Seattle, WA | Seattle Art Weekend

October 8, 2022 | 12:00 pm

Painting by Kelly Bjork

Join ArtTable for two days visiting contemporary art galleries and museums in Seattle, Washington!

Saturday, October 8

  • Georgetown – Koplin del Rio (Ellen Garvens: Holding Unsteady) and studio e (Warren Dykeman: “Never mind, it’s absolutely pure.”)
  • Pioneer Square – J. Rinehart Gallery (Kelly Bjork), Martyr Sauce Museum of Pop Culture (Visit with founder Tariqa Waters), and Linda Hodges Gallery (Cable Griffith)
  • Downtown – Lucia Marquand (visit with founder Adrian Lucia), Traver Gallery (Dale Chihuly), and a No-Host happy hour at Von’s 1000 Spirits

Sunday, October 9

  • Downtown – Seattle Art Museum (Alberto Giacometti: Toward the Ultimate Figure)
  • Capitol Hill – Frye Art Museum (Srijon Chowdhury: Same Old Song), AMcE Creative Arts (Robert Hardgrave: Pearl), and Henry Art Gallery Offsite at Volunteer Park (Chloë Bass: Soft Services)

Please note that attendees are responsible for their own transportation and lodging, if needed. Attendees are encouraged to connect with others regarding carpools and shared accommodations.

Admission:

  • Saturday, October 8 Only – $20 for ArtTable members / $35 for Non-members
  • Sunday, October 9 Only – $25 for ArtTable members / $40 for Non-members
  • Full Weekend – $40 for ArtTable members / $70 for Non-members

Not a member? Join today!

Please review the below before registering:

Please bring a mask as they are recommended if not required at all venues.

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

All venues are fully ADA accessible. If you would like more specific information about accessibility or need particular accommodations for this program, please email Haley at [email protected].

Attendees should plan to meet at Koplin del Rio at 6107 13th Avenue S, Seattle, WA. Please note that attendees are responsible for their own transportation and lodging, if needed. Attendees are encouraged to connect with others regarding carpools and shared accommodations.

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Images: Kelly Bjork, Boba (working title), 2022, Gouache, high load acrylic, and pencil on paper, 15 x 20 inches

Thank you to the Martyr Sauce Pop Art Museum and Seattle Art Museum for their hospitality.

Koplin del Rio

6107 13th Ave South
Seattle, Washington 98108 United States
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New York, NY | Exhibition Tour – Marta Minujín: A Survey, at Henrique Faria Fine Art

October 19, 2022 | 5:30 pm

3 artworks by Marta Minujín are displayed in a room with white walls

Join ArtTable in New York City for a tour of Marta Minujín: A Survey at Henrique Faria Fine Art, led by gallery director Eugenia Sucre.

This is the artist’s third solo exhibition at the gallery and one of many held in New York City since the 1960s. This exhibition features a selection of works across various modalities—ranging from painting, sculpture, video, and installation—and holds a privileged position from which to view , or survey, the creative and dynamic movements Minujín has made throughout her six-decade long career. These works represent important themes that Minujín has addressed and the major trends that Minujín has dipped her toes into. Most importantly, these works reveal the personal growth of an artist who is always striving to remain open to new means of expression and experimentation, but above all, to remain true to herself.

Click here to read the full press release.

Admission:

  • ArtTable Members – $10
  • Member Guests/Non-Members – $20

Not a member? Join today!

Please review the below before registering:

Face masks are optional at the gallery.

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

The gallery is on the 4th floor, with a small elevator in the building.

If you would like additional information about accessibility or need particular accommodations for this program, please email Haley at [email protected].

Henrique Faria Fine Art is located at 35 E 67th St, New York, NY 10065. Click here for directions from any location.

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This program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.


About Eugenia Sucre

Eugenia Sucre stands in a gallery with a large art installation behind herEugenia Sucre has been the director of Henrique Faria New York since 2013. Henrique Faria is a gallery specialized in the promotion of Latin American Art for over 20 years. The gallery specializes in modern and contemporary art, with a strong emphasis on Geometric Abstraction and Conceptualism.

The Gallery maintains a rigorous exhibition program and participates continuously in international art fairs such as Frieze London and New York, Art Basel Miami, Paris Photo, Zona Maco, Mexico and ARCOmadrid, amonst others. As the demand for Latin American art increases, the gallery has gathered the attention of international collectors, curators, museums, and institutions. Previously, Sucre was part of the Fundraising and Event Management team at the Museu d’Art Contemporani de Barcelona (MACBA) and the Assistant Director of Faría+Fábregas Galería, Caracas from 2007 to 2010.

In her spare time, Eugenia is also an independent producer of art projects and supports non profit organizations in Venezuela, her country or origin. Eugenia has a Master’s Degree in Museum Management from the Universitat Pompeu Fabra, Barcelona. Instagram: @eusucre

Desde el 2013 Eugenia Sucre es la directora de Henrique Faria, Nueva York. Henrique Faria es una galería dedicada a proyectar y promover a artistas latinoamericanos desde hace más de dos décadas.

La galería se especializa en arte moderno y contemporáneo con un fuerte énfasis en Abstracción Geométrica y Conceptualismo. Eugenia cuanta con más de 12 años de experiencia produciendo y gerenciando un rigoroso programa de exhibiciones y participando en ferias de arte internaciones como Frieze London y Nueva York, Art Basel Miami Beach, Paris Photo, Zona MACO, México, y ARCO, Madrid; entre otras. A medida que ha aumentado la demanda de arte latinoamericano, la galería se ha posicionado como un referente a coleccionistas, curadores, museos e instituciones internacionales. Previamente, formó parte del equipo de Recaudación de Fondos y de Gestión de Eventos en el Museu d’Art Contemporani de Barcelona (MACBA) y fue directora asistente de Faria+Fábregas Galería, Caracas desde el 2007 al 2010.

En paralelo, Eugenia trabaja como productora independiente. Entre sus proyectos destacan: organización de legados de artistas, producción de exposiciones de artistas emergentes, diseño gráfico, consultoría de arte, gestión de colecciones y organización de subastas de arte para apoyar a fundaciones sin fines de lucro como Aid For Aids, La Sala Mendoza, Healing Venezuela, Acción Solidaria, Autismo Dejando Huella y Acción por la Libertad. Eugenia tiene una maestría en gestión de museos de la Universitat Pompeu Fabra, Barcelona.  Instagram: @eusucre


Images: Installation shot of Marta Minujín: A SurveyUntitled, ca. 1961-1962; Long-Term Freeze – Self-Portrait with Back Turned (From the Frozen Sex Series), 1975; Untitled, ca.1961-1962; courtesy of Henrique Faria Fine Art

Henrique Faria Fine Art

35 East 67th Street, 4th Floor
New York, New York 10065 United States
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Atlanta, GA | Atlanta Art Week – Private Collection Tour with Cathy Byrd and Curator’s talk with Arnika Dawkins

October 2, 2022 | 12:00 pm

Two artworks, one my Monica McGivern, one by Wendi Schneider

Join ArtTable in Atlanta, GA during the inaugural Atlanta Art Week for a private collection visit with Cathy Byrd and an exhibition visit and tour of Wendi Schneider | States of Grace at Arnika Dawkins Gallery, with gallery founder and owner Arnika Dawkins.

Cathy Byrd invites ArtTable members into her 400 sq ft studio for a conversation about how she creates a sense of place with art, objects, and books collected since the 1970s in the U.S., Europe, South America, Africa, and Asia. 

Arnika Dawkins Gallery is pleased to present States of Grace, a solo exhibition featuring a series of stunning photographic gilded pigment prints by Denver-based photographer Wendi Schneider during the inaugural edition of Atlanta Art Week. Drawn to the serenity she finds in elegant organic forms, Schneider creates unique objects of reverence to preserve vanishing beauty in our vulnerable environment. Schneider is a photographic artist who seeks beauty in a world that challenges our sense of inner peace. Her intuitive photographs center around “illuminated images inspired by the grace of organic forms: flora, fauna, and figura.” Each image is unique, differing in color or texture, and, as the effect of gilding inherently varies, resulting in photographic objects that shimmer with luminosity and elegance. Schneider helps us find our way back to beauty one image at a time.

Admission:

  • ArtTable Members – $25
  • Member Guests/Non-Members – $35
  • Member + Guest – $60

Not a member? Join today!

Please review the below before registering:

Private Collection: Face masks are not required. Hand sanitizer will be available and guests will be invited to use it. Anyone experiencing cold or Covid symptoms is kindly requested to stay home.

Gallery: Face masks are not required.

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

Private Collection: The studio is situated behind and downhill from the main house. There are no stairs, but the path is uneven in a few spots.

Gallery: The gallery is not wheelchair accessible. Guests are required to navigate stairs at this location.

If you would like additional information about accessibility or need particular accommodations for this program, please email Haley at [email protected].

The private collection visit address will be shared with all attendees upon registration. Transportation to and from this program, as well as between locations, will not be provided. Attendees should plan accordingly.

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About the Speakers

Headshot of Cathy ByrdCathy Byrd is a contemporary artist, curator, educator, and art journalist with more than 20 years of experience in the field. Art censorship, the environment, activism, public and performance art, the global diaspora, and technology are among her research interests. Broadening access to art and culture has been her priority since 2011. In a roving audio podcast that she launched from a park bench in Brooklyn, Byrd demystifies contemporary art through stories appealing to the cognoscenti and the curious. She engages with today’s issues and ideas on a platform that fuses digital media, sound art and social practice. Fresh Art International has streamed programming from the Everglades and Key West, São Paulo, Paris, Berlin, Dominican Republic, Trinidad, and Dakar. The first 300 episodes of the podcast feature emerging and established artists, curators, writers, designers and filmmakers, as well as spiritual leaders, scientists, activists, and environmentalists at the center and fringe of creative communities around the world. Byrd considers it a privilege to witness and document the nuanced character of our cultural landscape. 

Portrait of Arnika Dawkins, seated on a benchArnika Dawkins is the owner of her eponymous fine art photography gallery established in Atlanta in 2012. The gallerist shows work by talented emerging and mid-career artists specializing in exhibiting fine art photography by African Americans and images of people from the African Diaspora. Her passion is connecting collectors to photography that is significant, inspiring, and provocative. As a fine art photographer and avid collector, herself, she is a valuable resource to collectors and artists alike. She is passionate about the medium, having obtained a Master of Arts in Digital Photography from the Savannah College of Art and Design. Arnika Dawkins Gallery is a member of the Association of International Photography Art Dealers (AIPAD), where she serves on its board and as Education Committee chair for AIPAD Talks.


Images: Headshots courtesy of the speakers.

Thank you to Lauren Jensen and Waduda Muhammad, ArtTable Chapter Leaders in Metro Atlanta, for organizing this program.

Washington, DC | Qatar America Institute for Culture & Middle East Institute Tours, with Curator Laila Abdul-Hadi Jadallah

October 3, 2022 | 2:00 pm

Installation view of an exhibition of photographs

Join ArtTable in Washington, DC for tours at the Qatar America Institute for Culture and the Middle East Institute with curator Laila Abdul-Hadi Jadallah. We will learn about the QAIC’s new arts initiatives and Perfumery Museum, and tour the exhibition More Than Your Eyes Can See at the MEI. We’ll also have time to chat directly with Jadallah and learn more about her work as a female curator who focuses on narratives of MENA/SWANA (Midde Eastern North African / Southwest Asian and North African) people, who are underrepresented in the arts.

Admission:

  • ArtTable Members – $10
  • Member Guests/Non-Members – $15

Not a member? Join today!

Please review the below before registering:

Qatar Americas Institute for Culture: Face masks are optional.

Middle East Institute: Face masks are optional.

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

Both institutions are wheelchair accessible. Please note that we will be standing and walking some short distances (QAIC and MEI are about a block away from each other), and will be standing in the gallery during the tour, but seating can be accommodated if requested. Please email [email protected] in advance if you'd like to request seating.

If you would like information about accessibility or need particular accommodations for this program, please email Haley at [email protected].

We will meet at the Qatar America Institute for Culture (QAIC), located at 1319 18th Street NW, Washington, DC, 20036 (directly southeast of Dupont Circle). QAIC is a short walk away from the Dupont Circle Metro Station (Red Line) and the N6, L2 and 42 bus lines. There is also garage and 2 hour street parking available.

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About Laila Abdul-Hadi Jadallah

Headshot of Laila Abdul-Hadi JadallahLaila Abdul-Hadi Jadallah is a seasoned arts administrator, writer and exhibition producer, and curator with more than 15 years of experience. She is the Director of Programs at the Qatar America Institute for Culture (QAIC), where she oversees the overall strategic and executive direction of QAIC programs and exhibitions. Prior to joining QAIC, she was the inaugural Managing Director of Washington Studio School and has previously held senior-level positions at the Fabric Workshop and Museum, Art Fraud Insights, and International Arts and Artists, where she worked with numerous arts and cultural partners to lead communications, program development and manage more than 20 major exhibitions. As an independent art consultant and arts writer, she has worked with numerous organizations, partners, and artists to produce or curate exhibitions and programs.


Images: Inside the QAIC Perfumery Museum, courtesy of the QAIC

Qatar America Institute for Culture

1319 18th St NW
Washington, DC, District of Columbia 20036 United States
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Chicago, IL | An Evening at Goldfinch Gallery with Claudine Ise

September 21, 2022 | 5:30 pm 7:30 pm

3 artworks side by side

Join ArtTable in Chicago for an evening at Goldfinch Gallery with owner and director, Claudine Isé. Claudine will speak to us about her career trajectory from various roles within the museum, not-for-profit, and university sectors to making the leap into commercial enterprise by establishing her own gallery. During the evening, she will also provide curatorial insights into three solo exhibitions by artists Yanique Norman, James Kao and Minami Kobayashi.

Admission:

  • ArtTable Members – $10
  • Member Guests/Non-Members – $15

Not a member? Join today!

Please review the below before registering:

Masks are encouraged but not required. Extra masks will not be available so please remember to bring and wear one if you prefer to be masked.

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

The gallery is located on the first floor, and is wheelchair accessible.

If you would like information about accessibility or need particular accommodations for this program, please email Haley at [email protected].

Goldfinch Gallery is located at 319 N. Albany Avenue in a large, brick warehouse building in East Garfield Park. Additional entrance instructions will be relayed to all registered guests.

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About Claudine Isé

Headshot of Claudine IseClaudine Isé (she/her) is the owner and director of Goldfinch, a contemporary art gallery that opened in 2016. Goldfinch’s program focuses on emerging and mid-career artists with a strong focus on painting and sculpture. She is also a Lecturer in the Painting and Drawing department at the School of the Art Institute of Chicago. Prior to moving to Chicago in 2008, Isé was the Associate Curator of Exhibitions at the Wexner Center for the Arts, and before that, was an Assistant Curator at the Hammer Museum in Los Angeles. Over the course of her professional career, she has written extensively about contemporary art in Chicago (and before that, Los Angeles) for publications including Artforum, Art21 Blog (where she also served as Editor), Bad at Sports, Art Papers, the Chicago Tribune and Chicago Magazine, and the Los Angeles Times, among others. She holds a Ph.D. in Film, Literature and Culture from the University of Southern California and a B.A. in English from Pomona College.


Images: Yanique Norman, Monticello: Plot 2, 2022, Found and reconstructed image tinted black and transferred onto watercolor papers with hand-cut and sculptural elements, colored xerox, collage, graphite and iridescent medium; Included in Yanique Norman: Blue to Green on view at Goldfinch; James Kao, Smokeset, 2021, Oil on linen over board; Included in James Kao: “something about grinding down, something about glittering”; Taylor Augustine, painting included in the exhibition “Kiss my petals”

Goldfinch Gallery

319 N. Albany Avenue
Chicago, Illinois 60612 United States
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Portland, OR | Exhibition Tour & Talk by Libby Werbel, Director of the Lumber Room

September 8, 2022 | 5:00 pm 7:00 pm

Interior shot of the Lumber Room exhibition

Current and prospective members are welcome to join ArtTable in Portland, OR for a special tour and talk given by the director of the lumber room, Libby Werbel. She will discuss the current exhibition, fore x four, featuring works from the Miller Meigs Collection curated in conversation with Diedrick Brackens, Sarah Miller Meigs, Ashley Stull Meyers and D’Angelo Lovell Williams.

Join us afterwards for a no-host, end-of-summer cocktail at the Teardrop Lounge nearby!

Admission:

  • ArtTable Members – $10
  • Member Guests/Non-Members – $15

Not a member? Join today!

Please review the below before registering:

Face masks are optional inside the gallery.

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

Please note there is an elevator to enter this space. We will also be walking to the bar afterwards for drinks.

If you would like information about accessibility or need particular accommodations for this program, please email Haley at [email protected].

The lumber room is located at 419 NW 9th Avenue, Portland, OR. Click here for directions from any location.

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About Libby Werbel
Headshot of Libby WerbelLibby Werbel is an artist, curator, and social organizer living and working in Portland, OR. In 2012, she founded the Portland Museum of Modern Art, and institutional critique project aimed to instigate dialogue around self organizing and community driven programs in the arts. With an emphasis on accessibility and engagement, Werbel produces site-based programs using community as her medium. Her investigation in space-making has included alternative exhibitions models in Barcelona, San Francisco, New York City, Joshua Tree and Santa Fe. Most recently Werbel has fulfilled a two year position as Visiting Artistic Director at Portland Art Museum, where she created five exhibitions with an emphasis on re-evaluating the role of the museum titled We.Construct.Marvels.Between.Monuments. Werbel holds the position of Director at the lumber room, the collection house and exhibition space for the prestigious Miller Meigs Collection. She has sat on various granting panels, selection juries and committees for the Regional Arts and Culture Council, Oregon Arts Commission, Ford Family Foundation, PICA, Pacific Northwest College of Art, Disjecta, and National Visual Artist Network and teaches Exhibition Strategies for the MFA studio art program at Portland State University. She spends her time advocating for the arts both locally and nationally.
 

Image: fore x four, 2022, installation view, lumber room

lumber room

419 NW 9th Ave
Portland, Oregon 97209 United States
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Tarrytown, NY | Private Tour of “Women’s Work” at Lyndhurst Mansion

September 17, 2022 | 10:00 am 12:30 pm

A doll displayed in a glass case

Join ArtTable for a private tour of Women’s Work, a groundbreaking exhibition that tracks the deep, pervasive, and continuing influence of the historic female domestic craft tradition in the practice of contemporary women artists, and invites new investigations into the position of women in the contemporary art world. This exhibition brings together 125 historic and contemporary works by women artists, including Yoko Ono, Kara Walker, Judy Chicago, Cindy Sherman, Louis Bourgeois, and Paula Hayes, amongst others. Our group will be led by Lyndhurst docent Nancy Wallach.

Click here to read more about the exhibition, and here for the New York Times writeup about the show.

Admission:

  • ArtTable Members – $10
  • Member Guests/Non-Members – $20

Not a member? Join today!

Please review the below before registering:

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

Lyndhurst is instituting a mask-wearing policy in all indoor spaces. Masks will be provided to those who do not have them. We appreciate your understanding. As in any public setting, we cannot guarantee that you will not be exposed to COVID-19. By visiting Lyndhurst, you voluntarily assume such risks. We recognize that these requirements may represent a challenge to some of our visitors, but we ask for your understanding as we all navigate our way through this pandemic. As circumstances continue to change, our protocols may evolve. Please email us at [email protected] with any questions or concerns.

More information here.

Lyndhurst offers some accessible options for visitors, particularly in its landscape. An ADA-accessible pathway with an adjacent parking area can be visited in our lower landscape, offering majestic views of the Hudson River. Our Classic Mansion tour visits two floors of the mansion. The mansion’s ground floor is fully accessible, with an alternative experience to view rooms on the second floor of the mansion. ADA bathrooms are available at our Welcome Center and in the Bowling Alley.

Certain tours and programs are not recommended for all audiences, particularly those that require climbing multiple flights of stairs or traversing uneven terrain. The Backstairs and Landscape Tours are physically demanding and are not recommended for individuals with limited mobility or small children.

If you would like more information about accessibility or need particular accommodations for this program, please email Haley at [email protected].

Lyndhurst is located at 635 South Broadway, Tarrytown, NY 10591, one-half mile south of the Mario Cuomo Bridge on Route 9. Lyndhurst is approximately 24 miles north of Midtown Manhattan. Click here to get directions from any location.

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Image: Photograph courtesy of Historic New England, Cover design by Tim Balboni.

Lyndhurst Mansion

635 South Broadway
Tarrytown, New York 10591 United States
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Philadelphia | Private Exhibition Preview at Pentimenti Gallery

September 9, 2022 | 5:00 pm

Artwork by Saskia Fleishman

Join ArtTable in Philadelphia for a private preview of two exhibitions at Pentimenti Gallery, Saskia Fleishman: Light Forms, and Kevin Finklea: Fall 022. We will be joined by gallery Director and Co-Owner, Christine Pfister. Attendees will also have the opportunity to meet with the artists and speak with them about their work. The preview will be followed by time to mingle and network!

Admission:

  • ArtTable Members – $10
  • Member Guests/Non-Members – $20

Not a member? Join today!

Please review the below before registering:

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

Pentimenti Gallery is wheelchair accessible. Indoor seating can be made available if requested.

If you would like information about accessibility or need particular accommodations for this program, please email Haley at [email protected].

Pentimenti Gallery is located at 145 N 2nd St, Philadelphia, PA. Click here for directions from any location.

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About Christine Pfister

Portrait of Christine Pfister, seated on a chairChristine Pfister was born in Switzerland. Upon moving to the United States, she attended Christie’s Education at Christie’s in New York, NY, and has been the Co-Owner and Director of Pentimenti Gallery in Philadelphia, PA since 1995.

Accomplished gallerist with over 20 years of curating exhibitions featuring local, national, and international artists at Pentimenti Gallery, Christine Pfister is an experienced Collection Advisor. Specializing in Contemporary Art, she has worked for private collectors and companies located in the United States, Asia, South America, and Europe.

She has also given many lectures, and participated in panels in the Philadelphia area. Lectures include the Barnes Foundation, the University of Pennsylvania, the University of the Arts, the American Association of Museums, and more.


Image: Saskia Fleishman, Upstate (Eclipse), 38 x 32 inches / 96.6 x 81.3 cm, acrylic and sand on digitally printed chiffon, 2021.

Pentimenti Gallery

145 N 2nd Street
Philadelphia, Pennsylvania 19106 United States
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Houston | Private FotoFest Auction Preview with Janice Bond

September 13, 2022 | 5:00 pm 7:00 pm

An art print showing a female body with a flower bouquet head seated with legs bent at odd angles, holding a shovel

Join ArtTable in Houston, Texas for a private preview tour of the auction for FotoFest with Auction Manager Janice Bond. The auction will include works by Anja Niemi, the Starn brothers, Mónica Alcázar-Duarte, Ori Gersht, Diana Matar, Deborah Roberts, Delilah Montoya, and many other noted contemporary photographers. The official VIP Auction Preview will take place from September 24-29, so we are thrilled to provide ArtTable members with an exclusive first look.

Admission:

  • ArtTable Members – $10
  • Member Guests/Non-Members – $20

Not a member? Join today!

Please review the below before registering:

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

If you would like information about accessibility or need particular accommodations for this program, please email Haley at [email protected].

The preview will take place at River Oaks District, located at 4444 Westheimer Road, Suite D135, Houston, Texas. Click here for directions from any location. The exact meeting location will be shared with registrants.

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About Janice Bond

Headshot of Janice BondJanice Bond is a cultural architect, curator, and art advisor dedicated to building equitable creative ecosystems. Her work as an interdisciplinary artist traverses the complex terrain of humanity, nature, and identity.

A Houston native, Janice is opening a gallery in the city, ART IS BOND., and is the Auction Manager for the 2022 FotoFest Biennial. She is the incoming International Director of Civic Art and Immersive Experience for Seismique.

Janice has brought a transformative approach to previous positions as Deputy Director of theContemporary Arts Museum Houston (2020) and Director of Music and Social Programming at the Kimpton Gray Hotel in Chicago, Illinois and the Hotel Van Zandt in Austin, Texas. She founded Bond Creative Advisors in 2009 to guide artistic collectives and institutions toward their visions. Her insight has since been integral to programming and communications strategies for artists, municipalities, and brands.

Before making a return to Texas, Janice spent several years as Director of Arts and Culture at IMAN, where she used art as the foundation and the way forward for social justice and restorative healing in Chicago’s Southwest Side and in marginalized communities worldwide. She served as a member of the Chicago Cultural Plan Advisory Council, the Navy Pier Arts Working Group, and as a curator for Chicago’s Year of Public Art in 2017.

Janice’s signature workshops for artists and emerging collectors have been adapted for global audiences from the Brooklyn Museum to public conferences throughout Europe and Southeast Asia. As a photographer and visual artist, her work envisions new forms of cultural mapping across cultures and urban landscapes. In 2016, she was selected to participate in the Mark Rothko Art Center’s first International Photography Symposium in Daugavpils, Latvia. Four original works from Beyond the Binary are in the center’s permanent collection.

Janice is forever inspired by the makers, the making, and the beauty of creation. This chromatic tapestry of art-making and administration has allowed her to live and work by those terms.

About FotoFest

FotoFest is a Houston-based contemporary arts organization co-founded by photojournalists Fredrick Baldwin and Wendy Watriss. FotoFest is dedicated to advancing photography and visual culture through the presentation of exhibitions, public programs, and publications. The examination of social, cultural, and political histories and contemporary life through the lens of photography and related media is central to FotoFest’s mission. In addition to the organization’s year-round programming, FotoFest organizes a city-wide biennial project in the form of large-scale central exhibitions, curated lectures, performances, a symposium, and film programs. The organization also hosts several professional development programs, including annually-held Meeting Place Portfolio Reviews, which host over 400 artists and 150 professionals working in the field of art and photography. Through its Literacy Through Photography program, FotoFest organizes K-12 classroom-based learning projects designed to encourage creativity and strengthen student writing, comprehension, and expression, reaching thousands of students. A platform for art and ideas since 1983, FotoFest is committed to promoting lasting international dialogue, cultural exchange, scholarship, and community enrichment by working with artists, audiences, academics, curators, and influential figures in art, culture, and society.


Image: Mónica Alcázar-Duarte (Mexico / UK), Second Nature, 2022, UV print direct to Dibond, Aluminum Dibond, printed in 2022. Special Edition with unique drawing, Edition 1/1, 33 ⅛ x 46 13/16 inches, signed on certificate. Courtesy of the artist.

FotoFest

River Oaks District, 4444 Westheimer Road, Suite D135
Houston, Texas 77027 United States
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New York | Tour of Independent 20th Century with Fair Founder & CEO, Elizabeth Dee

September 9, 2022 | 2:00 pm 3:00 pm

Exterior photo of the Battery Maritime Building in New York

Please join us for a special members-only tour of the first-ever Independent 20th Century, taking place at the historic Battery Maritime Building at Cipriani South Street in downtown Manhattan on September 8-11, 2022, coinciding with the fall art fair calendar. More than 30 international gallerists with museum-quality programs will be present at Independent 20th Century. It will be the second of two fairs to take place in the organization’s 13th year. Our tour will be led by Independent Founder and CEO, Elizabeth Dee.

Independent 20th Century will focus on artists who made a significant contribution to art history between the years 1900 and 2000, yet who were uncelebrated in their day. These artists are now being championed by a generation of gallerists who are reassessing the canon to make it more inclusive and representative of our times.

This program is $15 and open to ArtTable members only. Please click the button below to login and register. Your ticket includes a VIP pass to the fair and the private tour. Please note that capacity for this program is limited.

Not a member? Join today!

Please review the below before registering:

At this time, Independent does not have any specific guidelines in place. Please note that this is subject to change and all attendees will be informed of any updates.

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Please note that these guidelines are subject to change as needed.

There is an elevator on-site and plenty of seating on the terrace, though the main exhibition areas are mostly cleared of any seating. Booths are built-out to the edge of each gallery. Our tour will last approximately 30 minutes.

Independent 20th Century will take place at the Battery Maritime Building at 10 South Street, New York, NY. Click here to get directions from any location.

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Image: Battery Maritime Building. Courtesy of Etienne Frossard and Independent New York.

Thank you to Angelica Semmelbauer, Membership Co-Chair for ArtTable’s New York Chapter, for organizing this program.

Independent 20th Century

Battery Maritime Building, 10 South Street
New York, New York 10004 United States
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