New York, NY | Curator-Led Tour of the Studio Museum in Harlem with Natasha L. Logan

January 14, 2026 | 12:30 pm 1:30 pm

The Studio Museum in Harlem's New Building. Photo: © Albert Vecerka/Esto
The Studio Museum in Harlem’s New Building. Photo: © Albert Vecerka/Esto

Join ArtTable for an exciting tour of the newly reopened Studio Museum in Harlem with Natasha L. Logan, Chief Program Officer.

The Studio Museum in Harlem is the nexus for artists of African descent locallynationally, and internationally and for work that has been inspired and influenced by Black culture. It is a site for the dynamic exchange of ideas about art and society.

The Studio Museum’s new building is the first in its history created expressly for the needs of the institution and its communities. Located on West 125th Street, it occupies the site on which the Studio Museum had been operating since 1982.

Natasha Logan is the Chief Program Officer at the Studio Museum in Harlem providing strategic direction for the comprehensive realization of Museum programs such as exhibitions, learning and engagement, and the permanent collection. Logan is a cultural producer and arts worker. Most recently, she was the Deputy Director at Creative Time, where she played a critical role in producing major commissions and securing new partnerships. Logan has produced more than a dozen large- scale public commissions, including Charles Gaines’s Moving Chains, Rashid Johnson’s Red Stage, Kamala Sankaram’s The Last Stand, Duke Riley’s Fly by Night, and Jenny Holzer’s’ VIGIL, and realized projects by many others, including Pedro Reyes, Allison Janae Hamilton, Jill Magid, Sophie Calle, and Phil Collins. Working in tandem with curators, she also developed a constellation of initiatives focused on transforming the art and culture fields, including the Creative Time Think Tank, R&D Fellowship, and CTHQ, a gathering space for art and politics.

Prior to joining Creative Time, Logan managed projects for respected artists across film, art, and interactive technology, facilitating their emergent ideas and practices. Notably, she led Hank Willis Thomas’s studio for five years, developing collaborative initiatives including Question Bridge: Black Males and In Search of The Truth (The Truth Booth). 

Logan obtained a degree in English and African American studies from the University of Virginia before starting her career at NYU. She eventually assumed the role of Assistant Director of Career Development at NYU’s Tisch School of the Arts, where she supported hundreds of emerging artists and solidified a deep commitment to cultivating and elevating artists’ voices.

Program Admission:

  • ArtTable Members: $20
  • ArtTable Member Guests: $25

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Please note that ArtTable registration fees go toward administrative costs for the nonprofit organization.

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Studio Museum in Harlem

144 W 125th Street
New York, New York 10027
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Washington, DC | Topic Dinner: Monuments & Public Art with Carol Duke and Regan Larroque

January 15, 2026 | 5:30 pm 7:30 pm

SeanPavonePhoto/iStock, Vietnam Memorial
Maya Lin’s Vietnam Veterans Memorial

ArtTable is delighted to announce the return of its Topic Dinner Series, bringing together leaders, thinkers, and creatives across the arts for an evening of connection and conversation. Hosted by ArtTable Board Members Carol Duke and Regan Larroque, we will gather in Washington, DC, a city where monuments, memorials, and public spaces are not only iconic landmarks but active participants in the nation’s cultural dialogue.

Our evening will begin with one hour of networking and a happy hour with drinks and light bites.

At 6:30 pm, we will transition into a thought-provoking discussion centered on this session’s theme: Monuments and Public Art. In a city defined by its symbolic landscape, from the National Mall to neighborhood murals, Washington, DC, provides a powerful backdrop for exploring questions such as:

  • How do monuments and public artworks influence our experience of shared spaces?
  • What do these structures communicate about power, memory, identity, and belonging?
  • How are communities rethinking the presence, absence, or removal of monuments in response to evolving social and cultural perspectives?
  • What responsibilities do artists, institutions, and civic leaders hold in shaping the visual and symbolic landscape of our cities?

This Topic Dinner invites open dialogue around the past, present, and future of public art, considering both its creative potential and its complex histories.

We look forward to welcoming you back to the table for an evening of thoughtful exchange, meaningful connections, and collective inquiry.

Full address will be provided upon registration.

Program Admission:

  • ArtTable Members – $25
  • ArtTable Member Guests – $35*

*Each member is allowed to bring one guest with them at this timeWe encourage members to bring a member of the visual arts field who would enjoy this community engagement opportunity.

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

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Studio Museum in Harlem

144 W 125th Street
New York, New York 10027
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DLR Group

This program is generously supported by the DLR Group.

Image credits: SeanPavonePhoto/iStock

New York, NY | Finer Things at Bonhams New York

December 2 | 6:00 pm 8:00 pm

FINER THINGS at Bonhams New York

Join Bonhams for a private viewing of their upcoming December Luxury sales, including Hermès: From The Vault, New York Fine Watches, and New York Jewels.

Food by Bad Taste, Treats by Bon Bon, Drinks by Código 1530, and Tequila & Perrier-Jouët will be provided.

Program Admission:

  • ArtTable Patron, Circle, and Benefactor Members – Free

Not a member? Join today!

Please note that ArtTable registration fees go toward administrative costs for the nonprofit organization.

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Studio Museum in Harlem

144 W 125th Street
New York, New York 10027
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View Venue Website

New York, NY | Luxury Goods Handling Experience at Bonhams

December 5 | 9:30 am 11:00 am


A RARE AND IMPRESSIVE FANCY VIVID BLUE DIAMOND RING
$3,500,000–5,500,000

Please join Bonhams for a breakfast walkthrough and handling session ahead of our upcoming New York Jewels auction.

This season’s sale is led by a rare and exceptional 3.13-carat fancy vivid blue diamond ring, accompanied by important creations from Van Cleef & Arpels, Bulgari, Cartier, and Tiffany & Co. Additional highlights include a magnificent sapphire and diamond ring, an exquisite emerald and diamond brooch, and a striking necklace featuring amethyst, tsavorite, and colored diamonds.

Select pieces from New York Fine Watches and Hermès: From the Vault will also be on view.

Program Admission:

  • ArtTable Patron, Circle, and Benefactor Members – Free
  • ArtTable Members – $15
  • Member Guests – $20

Not a member? Join today!

Please note that ArtTable registration fees go toward administrative costs for the nonprofit organization.

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Studio Museum in Harlem

144 W 125th Street
New York, New York 10027
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View Venue Website

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.


Image:
A RARE AND IMPRESSIVE FANCY VIVID BLUE DIAMOND RING
$3,500,000–5,500,000

Baltimore, MD | Curator-Led Tour of “Amy Sherald: American Sublime” with Asma Naeem

November 13 | 3:30 pm 4:30 pm

Amy Sherald. Ecclesia (The Meeting of Inheritance and Horizons). 2024. Courtesy the artist and Hauser & Wirth. © Amy Sherald. Photo by Kelvin Bulluck, courtesy the artist and Hauser & Wirth

Join ArtTable for a curator-led tour of Amy Sherald: American Sublime at the Baltimore Museum of Art! 

The exhibition tells the story of Sherald’s vision and practice through approximately 40 paintings created from 2007 to the present—from her early, rarely seen works to her iconic, larger-than-life portraits of Black Americans in everyday moments.

American Sublime in Baltimore is more than an exhibition—it’s an occasion of civic pride and cultural affirmation. Sherald graduated from the Maryland Institute College of Art, studying under the famed painter Grace Hartigan, and worked in Baltimore during her formative years.

Asma Naeem (she/her) was appointed the Dorothy Wagner Wallis Director at the Baltimore Museum of Art (BMA) in January 2023. She is the eleventh director of the 110-year-old museum and also the first person of color and the first person raised in Baltimore to lead the organization.

Naeem is widely recognized for her advocacy of women and underrecognized artists, for her scholarship in contemporary and American art, and for her vision and work in collections diversification. She had previously served as the BMA’s Interim Co-Director since June 2022, and as the Museum’s Eddie C. and C. Sylvia Brown Chief Curator since 2018, organizing exhibitions on the work of such artists as Candice BreitzIsaac JulienSalman Toor, and Valerie Maynard. Her most recent exhibition, The Culture: Hip Hop and Contemporary Art in the 21st Century, still on tour, explored the political, cultural, and aesthetic attributes that have made hip hop a global phenomenon and established it as the artistic canon of our time.

Program Admission:

  • General Admission – $35
  • ArtTable Members – $25
  • ArtTable Member Guests – $30

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

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Studio Museum in Harlem

144 W 125th Street
New York, New York 10027
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View Venue Website

Image: Amy Sherald. Ecclesia (The Meeting of Inheritance and Horizons). 2024. Courtesy the artist and Hauser & Wirth. © Amy Sherald. Photo by Kelvin Bulluck, courtesy the artist and Hauser & Wirth

Chicago, IL | Curator-Led Tour of “Yoko Ono: Music of the Mind” with Jamillah James

November 6 | 10:00 am 11:00 am

Visitors explore Yoko Ono’s Add Colour (Refugee Boat) (1960/2016) in Yoko Ono: Music of the Mind, Tate Modern, London, February 15–September 1, 2024. © Yoko Ono. Photo © Oliver Cowling, courtesy of Tate.

Join ArtTable and Manilow Senior Curator Jamillah James for a curator-led tour of Yoko Ono: Music of the Mind!

Yoko Ono: Music of the Mind presents one of the most comprehensive exhibitions to date of Yoko Ono, the trailblazing artist, celebrated musician, and formidable campaigner for world peace. This remarkable retrospective—on view at the MCA as the only US venue—celebrates key moments of Ono’s career, showcasing art driven by ideas and expressed in poetic, humorous, and profound ways.

Tracing Ono’s career since the 1950s, Music of the Mind presents over 200 works across a variety of media including performance footage, music and sound recordings, scores, film, photography, installation, and archival materials. Participatory artworks—a key aspect of Ono’s practice—also feature in the exhibition, and visitors are invited to partake in several interactive, instruction-based artworks throughout Music of the Mind.

Program Admission:

  • General Admission – $35
  • ArtTable Members – $25
  • ArtTable Member Guests – $30

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

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Studio Museum in Harlem

144 W 125th Street
New York, New York 10027
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View Venue Website

Image: Visitors explore Yoko Ono’s Add Colour (Refugee Boat) (1960/2016) in Yoko Ono: Music of the Mind, Tate Modern, London, February 15–September 1, 2024. © Yoko Ono. Photo © Oliver Cowling, courtesy of Tate.

New York, NY | Curator-Led Tour of “Ruth Asawa: A Retrospective” with Cara Manes

October 28 | 11:00 am 12:00 pm

Ruth Asawa. Untitled (S.535, Hanging Five-Lobed Continuous Form within a Form with Spheres in the First and Fourth Lobes and a Teardrop Form in the Third Lobe), 1951. Iron and brass wire. 87 × 12 1∕2 × 12 1∕2 in. (221 × 31.8 × 31.8 cm). Private collection. © 2025 Ruth Asawa Lanier, Inc., Courtesy David Zwirner.

Join ArtTable at the Museum of Modern Art for a Curator-Led Tour of Ruth Asawa: A Retrospective with Cara Manes!

Featuring some 300 artworks, Ruth Asawa: A Retrospective charts the artist’s lifelong explorations of materials and forms in a variety of mediums, including wire sculpture, bronze casts, drawings, paintings, prints, and public works. This first posthumous survey celebrates the ways in which Asawa continuously transformed materials and objects into subjects of contemplation, unsettling distinctions between abstraction and figuration, figure and ground, and negative and positive space.

Program Admission:

  • ArtTable Members – $15
  • ArtTable Member Guests – $20

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Register Here button

Studio Museum in Harlem

144 W 125th Street
New York, New York 10027
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View Venue Website
NYSCA Logo

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.


Image: Ruth Asawa. Untitled (S.535, Hanging Five-Lobed Continuous Form within a Form with Spheres in the First and Fourth Lobes and a Teardrop Form in the Third Lobe), 1951. Iron and brass wire. 87 × 12 1∕2 × 12 1∕2 in. (221 × 31.8 × 31.8 cm). Private collection. © 2025 Ruth Asawa Lanier, Inc., Courtesy David Zwirner.

Potomac, MD | Guided Tour of Glenstone and Networking Reception with Nora Cafritz & Annie Farrar

November 24 | 2:30 pm 4:15 pm

External view of Glenstone

Join ArtTable and Senior Director of Collections Nora Cafritz and Director of Registration Annie Farrar on a tour of the Glenstone Pavilions highlighting exhibitions by Simone Leigh, Jenny Holzer, Alex Da Corte, and Juane Quick-to-See-Smith. Enjoy hearing curatorial and logistical behind-the-scenes insights, followed by drinks in our Café.  

Guided by the personal vision of its founders, Emily and Mitch Rales, Glenstone assembles post-World War II artworks of the highest quality that trace the greatest historical shifts in the way we experience and understand art of the 20th and 21st centuries. These works are presented in a series of refined indoor and outdoor spaces designed to facilitate meaningful encounters for visitors.

ArtTable Lila Harnett Executive Director Jessica L. Porter will be in attendance.

Program Admission:

  • General Admission – $25
  • ArtTable Members – $15
  • ArtTable Member Guests – $20

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

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Studio Museum in Harlem

144 W 125th Street
New York, New York 10027
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View Venue Website

Nora Severson Cafritz headshot

Nora Severson Cafritz is Senior Director of Collections at Glenstone Museum in Potomac, Maryland. Under the direction of the founders, she oversees Glenstone’s 2,000-piece contemporary art collection and art program. She serves on the museum’s Leadership Team, driving overall strategy, team management, and culture. Cafritz is responsible for organizing exhibitions, managing the loan program, editing publications, and supervising a team of around 15 curators, conservators, and collections specialists, as well as working closely with artists on acquisitions and site-specific commissions. At Glenstone, she has organized over a dozen major monographic exhibitions including recent presentations by Cady Noland, Ellsworth Kelly, Faith Ringgold, Arthur Jafa, Rirkrit Tiravanija, Lygia Pape, Martin Puryear, and Michael Heizer. Prior to joining Glenstone, she worked in external affairs at the National Museum of African Art, Smithsonian Institution.

Annie Farrar Headshot

Annie Farrar is the Director of Registration at Glenstone where she leads Registration and Preparation and serves on the Core Management Team. Her areas of expertise include working with all media of contemporary art, monumental scale artworks, international shipping and logistics, courier travel, sustainability, and interest in fine art insurance. She has presented at professional organizations including the American Alliance of Museums, the Association of Registrars and Collections Specialists, and the Museum Computer Network. Prior to coming to Glenstone she held registration positions at the Smithsonian American Art Museum and Hirshhorn Museum and Sculpture Garden. She has a BFA in Painting from the Maryland Institute College of Art and an MA in Museum Studies & Collections Management from George Washington University.

Washington, DC | Curator-Led Tour of “Anonymous Was a Woman: Jae Ko | linn meyers | Joyce J. Scott | Renée Stout” with Dr. Vesela Sretenović

November 5 | 3:00 pm 4:00 pm

Pictured (left to right): Detail, linn meyers, The Moon is a Thief, 2025, acrylic ink and acrylic gouache on linen. Courtesy of the Artist. Detail, Jae Ko, Rhombus #3, 2025, rolled paper, pigmented ink. Courtesy of Opera Gallery/Artist. Detail, Joyce J. Scott, Untitled Fairy Tale from The Graphic Novel Series, 2019-2020, glass beads, thread, wire. Courtesy of Goya Contemporary Gallery/Artist. Detail, Renée Stout, I Trust My Third Eye, 2025, acrylic on panel. Courtesy of Marc Straus Gallery/Artist.

Join ArtTable for a curator-led tour of Anonymous Was A Woman: Jae Ko | linn meyers | Joyce J. Scott | Renée Stout at The Kreeger Museum, led by exhibition curators Dr. Vesela Sretenović.

Anonymous Was a Woman: Jae Ko | linn meyers | Joyce J. Scott | Renée Stout, dovetails with the recent group exhibition, Anonymous Was a Woman: The First 25 Years organized by and presented at the New York University’s Grey Art Museum, April 1-July 19, 2025, and co-curated by Nancy Princenthal and Vesela Sretenović.

The Grey exhibition celebrated the first quarter-century of the Anonymous Was a Woman (AWAW) grant program, established in 1996 by visionary philanthropist and artist Susan Unterberg. The program is dedicated to supporting mid-career women artists living and working in the United States. Its name refers to a phrase in Virginia Woolf’s essay A Room of One’s Own, which underscores the challenges that creative women have historically faced in a male-dominated society. 

The Kreeger Museum’s exhibition, curated by Sretenović, focuses exclusively on four AWAW recipients who reside and work in the Washington, DC metropolitan area: Jae Ko (AWAW 2012), linn meyers (AWAW 2023), Joyce J. Scott (AWAW 1997), and Renée Stout (AWAW 1999). While the Grey exhibition featured works created around the time of each artist’s award, The Kreeger Museum’s presentation spotlights the most recent work of its participating artists, picking up where the Grey show left off in 2020. Moreover, whereas the Grey offered a broader overview of artistic production by women-artists in the first 25 years of the award, The Kreeger Museum aims to present a more focused, in-depth look at the new works of Ko, meyers, Scott, and Stout.

In this respect, The Kreeger Museum’s exhibition not only celebrates artists based in the DMV area —aligning with the Museum’s mission—but also extends the reach of the AWAW program beyond New York City, further disseminating its mission: to support and bring greater visibility to the creative output of women artists.

Program Admission:

  • General Admission – $30
  • ArtTable Members – $20
  • ArtTable Member Guests – $25

All registrants for this event will be provided with a
20% discount on ArtTable’s limited edition scarf
celebrating 25 Years of Anonymous Was a Woman
,
created in 2021 in conjunction with ArtTable’s 45 year
anniversary and the year Susan Unterberg received
the Distinguished Service to the Visual Arts Award.
Made of 100% silk habotai, only a handful of scarves
remain in our inventory!

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

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Studio Museum in Harlem

144 W 125th Street
New York, New York 10027
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About the Curator

Dr. Vesela Sretenović has been a long-time curator of modern and contemporary art with special interest in cross-disciplinary art practices and in bridging theoretical knowledge with hands-on experience. Most recently (2009-23) she served as Director of Contemporary Art Initiatives and Academic Affairs at The Phillips Collection in Washington DC. During her tenure, she had organized Intersections, a series of ongoing contemporary art projects, as well as monographic exhibitions of prominent artists including Robert Ryman, Ellsworth Kelly, Antony Gormley, and the first museum retrospective of Cuban artist Zilia Sanchez. Additionally, she oversaw academic partnership initiatives with the University of Maryland (UMD) and the University of Virginia (UVA). Prior to The Phillips, Sretenović worked at Brown University, the University at Buffalo SUNY, and the Brooklyn Museum of Art. She is a frequent visiting faculty, teaching modern and contemporary art history and theory, and works as an independent curator. Sretenović holds a BA in Art History from University of Belgrade, Former Yugoslavia, an MA from the School of the Art Institute of Chicago, and a PhD in Humanities from Syracuse University.

Image credits:

Pictured (left to right): Detail, linn meyers, The Moon is a Thief, 2025, acrylic ink and acrylic gouache on linen. Courtesy of the Artist. Detail, Jae Ko, Rhombus #3, 2025, rolled paper, pigmented ink. Courtesy of Opera Gallery/Artist. Detail, Joyce J. Scott, Untitled Fairy Tale from The Graphic Novel Series, 2019-2020, glass beads, thread, wire. Courtesy of Goya Contemporary Gallery/Artist. Detail, Renée Stout, I Trust My Third Eye, 2025, acrylic on panel. Courtesy of Marc Straus Gallery/Artist.

Miami, FL | Curator-Led Tour of “Women Pulling At The Threads of Social Discourse: Don’t Be Absurd” with Melanie Prapopoulos

October 18 | 12:00 pm 1:45 pm

Women Pulling At The Threads of Social Discourse: Don't Be Absurd

Join ArtTable at the CAMP Gallery for a guided tour of Women Pulling At The Threads of Social Discourse: Don’t Be Absurd followed by a networking reception!

The exhibition will explore absurdism, referencing Franz Kafka, Albert Camus, Simone de Beauvoir, Jose Saramago and/or Samuel Beckett. Artists will apply the ideas and concepts in these works to our modern world, through which industry and politics, is still and often dehumanized. Sub-topics include but are not limited to childhood in industrial societies, sexuality, gender, women’s rights, and education. We asked artists to create circular fiber works to symbolize the continuation of hope in our present experience as we strive to overcome a certain sense of nothingness. 

Registration:

  • ArtTable Members – $15
  • ArtTable Member Guest – $20
  • General Admission – $25
Register Here button

Studio Museum in Harlem

144 W 125th Street
New York, New York 10027
+ Google Map
View Venue Website
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