Washington, DC | Exhibition Tour – “The Outwin 2022: American Portraiture Today” with Curator Taína Caragol at the National Portrait Gallery

February 17, 2023 | 10:30 am 11:30 am

Painting by Alison Elizabeth Taylor

Please join us for a tour of “The Outwin: American Portraiture Today” before it closes at the end of February. This one-hour tour will be led by Curator Taína Caragol. The triennial juried exhibition features 42 portraits selected through an open call, by artists working across the United States and Puerto Rico. The pieces, including those by prize winners Alison Elizabeth Taylor and Elsa Maria Melendez, explore a wide range of media and convey a multitude of life experiences.

This program is open to ArtTable members only for $10 each. Registration is required below.

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Masks are not required while visiting the National Portrait Gallery or the Smithsonian American Art Museum. Visitors may choose to wear a mask during their visit and are encouraged to do so when attending public programs.
Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

The Portrait Gallery is committed to providing access to all visitors.

Service dogs are welcome. The SI follows the U.S. Department of Justice’s ADA requirements for service dogs. The dog must be trained to assist a person with a disability. Visitors are not allowed to bring emotional support animals into Smithsonian museums.

Elevators serve all areas of the building. All restrooms and water fountains are wheelchair accessible. Family/companion care restrooms are located on the first and second floors near the F Street elevators.

Wheelchairs are available for your comfort. To borrow one, ask the security officer stationed at the G Street entrance.

Limited metered parking is available on the streets around the museum. Red Top meters are reserved for drivers with disabled parking placards. For more information about the Red Top Meter Program, check the District Department of Transportation website.

ADA parking spaces are available, for a charge, at nearby parking garages. View the map of their locations.

Visitors using the MetroAccess paratransit service should tell the driver to go to 800 G Street, or to G and 8tth Street.

For more information on accessibility at the National Portrait Gallery, visit their website.

Please email [email protected] if you require any specific accommodations.

The National Portrait Gallery is located at 8th and G Streets NW, Washington, DC 20001. Click here for directions from any location.

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About the Curator

Headshot of Taina CaragolTaína Caragol is Curator of painting, sculpture, and Latinx art and history at the National Portrait Gallery. Her scholarship focuses on Latinx and Latin American art and its institutional and market validation, as well as on the recovery of histories suppressed by colonialism. Since her hiring in 2013 she has significantly increased the representation of Latinx historical figures and artists at the Portrait Gallery, through approximately 200 acquisitions and by curating or co-curating exhibitions such as One Life: Dolores Huerta, UnSeen: Our Past in a New Light, Ken Gonzales-Day and Titus Kaphar, and The Outwin 2019: American Portraiture Today. She is the director of the Portrait Gallery’s triennial Outwin Boochever Portrait Competition 2022, and co-curator of the resulting The Outwin 2022: American Portraiture Today with Leslie Ureña.

Upcoming exhibitions also include 1898: US Imperial Visions and Revisions, a show co-curated with Kate Clarke Lemay, which will offer a critical examination of the events that turned the US into a world power with overseas territories. As the curator who led the portrait commission of former President Obama by Kehinde Wiley, she is a contributing author to the book “The Obama Portraits,” published in 2020 by Princeton University Press.

Caragol has a B.A. in Modern Languages from the University of Puerto Rico, an M.A. in French Studies from Middlebury College, and a Ph.D. in art history from the Graduate Center, City University of New York.


Image: Alison Elizabeth Taylor, Anthony Cuts under the Williamsburg Bridge, Morning, Marquetry hybrid (wood veneers, oil paint, acrylic paint, inkjet prints, shellac, and sawdust on wood), 2020. Collection of the artist. First Prize in The Outwin Boochever Portrait Competition 2022.

National Portrait Gallery

8th & G Streets NW
Washington, DC 20001 United States
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Atlanta, GA | Artist Talk & Exhibition Tour with Jessica Blinkhorn

January 21, 2023 | 11:00 am 1:00 pm

Jessica Blinkhorn portrait

Please join us for a special tour and meet and greet with artist Jessica Blinkhorn.

SPANKBOX is a photographic installation depicting individuals with varying disabilities from all communities in sexualized, hypersexualized poses and situations. We at SPANKBOX ask that the “for now” non-disabled community evaluate their preconceived notions regarding disability and sexuality. How do you perceive disability and sexuality? What standard do you hold us to? Do you view us as an asexual monolith? Do you see our bodies as objects to commodify and or fetishize? Do you celebrate the disabled body and all of its beauty?

The mission at SPANKBOX is to provide a safe space where the community can self-educate by examining the disabled body and asking questions without shame. In return, we ask that you engage in conversation with us by answering one of the many questions provided by our participants (SPANKERS). By educating the community about disability and sexuality, we celebrate our identities as autonomous, dimensional individuals rather than sick, broken, and vulnerable. When a community has been identified as weak, that community will likely be preyed upon.

It is up to us, society as a whole, to engage in a conversation without pretense, ego, and hurt feelings. To effectively promote actual change, we have to have uncomfortable conversations. It’s time for the disabled community to be seen for our abilities! We love, celebrate, work, empathize, motivate, and move forward through an intrepid landscape of social barriers that should not exist in today’s time.

During her residency at UUCA, Jessica plans to focus on two bodies of work – REVERENCE (memory portraits) and SPANKBOX, curating a show for the Pulgram Gallery at UUCA, working with disabled and lgbtq+ youths and seniors by way of providing low-cost art classes, providing an artist talk for the community and congregation, and, lastly, with community support, a prom for disabled and lgbtq+ youths.

Admission:

  • ArtTable Members – $15
  • Member Guests/General Public – $25

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Please note that all income from program fees goes toward program expenses and ArtTable’s internal costs for organizing programs.

Please review the below before registering:

Masks are suggested and encouraged but optional.

 

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

The facility is ADA-compliant with wheelchair accessibility and offers auditory options for navigating the onsite exhibitions and facility.

Please email [email protected] if you require any specific accommodations.

The Pulgram Gallery at the Unitarian Universalist Congregation of Atlanta is located at 2650 N. Druid Hills Rd. NE Atlanta, Georgia 30329. Click here for directions from any location.

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About the Artist

Jessica Elaine Blinkhorn is an Atlanta-based Interdisciplinary Artist. Blinkhorn’s work advocates for the LGBTQ+, disabled, and aging communities. Blinkhorn, who uses a powerchair, focuses her work on acceptance through acknowledgement of difference, body positivity, disability education through experience and exposure, human sexuality, and story-telling.


Image: Jessica Blinkhorn, SPANKBOX installation. All images provided by the artist.

Unitarian Universalist Congregation of Atlanta

Pulgram Gallery, 2650 N. Druid Hills Rd. NE
Atlanta, Georgia 30329 United States
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Yonkers, NY | Private Tour of “Matrix: Prints by Women Artists, 1960–1990” with Laura Vookles, Chief Curator of Collections, Hudson River Museum

February 11, 2023 | 3:00 pm 5:00 pm

Julia Santos Solomon (American, b. Dominican Republic, 1956). Palma Real, 1988. Silkscreen. Private Collection. © Julia Santos Solomon.

Please join us for private tour of Matrix: Prints by Women Artists, 1960–1990 led by Laura Vookles, Chief Curator of Collections at the Hudson River Museum and ArtTable member, followed by a light reception.

Matrix: Prints by Women Artists, 1960–1990 explores a period of experimentation in printmaking among women artists, who used the art form as a means of creative expression and also a way to enter the male-dominated art market. Artists such as Minna Citron, Chryssa, Helen Frankenthaler, the Guerrilla Girls, Louise Nevelson, Faith Ringgold, and Julia Santos Solomon experimented with the medium during these three decades and became a formidable matrix from which a new generation of printmakers would develop. Individually and collectively, these artists expanded the genre through their mastery of technique and collaboration, while defining and broadening a new, more inclusive voice and visual language.

Admission:

  • ArtTable Members – $10
  • Member Guests – $15

Not a member? Join today!

Please note that all income from program fees goes toward ArtTable’s internal costs for organizing programs.

Please review the below before registering:

Mask wearing and COVID-19 vaccination are no longer required, but are recommended for all visitors.

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

Wheelchairs are provided for visitors upon request; the Planetarium and the Amphitheater are equipped with Radio Frequency Assisted Listening Systems (ALSs); service dogs are welcome at the Museum.

Please email [email protected] if you require any specific accommodations.

The Hudson River Museum is located at 511 Warburton Avenue, Yonkers, NY 10701. Click here for directions from any location.

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About the Laura Vookles

Laura Vookles, Chief Curator of Collections at the Hudson River Museum, has co-curated and written essays for Museum publications, including “The Old Croton Aqueduct: Rural Resources Meet Urban Needs”; “Next Stop Westchester! People and the Railroad”; “Westchester: The American Suburb”; “Dutch New York: the Roots of Hudson Valley Culture”; “Paintbox Leaves: Autumnal Inspiration from Cole to Wyeth”; and “The Panoramic River: The Hudson and the Thames.” She also conceived, curated and wrote the lead essay and catalogue for “Elihu Vedder: Journey on the Nile.” In the 28 years that she has worked at the Hudson River Museum, she has focused much effort on Glenview, the Museum’s 1877 Hudson River house for which she completed numerous furnishing, conservation, and interpretation projects. Vookles is also a member of ArtTable.


Image: Julia Santos Solomon (American, b. Dominican Republic, 1956). Palma Real, 1988. Silkscreen. Private Collection. © Julia Santos Solomon. Courtesy of the Hudson River Museum.

Hudson River Museum

511 Warburton Avenue
Yonkers, New York 10701 United States
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New York, NY | Guided Tour of the Sugar Hill Museum with Alaina Simone and Ellen Baxter

February 4, 2023 | 2:00 pm 3:00 pm

"Combinations" exhibition entryway, photograph by Timothy Lee

Please join us for a guided tour of Combinations and MVP: A Selection of Sculptures From Melvin Van Peebles Blue Room at the Sugar Hill Children’s Museum of Art & Storytelling, co-curated by Alaina Simone, with a welcome address by Ellen Baxter, founder and executive director of Broadway Housing Communities.

Combinations is co-curated by Alaina Simone and Damien Davis and features a selection of works by Elia Alba, Nicole Awai, Alteronce Gumby, Forrest Kirk, Tyrone Mitchell, Sable Elyse Smith, Chris Watts, Ye Qin Zhu. Also on view is a solo presentation of Rachel Owens’ work “Hypogean Tip” and a selection of sculptures from Melvin Van Peebles’ “Blue Room.”

Admission:

  • ArtTable Members – $10
  • Member Guests – $15

Not a member? Join today!

Please note that all income from program fees goes toward program expenses and ArtTable’s internal costs for organizing programs.

Please review the below before registering:

The use of face masks is strongly encouraged but not required. 

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

All areas of the museum are handicapped accessible.

Please email Haley Carloni, National Programs & Chapters Manager at ArtTable, if you require any specific accommodations for this program.

The Sugar Hill Children's Museum of Art & Storytelling is located 898 St. Nicholas Avenue @ 155th Street, New York, NY 10032. Click here for directions from any location.

The nearest subway stops are 155th Street (A, C) and 155th Street (B, D)

The M3 bus runs north and south on St. Nicholas Avenue and stops at St. Nicholas Ave & W. 153rd Street.

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About the Speakers

Ellen Baxter is the Founder and the Executive Leader of Broadway Housing Communities. She has committed more than 30 years to advocacy and housing development to redress the inhumanity of inequality and homelessness in New York City and nationally. A pioneer of supportive housing, Ellen founded Broadway Housing Communities, then known as the Committee for the Heights-Inwood Homeless, in 1983. Under Ellen’s leadership, this nonprofit community-based organization has developed and manages seven buildings in Washington Heights and West Harlem; two early childhood centers; three community art galleries; and a new cultural institution, the Sugar Hill Children’s Museum of Art & Storytelling. BHC’s model provides permanent, affordable housing that integrates the formerly homeless, those with special needs and the working poor, single adults, seniors, and families with children; urgently needed early childhood education and educational advocacy services; and remarkable access to the arts; to improve outcomes for children, families, and entire communities. 

Alaina Simone is an art consultant who has produced and curated over thirty exhibitions, artist talks and educational programming across the Caribbean, Europe and the U.S. with leading contemporary artists, including Sir Frank Bowling RA, Ed Clark, and Howardena Pindell. Simone’s practice is informed by her work as a gallerist and artist liaison for international artists, collections and institutions. Simone was the Director of the Merton D. Simpson Gallery from 2011-2015, the oldest African-American owned gallery in the United States. Established in 1954 by collector, artist, and musician Merton D. Simpson, the gallery was dedicated to Modern, Contemporary and Traditional Art of the African Diaspora. Simone’s devotion to community-based projects and arts education continues through her directorship with the Alaina Simone Incorporated and Alaina Simone Productions LLC. She is a founding board member of Verbier 3-D Foundation Sculpture Park and Residency in Switzerland. Simone lives and works in New York City.


Image: Combinations exhibition entryway, photo by Timothy Lee.

Sugar Hill Children’s Museum of Art & Storytelling

898 St. Nicholas Avenue @ 155th Street
New York, New York 10032 United States
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Arlington, VA | Exhibition Tours & Networking at MoCA Arlington

January 10, 2023 | 6:00 pm

Artwork installation by Mandy Cano Villalobos

Join us for an exclusive tour of Museum of Contemporary Art Arlington, the recently rebranded Arlington Art Center, to hear more about their new mission as a non-collecting museum and what that means for the surrounding art scene. We will hear from Executive Director Catherine Anchin, Curator & Resident Artist/Collector Liaison Amanda Jirón-Murphy, and Curator of Exhibitions Blair Murphy, on what is on the horizon for them, as well as enjoy a private tour of their inaugural biennial exhibition. ArtTable members will be invited to stick around for a networking mingle after the tour is finished as a way to start off the new year meeting new members and reconnecting!

Admission:

  • ArtTable Members – $10
  • Guests/Public – $20

Registration is required below.

Not a member? Join today!

Please note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs.

Please review the below before registering:

Face masks are optional but encouraged at the museum.

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

The Museum of Contemporary Art Arlington is fully ADA compliant and wheelchair accessible. Please use the elevator entrance on the parking lot side of the building.

Please email Haley Carloni, National Programs & Chapters Manager at ArtTable, at [email protected] if you require specific accommodations for this program.

The Museum of Contemporary Art Arlington is located at 3550 Wilson Blvd, Arlington, VA 22201. Click here for directions from any location.

Parking: there is a small parking lot on site and 2 hour street parking in the surrounding neighborhood

Metro Accessible: Orange & Silver Lines: Virginia Square Station

Bus Accessible: Metrobus Line 24P / ART Line 41

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About the Speakers

Catherine Anchin joined the museum in 2021 as Executive Director, where she leads the direction of the museum and works closely with the Board of Directors to deliver strategic objectives. She brings extensive experience in arts fundraising and administration, as well as a commitment to contemporary visual arts.

Her career includes tenures at major national and regional museums, including the Smithsonian National Museum of African Art, Smithsonian American Art Museum, the National Museum of Women in the Arts, and the Museum of Contemporary Art in Cleveland, Ohio. She also serves as arts faculty for Leadership Arlington and has served as a university guest lecturer and conference panelist on topics such as creativity, museum fundraising, arts social media, and volunteering.

She holds a BA in Art History and an MA in Museum Studies from Syracuse University, as well as a graduate certificate in Nonprofit Management from the Mandel Center for Nonprofit Organizations at Case Western Reserve University.

Amanda Jirón-Murphy joined the museum in 2020, first as a contract curator then as Curator & Resident Artist/Collector Liaison in 2022. In her role, Amanda curates the resident artists’ exhibitions, manages the artist residency program, and the museum’s collectors’ program, a public program sharing knowledge about art collecting and supporting artists careers.

In addition, Amanda organized the museum’s 2021 exhibition We Can’t Predict Tomorrowwhich explored the impact of the COVID-19 pandemic on artistic practice within the regional contemporary arts sector.Amanda has served as the Gallery Director at Hamiltonian, where she directed and curated exhibitions, art fairs, and projects for an international roster of over forty emerging and mid-career artists and as the Coordinator of Public Programs and Adult Interpretation at the Phillips Collection in Washington, DC. She also interned with the Peggy Guggenheim Collection in Venice, Italy.

Amanda has also served as a guest speaker and panel moderator at cultural institutions and schools around the Washington, DC area and has written for many publications including: The Rib and DIRT DMV. She holds a BA in Art History from John Cabot University in Rome, Italy and an MA in Modern and Contemporary Art and Connoisseurship from Christie’s Education in London, England.

Blair Murphy joined the museum in 2018 as Curator of Exhibitions, where she shapes the vision for the exhibitions program and curates numerous exhibitions. Previous exhibitions include: Take a Number: Artists and BureaucracyStretchedApplied Forces,  Transitional ObjectsOver, Under, Forward, Back, and By Proxy, the museum’s first virtual exhibition. In addition, she launched the museum’s biennial exhibition series, Assembly, in 2019 and Global Spotlight, a new series focused on international artists, in 2022. She also served as Acting Executive Director of the museum from October 2020 to May 2021.

Previously, Blair served as the Managing Director at DC Arts Center, Adjunct Faculty at George Mason University, and Program Director at Washington Project for the Arts. Her previous curatorial projects include exhibitions at The Kitchen (New York, NY), Washington Project for the Arts (Washington, DC), Trestle Gallery (Brooklyn, NY), Field Projects (New York, NY), VisArts Rockville (Rockville, MD), and with the DC Commission on the Arts and Humanities.

Blair has served as a guest speaker and panel moderator at cultural institutions around the Washington, DC area and New York, including the Hirshhorn Museum & Sculpture Garden, Smithsonian American Art Museum, and the Brooklyn Museum. She has also written for many publications including: Hyperallergic, Bmore Art, and DCist. She was a Helena Rubinstein Curatorial Fellow of the Whitney Independent Study Program. She holds a BFA from Maryland Institute College of Art and an MA from Georgetown University.

About MoCA Arlington

The Museum of Contemporary Art Arlington (formerly Arlington Arts Center) is an independent 501(c)(3) non-profit museum that enriches community life by connecting the public with contemporary art and artists through exhibitions, education programs, and an artists-in-residence program. It was founded by artists in 1974 and has been housed since 1976 in a historic school building. The facility includes nine exhibition galleries, working studios for twelve artists, and two classrooms.

About the Exhibitions

Launched in 2019, Assembly is the Museum of Contemporary Art Arlington’s biennial exhibition program, which highlights the material and conceptual trends being explored by contemporary artists in the present moment. The artists in Assembly 2022: Time and Attention demonstrate a deep commitment to process and craft, which is channeled through materials and into research. Through these carefully considered approaches, they are creating work that speaks to the present moment in ways that feel both urgent and timeless. In what feels like a moment of ongoing, even perpetual, crisis they bring this focused approach to issues that are fundamental to contemporary American life, including questions of identity, history, immigration, place, and belonging.

Let Them Kids Be Kids, a solo exhibition by MoCA Arlington resident artist Lex Mari, uses the playground as a framework with which to examine the joys of Black childhood and the ways in which issues of race and equity are inscribed on the site. Employing images from her personal life to examine these ideas, Lex Marie’s newest paintings and installations address the issue of adultification bias as she makes the case that all children have a right to innocence.


Images:

  1. Mandy Cano Villalobos, Bluer Skies for Brazen Hips, 2022, Installation view from Assembly 2022: Time & Attention at MoCA Arlington. Photo by Luke Walter.
  2. Headshots courtesy of MoCA Arlington website

Museum of Contemporary Art Arlington

3550 Wilson Blvd
Arlington, Virginia 22201 United States
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Costa Mesa, CA | Exhibition Tours – “California Biennial 2022: Pacific Gold” & “13 Women” with OCMA CEO and Director, Heidi Zuckerman

December 16, 2022 | 1:00 pm

A painting by Mary Heilman

Please join us at the newly opened Orange County Museum of Art (OCMA) for tours of two exhibitions currently on view: California Biennial 2022: Pacific Gold and 13 Women, with ArtTable member and OCMA CEO & Director, Heidi Zuckerman! Stick around afterwards for a no-host lunch or snack at Outpost Kitchen at South Coast.

13 Women marks the museum’s 60th anniversary, paying homage to the thirteen women who founded the Balboa Pavilion Gallery, the earliest iteration of OCMA, which opened in 1962. On view in The Muzzy Family Special Exhibitions Pavilion, 13 Women is curated by Heidi Zuckerman and presented with multiple rotations over the course of almost a full year. The exhibition presents work from the 1960s to the present by artists central to the museum’s collection. Each rotation is centered on the work of thirteen pioneering female artists, each of whom share the visionary qualities of the museum’s founders. The thirteen women included in the first rotation, on view October 8, are Alice Aycock, Joan Brown, Lee Bul, Lucy Bull, Sarah Cain, Vija Celmins, Mary Corse, Mary Heilmann, Barbara Kruger, Cady Noland, Catherine Opie, Hilary Pecis and Agnes Pelton. The work of these pioneering artists is complemented by selected works from OCMA’s collection, including Charles Ray’s Ink Box (1986) and Self Portrait (1990), both acquired from OCMA’s presentation of Ray’s first solo museum exhibition, alongside important works by John Altoon, Chris Burden and Richard Diebenkorn. The exhibition is punctuated by a new site-specific painting by Sarah Cain in The Avenue of the Arts Gallery. Artists Include: John Altoon, Alice Aycock, John Baldessari, Joan Brown, Lee Bul, Lucy Bull, Chris Burden, Sarah Cain, Vija Celmins, Mary Corse, Richard Diebenkorn, Mary Heilmann, Barbara Kruger, Glen Ligon, Cody Noland, Catherine Opie, Hilary Pecis, Agnes Pelton, Charles Ray, and Ed Ruscha

As part of its suite of opening exhibitions, OCMA is reviving the California Biennial. Dating back to 1984, the biennial defined the spirit of the institution for decades, exemplifying the museum’s six-decade history of presenting new developments in contemporary art while identifying emerging artists on the verge of national and international acclaim. Organized by former OCMA curator Elizabeth Armstrong—who curated the California Biennial in 2002, 2004, and 2006—with Essence Harden, Visual Arts Curator at the California African American Museum, and Gilbert Vicario, Chief Curator at the Phoenix Art Museum, the exhibition features 19 artists from across the state. From the high desert to the oceanside of Bolinas and Monterey, and through the dense metropolises of Los Angeles and San Francisco, the collection of artists reflects on California and its unique place in the popular American imagination. Revisiting mythical stories and reimagining California as a changing land, the California Biennial 2022: Pacific Gold presents a set of distinctive voices, ones which question, challenge, and animate the past, while looking to the future. Artists include: Tanya Aguiñiga, Alex Anderson, Sadie Barnette, Kenturah Davis, Sharon Ellis, James Gobel, Raul Guerrero, Candice Lin, Maria Maea, Narsiso Martinez, Hector Dionicio Mendoza, Alicia McCarthy, Simphiwe Ndzube, Rashaad Newsome, Alicia Piller, Clare Rojas, Svetlana Shigroff, Laurie Steelink, and Lily Stockman.

Admission:

  • ArtTable Members – $10
  • Member Guests – $15

Please note that all proceeds from program fees go toward internal costs for organizing ArtTable programs.

Not a member? Join today!

Please review the below before registering:

To ensure safety for visitors and staff, OCMA has implemented the following measures:

  • Visitors and staff are encouraged to stay home if they are feeling sick. Please do not visit the museum if you have a fever or any COVID-19 symptoms, have tested positive for COVID-19 within the past 14 days, or have had close contact with anyone who is confirmed or is suspected of having COVID-19.
  • Mask use is optional throughout OCMA, in accordance with Orange County guidelines.

OCMA’s top priority is the health and well-being of our visitors and staff. An inherent risk of exposure to COVID-19 exists in any public space where people are present. We cannot guarantee that you will not be exposed to COVID-19 during your visit, and all those entering OCMA do so at their own risk as to such exposure.

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

OCMA welcomes and endeavors to provide a positive, engaging, and inclusive experience for all visitors. These efforts are ongoing and OCMA welcomes questions and feedback about current accommodations and ongoing initiatives at [email protected]

If you plan to visit the museum and would like to request accessibility services, please email [email protected]. You may also email Haley at ArtTable at [email protected] if you need assistance.

Arrival - The public entrance is equipped with power-assist doors.

Drop-Offs - Visitors may be dropped off at the museum’s main entrance at 3333 Avenue of the Arts.

Mobility Devices & Strollers - Museum galleries, program spaces, the Fueling Station, Shop, Café and Bar, and the Upper Plaza are all accessible for visitors using wheelchairs, mobility devices, and strollers.

Accessible restrooms are located on all floors.

Visit the Welcome Desk in the Lobby to request a wheelchair for your visit free of charge.

Note that not all interior doors are equipped with power assist.

Seating - Benches are dispersed throughout the galleries.

Restrooms - Public restrooms are located on all three levels of the museum and include wheelchair-accessible stalls.

Current building codes require we label one restroom “women” and one restroom “men.” We acknowledge that these two categories do not reflect the gender identity or expression of all our visitors and staff. Please use the restroom that feels most comfortable for you.

Animals - Animals are not permitted in the museum, except for service animals as identified by the Americans with Disabilities Act.

The Orange County Museum of Art is located on the Segerstrom Center for the Arts campus at 3333 Avenue of the Arts, Costa Mesa, CA 92626. Click here for directions from any location.

It is within walking distance from South Coast Plaza and is easily accessible by public transportation, car, and bike. Like many cultural institutions, OCMA does not own or operate a parking garage. There are multiple paid parking options near OCMA, and a list of nearby options is below:

Area Parking

All local rates and availability are subject to change without notice.

  • Tower Plaza Parking Structure - 600 Anton Boulevard
  • Irvine Parking - 3201 Avenue of the Arts
  • The MET Parking - 535 Anton Boulevard
  • Avenue of the Arts

Public Transportation

The closest bus stops to OCMA are below.

  • Anton-Avenue of the Arts (463 Southbound)
  • Anton-Park Center (57 Northbound, 463 Northbound/Southbound)
  • Anton-Sakioka (57 Northbound, 463 Southbound)
  • Sunflower-Avenue of the Arts (57 Southbound, 86 Eastbound, 150)
  • Sunflower-Stevens (86 WB, 150)

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About Heidi Zuckerman

Headshot of Heidi ZuckermanHeidi Zuckerman is a globally recognized leader in contemporary art and the first woman to build two art museums.

As CEO and Director of OCMA/The Orange County Museum of Art, she is envisioning a twenty-first-century museum. Zuckerman completed a new, ground-up project with Pritzker Architecture Prize winner Thom Mayne on time and on budget, raised more than $35 million in her first 20 months in the role, and welcomed more visitors to the museum in the first week of operations than previous annual attendance.

Zuckerman is also the former fourteen-year CEO and Director of the Aspen Art Museum, which she reimagined as a world-class institution, raised more than $130 million, and built a new, highly acclaimed museum with Shigeru Ban, the 2014 Pritzker Architecture Prize winner. From 1999–2005, she was Chair of the Curatorial Department at Berkeley Art Museum and Pacific Film Archive. Previously, she was a curator at the Jewish Museum in New York.

Zuckerman has curated more than two hundred exhibitions during her extensive career, including early, important, and often first museum shows of artists who have now come to define our time. She also hosts the podcast Conversations About Art, which has over 100 episodes, and is the author of numerous books, including the Conversations with Artists book series.

Zuckerman additionally served as Chair of the YPO Art Network. She earned a BA in European History from the University of Pennsylvania, an MA in Art History from Hunter College at CUNY, and a Harvard Business School Executive Education Women on Boards Certification.


Image: Mary Heilmann, Surfing on Acid, 2005. Oil on canvas. 60 x 48 inches. Museum purchase with funds provided through prior gift of Lois Outerbridge, 2005.002. Collection of the Orange County Museum of Art.

Orange County Museum of Art

3333 Avenue of the Arts
Costa Mesa, California 92626 United States
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Brooklyn, NY | Curator’s Tour of “1-800 Happy Birthday” with Klaudia Ofwona Draber

December 17, 2022 | 12:00 pm

Art installation of a sidewalk bodega

Please join us for a tour of 1-800 Happy Birthday with ArtTable members Klaudia Ofwona Draber, the exhibition’s curator, and Marcia Santoni, executive director of WORTHLESSSTUDIOS.

1-800 Happy Birthday is an exhibition honoring Black and Brown lives killed by police. Originally a voicemail project, now transformed into a large-scale exhibition in a 10,000 square-foot warehouse, 1-800 Happy Birthday is created by artist Mohammad Gorjestani and Even/Odd, curated by Klaudia Ofwona Draber, with artistic direction by Neil Hamamoto, and presented by arts nonprofit WORTHLESSSTUDIOS with the aim of honoring the lives of those lost too soon. The families of Dujuan Armstrong, Sandra Bland, Philando Castile, Stephon Clark, Fred Cox, Eric Garner, Oscar Grant, Xzavier Hill, Donovon Lynch, Sean Monterrosa, Tony Robinson, and Mario Woods are participating in the exhibition.

1-800 Happy Birthday was originally created in 2020 by Even/Odd founder, filmmaker, and artist Mohammad Gorjestani as an ongoing voicemail project to honor Black and Brown victims of police killings and systemic racism. The project exists online at 1800HappyBirthday.com and allows loved ones and the public to leave and listen to voicemails left on the birthdays of ‘celebrants’ – those unjustly killed. Gorjestani teamed up with WORTHLESSSTUDIOS’ Founder and Artistic Director Neil Hamamoto and Curator Klaudia Ofwona Draber, along with family members of the twelve celebrants, to bring the digital project into the physical realm in a community-accessible, large-scale exhibition. The show utilizes audio and video components, a large mural created by Art1, and personal ephemera to tell their stories.

Twelve upcycled NYC pay phones are arranged on a few patches of lawn, a concrete wall with a dedicated area for flowers hosts a large mural and balloons, and birthday cards are available for purchase at a newsstand. Towards the back of this city landscape is a translucent building facade with an opening that leads to an interior setting – a family living room. This room acts as a resource center: filled with photos, ephemera from the celebrants, and educational resources. It is also meant as a space of refuge, to rest and recharge. The exhibition design imagines a world that is just, where streets are safe for Black and Brown people to just be.

Each repurposed phone booth, designed in collaboration with the families of the celebrants, is dedicated to one person and features portraits of the celebrant and their family and friends. The visuals and ephemera included in the exhibition – such as Philando Castile’s favorite book and Xzavier Hill’s graduation cap – allow visitors a glimpse into the personal milestones, interests and personalities of those being honored. These objects, chosen by celebrant family members, illustrate the divide between private conversation and public space. In a large-scale mural, each celebrant is represented by their likeness. The tableau serves as a collective memory for the many individuals killed by the police, and is designed to receive flowers, birthday cards, balloons, and any other memorial offerings. The interactive and educational nature of the exhibition seeks to connect participants to each celebrant and to expand on the pervasive impact of policing and systemic racism in America.

This program is free to attend and open to ArtTable members and guests only.
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The venue is wheelchair accessible. Seating is available if needed.

If you would like information about accessibility or need particular accommodations for this program, please email Haley at [email protected].

WORTHLESS STUDIOS is located at 7 Knickerbocker Avenue, Brooklyn, NY 11237. Click here for directions from any location.

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This program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.


About Klaudia Ofwona Draber

Headshot of Klaudia Ofwona DraberKlaudia Ofwona Draber is the founder and president of KODA—a social practice residency for mid-career artists. She is also the curator of 1-800 Happy Birthday, an exhibition at WORTHLESSSTUDIOS honoring lives and legacies of Black and Brown people killed by the police. Klaudia has lived and led arts, technology and strategy projects in Europe, Africa and the United States. She also works as Head of Public Relations at Polish Cultural Institute New York. Previously she served as a consultant to the British Council Arts, and worked at UBS, managing arts CSR projects. Klaudia is the 2021-2022 Helena Rubinstein Fellow at the Whitney ISP Curatorial Studies Program. She is a member of ArtTable, mentors at New Museum’s NEW INC, and is a member of For(bes) The Culture. Klaudia holds MA in Art Business from the Sotheby‘s Institute of Art New York. She also holds MA in Economics from the Warsaw School of Economics.

Headshot of Marcia SantoniMarcia Santoni is the Executive Director of WORTHLESSSTUDIOS where she is leading efforts to provide arts access to the Bushwick/East Williamsburg community, build capacity, and renovate its 10,000 square foot warehouse into a state-of-the-art fabrication facility. Marcia came to WORTHLESSSTUDIOS after spending two years as the Executive Director of Riverdale Neighborhood House, a historic multi-service organization in the Bronx where she launched the Riverdale Food&Farm Hub. Prior to joining RNH, she was Managing Director and COO for Pioneer Works, the Brooklyn-based cultural center dedicated to building community through the arts and sciences. At Pioneer Works she led expansion from $3.5mm to $7mm over three years, helping the artist founders build systems, structure and leadership to match mission. Marcia has a BA from Wesleyan University and an MBA from Columbia School of Business. She has been a member of ArtTable since 2017. 


Image: Installation view of the 1-800 Happy Birthday Newsstand. Courtesy WORTHLESSSTUDIOS; Curator headshot provided by Klaudia Ofwona Draber, photo by Hidemi Takagi

WORTHLESS STUDIOS

7 KNickerbocker Avenue
Brooklyn, New York 11237 United States
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New York, NY | Tour of CADAF Digital Art Fair, with Co-Founders Elena Zavelev and Andrea Steuer

November 13, 2022 | 2:00 pm

Artwork by Abhay Sehgal

Please join co-founders Elena Zavelev and Andrea Steuer for an in person tour of 5th edition of Crypto And Digital Art Fair (CADAF). All-star artist and curator lineup includes works by Anne Spalter, SoyFira, Jen Stark, theVERSEverse, Arsnl’s Frank Stella: Geometries, Nina Kuo and Lorin Roser, curated collections by Eleonora Brizi (Breezy Art), Coco Dolle, Kate Vass Galerie, Raina Mehler (Director, Pace Gallery), Lumen Prize and more. 

Headshot of Elena ZavelevElena Zavelev is the co-founder & CEO of CADAF Digital Art Month. A New York City-based entrepreneur focusing on digital art & NFTs, Elena has been successfully building tools for artists, curators & collectors in digital art and NFT space since 2017 with CADAF, Digital Art Month and New Art Academy. Earlier engagements include Christie’s, 1stDibs, Skate’s Art Market Research and more. Elena’s writings can be found on Forbes, Observer, ESP Cultural Magazine and Deloitte. She holds a MA degree in contemporary art and connoisseurship from Christie’s Education.

Headshot of Andrea SteuerAndrea Steuer is the co-founder & COO of CADAF Digital Art Month. A collector and entrepreneur in the digital art and Web3 space, Andrea focuses on innovative ways to experience and curate digital art. Andrea manages creative strategy, product & operations for CADAF and Digital Art Month. She has curated multiple shows including: Artificial Seascapes Ars Electronica, CADAF events, VivaTech Paris and is on the International Selectors Committee for The Lumen Prize. Frequent speaker at international events. Previous work: Christie’s, Collectrium & advertising. MA Christie’s Education, Cert Columbia & BFA Pratt Institute.

Admission:

  • ArtTable Members – $10
  • Member Guests – $20

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Face masks are optional at this location.

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

If you would like information about accessibility or need particular accommodations for this program, please email Haley at [email protected].

CADAF Art Fair will take place at Web3 NYC Gallery at 510 5th Avenue, New YorkNY 10036. Click here for directions from any location.

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This program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.


Image: Abhay Sehgal, I can’t stay away from the sky but I can’t relate to the ground

CADAF Digital Art Fair

Web3 NYC Gallery, 510 5th Avenue
New York, New York 10036 United States
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Los Angeles, CA | Tour of “The New Bend” at Hauser & Wirth, with Director Sarvia Jasso

November 17, 2022 | 5:00 pm

artwork by Dawn Williams Boyd

Please join us for a tour of The New Bend with Hauser & Wirth Director, Sarvia Jasso.

Curated by Legacy Russell, Executive Director & Chief Curator of The Kitchen, The New Bend travels from the gallery’s New York location to Los Angeles, bringing together 13 contemporary artists working in the raced, classed, and gendered traditions of quilting and textile practice – Anthony Akinbola, Eddie R. Aparicio, Dawn Williams Boyd, Myrlande Constant, Ferren Gipson, Tomashi Jackson, Basil Kincaid, Eric N. Mack, Sojourner Truth Parsons, Tuesday Smillie, Rachel Eulena Williams, Qualeasha Wood, and Zadie Xa. Their unique visual vernacular exists in tender dialogue with, and in homage to, the contributions of the Gee’s Bend Alabama quilters – Black American women in collective cooperation and creative economic production – and their enduring legacy as a radical meeting place, a prompt, and as intergenerational inspiration. This exhibition acknowledges the work of Gee’s Bend quilters such as Sarah Benning (b. 1933), Missouri Pettway (1902-1981), Lizzie Major (1922-2011), Sally Bennett Jones (1944-1988), Mary Lee Bendolph (b.1935), and so many more, as central to expanded histories of abstraction and modernism.

Admission:

  • ArtTable Members – $10
  • Member Guests – $15

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Face masks are optional at this location.

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All public areas of Hauser & Wirth Los Angeles are wheelchair-accessible.

If you would like additional information about accessibility or need particular accommodations for this program, please email Haley at [email protected].

Hauser & Wirth Los Angeles is located at 901 E 3rd St, Los AngelesCalifornia 90013. Click here for directions from any location.

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Image: The Right to (My) Life, Dawn Williams Boyd, 2017. Mixed media, 91.4 x 121.9 cm / 36 x 48 in, © Dawn Williams Boyd, Courtesy of Fort Gansevoort, New York; Photo: Ron Witherspoon

Hauser & Wirth

901 E 3rd St
Los Angeles, California 90013 United States
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New York, NY | Curator’s Tour of “Mirror Image: A Transformation of Chinese Identity” at the Asia Society with Barbara Pollack

November 11, 2022 | 11:00 am

Art installation by Nabuqi

Please join us for a tour of Mirror Image: A Transformation of Chinese Identity with the exhibition’s curator Barbara Pollack. The exhibition presents 19 artworks by seven artists, born in mainland China in the 1980s. Belonging to what is referred to as the ba ling hou generation, they grew up in a post-Mao China shaped by the one-child policy and the influx of foreign investment. Comprising painting, sculpture, performance, installation, video, digital art, and photography, the exhibition reflects the dramatic economic, political, and cultural shifts the artists have experienced in China during their lifetimes.

The exhibition’s title, Mirror Image, refers to the double reflection at the heart of the exhibition. Rather than emphasizing their “Chinese-ness,” these artists’ respective practices are born of a contemporary China where Starbucks can be found in the Forbidden City and the internet permits them access—despite the obstacles of censorship—to a host of influences beyond geographical boundaries.

Admission:

  • ArtTable Members – $10
  • Member Guests – $20

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Proof of full COVID-19 vaccination is required. Face coverings are required for all staff, members, and visitors over the age of two. You will not be permitted inside the building without a face covering.

Physical distancing is required; visitors should stay at least six feet from others. Please follow directional signs and physical-distancing markers at visitor entry and exit points as well as in locations throughout the building.

Please stay home if you are feeling sick. An inherent risk of exposure to COVID-19 exists in any public space where people are present.

Coat check is currently closed. Please do not bring large bags with you on your visit.

Food and drink are not allowed on the premises.

All visitors are required to follow these safety protocols. Your cooperation is appreciated. Asia Society reserves the right to ask visitors who do not follow these guidelines to leave the premises.

Click here to view the full list of guidelines at the Asia Society.

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

Please inquire at the Reception Desk for any assistance you may require. Asia Society Museum and its programs are accessible to people using wheelchairs. Wheelchairs are available for use during your visit. A limited number of assistive listening devices, headsets, and neck loops are available for most programs at Asia Society. Large-font audio tour scripts and exhibition labels are available at the Reception Desk. Museum admission is free for visitors with disabilities and a person accompanying them.

If you would like additional information about accessibility or need particular accommodations for this program, please email Haley at [email protected].

The Asia Society is located at 725 Park Ave, New York, NY 10021. Click here for directions from any location.

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About Barbara Pollack

Independent curator and critic Barbara Pollack writes regularly about contemporary art for such publications as the New York Times, Artnews, Art and Auction, and Art in America, and is a leading authority on Chinese contemporary art. She is cofounder and co-director of Art at a Time Like This, a platform for artists’ free expression at times of crises. Most recently, she curated the exhibition Mirror Image: A Transformation of Chinese Identity at the Asia Society Museum in New York. Her latest book, “Brand New Art from China: A Generation on the Rise” is available from Bloomsbury Publishing. She is the recipient of two grants from the Asian Cultural Council, and received a Creative Capital/Andy Warhol Foundation Arts Writer Grant in 2008. Pollack teaches at SVA.


Image: Nabuqi. How to Be “Good Life,” 2019. Mixed media; dimensions variable. Courtesy of the artist and Kiang Malingue, Hong Kong and Shanghai. Image courtesy of the artist and Kiang Malingue, Hong Kong and Shanghai.

Asia Society

725 Park Avenue
New York, New York 10021 United States
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