New York, NY | Deborah Remington Exhibition Talk with Peeky Berenson

September 27, 2024 | 3:30 pm 5:00 pm

Deborah Remington, Aldwych, 1973. Courtesy of Bortolami Gallery.

Join us at Bortolami Gallery for a tour of Deborah Remington‘s exhibition Mirrors with Director of the Deborah Remington Charitable Trust for the Visual Arts and ArtTable member Margaret Mathews Berenson. Following our exclusive tour, Bortolami Gallery will graciously host a reception for attendees.

Margaret Mathews Berenson, better known as Peeky to her contemporaries at ArtTable, has been an ArtTable member for nearly three decades. She joined the Program Committee immediately after becoming a member, later serving as co-chair of the committee with gallerist, Julie Saul. Peeky also served on the Board of Directors from 2007 to 2011 and as Board Secretary from 2009-2011. She co-chaired the 2008 Luncheon honoring Vishakha Desai, President and CEO of Asia Society, and actively participated in countless trips, tours, and luncheons.

Since 2010, she has been Director of the Deborah Remington Charitable Trust for the Visual Arts. Mirrors is the second solo show for the artist at Bortolami and coincides with the publication of a major monograph for the artist published by Rizzoli / Electa. The book represents a long-overdue survey of the work of yet another under-recognized woman artist: a renegade in every sense of the word – and who well deserves critical attention. 

Program Admission:

  • ArtTable Member – $10
  • Friend of Member – $15
  • Non-Member – $20

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Bortolami Gallery

39 Walker St
New York, New York 10013 United States
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Greenwich, CT | Artist & Curator-Led Tour: ‘The Elusive Art of Kumi Yamashita’

October 25, 2024 | 6:00 pm 7:00 pm

Kumi Yamashita, Arc, 2014. Carved wood, single source light, shadow. 30 x 13 x 2 inches. Photo by Erik Maahs.

Join ArtTable at the Greenwich Library’s Flinn Gallery for a tour of The Elusive Art of Kumi Yamashita co-led by the artist and Leslee Asch, exhibition curator, Flinn Gallery chair, and member of ArtTable.

About the exhibition: Kumi Yamashita transforms simple materials into astonishing works of art. Discussing her shadow art and the elusive nature of light, she explains, “I sculpt using both light and shadow. I construct single or multiple objects and place them in relation to a single light source. The complete artwork is therefore comprised of both the material (the solid objects) and the immaterial (the light or shadow).” In addition to Yamashita’s Light & Shadow series, the exhibition features provocative portraits crafted by meticulously winding a single, unbroken sewing thread around thousands of small galvanized nails. Yamashita’s body of work showcases an astounding range of materials and techniques.

Learn more about her practice in this interview with the Smithsonian’s National Portrait Gallery.


About the Artist

Kumi Yamashita was born in Takasaki, Japan. She earned her Master of Fine Arts from the Glasgow School of Art and her Bachelor of Fine Arts from Cornish College of the Arts in Seattle, Washington. Her solo exhibitions have been held at prestigious venues such as the Seattle Art Museum, Boise Art Museum, Roswell Museum, Yerba Buena Center for the Arts, Taipei’s Chiang Kai-shek Memorial Hall, Esplanade – Theatres on the Bay in Singapore, Art Front Gallery in Tokyo, and Kent Gallery in New York City.

Yamashita has also participated in group exhibitions at the Musée des Arts Décoratifs at the Louvre, the CODA Museum in the Netherlands, the Smithsonian’s National Portrait Gallery, Honolulu Museum of Art, Grand Rapids Art Museum, Liverpool Biennial, Southeast Center for Contemporary Art, Scottish Parliament, Karşı Sanat Çalışmaları in Istanbul, and the Echigo-Tsumari Art Triennial in Japan. She continues to exhibit her work internationally.

Her art is featured in both private and public collections, including the Microsoft Art Collection, New Mexico History Museum, American Express, Birmingham Museum of Art, Thoma Art Foundation, Le Meridien Shenyang, Otsuma University, Seattle City Light, Tokyo’s Akiru Medical Center, Osaka’s Namba Parks Tower, Stellar Place at Sapporo JR Tower, Boise Art Museum, and Hamada Children’s Art Museum.

Yamashita has received several awards and grants, including the Pollock-Krasner Foundation Grant, Artist Trust GAP, and China’s Crystal Kirin Award. She has participated in residencies at RAIR (Roswell Artist-in-Residence), the Bemis Center for Contemporary Arts, and the Millay Colony. She currently lives and works in Woodstock, New York.


This Artist Talk is generously supported by the Pollock-Krasner Foundation. Special thanks to Courtney Maier Burbela for organizing this program.

Program Admission:

  • ArtTable Member – $15
  • Friend of Member – $20
  • Non-Member – $25

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Bortolami Gallery

39 Walker St
New York, New York 10013 United States
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New York, NY | ArtTable’s Annual Leadership Series | Arts in Health: Thriving Communities, Sustainable Organizations

October 15, 2024 | 6:00 pm 8:00 pm

Nearly five years after the emergence of COVID-19, we live and work in a world transformed by the pandemic and the interrelated political and social crises it brought into high relief. The transformative power of creative experiences in helping human beings process trauma has never been clearer, and yet arts organizations still struggle to regain their footing, both financially and operationally. The growing field of arts in health, bolstered by innovative collaborations across academia and the private sector, provides essential new frameworks for measuring and articulating the societal value of the visual arts to consumers, funders, and healthcare professionals. ArtTable’s conversation will bring together experts in research, museum education, and artist partnerships to imagine a sustainable and equitable future for our communities and the vital organizations that serve them. Attendees will hear from leaders in the arts in health field and come away from this conversation with new frameworks for investigating and articulating the tremendous societal value of their work. 

Taking place at NYU’s Wasserman Center, a convenient 3-minute walk from Manhattan’s Union Square, this engaging talk will be followed by a networking reception with light refreshments. Registration closes Monday, October 14—don’t miss your chance to join us for this special professional development opportunity!

Read below to learn more about our panelists:

  • Amanda Phingbodhipakkiya, Transdisciplinary Artist, Educator, and Community Builder; member of the President’s Committee on the Arts & Humanities
  • Dr. Nisha Sajnani, Founding Co-Director, Jameel Arts & Health Lab | Director, NYU Drama Therapy Program | Editor, Drama Therapy Review
  • Cris Scorza, Helena Rubinstein Chair of Education, Whitney Museum of American Art
  • Moderator: Julia Hotz, Journalist and Author of THE CONNECTION CURE (Simon & Schuster)

About the Annual Leadership Series: This signature ArtTable program was initially launched in 2016, and since its inception, the series has fostered engaging conversations among prominent women and nonbinary professionals. It has provided a platform for these influential voices to discuss the most pressing and relevant topics within our industries.

Program Admission:

  • ArtTable Member – $35
  • Friend of Member – $45
  • Non-Member – $55

Not a member? Join today!

Please note, registration for this event closes on Monday, October 14, at 4:00 PM. We are unable to accommodate walk-in registrations for this event.

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Bortolami Gallery

39 Walker St
New York, New York 10013 United States
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Meet Our Panelists


Amanda Phingbodhipakkiya

Amanda Phingbodhipakkiya is a transdisciplinary artist, educator, and community builder based in Brooklyn, New York. The daughter of Thai and Indonesian immigrants, her practice spans sculpture, large-scale murals, installation, and public art campaigns. Through defiant storytelling, her work brings forth colors, patterns, textures, histories, and rituals to amplify marginalized voices. Amanda has investigated how to create liminal spaces that can serve as conduits for healing and transformation. She is a 2024 New York City Artadia Awardee, a 2023 Jerome Hill Artist Fellow in Visual Arts and Civic Practice Artist in Residence with Poster House and the San Francisco Asian Art Museum.

In 2022, she transformed Lincoln Center’s campus with GATHER: a series of monuments and rituals that examined how ceremony, sound, and textiles can inscribe new meaning to memory and foster unexpected belonging. As artist-in-residence with the NYC Commission on Human Rights, Amanda’s art series celebrating the resilience of the AAPI community, I Still Believe in Our City, reached millions in New York City and worldwide through reclaiming billboards, bus shelters, subway tunnels, buildings, and the cover of TIME Magazine. Her work has been shown at the Cooper Union, Times Square, Lincoln Center, and recognized by The New York Times, Harpers Bazaar, and the Guardian. She has received support from the Sloan Foundation, the Café Cultural Foundation, and the Jerome Foundation. Her work is held in permanent collections at the Museum of the City of New York, the Goldwell Open Air Museum, the Library of Congress, the Museum of Chinese in America, and the Victoria and Albert Museum in London. In 2023, she was appointed to the President’s Committee on the Arts and the Humanities where she advises the President on how art can foster community well-being.


Nisha Sajnani, PhD., RDT-BCT

Dr. Sajnani is a co-founding, co-director of the Jameel Arts & Health Lab, established as a collaboration between the WHO Regional Office for Europe, NYU Steinhardt, Culturunners, and Community Jameel, with a mission to measurably improve lives through the arts. She is also Associate Professor and Director of the Program in Drama Therapy at NYU Steinhardt and on faculty with the Harvard Program in Refugee Trauma where she lectures on the role of the arts in global mental health. Sajnani is a global leader in a growing movement to advance understanding of how engaging in the arts can support people of all ages in living longer, fuller, and healthier lives. 

She leads the Jameel Arts & Health Lab – Lancet Global Series on the health benefits of the arts, in collaboration with the WHO. Recent publications include a commentary for the National Endowment for the Arts on realizing the potential of the artists, arts therapists, and arts organizations as partners in clinical and public health in our homes, schools, and communities, a co-edited ebook on the psychological and physiological benefits of the arts, a Howlround article on teaching theater in times of crisis, and the first WHO policy brief on the role of the arts in supporting the mental wellbeing of people who are forcibly displaced. She is the principal editor of Drama Therapy Review and serves on the editorial boards of The Arts in Psychotherapy and the Journal of Applied Arts & Health


Cris Scorza

As the Helena Rubinstein Chair of Education at the Whitney Museum of American Art, Scorza provides vision, leadership, and strategic direction for the Museum’s education program. She oversees interpretation and educational content; public programs and academic engagement; social impact and learning aligning school, youth, and family programs; and access and community programs. In addition, she plays an active role in Whitney’s Latinx initiatives and evolving Spanish-language bilingual efforts. Scorza creates programs for diverse communities that incite inquiry, build self-esteem, foster an interest in art history, and respond to a contemporary culture centered on equity and inclusion.

She has worked in renowned institutions such as the New Museum, MoMA, the Brooklyn Children’s Museum, and the Museum of Contemporary Art San Diego. At MCASD, Scorza and her team implemented a variety of programs tailored to the surrounding community, including collaborations with artists and arts organizations in the U.S./Mexico border region, leadership development for teens with an emphasis on social justice, and cutting-edge work with combat troops recovering from post-traumatic stress disorder (PTSD). She has curated social practice exhibitions and community-centered collaborations at MCASD, such as Oscar Romo: Recovered Stream (2020); To-Do • A Mending Project (2019); and Sanctuary Print Shop (2018). As an arts administrator, she developed and managed a range of exhibitions, including Photography in Mexico: Selections from the Collection (2013); Alvaro Blancarte: Marking the Present (2015), DELIMITATIONS: A Survey of the 1821 United States-Mexico Border (2016); and Papel Chicano Dos: Works of Paper from the Cheech Marin Collection (2016). She has also authored essays on Las Hermanas Iglesias, Ramiro Gomez, John Valadez, and Daniel Guzman.

Scorza has served on professional and civic committees, including the San Diego County Regional Airport Authority Art Advisory Committee and the San Diego Civic Youth Ballet Diversity and Inclusion Advisory. She is also an adjunct professor at Baruch College, CUNY, in the Arts Administration Masters Program. Scorza, born in Mexico City, studied painting at the Universidad Nacional Autónoma de México. She has a B.A. in arts administration and art history from Baruch College, CUNY, an M.A. in leadership in museum education from Bank Street College of Education, and a Diversity and Inclusion Certificate from Cornell University.


Julia Hotz, moderator

Julia Hotz is a solutions focused journalist based in New York. Her stories have appeared in The New York Times, WIRED, Scientific American, The Boston Globe, Time, and more. She helps other journalists report on the big new ideas changing the world at the Solutions Journalism Network. THE CONNECTION CURE: The Prescriptive Power of Movement, Nature, Art, Service, and Belonging (Simon & Schuster, 2024) is her first book.

*CANCELED* Yonkers, NY | Curator-Led Tour of ‘No Bodies: Clothing as Disruptor’ at the Hudson River Museum

September 20, 2024 | 3:30 pm 5:00 pm

Rachel Breen. Shroud, 2018. Used white shirts, thread, and fabric. Courtesy of the artist.

Join us in Westchester County for a tour of No Bodies: Clothing as Disruptor with exhibition curator and ArtTable member Alva Greenberg. Following our exclusive tour, the Hudson River Museum will graciously host a reception for attendees. Our heartfelt thanks to Alva Greenberg; Laura Vookles, Chair of the Curatorial Department at the Hudson River Museum and Board Member of ArtTable; and Masha Turchinsky, Director and CEO of the Hudson River Museum and former Board Member of ArtTable for organizing this program.

About the exhibtition: “Clothing conveys impressions of social background, economic status, and ethnicity. Much like physical features, it serves as a powerful tool for self-expression and understanding others. Our inclination to categorize people based on their attire also shapes our reactions to them. How often do we subconsciously assign meanings to clothing that may not truly represent the wearer?

The altered and uninhabited clothing in No Bodies disrupts our automatic responses by challenging perceptions of materiality, cultural identity, relationships, political beliefs, and portraiture itself. Free from physicality, these works compel us to confront our assumptions, as well as the ever-growing societal tendency to compartmentalize people, behavior, and social media that increasingly rules our thinking. What does it mean to deconstruct a garment by unraveling it, burning it, or transforming it into another material? What does clothing symbolize when there never was, or will be, a body inside?”

Program Admission:

  • ArtTable Member – $15
  • Friend of Member – $20
  • Non-Member – $25

Not a member? Join today!

Bortolami Gallery

39 Walker St
New York, New York 10013 United States
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New York, NY | Studio Visit with Helina Metaferia

September 12, 2024 | 5:30 pm 6:30 pm

Installation view of Helina Metaferia’s 2022 solo exhibition, All Put Together, at Praise Shadows Art Gallery, featuring artwork from the By Way of Revolution series. Image courtesy the artist.

ArtTable is pleased to invite you to explore Helina Metaferias process and current projects on a visit to the artist’s studio in Lower Manhattan.

About the Artist: Helina Metaferia is an interdisciplinary artist working across collage, assemblage, video, performance, and social engagement. Her work integrates archives, somatic studies, and dialogical practices, creating overlooked narratives that amplify BIPOC/femme bodies.

Metaferia received her MFA from Tufts University’s School of the Museum of Fine Arts and attended the Skowhegan School of Painting and Sculpture. Recent solo exhibitions and projects include RISD Art Museum (2022-2023); Museum of Fine Arts, Boston, MA (2021-2022); New York University’s The Gallatin Galleries, New York, NY (2021); Michigan State University’s Scene Metrospace Gallery, East Lansing, MI (2019); and Museum of African Diaspora, San Francisco, CA (2017). Metaferia’s work was included in the Sharjah Biennial in the United Arab Emirates (2023), the Tennessee Triennial through the Frist Art Museum and Fisk University Art Gallery (2023). Her work is in the permanent collection of institutions including Los Angeles County Museum of Art, Los Angeles, CA; Museum of Fine Arts, Boston, MA; Sharjah Art Foundation, United Arab Emirates; Kadist, San Francisco, CA and Paris, France; and the Schomburg Center for Research in Black Culture, New York, NY.

Metaferia’s work has been supported by several residencies including MacDowell, Yaddo, Bemis Center for Contemporary Art, and MASS MoCA. She is currently a 2021-2023 artist-in-residence at Silver Art Projects at the World Trade Center in New York City. Her work has been written about in publications including The New York Times, Financial Times, The Washington Post, The Boston Globe, Artnet News, The Art Newspaper, and Hyperallergic. Metaferia is an Assistant Professor at Brown University in the Visual Art department, and lives and works in New York City.

Helina Metaferia’s studio is located in Lower Manhattan, a short walk from the World Trade Center. The exact address will be shared with attendees prior to the visit.

This Artist Talk is generously supported by the Pollock-Krasner Foundation. Special thanks to Ashley Paulisick and Nicole Poletta for their assistance in organizing this program.

Program Admission:

  • ArtTable Member – $15
  • Friend of Member – $20
  • Non-Member – $25

Not a member? Join today!

PLEASE NOTE: Registration for this program closed at 5:00 PM on Monday, September 9.

Los Angeles, CA | Tour of Mickalene Thomas: All About Love at The Broad with Assistant Curator, Jennifer Vanegas Rocha

September 11, 2024 | 11:00 am 12:00 pm

Image Credit: Mickalene Thomas, Din avec la main dans le miroir et jupe rouge, 2023. Rhinestones, acrylic, and glitter on canvas mounted on wood panel. © Mickalene Thomas

Join Jennifer Vinegas Rocha, Assistant Curator at The Broad, on an exclusive tour of Mickalene Thomas: All About Love. This major 20-year survey of Thomas’ work was co-organized by the Hayward Gallery in London and The Broad, in partnership with the Barnes Foundation in Philadelphia.

About the exhibition: Debuting at The Broad with over 90 works made by the artist over the last 20 years, Mickalene Thomas: All About Love is the first major international tour of this pioneering artist’s work. The exhibition highlights how Mickalene Thomas has mastered and innovated within several disciplines, from mixed-media painting and collage to installation and photography. The exhibition shares its title and several of its themes with the pivotal text by feminist author bell hooks, in which love is an active process rooted in healing, carving a path away from domination and towards collective liberation. Through her queries into pop culture and mass media, Thomas offers a reverberating demand for Black women to be seen and understood, and for viewers to become what hooks calls “practitioners of love.”

About Jennifer Vinegas Rocha: Jennifer Vanegas Rocha is Assistant Curator at The Broad where she has provided support to major special exhibitions and catalogue publications like William Kentridge: In Praise of Shadows (2023) and Keith Haring: Art Is for Everybody (2023). Most recently, she co-curated the collection exhibition, Desire, Knowledge, and Hope (with Smog) with Ed Schad, Curator and Publications Manager. She received a Master of Arts in Art History from the University of California, Riverside. She was awarded the 2019-2020 UCR Gluck Fellowship and 2020-2021 UCR Family Learning Fellowship. She received her Bachelor of Art in Art History from California State University, Dominguez Hills where she was the recipient of the 2016 Winston Hewitt Art & Design Endowed Scholarship and the 2016-2017 CSUDH Praxis Student Fellowship.

Program Registration:

Includes admission to The Broad and to Mickalene Thomas: All About Love

  • ArtTable Member – $30
  • Friend of Member – $35
  • Non-Member – $40

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Bortolami Gallery

39 Walker St
New York, New York 10013 United States
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Bridgehampton, NY | Artist Talk: Liliana Porter in conversation with Humberto Moro at Dia Bridgehampton

August 23, 2024 | 3:30 pm 4:30 pm

Liliana Porter, The Task (detail), 2024. © Liliana Porter. Photo: Don Stahl

Join us for a tour of Liliana Porter: The Task at Dia Bridgehampton, led by the artist and Humberto Moro, co-curator of the exhibition and Deputy Director of Program, Dia Art Foundation. This Artist Talk is generously supported by the Pollock-Krasner Foundation.

About the exhibition: A prominent figure in the early Conceptual and feminist art movements, Liliana Porter contests the spaces between reality and fiction across a variety of media. Central to her long-standing research is the subject of time—which she perceives as nonlinear and dislocated—manifest in the artist’s early prints and photographic works from the 1970s, later images and installations from the 1990s incorporating found objects and collected figurines, and, most recently, her films and plays. By creating unexpected scenes that are both humorous and intriguing, Porter employs, almost as a sort of conceptual trap, playful strategies to reflect on political and otherwise contentious subject matter, as well as philosophical questions concerning time, reality, and representation. Liliana Porter: The Task is curated by Humberto Moro, deputy director of program, and Liv Cuniberti, curatorial assistant.

Program Admission:

  • ArtTable Member – $20
  • Friend of Member – $25
  • Non-Member – $30

Not a member? Join today!

A note about accessibility, from Dia: Dia Bridgehampton’s galleries are not wheelchair accessible. A handout with images of and texts about the works located on the second floor is available upon request at the front desk or by clicking here. ADA service dogs are welcome. Pets, including therapy or emotional-support animals, are not permitted in the galleries.

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Let’s make a day of it!

Earlier on August 23, join ArtTable for an a tour of Are You Joking? Women and Humor with Sheri Pasquarella, Executive Director of The Church in Sag Harbor. Click “Register Here” above to sign up for both events at a discounted rate:

  • ArtTable Member – $27
  • Friend of Member – $32
  • Non-Member – $40

Installation photos of Are You Joking: Women & Humor at the Church, Sag Harbor. Photos by Joe Jagos.


Bortolami Gallery

39 Walker St
New York, New York 10013 United States
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About Liliana Porter:

Liliana Porter was born in Buenos Aires in 1941. She studied at the Escuela Nacional de Bellas Artes in Buenos Aires and Universidad Iberoamericana in Mexico City. Originally trained in printmaking, Porter has evolved a practice that spans painting, drawing, photography, video, installation, and, more recently, theater, the latter often developed in collaboration with artist Ana Tiscornia. In 1964, Porter moved to New York where she co-founded the New York Graphic Workshop with artists Luis Camnitzer and José Guillermo Castillo.

In the city, her work was first shown in institutions such as the Jewish Museum in 1964; Pratt Graphic Art Center in 1967; and the Museum of Modern Art in 1973. Between 1991 and 2007, Porter was a professor at Queens College, City University of New York. In 2008, Dia commissioned Porter’s first web-based work, Rehearsal, for the Artist Web Projects initiative. In 2017, her work was included in the 57th Venice Biennale: Viva Arte Viva and Radical Women: Latin American Art, 1960–1985 at the Hammer Museum, Los Angeles, which traveled in 2018 to the Brooklyn Museum, New York, and the Pinacoteca, São Paulo. Recent surveys of her work have been presented at Artium Museoa, Museo de Arte Contemporáneo del País Vasco, Vitoria-Gasteiz, Spain (2017); SCAD Museum of Art, Savannah (2017–18), and traveling to El Museo del Barrio, New York (2018–19); and Les Abattoirs, Toulouse, France (2023). Porter lives in Rhinebeck, New York. Image credit: Mor Charpentier

About Humberto Moro:

Humberto Moro is Deputy Director of Program at Dia Art Foundation where he oversees the exhibitions, publications and learning and engagement departments. He was previously Deputy Director and Senior Curator at Museo Tamayo in Mexico City, where he curated OTRXS MUNDXS, a large-scale survey of artists working in the city, and solo shows by Erick Meyenberg, Tania Pérez Córdova and Ugo Rondinone.

He was Curator of the 2021 Exposure section at EXPO Chicago; and from 2016-22, Adjunct Curator at the SCAD Museum of Art in Savannah, Georgia, where he co-organized Frederick Douglass: Embers of Freedom and Points of Contact by Elizabeth Catlett, and solo exhibitions by Kenturah Davis, Glen Fogel, Alex Gardner, Oliver Laric, Cynthia Gutiérrez, Pia Camil, Mariana Castillo Deball, Tom Burr, Yang Fudong, FOS, AES+F, Mark Wallinger, Isaac Julien, and Anna Maria Maiolino, among others. Moro has previously held curatorial positions at the Park Avenue Armory in New York and Museo Jumex in Mexico City. Moro curated Other Situations, a project by Liliana Porter which included THEM, a theater play at The Kitchen, the reopening exhibition at El Museo del Barrio, and a publication. He was the recipient of the 2016 Estancias Tabacalera Research Award for Latin-American curators, Madrid, Spain, and was part of the 7th Gwangju Biennale International Curator Course, in Gwangju, South Korea. Moro holds a BFA in painting from the Universidad de Guanajuato, Guanajuato; and a MA in curatorial studies by the Center for Curatorial Studies (CCS), Bard College, New York; and is part of the 2021 cohort of the Center for Curatorial Leadership (CCL). Image credit: Humberto Moro

Sag Harbor, NY | Tour of ‘Are You Joking? Women and Humor’ at The Church with Sheri Pasquarella

August 23, 2024 | 11:00 am 12:00 pm

Installation photos of Are You Joking: Women & Humor at the Church, Sag Harbor. Photos by Joe Jagos.

Join us for a tour of Are You Joking? Women And Humor with Sheri Pasquarella, an ArtTable New Leadership awardee and Executive Director of The Church in Sag Harbor—one of the most dynamic new arts venues in the New York area.

About the exhibition: Curated by Sara Cochran, Are You Joking? Women and Humor features the work of 40 female-identifying artists across all media, including Nina Chanel Abney, Lynda Benglis, Katherine Bernhardt, Nicole Eisenman, Wendy Red Star, Cindy Sherman, Mickalene Thomas, and Lisa Yuskavage. The goals are two-fold. The first is to counter the tired stereotypes and clichés about women not being funny or able to take a joke. The second is to illustrate the different forms and topics of humor in contemporary art from artistic jokes, political outrages, bodily functions and appearances, cultural stereotypes, and sex and death, to the absurd and surreal, puns and slapstick as well as poking fun at sacred cows of art and its institutions. This exhibition gathers works that are satirical, serious, sweet, self-deprecating, ironic, mocking, strange, surreal, angry, subversive, and even gross. It takes art off its pedestal and puts the viewer in a position to laugh or shake their head.

About The Church: Founded by April Gornik and Eric Fischl and opened in 2021, The Church is an interdisciplinary arts center housed in a deconsecrated church built in 1835. Its mission is to foster creativity on the East End and to honor the living history of Sag Harbor as a maker village, championing new and traditional technologies through collaboration, education, and outreach. In addition to performances and visual arts exhibition, The Church hosts residencies for artist and writers and is home to publicly accessible arts and design library and garden.

Program Admission:

  • ArtTable Member – $15
  • Friend of Member – $20
  • Non-Member – $25

Not a member? Join today!

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Let’s make a day of it!

Also on August 23, at 3:30 pm, join ArtTable for an Artist Talk with Liliana Porter at Dia Bridgehampton, exploring her exhibition The Task and featuring Humberto Moro, Dia’s Deputy Director for Program. Click “Register Here” above to sign up for both events at a discounted rate:

  • ArtTable Member – $27
  • Friend of Member – $32
  • Non-Member – $40

About Sheri Pasquarella:

Prior to joining The Church, for 17 years Sheri owned and operated SLP, LLC, a NYC-based consultancy with service categories across the contemporary art ecosystem, including a popular art advisory for museum board members and legacy collectors. From 1998 – 2002 she was an Associate Director of Marlborough Gallery, NY and 2002 -2005 Director of Gorney Bravin + Lee gallery. In 2002, she conceived and co-founded the New Art Dealers Alliance (NADA), a global 501c6 organization of which she is President Emerita. In 2020 she founded the SLP Women’s Group, a national network of female arts leaders; and in 2021 co-produced, with the Black Women in Visual Arts, The Convening.

From 2002 – 2019 she was on the Art Advisory Board of the Coalition for the Homeless and served as a consultant to that organization. Since 2019, she has been on the Board of Participant, Inc. From 2003 – 2012 she was Adjunct Faculty in the Art Market M.A. Program at SUNY FIT and delivered lectures on her research in the American art market and its culture at Yale University, Columbia University, and others. She holds a B.A. (Art History and Criticism) and a B.S. (Biology) from SUNY Stony Brook; did post-baccalaureate course work at Reid Hall, Paris; and in 2022 earned a certification in CORe Business Fundamentals from Harvard Business School online.

East Hampton, NY | An Afternoon at LongHouse Reserve

August 9, 2024 | 1:00 pm 4:00 pm

Image courtesy LongHouse Reserve

Join ArtTable for a summer afternoon experiencing the gardens and sculpture installations at LongHouse Reserve, one of the most unique destinations in the Hamptons. Permanent collection works by Yoko Ono (pictured above), Toshiko Takaezu, and Willem de Kooning are joined by long-term loans of works from Ai Weiwei, Maren Hassinger, and Daniel Arsham. This summer’s special exhibition Full Circle: Toshiko Takaezu and Friends features works by Isamu Noguchi.

Our visit will include:

  • A docent-led tour of LongHouse Reserve’s serene landscape and outdoor exhibitions
  • A discussion of the current curatorial program with Carrie Rebora Barratt, Executive Director of LongHouse Reserve. A leading historian of American art, Barratt previously served as CEO of the New York Botanical Garden and Deputy Director of The Metropolitan Museum of Art
  • Ample time to explore LongHouse’s serene grounds on your own!

About LongHouse Reserve: LongHouse Reserve is a 16-acre integrated environment in East Hampton, New York, created by artist, collector and world-renowned textile designer and weaver Jack Lenor Larsen (1927-2020), serving the community with vast open space, programs in art, nature, and wellness, and providing a sanctuary for Long Island and beyond. The sculpture garden, featuring more than 60 outdoor works, encourages exploration and contemplation for new and repeat visitors alike. As of this year, the garden is fully open to the public for education and enjoyment, with a next chapter of activating Larsen’s home (a modernist structure based on the Shinto Shrine at Ise) and displaying the extensive craft and design collections.

Program Admission (includes full admission to LongHouse Reserve):

  • ArtTable Member – $25
  • Friend of Member – $30
  • Non-Member – $35

Not a member? Join today!

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Bortolami Gallery

39 Walker St
New York, New York 10013 United States
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Los Angeles, CA | Curator-Led Tour: Simone Leigh at LACMA

August 16, 2024 | 11:00 am 12:00 pm

Simone Leigh, Martinique, 2022, courtesy of the artist and Matthew Marks Gallery, © Simone Leigh, photo by Timothy Schenck

Experience LACMA from an expert perspective on a curator-led tour of Simone Leigh. Naima J. Keith, Vice President of Education and Public Programs and a curator of the exhibition’s presentation at LACMA, will lead ArtTable’s exclusive tour. A leading curator and educator who previously worked at CAAM and the Studio Museum in Harlem, Keith was ArtTable’s New Leadership awardee in 2018.

About the exhibition: Simone Leigh, a traveling exhibition organized by the ICA Boston and co-presented in Los Angeles by LACMA and the California African American Museum, is the first comprehensive survey of the richly layered work of this celebrated artist. LACMA’s presentation features approximately 20 years of Leigh’s production in ceramic, bronze, video, and installation, as well as works from her 2022 Venice Biennale presentation. Over the past two decades, Leigh has created works exploring questions of Black femme subjectivity and knowledge production. Addressing a wide swath of historical periods, geographies, and traditions, her art references vernacular and hand-made processes from across the African diaspora, as well as forms traditionally associated with African art and architecture. Accompanied by a major monograph, this exhibition offers visitors a timely opportunity to gain a holistic understanding of Leigh’s complex and profoundly moving work.

Program Registration:

Includes LACMA admission and parking validation

  • ArtTable Member – $15
  • Friend of Member – $20
  • Non-Member – $25

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