New York, NY | Studio Visit with Helina Metaferia

September 12, 2024 | 5:30 pm 6:30 pm

Installation view of Helina Metaferia’s 2022 solo exhibition, All Put Together, at Praise Shadows Art Gallery, featuring artwork from the By Way of Revolution series. Image courtesy the artist.

ArtTable is pleased to invite you to explore Helina Metaferias process and current projects on a visit to the artist’s studio in Lower Manhattan.

About the Artist: Helina Metaferia is an interdisciplinary artist working across collage, assemblage, video, performance, and social engagement. Her work integrates archives, somatic studies, and dialogical practices, creating overlooked narratives that amplify BIPOC/femme bodies.

Metaferia received her MFA from Tufts University’s School of the Museum of Fine Arts and attended the Skowhegan School of Painting and Sculpture. Recent solo exhibitions and projects include RISD Art Museum (2022-2023); Museum of Fine Arts, Boston, MA (2021-2022); New York University’s The Gallatin Galleries, New York, NY (2021); Michigan State University’s Scene Metrospace Gallery, East Lansing, MI (2019); and Museum of African Diaspora, San Francisco, CA (2017). Metaferia’s work was included in the Sharjah Biennial in the United Arab Emirates (2023), the Tennessee Triennial through the Frist Art Museum and Fisk University Art Gallery (2023). Her work is in the permanent collection of institutions including Los Angeles County Museum of Art, Los Angeles, CA; Museum of Fine Arts, Boston, MA; Sharjah Art Foundation, United Arab Emirates; Kadist, San Francisco, CA and Paris, France; and the Schomburg Center for Research in Black Culture, New York, NY.

Metaferia’s work has been supported by several residencies including MacDowell, Yaddo, Bemis Center for Contemporary Art, and MASS MoCA. She is currently a 2021-2023 artist-in-residence at Silver Art Projects at the World Trade Center in New York City. Her work has been written about in publications including The New York Times, Financial Times, The Washington Post, The Boston Globe, Artnet News, The Art Newspaper, and Hyperallergic. Metaferia is an Assistant Professor at Brown University in the Visual Art department, and lives and works in New York City.

Helina Metaferia’s studio is located in Lower Manhattan, a short walk from the World Trade Center. The exact address will be shared with attendees prior to the visit.

This Artist Talk is generously supported by the Pollock-Krasner Foundation. Special thanks to Ashley Paulisick and Nicole Poletta for their assistance in organizing this program.

Program Admission:

  • ArtTable Member – $15
  • Friend of Member – $20
  • Non-Member – $25

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PLEASE NOTE: Registration for this program closed at 5:00 PM on Monday, September 9.

Los Angeles, CA | Tour of Mickalene Thomas: All About Love at The Broad with Assistant Curator, Jennifer Vanegas Rocha

September 11, 2024 | 11:00 am 12:00 pm

Image Credit: Mickalene Thomas, Din avec la main dans le miroir et jupe rouge, 2023. Rhinestones, acrylic, and glitter on canvas mounted on wood panel. © Mickalene Thomas

Join Jennifer Vinegas Rocha, Assistant Curator at The Broad, on an exclusive tour of Mickalene Thomas: All About Love. This major 20-year survey of Thomas’ work was co-organized by the Hayward Gallery in London and The Broad, in partnership with the Barnes Foundation in Philadelphia.

About the exhibition: Debuting at The Broad with over 90 works made by the artist over the last 20 years, Mickalene Thomas: All About Love is the first major international tour of this pioneering artist’s work. The exhibition highlights how Mickalene Thomas has mastered and innovated within several disciplines, from mixed-media painting and collage to installation and photography. The exhibition shares its title and several of its themes with the pivotal text by feminist author bell hooks, in which love is an active process rooted in healing, carving a path away from domination and towards collective liberation. Through her queries into pop culture and mass media, Thomas offers a reverberating demand for Black women to be seen and understood, and for viewers to become what hooks calls “practitioners of love.”

About Jennifer Vinegas Rocha: Jennifer Vanegas Rocha is Assistant Curator at The Broad where she has provided support to major special exhibitions and catalogue publications like William Kentridge: In Praise of Shadows (2023) and Keith Haring: Art Is for Everybody (2023). Most recently, she co-curated the collection exhibition, Desire, Knowledge, and Hope (with Smog) with Ed Schad, Curator and Publications Manager. She received a Master of Arts in Art History from the University of California, Riverside. She was awarded the 2019-2020 UCR Gluck Fellowship and 2020-2021 UCR Family Learning Fellowship. She received her Bachelor of Art in Art History from California State University, Dominguez Hills where she was the recipient of the 2016 Winston Hewitt Art & Design Endowed Scholarship and the 2016-2017 CSUDH Praxis Student Fellowship.

Program Registration:

Includes admission to The Broad and to Mickalene Thomas: All About Love

  • ArtTable Member – $30
  • Friend of Member – $35
  • Non-Member – $40

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The Broad

21 S. Grand Avenue
Los Angeles, CA 90012 United States
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Bridgehampton, NY | Artist Talk: Liliana Porter in conversation with Humberto Moro at Dia Bridgehampton

August 23, 2024 | 3:30 pm 4:30 pm

Liliana Porter, The Task (detail), 2024. © Liliana Porter. Photo: Don Stahl

Join us for a tour of Liliana Porter: The Task at Dia Bridgehampton, led by the artist and Humberto Moro, co-curator of the exhibition and Deputy Director of Program, Dia Art Foundation. This Artist Talk is generously supported by the Pollock-Krasner Foundation.

About the exhibition: A prominent figure in the early Conceptual and feminist art movements, Liliana Porter contests the spaces between reality and fiction across a variety of media. Central to her long-standing research is the subject of time—which she perceives as nonlinear and dislocated—manifest in the artist’s early prints and photographic works from the 1970s, later images and installations from the 1990s incorporating found objects and collected figurines, and, most recently, her films and plays. By creating unexpected scenes that are both humorous and intriguing, Porter employs, almost as a sort of conceptual trap, playful strategies to reflect on political and otherwise contentious subject matter, as well as philosophical questions concerning time, reality, and representation. Liliana Porter: The Task is curated by Humberto Moro, deputy director of program, and Liv Cuniberti, curatorial assistant.

Program Admission:

  • ArtTable Member – $20
  • Friend of Member – $25
  • Non-Member – $30

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A note about accessibility, from Dia: Dia Bridgehampton’s galleries are not wheelchair accessible. A handout with images of and texts about the works located on the second floor is available upon request at the front desk or by clicking here. ADA service dogs are welcome. Pets, including therapy or emotional-support animals, are not permitted in the galleries.

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Let’s make a day of it!

Earlier on August 23, join ArtTable for an a tour of Are You Joking? Women and Humor with Sheri Pasquarella, Executive Director of The Church in Sag Harbor. Click “Register Here” above to sign up for both events at a discounted rate:

  • ArtTable Member – $27
  • Friend of Member – $32
  • Non-Member – $40

Installation photos of Are You Joking: Women & Humor at the Church, Sag Harbor. Photos by Joe Jagos.


The Broad

21 S. Grand Avenue
Los Angeles, CA 90012 United States
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About Liliana Porter:

Liliana Porter was born in Buenos Aires in 1941. She studied at the Escuela Nacional de Bellas Artes in Buenos Aires and Universidad Iberoamericana in Mexico City. Originally trained in printmaking, Porter has evolved a practice that spans painting, drawing, photography, video, installation, and, more recently, theater, the latter often developed in collaboration with artist Ana Tiscornia. In 1964, Porter moved to New York where she co-founded the New York Graphic Workshop with artists Luis Camnitzer and José Guillermo Castillo.

In the city, her work was first shown in institutions such as the Jewish Museum in 1964; Pratt Graphic Art Center in 1967; and the Museum of Modern Art in 1973. Between 1991 and 2007, Porter was a professor at Queens College, City University of New York. In 2008, Dia commissioned Porter’s first web-based work, Rehearsal, for the Artist Web Projects initiative. In 2017, her work was included in the 57th Venice Biennale: Viva Arte Viva and Radical Women: Latin American Art, 1960–1985 at the Hammer Museum, Los Angeles, which traveled in 2018 to the Brooklyn Museum, New York, and the Pinacoteca, São Paulo. Recent surveys of her work have been presented at Artium Museoa, Museo de Arte Contemporáneo del País Vasco, Vitoria-Gasteiz, Spain (2017); SCAD Museum of Art, Savannah (2017–18), and traveling to El Museo del Barrio, New York (2018–19); and Les Abattoirs, Toulouse, France (2023). Porter lives in Rhinebeck, New York. Image credit: Mor Charpentier

About Humberto Moro:

Humberto Moro is Deputy Director of Program at Dia Art Foundation where he oversees the exhibitions, publications and learning and engagement departments. He was previously Deputy Director and Senior Curator at Museo Tamayo in Mexico City, where he curated OTRXS MUNDXS, a large-scale survey of artists working in the city, and solo shows by Erick Meyenberg, Tania Pérez Córdova and Ugo Rondinone.

He was Curator of the 2021 Exposure section at EXPO Chicago; and from 2016-22, Adjunct Curator at the SCAD Museum of Art in Savannah, Georgia, where he co-organized Frederick Douglass: Embers of Freedom and Points of Contact by Elizabeth Catlett, and solo exhibitions by Kenturah Davis, Glen Fogel, Alex Gardner, Oliver Laric, Cynthia Gutiérrez, Pia Camil, Mariana Castillo Deball, Tom Burr, Yang Fudong, FOS, AES+F, Mark Wallinger, Isaac Julien, and Anna Maria Maiolino, among others. Moro has previously held curatorial positions at the Park Avenue Armory in New York and Museo Jumex in Mexico City. Moro curated Other Situations, a project by Liliana Porter which included THEM, a theater play at The Kitchen, the reopening exhibition at El Museo del Barrio, and a publication. He was the recipient of the 2016 Estancias Tabacalera Research Award for Latin-American curators, Madrid, Spain, and was part of the 7th Gwangju Biennale International Curator Course, in Gwangju, South Korea. Moro holds a BFA in painting from the Universidad de Guanajuato, Guanajuato; and a MA in curatorial studies by the Center for Curatorial Studies (CCS), Bard College, New York; and is part of the 2021 cohort of the Center for Curatorial Leadership (CCL). Image credit: Humberto Moro

Sag Harbor, NY | Tour of ‘Are You Joking? Women and Humor’ at The Church with Sheri Pasquarella

August 23, 2024 | 11:00 am 12:00 pm

Installation photos of Are You Joking: Women & Humor at the Church, Sag Harbor. Photos by Joe Jagos.

Join us for a tour of Are You Joking? Women And Humor with Sheri Pasquarella, an ArtTable New Leadership awardee and Executive Director of The Church in Sag Harbor—one of the most dynamic new arts venues in the New York area.

About the exhibition: Curated by Sara Cochran, Are You Joking? Women and Humor features the work of 40 female-identifying artists across all media, including Nina Chanel Abney, Lynda Benglis, Katherine Bernhardt, Nicole Eisenman, Wendy Red Star, Cindy Sherman, Mickalene Thomas, and Lisa Yuskavage. The goals are two-fold. The first is to counter the tired stereotypes and clichés about women not being funny or able to take a joke. The second is to illustrate the different forms and topics of humor in contemporary art from artistic jokes, political outrages, bodily functions and appearances, cultural stereotypes, and sex and death, to the absurd and surreal, puns and slapstick as well as poking fun at sacred cows of art and its institutions. This exhibition gathers works that are satirical, serious, sweet, self-deprecating, ironic, mocking, strange, surreal, angry, subversive, and even gross. It takes art off its pedestal and puts the viewer in a position to laugh or shake their head.

About The Church: Founded by April Gornik and Eric Fischl and opened in 2021, The Church is an interdisciplinary arts center housed in a deconsecrated church built in 1835. Its mission is to foster creativity on the East End and to honor the living history of Sag Harbor as a maker village, championing new and traditional technologies through collaboration, education, and outreach. In addition to performances and visual arts exhibition, The Church hosts residencies for artist and writers and is home to publicly accessible arts and design library and garden.

Program Admission:

  • ArtTable Member – $15
  • Friend of Member – $20
  • Non-Member – $25

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Let’s make a day of it!

Also on August 23, at 3:30 pm, join ArtTable for an Artist Talk with Liliana Porter at Dia Bridgehampton, exploring her exhibition The Task and featuring Humberto Moro, Dia’s Deputy Director for Program. Click “Register Here” above to sign up for both events at a discounted rate:

  • ArtTable Member – $27
  • Friend of Member – $32
  • Non-Member – $40

About Sheri Pasquarella:

Prior to joining The Church, for 17 years Sheri owned and operated SLP, LLC, a NYC-based consultancy with service categories across the contemporary art ecosystem, including a popular art advisory for museum board members and legacy collectors. From 1998 – 2002 she was an Associate Director of Marlborough Gallery, NY and 2002 -2005 Director of Gorney Bravin + Lee gallery. In 2002, she conceived and co-founded the New Art Dealers Alliance (NADA), a global 501c6 organization of which she is President Emerita. In 2020 she founded the SLP Women’s Group, a national network of female arts leaders; and in 2021 co-produced, with the Black Women in Visual Arts, The Convening.

From 2002 – 2019 she was on the Art Advisory Board of the Coalition for the Homeless and served as a consultant to that organization. Since 2019, she has been on the Board of Participant, Inc. From 2003 – 2012 she was Adjunct Faculty in the Art Market M.A. Program at SUNY FIT and delivered lectures on her research in the American art market and its culture at Yale University, Columbia University, and others. She holds a B.A. (Art History and Criticism) and a B.S. (Biology) from SUNY Stony Brook; did post-baccalaureate course work at Reid Hall, Paris; and in 2022 earned a certification in CORe Business Fundamentals from Harvard Business School online.

East Hampton, NY | An Afternoon at LongHouse Reserve

August 9, 2024 | 1:00 pm 4:00 pm

Image courtesy LongHouse Reserve

Join ArtTable for a summer afternoon experiencing the gardens and sculpture installations at LongHouse Reserve, one of the most unique destinations in the Hamptons. Permanent collection works by Yoko Ono (pictured above), Toshiko Takaezu, and Willem de Kooning are joined by long-term loans of works from Ai Weiwei, Maren Hassinger, and Daniel Arsham. This summer’s special exhibition Full Circle: Toshiko Takaezu and Friends features works by Isamu Noguchi.

Our visit will include:

  • A docent-led tour of LongHouse Reserve’s serene landscape and outdoor exhibitions
  • A discussion of the current curatorial program with Carrie Rebora Barratt, Executive Director of LongHouse Reserve. A leading historian of American art, Barratt previously served as CEO of the New York Botanical Garden and Deputy Director of The Metropolitan Museum of Art
  • Ample time to explore LongHouse’s serene grounds on your own!

About LongHouse Reserve: LongHouse Reserve is a 16-acre integrated environment in East Hampton, New York, created by artist, collector and world-renowned textile designer and weaver Jack Lenor Larsen (1927-2020), serving the community with vast open space, programs in art, nature, and wellness, and providing a sanctuary for Long Island and beyond. The sculpture garden, featuring more than 60 outdoor works, encourages exploration and contemplation for new and repeat visitors alike. As of this year, the garden is fully open to the public for education and enjoyment, with a next chapter of activating Larsen’s home (a modernist structure based on the Shinto Shrine at Ise) and displaying the extensive craft and design collections.

Program Admission (includes full admission to LongHouse Reserve):

  • ArtTable Member – $25
  • Friend of Member – $30
  • Non-Member – $35

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The Broad

21 S. Grand Avenue
Los Angeles, CA 90012 United States
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Los Angeles, CA | Curator-Led Tour: Simone Leigh at LACMA

August 16, 2024 | 11:00 am 12:00 pm

Simone Leigh, Martinique, 2022, courtesy of the artist and Matthew Marks Gallery, © Simone Leigh, photo by Timothy Schenck

Experience LACMA from an expert perspective on a curator-led tour of Simone Leigh. Naima J. Keith, Vice President of Education and Public Programs and a curator of the exhibition’s presentation at LACMA, will lead ArtTable’s exclusive tour. A leading curator and educator who previously worked at CAAM and the Studio Museum in Harlem, Keith was ArtTable’s New Leadership awardee in 2018.

About the exhibition: Simone Leigh, a traveling exhibition organized by the ICA Boston and co-presented in Los Angeles by LACMA and the California African American Museum, is the first comprehensive survey of the richly layered work of this celebrated artist. LACMA’s presentation features approximately 20 years of Leigh’s production in ceramic, bronze, video, and installation, as well as works from her 2022 Venice Biennale presentation. Over the past two decades, Leigh has created works exploring questions of Black femme subjectivity and knowledge production. Addressing a wide swath of historical periods, geographies, and traditions, her art references vernacular and hand-made processes from across the African diaspora, as well as forms traditionally associated with African art and architecture. Accompanied by a major monograph, this exhibition offers visitors a timely opportunity to gain a holistic understanding of Leigh’s complex and profoundly moving work.

Program Registration:

Includes LACMA admission and parking validation

  • ArtTable Member – $15
  • Friend of Member – $20
  • Non-Member – $25

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The Broad

21 S. Grand Avenue
Los Angeles, CA 90012 United States
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New York, NY | ArtTable Annual Brunch at The Armory Show 2024

September 6, 2024 | 11:30 am 1:00 pm

Reconnect with colleagues and friends at ArtTable’s Annual Brunch at The Armory Show! In addition to a delicious continental brunch, each registration for this event—a highlight of the ArtTable calendar—includes a day pass to The Armory Show for Friday, September 6.

Kyla McMillan, Director of The Armory Show, will join us as a special guest!

Registration:

  • ArtTable Circle, Patron, and Benefactor Members – $47
  • ArtTable Members – $57
  • Guest of ArtTable member – $67
  • Nonmember – $77
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ArtTable members receive special access to art fairs happening nationwide throughout the year. Not a member? Join or renew today!


ArtTable thanks The Armory Show and catering partner Cultivated for their generosity in welcoming us this year.

About The Armory Show: In 1994, four New York art dealers had the ambitious goal of creating a new art fair to support their artists and attract global attention. They succeeded. The result was a groundbreaking cultural moment that has become vital to the New York art market and beyond. While much has changed over the years, our ingenuity and ambition have not. The Armory Show is a galvanizing force in the art world and essential to New York’s cultural landscape.


The Broad

21 S. Grand Avenue
Los Angeles, CA 90012 United States
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Seattle, WA | Private Guided Tour of the Seattle Art Fair

July 26, 2024 | 11:00 am 12:00 pm

Image credit: Seattle Art Fair

Meet ArtTable at the Seattle Art Fair for a private tour with Charlie Manzo of Winston Art Group, covering a selection of new galleries and returning favorites.

About the Fair: Summer means time for the Seattle Art Fair! Seattle Art Fair is a one-of-a-kind showcase for the vibrant arts community of the Pacific Northwest, and a leading destination for the best in modern and contemporary art. Experience presentations from 85 leading galleries from around the world—many new!—alongside captivating artist installations and public programming this July 25-28 at Lumen Field Event Center.

Tour Registration only: *

  • ArtTable Member – $15
  • Friend of Member – $20
  • Non-Member – $25

* Current ArtTable members: instructions for accessing your complimentary Seattle Art Fair pass were emailed to you from [email protected] on July 8 (June 27 for Circle, Patron, and Benefactor-level members).

Not a member? Join today!

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The Broad

21 S. Grand Avenue
Los Angeles, CA 90012 United States
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New York, NY | Artist Talk: Liz Collins, Lightning Wheel at Candice Madey

July 31, 2024 | 5:00 pm 6:00 pm

Liz Collins, Rainbow Mountains: Storm, 2024, Woven textile, 120 x 154 inches. Image courtesy Candice Madey.

Join ArtTable at Candice Madey on the Lower East Side for an Artist Talk with Liz Collins, exploring her exhibition Lightning Wheel (on view through August 2). Lightning Wheel features an exciting selection of new work from Collins, who was recently profiled by the New York Times and featured in the 2024 Venice Biennale. Collins’ work can also be seen in Weaving Abstraction—organized by the National Gallery of Art and set to travel in the coming months to LACMA, the National Gallery of Canada in Ottowa, and MoMA—among numerous other exhibitions.

About the Exhibition: Candice Madey is thrilled to announce the gallery’s second exhibition with Liz Collins, Lightning Wheel, presenting a series of new textile-based works that explore the artist’s distinctive and evolving symbology through recurring patterns and forms. Collins’s abstractions verge on the fantastical or energetic, suggesting the effects of extraordinary natural phenomena and a rapidly changing environment on the artist’s interior world.

As in Collins’s past work in textile, installation, drawing, and design, recent works employ a vibrant color spectrum that incorporates queer feminist sensibilities as well as references to twentieth-century abstraction in painting and in fiber. Reflecting the artist’s interest in Theosophist visual and spiritual traditions, the imagery investigates the idea that the occult movement is an esoteric predecessor of—or a link to—the origins of modern abstraction.

Central to the exhibition is a large-scale tapestry in which rainbows traverse sky and mountainscapes. The work is part of a series of woven landscapes entitled Rainbow Mountains that evoke the inner turmoil of an artist-activist in this contemporary moment–a consciousness at once hopeful, utopic, apocalyptic, and sublime. The exhibition’s title, Lightning Wheel, references one of several forms that reappear alongside lightning bolts, spheres, and cracked mirrors. Collins frequently crafts multiple iterations of her enigmatic compositions in different color combinations, materials, and fabrications in woven, embroidered, and embellished textiles, compounding and building her cosmology and iconographic vocabulary through repetition and the handmade.

Collins’s work powerfully testifies to artists’ agency in creating new worlds. By reconfiguring symbols, patterns, shapes, forms, colors, and textures, she seeks to better understand the human spirit in an uncertain and ever-changing ecosystem.

This Artist Talk is generously supported by the Pollock-Krasner Foundation.

Program Admission:

  • ArtTable Member – $15
  • Friend of Member – $20
  • Non-Member – $25

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The Broad

21 S. Grand Avenue
Los Angeles, CA 90012 United States
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New York, NY | Studio Visit with Lily Wong

August 8, 2024 | 5:15 pm 6:30 pm

Lily Wong, Autumn Moon, 2021, acrylic on paper, 48 1/4 x 62 1/4 inches, 122.6 x 158.1 cm. Image courtesy Lyles & King.

ArtTable is pleased to invite you to explore Lily Wong’s process and current projects on a visit to the artist’s studio in Lower Manhattan.

Lily Wong (b. 1989 Seattle, USA) is a figurative painter whose work taps into the vulnerabilities and complexities of yearning. Personal and poetic, the protagonists in her work are made of experiences that extend beyond the physical. They are composed of sensations, moods, inarticulable interiorities, moving through dreamlike space and disoriented time. Color is its own character, a pulse in the circulatory system of the painting which is often a map of something beyond the depictive. Wong’s paintings probe at the way that literal and metaphorical fracturings influence the body’s relationship to memory, intimacy and desire.

Lily Wong’s studio is located in Lower Manhattan, a short walk from the World Trade Center. The exact address will be shared with attendees prior to the visit. Learn more about her practice in Juxtapoz and on the Cerebral Women podcast.

This Artist Talk is generously supported by the Pollock-Krasner Foundation.

Program Admission:

  • ArtTable Member – $15
  • Friend of Member – $20
  • Non-Member – $25

Not a member? Join today!

PLEASE NOTE: Registration for this program closes at 4:45 PM on Tuesday, August 6.

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