spaces with Julia Bryan-Wilson!

One of the most important feminist artists of the 20th century, and one of the best-known within Latin America, Lotty Rosenfeld (1943–2020) is renowned for her extensive practice with printmaking, video, and site-specific installation. Through these media, Rosenfeld crafted political gestures that contested the militarization of everyday life and revealed the invisible code at the heart of the world’s market-based economies. A Chilean artist, she also worked collaboratively with Colectivo Acciones de Arte (CADA) during the Pinochet dictatorship of 1973-1990.

Julia Bryan-Wilson is Professor of Contemporary Art and LGBTQ+ Studies and core faculty in Columbia’s Institute for the Study of Sexuality and Gender. Bryan-Wilson is Curator-at-Large at the Museu de Arte de São Paulo (MASP), where she co-organized the major group exhibitions Women’s Histories, Histories of Dance, and Queer Histories. Her show Louise Nevelson: Persistence, was an official Collateral Event of the Venice Biennale in 2022, and in 2024 she served as the President of the International Jury of the 60th Venice Biennale.

Program Admission:

General Admission – $25
ArtTable Members – $15
ArtTable Member Guests – $20

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Abigail Ogilvy Gallery

1923 S Santa Fe Ave #100
Los Angeles, California 90021 + Google Map

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Image: Photo documentation of Lotty Rosenfeld, Una Milla de Cruces Sobre el Pavimento (One mile of crosses on the pavement), 1979. Art action in front of the Moneda Palace,Santiago de Chile, 1979. Courtesy Fundación Lotty Rosenfeld

Virtual | ArtTable’s Professional Development Series: Email Marketing Mastery for Arts Professionals with Jean Blackwell Font

November 6, 2025 | 3:00 pm – 4:00 pm

Transform your email marketing from afterthought to powerhouse! Join us for a comprehensive deep-dive into email marketing strategies specifically designed for arts professionals, galleries, museums, and creative organizations. Whether you’re launching your first newsletter or looking to revitalize your existing campaigns, this workshop will equip you with actionable strategies and best practices.

What You’ll Learn:

• Foundation & Strategy: Building an email marketing plan that aligns with your artistic goals and audience needs

• List Building: Proven techniques to grow your subscriber base authentically within the arts community

• Content That Converts: Crafting compelling subject lines, engaging content, and calls-to-action that resonate with arts audiences

• Platform Selection: Choosing the right email marketing platform for your needs and budget

• Campaign Types: From exhibition announcements to donor cultivation – which formats work best for different goals

• Measuring Success: Understanding metrics that matter and optimizing for better engagement Interactive Elements:

• Live platform demonstrations

• Real-world case studies from successful arts campaigns

• Q&A troubleshooting session

• Resource toolkit for immediate implementation

Perfect For: Gallery directors, museum professionals, independent artists, arts administrators, curators, and anyone looking to strengthen their digital marketing toolkit in the visual arts sector.

Led by: Jean Blackwell Font, Creative Director of Font Squared and MailChimp Certified Partner with 20+ years in arts marketing and nonprofit management.

The zoom link will be provided upon registration.

Program Admission:

ArtTable Members – $10
General Admission – $15

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Abigail Ogilvy Gallery

1923 S Santa Fe Ave #100
Los Angeles, California 90021 + Google Map

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Jean Blackwell Font is a mixed media artist and the Co-founder & Creative Director of Font Squared, a Miami-based digital marketing agency specializing in empowering artists and nonprofit organizations.

With over two decades of experience spanning arts, hospitality, and nonprofit sectors, Jean approaches marketing with an artist’s eye for innovation. Her strategic digital marketing campaigns and promotional initiatives have helped organizations collectively secure over a million dollars in funding through successful donor engagement and community outreach. As a Miami Foundation Community Advisor and grant reviewer for Miami-Dade County, she brings valuable insights to both sides of the funding equation.

A Squarespace Expert and member of both ArtTable and Phi Beta Kappa, Jean champions women’s leadership in the visual arts while maintaining the highest standards of professional excellence. Her artwork has captured the attention of prominent Miami collectors and is featured in Florida International University’s Special Collections.

Through Font Squared, established in 2017, Jean leads comprehensive marketing workshops and provides strategic support for artists and nonprofits, with services ranging from website development to email campaigns and social media management. Her unique methodology merges creative intuition with digital strategy, helping cultural organizations and artists build sustainable online presences.

Virtual | ArtTable’s Professional Development Series: Art Writing for Art Professionals with Robin Cembalest

September 30, 2025 | 2:00 pm – 3:00 pm

In this empowering workshop, Robin Cembalest demystifies the distinctive and often challenging process of writing about visual art. In her presentation, she’ll share examples and templates for different types of professional art writing, from press releases to Instagram posts. As the longtime editor of ARTnews, Robin taught generations to write professionally. Gallerist or artist, educator or curator, this class will give you the tools, skills, and best practices to write clearly and accessibly, with less stress and more success.

The zoom link will be provided upon registration.

Program Admission:

ArtTable Members – $10
General Admission – $15

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Abigail Ogilvy Gallery

1923 S Santa Fe Ave #100
Los Angeles, California 90021 + Google Map

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Respected journalist, influential Instagrammer, and the former longtime editor of ARTnews, Robin Cembalest trains art professionals how to communicate effectively about themselves, their work, and their projects. She teaches writing, social media, public speaking, and other essential skills across the art industry. An early art-world adapter to social media, Robin has built a specialty in career development for the digital era, helping institutions and individuals to create and implement organic content strategies.

A mentor to generations of emerging writers, Robin now helps visual artists to express themselves in her workshops at schools, residencies, and organizations. She is a faculty member of the School of Visual Arts, an instructor in the Bronx Museum’s AIM program, and a coach at Creative Capital. Widely published in the art and mainstream press, Robin won several awards for investigative reporting, writing key stories on the culture wars, censorship, multiculturalism, and museum politics. She is best known today as @rcembalest, handle of her popular Instagram chronicling her travels in the art world.

Los Angeles, CA | Artist Talk and Exhibition Walkthrough with Rebecca Morris

September 20, 2025 | 11:00 am – 12:00 pm

Rebecca Morris' studio — Rebecca Morris studio, Los Angeles, February 24, 2025. Photo: Flying Studio.

Join ArtTable at Regen Projects for an Exhibition Walkthrough with Rebecca Morris!

Regen Projects is pleased to present #34, Los Angeles-based artist Rebecca Morris’s first solo exhibition with the gallery and the thirty-fourth of her career. Over the past thirty years Morris has established a sophisticated visual lexicon to expand the limits and possibilities of non-objective abstraction in painting. As Hamza Walker has written, “Rebecca Morris’s commitment to abstraction lies somewhere between the poles of fierce and rabid, a prerequisite for coping with a pluralism arising not only from across disciplines but from within the discipline of painting itself.”

Parking is available behind the gallery as well as on the street.

Program Admission:

General Admission – $25
ArtTable Members – $15
ArtTable Guests – $20

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Abigail Ogilvy Gallery

1923 S Santa Fe Ave #100
Los Angeles, California 90021 + Google Map

ArtTable Artist Talk programs are generously
supported by the Pollock-Krasner Foundation.

Photography by Flying Studio. © Rebecca Morris, Courtesy of the artist and Regen Projects.

Rebecca Morris (b.1969 Honolulu, Hawaii) lives and works in Los Angeles. The survey Rebecca Morris: 2001–2022, curated by Jamillah James, opened at the ICA Los Angeles in 2022 and traveled to the MCA Chicago in 2023, accompanied by a comprehensive monograph. Morris has been the subject of significant solo institutional exhibitions at the Blaffer Art Museum, Houston (2019); Bonnefanten Museum, The Netherlands (2014); LAXART, Los Angeles (2014); and The Renaissance Society, Chicago (2005). Her work has been included in notable group shows at the Wexner Center for the Arts, Columbus (2018); Made in L.A. at the Hammer Museum, Los Angeles (2016), and the Whitney Biennial, New York (2014). In 2015, Morris presented a special project at the artist-run 356 Mission in Los Angeles.

Morris’s work is included in numerous public and private collections, among them the Whitney Museum of American Art, New York; Art Institute of Chicago; Hirschhorn Museum and Sculpture Garden, Washington, D.C.; Hammer Museum, Los Angeles; MoCA, Los Angeles; MCA Chicago; MCA San Diego; DePaul Art Museum, Chicago; Bonnefanten Museum, The Netherlands; Speed Art Museum, Kentucky; Sammlung Goetz, Munich; Hall Art Foundation, Vermont and Germany; and Berezdivin Collection, Puerto Rico. Morris has received awards and fellowships from the Joan Mitchell Foundation, John Simon Guggenheim Memorial Foundation, Louis Comfort Tiffany Foundation, California Community Foundation Fellowship for Visual Art, and Art Matters Inc., among others.

New York, NY | Guided Tour of “Coco Fusco: Tomorrow, I Will Become an Island” with Zuna Maza

October 3, 2025 | 12:30 pm – 1:30 pm

Coco Fusco, Dolores From 10 to 10, 2001. Video Installation, 98 min. Courtesy of the artist and Mendes Wood DM, São Paolo, Brussels, Paris, New York.

Join ArtTable at El Museo del Barrio for a Curator-Led Tour of Coco Fusco: Tomorrow, I Will Become an Island with Zuna Maza!

El Museo del Barrio is proud to present the first U.S. survey of influential Cuban-American artist, writer, and activist Coco Fusco (b. 1960, lives in New York). A renowned artist, writer, and activist, Fusco has been globally lauded for her distinctly perceptive, acerbic, and piercing voice. Since the 1990s, her films, photographs, texts, installations, and performances have addressed the dynamics of politics and power in relation to issues of representation, culture, and institutional critique.

The exhibition will include more than three decades of Fusco’s artistic production, positioning her as one of the foremost artists shaping the contemporary art field. Spanning her now-canonical performance “Two Undiscovered Amerindians Discover the West” (presented with Guillermo Gomez-Peña) to her on-going investigation of post-revolutionary Cuban history and her most recent photographic explorations around U.S. politics, the show will offer an expansive view of her multidisciplinary career.

Program Admission:

General Admission – $25
ArtTable Members – $15
ArtTable Member Guests – $20

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Abigail Ogilvy Gallery

1923 S Santa Fe Ave #100
Los Angeles, California 90021 + Google Map

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Image: Coco Fusco, Dolores From 10 to 10, 2001. Video Installation, 98 min. Courtesy of the artist and Mendes Wood DM, São Paolo, Brussels, Paris, New York.

Washington, DC | Curator-Led Tour of “Women Artists from Antwerp to Amsterdam, 1600-1750” with Virginia Treanor

October 22, 2025 | 3:00 pm – 4:00 pm

Rachel Ruysch, Roses, Convolvulus, Poppies and Other Flowers in an Urn on a Stone Ledge, ca. late 1680s; Oil on canvas, 42 1/2 x 33 in.; NMWA, Gift of Wallace and Wilhelmina Holladay; Photo by Lee Stalsworth

Join ArtTable at the National Museum of Women in the Arts for a Curator-Led Tour of Women Artists from Antwerp to Amsterdam, 1600-1750 with Senior Curator Virginia Treanor!

Women Artists from Antwerp to Amsterdam, 1600-1750 showcases a broad range of work by more than forty Dutch and Flemish women artists, including Gesina ter Borch, Maria Faydherbe, Anna Maria de Koker, Judith Leyster, Magdalena van de Passe, Clara Peeters, Rachel Ruysch, Maria Tassaert, Jeanne Vergouwen, Michaelina Wautier, and more. Presenting an array of paintings, lace, prints, paper cuttings, embroidery, and sculpture, this exhibition draws on recent scholarship to demonstrate that a full view of women’s contributions to the artistic economy is essential to understanding Dutch and Flemish visual culture of the period.

Virginia (Ginny) Treanor, Ph.D. serves as Senior Curator, National Museum of Women in the Arts Treanor is the Senior Curator at the National Museum of Women in the Arts (NMWA) in Washington, D.C. and holds a Ph.D. in seventeenth-century Dutch and Flemish art, which she earned at the University of Maryland. Treanor has held positions at the Smithsonian American Art Museum and the National Gallery of Art, among other institutions. During her time at NMWA, Treanor has curated numerous contemporary exhibitions, including four installments of NMWA’s Women to Watch exhibition series: Organic Matters (2015), Heavy Metal (2018), Paper Routes
(2020), and New Worlds (2024).

Program Admission:

ArtTable Members – $15
ArtTable Member Guests – $20
General Admission – $25

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Abigail Ogilvy Gallery

1923 S Santa Fe Ave #100
Los Angeles, California 90021 + Google Map

Image: Rachel Ruysch, Roses, Convolvulus, Poppies and Other Flowers in an Urn on a Stone Ledge, ca. late 1680s; Oil on canvas, 42 1/2 x 33 in.; NMWA, Gift of Wallace and Wilhelmina Holladay; Photo by Lee Stalsworth