Join ArtTable at The Museum at FIT for an exhibition tour Art X Fashion.

"This exhibition will garner strong opinions and spark lively dialogue, but whether you decide that fashion is art or not, fashion's strong and mutual relationship with fine art is undeniable." - Elizabeth Way, MFIT Curator of Costume and Accessories

Marilyn Minter (b. 1948, USA) is an artist based in New York. Recent solo exhibitions include Marilyn Minter, Lehmann Maupin, Seoul, South Korea (2024). Marilyn Minter, LGDR, New York, NY (2023); Marilyn Minter, Lehmann Maupin, Hong Kong, China (2021); All Wet, Montpellier Contemporary (Mo.Co), Montpellier, France (2021); Smash, MoCA Westport, Westport, CT (2021); Fierce Women, The Cube, Moss Arts Center, Virginia Polytechnic Institute and State University, Blacksburg, VA (2020); Nasty Woman, SCAD Museum of Art, Savannah GA (2020); among others. From 2015 through 2017, her retrospective, Marilyn Minter: Pretty/Dirty, traveled to the Contemporary Arts Museum, Houston (TX); the Museum of Contemporary Art, Denver (CO); the Orange County Museum of Art, Newport Beach (CA); and the Brooklyn Museum, Brooklyn (NY). Her video Green Pink Caviar was on view at The Museum of Modern Art, New York from 2010-2011.

Carol Bove will be the first museum survey and largest presentation to date of the work of American artist Carol Bove. The exhibition will trace pivotal shifts across Bove’s 25-year career, ranging from her early drawings to a new, monumental series of her scrap metal and steel tubing compositions known as “collage sculptures.” The artist will also orchestrate a series of design interventions that subtly inflect the experience of navigating Frank Lloyd Wright’s iconic rotunda, reflecting her longstanding interest in the way objects and images are transformed by their surroundings.

Vibrant and playful, Maysha Mohamedi’s (b. 1980, Los Angeles) innovative practice points toward a new mode of atmospheric abstraction that registers certain conditions specific to Los Angeles—and American life as a whole—in the early twenty-first century. Reflecting her personal history and key constellations in her own cultural matrix, her palette is both purely abstract and directly connected to the patchwork of landscapes, objects, and environments that comprise her life. These range from an Ojai, California, playground the artist visited with her children to clippings from cookbooks and magazines and sea glass found on the shore. Mohamedi’s works are reflections of her own thinking, crystallized as moments of haptic communion. The artist’s academic background in neuroscience is found in the liveliness and expansiveness of her paintings. Liberated from the constraints and dictates of the three-dimensional world, her immersive works exude a sense of freedom and illimitability. For Mohamedi, the viewer is an equal creator in this shared universe of boundless possibilities.