New York, NY | Curator-Led Tour of “Saya Woolfalk: Empathic Universe” with Alexandra Schwartz

May 20 | 5:00 pm 6:00 pm

Inside Saya Woolfalk: Empathetic Universe

Join ArtTable for a curator-led tour of Saya Woolfalk: Empathic Universe at the Museum of Arts & Design, led by Alexandra Schwartz, Curator of Modern and Contemporary Art, Craft, and Design.

The first retrospective of the artist’s two decades of world-building installations, the exhibition showcases Woolfalk’s ambitious fictional narrative of an imagined race of women known as “Empathics.” Woolfalk has created for the Empathics’ their own distinctive visual imagery, symbolism, and folklore, which reflect her investigations of African, African American, Japanese, European, and Brazilian art, craft, and storytelling.  In this parable told through garment-based sculptures, video, paintings, works on paper, and performances, cultures mix, clash, and are ultimately transformed through shared understanding.

Program Admission:

  • ArtTable Members – $15
  • Member Guests – $20

Not a member? Join today!

Please note that ArtTable registration fees go toward administrative costs for the nonprofit organization.

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Museum of Arts & Design

2 Columbus Circle
New York City, NY 10019 United States
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ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.


Image courtesy of the Museum of Arts and Design

New York, NY | Private Walkthrough at Bonhams with Senior Specialist Kacie Desabla

May 6 | 9:30 am 10:30 am

Image of a piece of art hung on the wall at Bonhams

Bonhams is pleased to welcome ArtTable Members for a private walkthrough and viewing of their 20th and 21st Century Sales, including the 20th / 21st Century Art Evening Sale, Impressionist & Modern Art, and Post-War & Contemporary Art Day Sale, led by Senior Specialist, Post War & Contemporary Art, Kacie Desabla.

Light refreshments will be provided.

Program Admission:

  • ArtTable Members – $20
  • Member Guests – $25

Not a member? Join today!

Please note that ArtTable registration fees go toward administrative costs for the nonprofit organization.

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Museum of Arts & Design

2 Columbus Circle
New York City, NY 10019 United States
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View Venue Website

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

New York, NY | Curator-Led Tour of “Madalena Santos Reinbolt: A Head Full of Planets” at the American Folk Art Museum

May 13 | 2:00 pm 3:00 pm

Artwork by Madalena Santos Reinbolt

Join ArtTable for a curator-led tour of Madalena Santos Reinbolt: A Head Full of Planets at the American Folk Art Museum, led by Valérie Rousseau, PhD, Curatorial Chair and Senior Curator of 20th-Century & Contemporary Art.

Featuring 42 textile works and oil paintings, Madalena Santos Reinbolt: A Head Full of Planets is the first comprehensive survey of Santos Reinbolt’s art ever presented and marks the first-ever solo museum exhibition for the artist organized outside her native Brazil. Best known for her large-scale embroideries made from hundreds of vibrant colored threads, which the artist referred to as quadros de lã (“wool paintings”), the exhibition represents more than half of all known works by the artist and examines the artist’s work through a variety of lenses, including gender, race, and socio-economic dynamics.

A Head Full of Planets explores the context in which Santos Reinbolt’s artistic practice crystallized in the early 1950s, after she became a live-in cook for the architect Lota de Macedo Soares and her partner, the American poet Elizabeth Bishop, at their home in Petrópolis, a mountain getaway favored by Brazilian high society. It was not until the mid-1960s, while working in another household, that she began to dedicate herself to embroidery and would begin creating many of the works for which she is best known today.

Click here to read more about the exhibition and this mysterious yet extraordinary artist, as well as a recent artnet article about the exhibition and Dr. Rousseau’s curatorial process.

The American Folk Art Museum is fully accessible. Gallery stools and wheelchairs are available upon request, and an access ramp is available to enter the upper gallery if needed. If you require additional accommodations, please email us at [email protected].

Program Admission:

  • ArtTable Members – $15
  • Member Guests – $20

Not a member? Join today!

Please note that ArtTable registration fees go toward administrative costs for the nonprofit organization.

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Museum of Arts & Design

2 Columbus Circle
New York City, NY 10019 United States
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View Venue Website

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.


About Valérie Rousseau, PhD

Headshot of Valerue Rousseau

Valérie Rousseau, PhD, is Curatorial Chair and Senior Curator of 20th-Century & Contemporary Art at the American Folk Art Museum, New York. She overviewed critically acclaimed exhibitions, notably Willem van Genk: Mind Traffic (2014), When the Curtain Never Comes Down (AAMC award, 2015), Art Brut in America: The Incursion of Jean Dubuffet (2015), Photo|Brut (2021), Morris Hirshfield Rediscovered (2022), as well as projects on the legacy of Francesc Tosquelles, the concomitance of psychiatric and artistic avant-gardes (FACE Foundation Curatorial Fellowship “Étant Donnés,” 2019), neurodiversity (IMLS, 2023–2025), art brut literature, art environments, and artists like Henry Darger, William Edmondson, Eugen Gabritschevsky, and Madalena Santos Reinbolt. She authored Bill Traylor (FILAF award, 2018), “Regarder par les failles de ce monde: Intersections de l’art brut et de l’art populaire” (Les cahiers du Musée national d’art moderne, 2024), The Hidden Art (Rizzoli, 2017), “Visionary Architectures” (Alternative Guide to the Universe, Hayward Gallery, 2013), and guest edited the issue “The Fate of Self-Taught Art” (The Brooklyn Rail, 2018). In 2022, she participated in the seminar “Showing/Searching: art brut and its archival impulse” of the Bibliothèque Kandinsky Summer University (Centre Pompidou, Paris).

Image credits:

Madalena Santos Reinbolt, Untitled, 1965–1976. Acrylic wool on burlap, 35 7/8 x 46 in. Collection Renan Quevedo, São Paulo, Brazil

Valérie Rousseau, courtesy of the American Folk Art Museum.

Chicago, IL | ArtTable Brunch at EXPO Chicago

April 25 | 9:30 am 11:00 am

Interior shot of EXPO Chicago art fair

Here at ArtTable, we love nothing more than a pre-art fair brunch. Join us at EXPO Chicago for drinks, bites, and networking before exploring the 2025 edition of the fair. We are excited to be joined by Kate Sierzputowski, Artistic Director of the fair!

EXPO CHICAGO Contemporary Art Fair showcases leading contemporary and modern art galleries each April at Navy Pier’s Festival Hall, alongside a diverse and inventive program of talks, on-site installations, and public art initiatives. Inaugurated in 2012, EXPO CHICAGO draws upon the city’s robust history as a vibrant international cultural destination, while highlighting the region’s contemporary arts community. In 2023, EXPO CHICAGO was acquired by Frieze, the world’s leading platform for modern and contemporary art.

Please review EXPO Chicago’s accessibility page for available accommodations. Please email us at [email protected] with any accommodation requests.

Program Admission:

  • ArtTable Members – $50
  • Member Guests – $60
  • General Admission – $70

Not a member? Join today!

All registration fees go toward administrative costs for the nonprofit organization.

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Museum of Arts & Design

2 Columbus Circle
New York City, NY 10019 United States
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Image credits:

The scene at the 2023 edition of Expo Chicago, at Navy Pier.

New York, NY | Curator-Led Tour of “Anonymous Was a Woman: The First 25 Years” at NYU’s Grey Art Museum

April 4 | 4:00 pm 5:00 pm

Sculpture by Judy Pfaff

Join ArtTable for a curator-led tour of Anonymous Was A Woman: The First 25 Years at the Grey Art Museum at New York University, led by exhibition co-curators Nancy Princenthal and Dr. Vesela Sretenović.

In 1996, artist and philanthropist Susan Unterberg founded the Anonymous Was A Woman (AWAW) award, making a simple, yet radical commitment to redress the lack of institutional support for women visual artists over the age of 40. She sought to provide mid-career artists with the means to procure workspace, art supplies, childcare, or whatever else they needed to further their artistic careers. For the past two and a half decades, AWAW has provided unrestricted grants of $25,000 to ten or more artists each year.

Showcasing some 50 artworks by 41 of the 251 award recipients from AWAW’s first 25 years (1996 through 2020), this exhibition explores several themes surrounding anonymity and, ultimately, celebrates the transformative impact women artists have made on contemporary art since the award’s founding. With each year represented by at least one artist, the exhibition includes works created within a few years of their grant, demonstrating the significance of the award to the artist’s growth. The range of artists featured in the exhibition demonstrates the demographic and aesthetic diversity of past awardees. All 251 artists are represented in a publication accompanying the exhibition, which also includes critical essays about the awardees by Princenthal, Sretenović, and other women scholars.

Click here to read more about the landmark exhibition.

Visitor Notes:

  • The Grey is fully walker- and wheelchair-accessible, and several portable stools are available to borrow for use within the galleries upon request.
  • Please note that large bags and backpacks must be checked in a secure locker, and food & drink (including water bottles) are not permitted.

Program Admission:

  • ArtTable Members – $15

All registrants for this event will be provided with a
20% discount on ArtTable’s limited edition scarf
celebrating 25 Years of Anonymous Was a Woman
,
created in 2021 in conjunction with ArtTable’s 45 year
anniversary and the year Susan Unterberg received
the Distinguished Service to the Visual Arts Award.
Made of 100% silk habotai, only a handful of scarves
remain in our inventory!

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

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Museum of Arts & Design

2 Columbus Circle
New York City, NY 10019 United States
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ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.


About the Curators

Nancy Princenthal is a Brooklyn-based writer whose book Agnes Martin: Her Life and Art (2015) received the 2016 PEN/Jacqueline Bograd Weld Award for Biography. She is also the author of Hannah Wilke (2010) and Unspeakable Acts: Women, Art, and Sexual Violence in the 1970s (2019), and co-author of Mothers of Invention: The Feminist Roots of Contemporary Art (2024). Princenthal has taught at Bard, Princeton, Yale, the School of Visual Arts, NYU’s Institute of Fine Arts, and elsewhere.

Dr. Vesela Sretenović has been a long-time curator of modern and contemporary art with special interest in cross-disciplinary art practices and in bridging theoretical knowledge with hands-on experience. Most recently (2009-23) she served as Director of Contemporary Art Initiatives and Academic Affairs at The Phillips Collection in Washington DC. During her tenure, she had organized Intersections, a series of ongoing contemporary art projects, as well as monographic exhibitions of prominent artists including Robert Ryman, Ellsworth Kelly, Antony Gormley, and the first museum retrospective of Cuban artist Zilia Sanchez. Additionally, she oversaw academic partnership initiatives with the University of Maryland (UMD) and the University of Virginia (UVA). Prior to The Phillips, Sretenović worked at Brown University, the University at Buffalo SUNY, and the Brooklyn Museum of Art. She is a frequent visiting faculty, teaching modern and contemporary art history and theory, and works as an independent curator. Sretenović holds a BA in Art History from University of Belgrade, Former Yugoslavia, an MA from the School of the Art Institute of Chicago, and a PhD in Humanities from Syracuse University.

Image credits:

Judy Pfaff, Ram’s Delhi, 2012. Wood, mild steel rod, melted plastics, black aluminum foil, and LED and UV Fluorescent light, 70 x 132 x 17 in. Collection of the artist, New York

Washington, DC | Curator-Led Tour of “Pictures of Belonging: Miki Hayakawa, Hisako Hibi, and Miné Okubo” at the Smithsonian American Art Museum

March 20 | 5:00 pm 6:00 pm

Painting by Miki Hayakawa

Join ArtTable for a curator-led tour of Pictures of Belonging: Miki Hayakawa, Hisako Hibi, and Miné Okubo at the Smithsonian American Art Museum, led by Melissa Ho, Curator of 20th Century Art.

Miki Hayakawa (1899-1953), Hisako Hibi (1907-1991), and Miné Okubo (1912-2001) were three of the most active and critically acclaimed American artists of Japanese descent in the years leading up to World War II. Their careers spanned eight decades and four US states, yet the full extent of their contributions remain underrecognized within twentieth-century American art history.

Pictures of Belonging is an unprecedented examination of these three trailblazing figures. By tracing their artistic development before, during, and after the mass incarceration and displacement of Japanese Americans during World War II, the exhibition offers a nuanced view of how these women continued to explore and experiment with new artistic expression throughout their lives. Created during tumultuous decades in modern US history, their paintings, along with their stories of resilience, remind us of art’s power in the face of adversity and challenge.

Click here to read more about the exhibition.

Please review the Smithsonian American Art Museum’s accessibility page for available accommodations.

Program Admission:

  • ArtTable Members – $15

Not a member? Join today!

Please note that ArtTable registration fees go toward administrative costs for the nonprofit organization. The Smithsonian American Art Museum does not charge an admission fee.

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Museum of Arts & Design

2 Columbus Circle
New York City, NY 10019 United States
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About Melissa Ho

Melissa Ho is the Smithsonian American Art Museum’s curator of 20th-century art; she joined the museum’s staff in September 2016. Ho is responsible for research, acquisitions and exhibitions related to the museum’s collections focusing on art since 1945. She currently is leading an initiative to expand and enrich the representation of Asian American experiences, perspectives and artistic accomplishment in the museum’s collection and public displays.

Recent projects include “American Voices and Visions: Modern and Contemporary Art” (2023), the first phase of a multiyear renewal and reinstallation of the museum’s permanent collection galleries, and “Composing Color: The Paintings of Alma Thomas” (2023), which will travel to several venues in the United States. Ho organized the critically acclaimed exhibition “Artists Respond: American Art and the Vietnam War, 1965-1975” (2019) and “Artist to Artist” (2021).

Previously, Ho worked as a curator at the Smithsonian’s Hirshhorn Museum and Sculpture Garden from 2011 to 2016, where she organized “Barbara Kruger: Belief+Doubt” (2012), “Salvatore Scarpitta: Traveler” (2014) and “Shirin Neshat: Facing History” (2015) with Melissa Chiu. She also co-curated with Evelyn Hankins “At the Hub of Things” (2014), a re-installation of the museum’s collection.

Ho earned a bachelor’s degree in studio art and art history from Princeton University and a master’s degree in art history from the University of Pennsylvania.

Image credits:

Miki Hayakawa, One Afternoon, ca. 1935, oil on canvas, 40 x 40 in., New Mexico Museum of Art, Santa Fe, Gift of Preston McCrossen in memory of his wife, the artist, 1954, 520.23P

Berkeley, CA | Curator-Led Tour: “Making Their Mark: Works from the Shah Garg Collection” with Chief Curator Margot Norton

March 5 | 4:00 pm 5:00 pm

Installation view of "Making Their Mark" exhibition at BAMPFA

Join ArtTable for a curator-led tour of Making Their Mark: Works from the Shah Garg Collection at the Berkeley Art Museum & Pacific Film Archive, led by Chief Curator Margot Norton.

Making Their Mark brings together more than seventy artworks from the Shah Garg Collection, which is committed to amplifying the voices and visions of women artists. The exhibition, which premiered in New York in 2023, is the first public presentation of this important collection. Making Their Mark juxtaposes contemporary practices with pathbreaking historical works to illuminate transgenerational affinities, influences, and methodologies among artists from the postwar era to the present. Featuring a wide spectrum of artworks spanning almost eight decades, the exhibition emphasizes dialogues between artists who circumvent and break through conventions in art making, embracing craft techniques, uncommon supports, and alternative materials. Accompanied by a major publication produced in advance of the exhibition, Making Their Mark assembles significant examples by artists whose works go beyond prescribed definitions of art making established within a historically patriarchal field.

The Shah Garg Collection us owned by Komal Shah and Gaurav Garg, who support scholarship and public engagement highlighting the achievements and innovations of women artists through the Shah Garg Foundation. Through a wide range of projects and partnerships with educational institutions, arts organizations, and arts leaders, the Foundation works to bring greater recognition to art by women and to rectify the underrepresentation of women in public collections, exhibitions, and art historical narratives. Komal Shah will be honored at ArtTable’s Annual Benefit & Award Ceremony in April of this year. Click here to read more and register!

Please review BAMFA’s accessibility page for available accommodations.

Program Admission:

  • ArtTable Members – $15
  • Member Guests – $20
  • Public – $25

Not a member? Join today!

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Museum of Arts & Design

2 Columbus Circle
New York City, NY 10019 United States
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About Margot Norton

Headshot of Margot Norton

Margot Norton is Chief Curator at the Berkeley Art Museum and Pacific Film Archive (BAMPFA), where she leads the curatorial team and oversees the exhibition program. At BAMPFA she curated the exhibition Gabriel Chaile: No hay nada que destruya el corazón como la pobreza (2023), and is curating the collection exhibition To Exalt the Ephemeral: The (Im)permanent Collection (2024) and Making Their Mark: Works from the Shah Garg Collection, co-curated with Cecilia Alemani (2024). Norton was previously Allen and Lola Goldring Senior Curator at the New Museum, New York, where she recently co-curated the 2021 New Museum Triennial: Soft Water Hard Stone; Wangechi Mutu: Intertwined; and Pepón Osorio: My Beating Heart/ Mi corazón latiente. At the New Museum, she has also curated solo exhibitions with Carmen Argote, Judith Bernstein, Diedrick Brackens, Pia Camil, Sarah Charlesworth, Lynn Hershman Leeson, Ragnar Kjartansson, Sarah Lucas, Chris Ofili, Goshka Macuga, Nathaniel Mellors, Laure Prouvost, Pipilotti Rist, Mika Rottenberg, Kaari Upson and Bárbara Wagner and Benjamin de Burca, among others, and group exhibitions including The Keeper, Here and Elsewhere, and NYC 1993: Experimental Jet Set, Trash and No Star. In 2017, she curated the Eighth Sequences Real Time Art Festival in Reykjavik, Iceland, and the Georgian Pavilion at the 2019 Venice Biennale with artist Anna K.E. She is a founding member of Museums Moving Forward (MMF), an intergenerational, cross-institutional coalition of art museum professionals committed to advancing equity across the museum field. Before joining the New Museum in 2011, Norton was a curatorial assistant at the Whitney Museum of American Art. She has contributed to and edited numerous publications and exhibition catalogues, and regularly lectures on contemporary art and curating. She holds an MA in Curatorial Studies from Columbia University, New York.

Image credits:

Installation view: Making Their Mark: Works from the Shah Garg Collection, Berkeley Art Museum and Pacific Film Archive, October 27, 2024–April 20, 2025

Margot Norton, photo by Elliott Jerome Brown Jr, courtesy of Berkeley Art Museum and Pacific Film Archive

Washington, DC | Curator-Led Tour of “Elizabeth Catlett: A Black Revolutionary Artist” at the National Gallery of Art

April 8 | 3:00 pm 4:00 pm

Artwork by Elizabeth Catlett

Join ArtTable for a curator-led tour of Elizabeth Catlett: A Black Revolutionary Artist at the National Gallery of Art, led by Dr. Lynn K. Matheny, Deputy Head of Interpretation and Curator of Special Projects.

This retrospective exhibition showcases the enduring legacy of Elizabeth Catlett (1915–2012) as a visionary artist and an unwavering activist. As the most comprehensive presentation devoted to Catlett in the United States, it features more than 150 works, including well-known sculpture and prints, rare paintings and drawings, and important ephemera. The exhibition is co-organized by the Brooklyn Museum and the National Gallery of Art, Washington, and presented in collaboration with the Art Institute of Chicago.

One of the defining artists of the 20th century, Elizabeth Catlett addressed the injustices she witnessed and experienced through her bold prints and dynamic sculptures. In striving to make art for the people—from her roots in Washington, DC, Chicago, and New York to the remarkable body of work she made during some 60 years in Mexico—Catlett put social justice at the very center of her work. An avowed feminist, lifelong activist, and deft formalist, Catlett passionately addressed injustices such as class inequality, racial violence, and U.S. expansionism through her politically engaged art, injustices which continue to shape the world today.

Click here to read more about the exhibition and this visionary artist-activist.

Please review the National Gallery of Art’s accessibility page for available accommodations.

Program Admission:

  • ArtTable Members – $15
  • Member Guests – $20

Not a member? Join today!

Please note that ArtTable registration fees go toward administrative costs for the nonprofit organization. The National Gallery of Art does not charge an admission fee.

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Museum of Arts & Design

2 Columbus Circle
New York City, NY 10019 United States
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About Lynn K. Matheny

Headshot of Lynn K. Matheny

Dr. Lynn K. Matheny currently serves as Deputy Head of Interpretation and Curator of Special Projects at the National Gallery of Art. She has worked on a wide array of modern and contemporary art exhibitions, including Philip Guston NowAfro-Atlantic HistoriesGordon Parks: The New Tide, Early Work 1940-1950; and Sally Mann: A Thousand Crossings, among many others. She frequently collaborates with museums in the United States and abroad and is honored to help bring to the National Gallery Elizabeth Catlett: A Black Revolutionary Artist.

Image credits:

Elizabeth Catlett, Gossip, 2005
color digital and photo-lithograph on wove paper
image: 37.47 x 45.72 cm (14 3/4 x 18 in.)
sheet: 59.69 x 60.96 cm (23 1/2 x 24 in.)
National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams
© 2024 Mora-Catlett Family / Licensed by VAGA at Artists Rights Society (ARS), NY

Lynn K. Matheny, courtesy of the Corcoran School of the Arts & Design, George Washington University.

North Miami, FL | Curator Tour of “See Me, Hear Me: Native Cultures” at ArtNexus Space

February 26 | 4:00 pm 5:00 pm

Please join us for a tour of the group exhibition “See Me, Hear Me: Native Cultures,” the inaugural exhibition at the new ArtNexus Space in North Miami. The exhibition delves into the creative production of members of Indigenous communities, artists of Indigenous descent, and contemporary visual artists who have addressed issues related to the cosmogonies of various Indigenous peoples of Latin America and the problems they have faced over time. Artists on view include Claudia Andújar, Lastenia Canayo García (Pecón Quena), Sandra Gamarra, Santiago Yahuarcani, Sheroanawe Hakihiiwë, Zoila Andrea Coc-Chang, and many others. ArtNexus Space Executive Director & Chief Curator, Francine Birbragher-Rozencwaig, Ph.D., will lead us through the space and exhibition. Light refreshments will be provided.

The new ArtNexus Space will expand the work the organization has been doing for 48 years to promote the dissemination, knowledge, and study of art from Latin America and the Caribbean. ArtNexus Space will present two annual shows drawn from private collections to which the public does not usually have access. In many cases, early works by important artists, acquired shortly after their production, will be on view. These projects will be accompanied by curatorial studies and publications that will become valuable reference documents.

The ArtNexus Space has a small elevator that can accommodate up to 2 people or a wheelchair. Benches are located throughout the gallery.

Program Admission:

  • ArtTable Members – $15
  • Member Guests – $20
  • General Admission – $25

Not a member? Join today!

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Museum of Arts & Design

2 Columbus Circle
New York City, NY 10019 United States
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About Francine Birbragher-Rozencwaig, Ph.D.

Francine Birbragher-Rozencwaig is an art historian, independent curator, and art critic. She
received a Master’s in art history and a Ph.D. in Latin American history from the University of
Miami. She is a founding and contributing editor of ArtNexus magazine and was recently
appointed Executive Director and Curator of the ArtNexus Space in North Miami. Since 1989,
she has written about modern and contemporary art for specialized magazines, newspapers,
artists’ monographs, and exhibition catalogs. She specializes in Latin American and Caribbean
art, emphasizing young emerging artists and pioneering women artists from the 20 th century. She
is the author of the book Essays on 20 th Century Latin American Art (Routledge, 2022). From
2008 to 2015, she worked as an adjunct curator at The Patricia and Phillip Frost Art Museum,
Florida International University, Miami, Florida. In 2023, she co-curated the XXIII Bienal de
Arte Paiz in Guatemala with Juan Canela. As an independent curator, she has organized over one
hundred exhibitions in the United States and Latin America. She serves on the Advisory Board
of the Friends of the Uffizi Gallery in Florence, Italy. She belongs to several professional
organizations, including the International Association of Art Critics (AICA), the College Art
Association (CAA), the Association for Latin American Art (ALAA), and ArtTable.

Image:
Zoila Andrea Coc-Chang, Más mazorca verde (More Green Cob), 2021
Silk organza, corn husks and leaves, plastic, glitter, floral wire, and nails on the wall
15.7 x 17.7 in. Courtesy of the artistPhoto: Etienne Frossard

Los Angeles, CA | Tour of ‘Alice Coltrane, Monument Eternal’ with Erin Christovale at the Hammer Museum

March 5 | 2:00 pm 3:00 pm

Portrait of Alice Coltrane, 1970. Photo: Chuck Stewart. © Chuck Stewart Photography, LLC/Fireball Entertainment Group.

Join ArtTable for an exclusive tour of Alice Coltrane, Monument Eternal at the Hammer Museum with Curator Erin Christovale. Christovale, who is also the co-founder of Black Radical Imagination, was an ArtTable New Leadership Awardee in 2020 and named to Apollo‘s 40 Under 40 USA in 2023. Our tour of this inventive interdisciplinary exhibition will explore Coltrane’s creative practice as well as her deep influence on contemporary art, evident in the work of Rashid Johnson, Jennie C. Jones, and Cauleen Smith, among others.

About the exhibition: The exhibition Alice Coltrane, Monument Eternal is inspired by the life and legacy of jazz musician, devotional leader, and mother Alice Coltrane (b. 1937, Detroit). The title takes its name from her book Monument Eternal (1977), which reflected her newfound spiritual beliefs; the loss of her husband, the saxophonist John Coltrane; and the path to healing and self-discovery. The exhibition presents works by contemporary American artists paired with ephemera from Coltrane’s personal archive. Featuring a range of mediums including video, installation, performance, and sculpture together with Coltrane’s archival handwritten sheet music, unreleased audio recordings, and rarely seen video footage, Alice Coltrane, Monument Eternal explores themes including spiritual transcendence, sonic innovation, and architectural intimacy to honor Coltrane’s cultural output and practice. This exhibition is part of a larger initiative called “The Year of Alice,” and in partnership with the John & Alice Coltrane Home.

Visitor Guidelines & Accessibility (please see the Hammer’s website for full details):

Convenient self-parking is available under the museum. Parking entrances are located on the east side of Westwood Boulevard (northbound) or on the west side of Glendon Boulevard (southbound), between Wilshire Boulevard and Lindbrook Drive. Rates are $8 for the first three hours with museum validation, and $3 for each additional 20 minutes, with a $22 daily maximum. There is a $8 flat rate after 5 p.m. on weekdays, and all day on weekends.

Portable gallery stools can be borrowed from a Hammer ambassador stationed in the galleries. Two wheelchairs are available to borrow from the Welcome Desk on a first-come, first-served basis. The Hammer asks visitors to check oversized bags and leave food and beverages outside the gallery spaces. There may be a few portions of the exhibition with capacity limits.

Program Admission:

  • ArtTable Members – $15
  • Member Guests – $20
  • Non-Members – $25

Not a member? Join today!

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Museum of Arts & Design

2 Columbus Circle
New York City, NY 10019 United States
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ArtTable extends its sincerest thanks to Nicole Berry for assistance in coordinating this program.

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