All virtual programs are listed in Eastern Time (ET). Start times for all other continental US time zones are listed in the program description below the main image. For in-person programs, the program start time is listed in the location’s time zone.
Calendar of Events
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In this empowering workshop, Robin Cembalest demystifies the distinctive and often challenging process of writing about visual art. In her presentation, she’ll share examples and templates for different types of professional art writing, from press releases to Instagram posts. As the longtime editor of ARTnews, Robin taught generations to write professionally. Gallerist or artist, educator or curator, this class will give you the tools, skills, and best practices to write clearly and accessibly, with less stress and more success. |
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Join ArtTable at El Museo del Barrio for a Curator-Led Tour of Coco Fusco: Tomorrow, I Will Become an Island with Susanna Temkin! El Museo del Barrio is proud to present the first U.S. survey of influential Cuban-American artist, writer, and activist Coco Fusco (b. 1960, lives in New York). A renowned artist, writer, and activist, Fusco has been globally lauded for her distinctly perceptive, acerbic, and piercing voice. |
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Experience historically rich Bentonville, Arkansas through tours of significant sites like Crystal Bridges Museum of American Art, Frank Lloyd Wright’s Bachman-Wilson House, and the Mildred B. Cooper Chapel. This thoughtfully assembled tour will immerse visitors into the artistic scene of Arkansas with exclusive visits to outdoor installations, local eateries, and world class museums. Do not miss out on this chance to absorb all that Bentonville has to offer! |
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The exhibition will explore absurdism, referencing Franz Kafka, Albert Camus, Simone de Beauvoir, Jose Saramago and/or Samuel Beckett. Artists will apply the ideas and concepts in these works to our modern world, through which industry and politics, is still and often dehumanized. Sub-topics include but are not limited to childhood in industrial societies, sexuality, gender, women’s rights, and education. We asked artists to create circular fiber works to symbolize the continuation of hope in our present experience as we strive to overcome a certain sense of nothingness. |
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Made in L.A. 2025 is the seventh iteration of the Hammer’s signature biennial exhibition that showcases artists practicing throughout the greater Los Angeles area. The 28 participants in the exhibition present work not only made in the city but also grounded in its complex and unfolding terrain. Neither myth nor monolith, Los Angeles is many things to many people, and its dissonance is perhaps its most distinguishing feature. The works presented in this year’s biennial include film, painting, theater, choreography, photography, sculpture, sound, and video. Attitude draws them together: Each engages with this city in ways alternately literal, formal, material, and metaphoric. Conceived or made in Los Angeles, they are of this city and nowhere else.
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Join ArtTable for a private collection tour at the Deutsche Bank Center! Highlights of the Deutsche Bank Collection include Joan Mitchell, Jennie C. Jones, Helen Frankenthaler, Wangechi Mutu, Keith Haring, Eva Hesse, Carrie Mae Weems, Amy Sillman, and more. This program is open to ArtTable Circle, Patron, and Benefactor members until September 26. If space allows, this program will open to other membership levels and the general public. |
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Women Artists from Antwerp to Amsterdam, 1600-1750 showcases a broad range of work by more than forty Dutch and Flemish women artists, including Gesina ter Borch, Maria Faydherbe, Anna Maria de Koker, Judith Leyster, Magdalena van de Passe, Clara Peeters, Rachel Ruysch, Maria Tassaert, Jeanne Vergouwen, Michaelina Wautier, and more. |
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Featuring some 300 artworks, Ruth Asawa: A Retrospective charts the artist’s lifelong explorations of materials and forms in a variety of mediums, including wire sculpture, bronze casts, drawings, paintings, prints, and public works. This first posthumous survey celebrates the ways in which Asawa continuously transformed materials and objects into subjects of contemplation, unsettling distinctions between abstraction and figuration, figure and ground, and negative and positive space. |
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Support ArtTable’s Programming
Submit a Program Proposal.
Proposals are reviewed by the National Programs Committee.
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A history of ArtTable programs from 1980 through today.
Watch Past Programs.
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ArtTable is a 501.c.3 organization and all programs are non-refundable. Should a program be postponed by ArtTable for any reason, the purchaser’s ticket will be honored for the rescheduled program. Should a program be canceled and not rescheduled, the purchaser will receive credit to be used toward a future program. Please email [email protected] with any questions.