National | Jaune Quick-to-See-Smith: “Memory Map” at the Whitney Museum of American Art

May 3, 2023 | 4:00 pm 6:00 pm

See below to register for either the 4:00 PM or the 5:00 PM tour group.

Jaune Quick-to-See Smith, The Vanishing American, 1994. Acrylic, newspaper, paper, cotton, printing ink, chalk, and graphite pencil on canvas, 60 1/8 × 50 1/8 in. (152.7 × 127.3 cm). Whitney Museum of American Art, New York; gift of Dorothee Peiper-Riegraf and Hinrich Peiper in memory of Arlene LewAllen 2007.88. © Jaune Quick-to-See Smith

Join Laura Phipps, Assistant Curator at the Whitney Museum of American Art, with Caitlin Chaisson, Curatorial Project Assistant, for a tour of the first New York retrospective of groundbreaking artist, Jaune Quick-to-See Smith (b. 1940, citizen of the Confederated Salish and Kootenai Nation). Jaune Quick-to-See Smith: Memory Map brings together nearly five decades of Smith’s drawings, prints, paintings, and sculptures in the largest and most comprehensive showing of her career to date.

Smith’s work engages with contemporary modes of making, from her idiosyncratic adoption of abstraction to her reflections on American Pop art and neo-expressionism. These artistic traditions are incorporated and reimagined with concepts rooted in Smith’s own cultural practice, reflecting her belief that her “life’s work involves examining contemporary life in America and interpreting it through Native ideology.” Employing satire and humor, Smith’s art tells stories that flip commonly held conceptions of historical narratives and illuminate absurdities in the formation of dominant culture. Smith’s approach importantly blurs categories and questions why certain visual languages attain recognition, historical privilege, and value.  Across decades and mediums, Smith has deployed and reappropriated ideas of mapping, history, and environmentalism while incorporating personal and collective memories. The retrospective will offer new frameworks in which to consider contemporary Native American art and show how Smith has led and initiated some of the most pressing dialogues around land, racism, and cultural preservation—issues at the forefront of contemporary life and art today.

See the Whitney’s website for full exhibition support acknowledgments.

This program is open to ArtTable members and guests.

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Admission
$25 ArtTable Members
$35 ArtTable Member Guests

*Please note that we have waiting lists for BOTH tours: click on the register buttons to add your name!*


This program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Please note that all income from program fees goes toward ArtTable’s internal costs for organizing programs.


About the Curators

Laura Phipps

Laura Phipps is an assistant curator at the Whitney Museum of American Art. She has been at the Whitney since the summer of 2009, and her recent projects include Virginia Overton: Sculpture GardensOpen Plan: Andrea Fraser and a group show of emerging artists Flatlands. She has also co-curated a project with Michele Abeles and the permanent collection exhibition Test Pattern. Laura has assisted with numerous museum exhibitions including 2010, the Whitney Biennial, Legacy: The Emily Fisher Landau CollectionGlenn Ligon: AMERICASingular VisionsWade Guyton OSSinister Pop, and Jeff Koons: A Retrospective.

She has served on the grant selection committee of the Rema Hort Mann Foundation, as a visiting critic for the Lower Manhattan Cultural Council Workspace and Smackmellon Studio Program, and as a guest curator at the Kentler Drawing Center, Brooklyn. Prior to the Whitney, Phipps worked in the curatorial department and director’s office of the Modern Art Museum, Fort Worth. She received her MA, Art History at Hunter College, CUNY and BFA, Studio Art and BS, Psychology from Texas Christian University in Fort Worth, Texas.


Caitlin Chaisson is curator and critic based in New York, and holds an MA in Curatorial Studies from Bard College. She currently works at the Whitney Museum of American Art.

From 2016–2019, she served as the Director and Curator of Far Afield, an initiative that supports regionally-connected artistic and curatorial practices. She has also held positions and contracts at The Drawing Center (New York City), e-flux (New York City), Emily Carr University of Art and Design (Vancouver), AKA Artist-Run Centre (Saskatoon), and the Anvil Centre (New Westminster). Her writing has appeared in Canadian Art, C Magazine, and Frieze, among others.


Image: Jaune Quick-to-See Smith, The Vanishing American, 1994. Acrylic, newspaper, paper, cotton, printing ink, chalk, and graphite pencil on canvas, 60 1/8 × 50 1/8 in. (152.7 × 127.3 cm). Whitney Museum of American Art, New York; gift of Dorothee Peiper-Riegraf and Hinrich Peiper in memory of Arlene LewAllen 2007.88. © Jaune Quick-to-See Smith

Whitney Museum of American Art

99 Gansevoort Street
New York, NY 10014 United States
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*POSTPONED* Atlanta, GA | Exhibition Tour | Women to Watch: Melissa Messina & Sierra King

April 29, 2023 | 10:00 am 12:00 pm

NOTE: this event has been postponed: watch this space and @arttable_atl for new dates and more Atlanta Events.

Kenyatta Stanchez Photography by Stanchez Kenyatta courtesy of Atlanta Contemporary

Join ArtTable at Atlanta Contemporary for a talk and tour of the Women to Watch series exhibition led by Melissa Messina and Sierra King! This exhibition is presented at Atlanta Contemporary in partnership with the Georgia Committee of the National Museum of Women in the Arts.

For the 2023 iteration of the ongoing Women to Watch series, the Georgia Committee of the National Museum of Women in the Arts (NMWA) invited guest curators Sierra King and Melissa Messina to select five woman-identifying Georgia-connected artists whose work responds to the question: When women artists envision a different world, how does that look?

With over 60 artists initially considered, and 16 studio visits conducted, these 5 artists represent a diverse range of artistic excellence, age, backgrounds, and geographic locations. Their practices push the boundaries of their chosen media and the exhibition’s thematic inquiry.


MELISSA MESSINA is a nationally recognized arts professional who has developed thought-provoking exhibitions, dynamic site-responsive projects, and engaging educational public programming both independently and in leadership positions at museums and non-profit arts organizations.

SIERRA KING is an Archivist and Curator. Her creative and arts administration work is dedicated to documenting, preserving, and archiving the work of Black Women Artists.


This exhibition is presented at Atlanta Contemporary in partnership with the Georgia Committee of the National Museum of Women in the Arts.

Atlanta Contemporary believes in the power of contemporary art to change lives and that anyone—regardless of age, race, gender, socio-economic status, or any perceived limitations—should have access to innovative and engaging contemporary art and programs. Rooted in the very fabric of our founders, Atlanta Contemporary has been artist-centered and art-driven since 1973.

As one of the first of the National Museum of Women in the Arts (NMWA) committees, the Georgia Committee (GA NMWA) realized the importance of a museum advocating for women artists and swiftly formed as a committee in 1986. Thirty-five years later, we are proud to support NMWA and to champion Georgia women artists.


Admission:

  • ArtTable Members – $10
  • Member Guests – $20
  • Public – $25

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Image: Kenyatta Stanchez. Jan 2023. Photography by Stanchez Kenyatta. Courtesy of Atlanta Contemporary.

Atlanta Contemporary

535 Means Street NW
Atlanta, Georgia 30318
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Washington, DC | BreakfastTable with Mary Early, HEMPHILL Artworks

April 7, 2023 | 8:00 am 9:00 am

Prints and Works on Paper at HEMPHILL

Join us for a morning conversation and gallery tour with Mary Early, Director of HEMPHILL Artworks, featuring the exhibition: Prints & Works on Paper.

Prints and Works on Paper
(March 18 – May 6, 2023)
The 19 artists presented in Prints & Works on Paper worked from the mid-1930s through 2014. While the work spans almost a century, it was made within the shared social and political context of the Black experience in America. These artists did not perceive a line where activism ended and art began. Believing that pictures could make a difference, they were invested in advocating for justice, empowerment, and community through education; the intentionality of creating editioned prints in a workshop setting reflects this dedication. Printmaking facilitated a wider distribution of their messages, allowing artists to be deliberate about connection and reaching a larger audience. Imagery portraying a rich social life offered viewers positive self-representation, verity, and aspiration for the future. The private collection of 38 works passionately assembled over a 30-year period, is honest in content and impressive in technique, both captivating the audience and effectively conveying the artworks’ significance. By boldly broadcasting their identities while the art world was systematically prejudiced, the artists in Prints & Works on Paper documented a difficult past and visualized a brighter future.

Ron Adams, Benny Andrews, Romare Bearden, John Biggers, Elizabeth Catlett, Robert Colescott, Allan Rohan Crite, Aaron Douglas, Sam Gilliam, Palmer Hayden, Jacob Lawrence, Norman Lewis, Lois Mailou Jones, Alison Saar, Charles Sebree, Renée Stout, James Lesesne Wells, Charles White, Hale Woodruff

Admission:

  • ArtTable Members – complimentary
  • Member Guests – $10

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ABOUT MARY EARLY

Mary Early (b. 1975) is an artist and art dealer based in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), the American University Museum (Washington DC), and the Sun Valley Museum of Art (Ketchum, ID). Early’s work is included in the collections of the US Department of State/Embassy of Panama and Embassy of Jordan, the District of Columbia Art Bank, the American University Museum (Corcoran Collection). She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2022, 2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).

Early is the director of HEMPHILL Artworks, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including William Christenberry (Estate), Colby Caldwell, Jacob Kainen (Estate), Hedieh Javanshir Ilchi, Mingering Mike, Robin Rose, Renée Stout, Alma Woodsey Thomas, Julie Wolfe, Workingman Collective. She specializes in the artists of the Washington Color School. Early works with living artists and artists’ heirs on long-range planning, and with private and institutional collectors to build and manage significant collections. She has a particular interest in public art and community engagement, the materials and processes of contemporary sculpture, and professional development for emerging and under-represented artists.

ABOUT HEMPHILL

HEMPHILL Artworks opened in Washington DC in September, 1993. The exhibition schedule features contemporary art ranging in media from emerging to mid-career and established artists. In addition to these shows, the gallery mounts exhibitions of historically-significant artwork and socially relevant subjects. The diversity of this schedule is designed to showcase important talent and provide artwork that appeals to a broad range of interests.

From its beginnings, HEMPHILL has advised corporate and private collectors. This initial client base was built upon contacts and experiences gained in academia, with private galleries, and with architectural and design firms. HEMPHILL’s consulting and advisory work has expanded to include companies and individuals worldwide. HEMPHILL offers collectors the chance to experience a broad range of aesthetic experiences both through the gallery exhibition program and through private viewing opportunities. It also provides an opportunity to be directly involved in the artists’ community as well as the creative process.

Special events include the ongoing ART TALKS series, artist book signings, and charitable vents for area nonprofits. Begun in 1998, the ART TALKS series includes educational lectures on topics such as collecting for beginners, artist talks, and panel discussions on issues in contemporary art. In 2020, HEMPHILL inaugurated a new gallery space in Washington’s historic Mount Vernon Square neighborhood. Featuring an open gallery floor plan and glass partitions that invite guests into the office area, the design allows for increased interaction and conversation. As we enter 2023, the third year in this new space and the third year of a global pandemic, we continue to welcome first-time visitors.


HEMPHILL Artworks

434 K STREET NW
Washington, DC, 20001
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National | Annual Brunch at the Dallas Art Fair

April 21, 2023 | 10:00 am 11:30 am

Dallas Art Fair

Join ArtTable in Dallas, TX for the Annual Coffee Reception to experience The Dallas Art Fair (DAF) on Friday April 21, 2023 before it opens to the public!

We’ll meet at 10 AM Central Time and enjoy some networking with coffee, conversation, and light bites. At 10.30 AM, we’ll hear brief remarks from Kelly Cornell (Fair Director) and Jennifer Klos (Art Advisor and Founder, Collector House Design, Inc), with introductions by Laurie Ann Farrell and Louky Keijsers Koning, DFW Chapter Co-Chairs.

Please note: when you register for this ArtTable Breakfast, you will have access to a complimentary 3-day pass to the Dallas Art Fair. *Your confirmation email will have your coupon code and instructions on how to set this up.*

Thank you to the Dallas Art Fair (DAF), Kelly Cornell, and Sarah Blagden (VIP Relations Director, DAF) for hosting the event, The Joule Hotel for the catering, and Jennifer Klos for organizing the program.

Admission:

  • ArtTable Members – $25
  • Member Guests – $35
  • Public – $45

Please note: when you register for this ArtTable Breakfast, you will have access to a complimentary 3-day pass to the Dallas Art Fair. Your confirmation email will have your coupon code and instructions.

Not a member? Join today!

Please note that all income from program fees goes toward ArtTable’s internal costs for organizing programs.

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Dallas Art Fair

1807 Ross Ave, Dallas, TX
Dallas, Texas 75201 United States
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New York, NY | “Gego: Measuring Infinity” at The Guggenheim

April 26, 2023 | 5:00 pm 6:00 pm

Image credit: Gego Installing Reticulárea, Museo de Bellas Artes de Caraca-1969. Photo Juan Santana ©Fundación Gego

Join us at the Guggenheim as curator Andrea Zambrano walks us through a retrospective of one of the great pioneering Venezuelan artists, Gego—or Gertrud Goldschmidt (b. 1912, Hamburg; d. 1994, Caracas). Gego’s two-and-three dimensional works across many media explored the relationship between line, space, and volume. Her practice is grounded in the intersections of geometric abstraction, Kinetic art, Minimalism, and Post-Minimalism. Trained as an architect (b. 1912 Hamburg; d. 1994 Caracas), known for her organic forms, linear structures, and spatial investigations, this exhibition will establish her legacy in the Americas.

Andrea Zambrano is an emerging curator and art historian whose primary research interests are in modern and contemporary Latin American art. In 2021 she joined the Solomon R. Guggenheim Museum, serving as the curatorial assistant on Alex Katz: Gathering (2021). Currently, Andrea is on the curatorial team of Gego: Measuring Infinity, working alongside exhibition curators Geaninne Gutiérrez-Guimarães and Pablo Leon de la Barra. For the 2nd group tour, there will be a specialist in the Department of Education.

Special thanks to Julia P. Herzberg, Ph.D, Regan Larroque, and Leah Heister Burton for this event.

COVID-19 vaccination and mask-wearing are no longer required but are strongly recommended. We encourage all visitors to wear masks that cover their nose and mouth throughout their visit.

To request accommodation due to a medical condition or disability, please contact [email protected] prior to your visit. The tour will be a walk through on the five floors. It will last an hour.

Admission:

  • ArtTable Members – $10
  • Member Guests – $20

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*THIS EVENT IS NOW AT CAPACITY! *

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This program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.


About the Curator

Andrea Zambrano. Photo by Nina Godridge ©

Andrea Zambrano is an emerging curator and art historian whose primary research interests are in modern and contemporary Latin American art. In 2021 she joined the Solomon R. Guggenheim Museum, serving as the curatorial assistant on Alex Katz: Gathering (2021). Currently, Andrea is on the curatorial team of Gego: Measuring Infinity, working alongside exhibition curators Geaninne Gutiérrez-Guimarães and Pablo Leon de la Barra. For the 2nd group tour, there will be a specialist in the Department of Education.


Images: Gego Installing Reticulárea, Museo de Bellas Artes de Caraca-1969. Photo Juan Santana ©Fundación Gego. Andrea Zambrano, Nina Godridge ©


The Solomon R. Guggenheim Museum

1071 5th Ave
New York, New York 10128
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*FULL* New York, NY | Dia Chelsea Chryssa Exhibition Tour with Megan Holly Witko

March 30, 2023 | 6:00 pm 7:30 pm

Chryssa Gates to Times Square Bill Jacobson

Join us for a tour of Chryssa & New York at Dia Chelsea led by exhibition curator Megan Holly Witko. Co-organized by Dia Art Foundation and the Menil Collection, Chryssa & New York is the first comprehensive survey of works by Greek-born artist Chryssa (1933–2013) to take place in North America since 1982. A leading figure of the New York art world in the 1950s and ’60s, Chryssa developed an innovative approach to activating sculptural surfaces through subtle manipulations of light and shadow. Pathbreaking in its use of signage, text, and neon, her vastly under-recognized body of work bridges Pop, Conceptual, and Minimalist ideas of art making. This exhibition focuses on works from these decades through to the early 1970s, bringing together Chryssa’s deeply formal concerns and critical interest in exploring the United States following World War II.

DIA Chelsea 537 W 22nd St, New York, NY 10011

This tour is open to ArtTable members and $15 for guests. Not a member? Join today!

* REGISTRATION FOR THIS EVENT IS FULL WITH A WAITING LIST

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This program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.


About the Participants
Megan Holly Witko

Megan Holly Witko is external curator at Dia Art Foundation and currently working on an exhibition of the artist Chryssa (1933 – 2013). She recently organized presentations of works by Marian Zazeela at Dia:Beacon, as well as Keith Sonnier and Jacqueline Humphries at the Dan Flavin Art Institute in Bridgehampton, NY. She was assistant curator of François Morellet at Dia:Chelsea in New York (2017–18), as well as Robert Ryman (2015-16), and La Monte Young, Marian Zazeela and Jung Hee Choi’s Dia 15 VI 13 545 West 22 Street Dream House (2015). She joined Dia Art Foundation in 2012.

 

Featured Image: Chryssa, The Gates to Times Square, 1964–66. © Εstate of Chryssa, National Museum of Contemporary Art Athens. Image courtesy Buffalo AKG Art Museum. Photo: Bill Jacobson Studio, New York.

Dia Chelsea

537 W 22nd St
New York, New York 10011
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Washington, DC | INTERLUDE : A Collaboration Between the Kreeger Museum and STABLE Arts

March 11, 2023 | 3:00 pm 4:00 pm

We are thrilled to announce a noteworthy event, INTERLUDE – a collaboration between the Kreeger Museum and STABLE Arts, which showcases the works of fifteen regional artists. 

Helen Chason, Director of the Kreeger Museum, will begin by extending a warm welcome to our guests.

Maleke Glee, Director of STABLE Arts, will provide an introduction to the exhibition. Additionally, three artists-Gail Shaw-Clemons, K. Lorraine Graham, and Katherine Tzu-Lan Mann-will share their perspectives on their work.

Admission:

  • ArtTable Members – $10

Kreeger Museum 2401 Foxhall Rd. NW, Washington, DC 20007

Attend for free: become an ArtTable Volunteer

  • ArtTable relies on volunteers nationwide to act as a point of contact for programs when staff are unable to attend. The volunteer will arrive early for the program, connect with the program host, take attendance, provide a brief introduction, and answer questions as needed. The volunteer will be in contact with ArtTable’s National Programs & Chapters Manager in advance to review all tasks. Volunteers do not have to pay to attend the program.
  • To sign up to be a volunteer for this program, please email us at [email protected] with the subject line, “Interest in Volunteering – INTERLUDE”

Not a member? Join today!

Please note that any income from program fees goes toward ArtTable’s internal costs for organizing programs.

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About the Participants

Helen Chason was named Director of The Kreeger Museum June 1, 2017.  Embracing the Museum’s mission to share art and music, Chason has prioritized programming that reaches across the city and celebrates the wealth of artistic talent in our community. Under her leadership the Museum has developed Jazz at the Kreeger, a series that spotlights area musicians, created The Collaborative, an exhibition program that supports visual and performing artists working in Washington DC, and expanded innovative and inclusive family program offerings. In addition to presenting group exhibitions in 2020 and 2021, the Museum presented two exhibitions in 2022 for legendary printmaker, Lou Stovall, illustrating and acknowledging Stovall’s profound and far-reaching influence on the Washington arts community and city. Chason holds an Ed.M. from Harvard University and has lived in Washington, DC since 1980.

 

K. Lorraine Graham writes poems and texts that occasionally manifest as drawings, games and performances. She is the author of The Rest is Censored (Bloof Books), Terminal Humming (Edge Books) and numerous zines, including Semiotic Squares (Primary Writing), a book of drawings, and My Little Neoliberal Pony (Insert Blanc Press). Graham earned an M.F.A. from the University of California, San Diego is an artist at STABLE Arts in Washington, D.C., where she also lives.

 
 
 

Gail Shaw-Clemons, born in Washington, DC, received her Masters’ Degree in printmaking from the University of Maryland. She is a printmaker, mixed media, and art activist. She has exhibited extensively, with many works included in public and private collections in the USA, Brazil, Norway, Sweden, China and the Republic of Ireland. Her work is also in the collection of the National Museum of Women in the Arts, Library of Congress, and the Banneker-Douglass Museum. Shaw-Clemons has a studio at Stable Art and prints at the Bob Blackburn Printmaking Studio in New York as well as the Pyramid Printmaking Studio in Hyattsville MD. Recently retired as an art instructor from the United Nations International School in New York, She is currently an adjunct professor at Bowie State University in Maryland.

 

Katherine Tzu-Lan Mann creates large scale paintings and paper installations that examine mythology, identity, and landscape. She is the recipient of the Sustainable Arts Foundation grant, a Fulbright grant, the AIR Gallery and Lower East Side Printshop Keyholder Fellowships, and the Mayor’s Award and Hamiltonian Fellowship in Washington, DC. Some of the venues where Mann has shown her work include the Kreeger Museum, Academy Art Museum, Walters Art Museum, American University Museum, Tides Museum, Corcoran Gallery of Art, RawlsMuseum, the US consulate in Dubai, UAE, and the US embassy in Yaounde, Cameroon.


Images: Left: Matthew Mann, Moonlight Sinew, 2022, oil, acrylic, and collage on canvas, Courtesy ofthe artist. Right: David Urban, Band of Hope, 1996, oil on canvas, Gift from the Trustees of the Corcoran Gallery of Art., I Hold You Close. Image courtesy of Culture House.

Kreeger Museum

2401 Foxhall Rd. NW
Washington, District of Columbia 20007 United States
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Washington, DC | Private Tour – A SKY SHATTERED GLASS REFLECTED BY THE SHINING SUN at Culture House

March 4, 2023 | 2:00 pm 3:00 pm

Please join us for a private tour of the exhibition, A SKY SHATTERED GLASS REFLECTED BY THE SHINING SUN, on view at Culture House, with opening remarks by Cicie Sattarnilasskorn, Culture House’s Gallery Director and a private artist-led tour of the exhibition with Stephanie Mercedes. 

The materials employed in the exhibition are both profound and striking, ranging from melted bullets and destroyed weapons to soap, wax, and seeds. The exhibition features a series of installations that explore vulnerability in the context of the queer body, however, rather than portraying vulnerability as a weakness, the works presented in this exhibition encourage the viewer to consider vulnerability as a powerful weapon.

Admission:

  • ArtTable Members – Free

Culture House 700 Delaware Ave SW, Washington, DC 20024

Have you considered becoming an ArtTable Volunteer?

  • ArtTable relies on volunteers nationwide to act as a point of contact for programs when staff are unable to attend. The volunteer will arrive early for the program, connect with the program host, take attendance, provide a brief introduction, and answer questions as needed. The volunteer will be in contact with ArtTable’s National Programs & Chapters Manager in advance to review all tasks. Volunteers do not have to pay to attend the program.
  • To sign up to be a volunteer for this program, please email us at [email protected] with the subject line, “Interest in Volunteering – A Sky Shattered Glass”

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About the Curator

Stephanie Mercedes has exhibited and performed at the Bronx Museum, the Queens Museum, the Smithsonian Institution, the Kennedy Center, and the National Gallery of Art. She has been funded by George Soro’s Open Society Foundation, Light Works, NALAC, The Foundation for Contemporary Art, WPA, The DC Commission for the Arts, the GLB Memorial Foundation, the Warhol Foundation, and the Clarvit Fellowship.

She has also been an artist in residence at VisArts, Halcyon Art Labs, the Bronx Museum, Montgomery College, Christopher Newport University, SOMA, Lugar a Dudas, Largo das Artes and La Ira de Dios. Mercedes is producing an Opera with CulturalDC in 2022-23.


Image: Stephanie Mercedes, I Hold You Close. Image courtesy of Culture House.

Culture House

700 Delaware Ave SW
Washington, District of Columbia 20024 United States
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Dallas, TX | DFW Social at Cris Worley Fine Arts

February 28, 2023 | 5:30 pm 7:30 pm

Remarks at 6:15 pm

Installation view of Josephine Durkin’s exhibition Funeral Flowers at Cris Worley Gallery, Dallas, TX

Join us for our inaugural DFW Social on Tuesday, February 28. We would like to toast to our members and ArtTable DFW Chapter’s first year.  It will be an evening to mingle and welcome new friends. 

Admission:

  • ArtTable Members – Free
  • Member Guests – Free

Thank you to Cris Worley of Cris Worley Fine Arts for hosting the event, to Jennifer Klos, Art Advisor and Founder, Collector House Design, Inc. for organizing this program and to Sotheby’s, Dallas for providing the refreshments.

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Cris Worley Fine Arts

1845 E Levee St #110
Dallas, Texas 75207
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Palm Springs, CA | Tour & Reception at Intersect Palm Springs

February 11, 2023 | 11:00 am 1:00 pm

Artwork by Mary Dill Henry, a cartoon-ish sunset over white clouds

Please join us for a day at Intersect Palm Springs! Current and prospective members and guests are welcome to join for a special private tour of the fair with Liza Shapiro and Georgia Powell, Co-Founders of CURA Art. Afterwards, stick around for a meet-and-greet with ArtTable’s Lila Harnett Executive Director, Jessica L. Porter, and learn more about ArtTable’s mission and how you can get more involved with the organization.

Intersect Palm Springs is an art and design fair that brings together a dynamic mix of modern and contemporary galleries, and is activated by timely and original programming. It is one of three annual cultural events produced by Intersect Art and Design, in addition to Intersect Aspen and SOFA Chicago. Each event connect galleries with art lovers and collectors, highlighting art and design locally, regionally, and globally. Overseen by Managing Director Becca Hoffman, the Intersect team is committed to building community and connectivity in the locations of the fairs. Through cultural partners, programming, and curatorial vision, Intersect offers year-round opportunities for dialogue, engagement, and inspiration.

Admission:

  • ArtTable Members – $15
  • Member Guests/General Public – $20

Your ticket includes complimentary access to the fair and one complimentary drink ticket. You will receive information on accessing your VIP pass upon registration.

Not a member? Join today!

Please note that all income from program fees goes toward ArtTable’s internal costs for organizing programs.

Please review the below before registering:

To ensure the safety of all visitors, participants, and staff, Intersect Palm Springs is closely monitoring the news, and state and local CDC guidelines, to inform their safety protocols. Please visit the City of Palm Springs website for the most up-to-date information, here.

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

The Palm Springs Convention Center (PSCC) provides permanent access accommodations under the guidance of the Americans with Disabilities Act (ADA). Wheelchairs are not available at the PSCC, however, they are able to provide you with a list of local vendors to accommodate special needs.

Please email [email protected] if you require any specific accommodations for this program.

The Palm Springs Convention Center is located at 277 N Avenida Caballeros, Palm Springs CA 92262.

Click here for directions from any location.

For information on parking at the convention center and public transportation, visit the fair's website.

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About Georgia Powell

Headshot of Georgia PowellGeorgia studied in Italy and the UK, earning a BA in Art History at the University of Warwick, continuing her studies with an MA in the same subject in London. Georgia has gained experience at the Victoria and Albert Museum, London, and with an exhibition designer to catalogue and display prominent private collections including The Myers Collection at Eton College and the Portland Collection at Welbeck Abbey. She then managed The Redfern Gallery on London’s prestigious Cork Street. As Assistant Curator of the renowned, private collection of decorative arts owned by The Goldsmiths’ Company in London, Georgia was responsible for managing, exhibiting and expanding a collection of more than 9,000 objects. Georgia is a featured lecturer at Christie’s Education and speaks regularly on the subject of the role of the Collector today.

About Liza Shapiro

Headshot of Liza ShapiroLiza’s interest for caring for works of art began while studying art restoration in Florence, Italy. She earned a BA in Art Conservation from Camberwell College of Arts, London, and an MA in Museum Studies from University College London (UCL). Liza worked at several museums, galleries and conservation studios, including Tate Modern, the Victoria and Albert Museum and The Redfern Gallery. At the oldest hat shop in the world, Lock & Co. Hatters, Liza preserved and catalogued more than 400 ledgers and historical material in order to curate a new, permanent exhibition space. Liza returned home to California in 2015, and has established a strong LA presence, working with varied private collections and industry specialists. Liza is also a mentor for Upward & Associates, a platform that offers guidance and concrete tools to help artists meet their professional goals. 


Image: Mary Dill Henry, Here Comes the Sun, 1972. Acrylic on canvas, 48 x 72 in (121.9 x 182.9 cm), Signed, dated and titled on verso, © Estate of Mary Dill Henry. Courtesy of Berry Campbell, New York

Intersect Palm Springs

Palm Springs Convention Center, 277 N Avenida Caballeros
Palm Springs, California 92262 United States
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