New York, NY | Guided Tour of the Sugar Hill Museum with Alaina Simone and Ellen Baxter

February 4, 2023 | 2:00 pm 3:00 pm

"Combinations" exhibition entryway, photograph by Timothy Lee

Please join us for a guided tour of Combinations and MVP: A Selection of Sculptures From Melvin Van Peebles Blue Room at the Sugar Hill Children’s Museum of Art & Storytelling, co-curated by Alaina Simone, with a welcome address by Ellen Baxter, founder and executive director of Broadway Housing Communities.

Combinations is co-curated by Alaina Simone and Damien Davis and features a selection of works by Elia Alba, Nicole Awai, Alteronce Gumby, Forrest Kirk, Tyrone Mitchell, Sable Elyse Smith, Chris Watts, Ye Qin Zhu. Also on view is a solo presentation of Rachel Owens’ work “Hypogean Tip” and a selection of sculptures from Melvin Van Peebles’ “Blue Room.”

Admission:

  • ArtTable Members – $10
  • Member Guests – $15

Not a member? Join today!

Please note that all income from program fees goes toward program expenses and ArtTable’s internal costs for organizing programs.

Please review the below before registering:

The use of face masks is strongly encouraged but not required. 

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

All areas of the museum are handicapped accessible.

Please email Haley Carloni, National Programs & Chapters Manager at ArtTable, if you require any specific accommodations for this program.

The Sugar Hill Children's Museum of Art & Storytelling is located 898 St. Nicholas Avenue @ 155th Street, New York, NY 10032. Click here for directions from any location.

The nearest subway stops are 155th Street (A, C) and 155th Street (B, D)

The M3 bus runs north and south on St. Nicholas Avenue and stops at St. Nicholas Ave & W. 153rd Street.

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About the Speakers

Ellen Baxter is the Founder and the Executive Leader of Broadway Housing Communities. She has committed more than 30 years to advocacy and housing development to redress the inhumanity of inequality and homelessness in New York City and nationally. A pioneer of supportive housing, Ellen founded Broadway Housing Communities, then known as the Committee for the Heights-Inwood Homeless, in 1983. Under Ellen’s leadership, this nonprofit community-based organization has developed and manages seven buildings in Washington Heights and West Harlem; two early childhood centers; three community art galleries; and a new cultural institution, the Sugar Hill Children’s Museum of Art & Storytelling. BHC’s model provides permanent, affordable housing that integrates the formerly homeless, those with special needs and the working poor, single adults, seniors, and families with children; urgently needed early childhood education and educational advocacy services; and remarkable access to the arts; to improve outcomes for children, families, and entire communities. 

Alaina Simone is an art consultant who has produced and curated over thirty exhibitions, artist talks and educational programming across the Caribbean, Europe and the U.S. with leading contemporary artists, including Sir Frank Bowling RA, Ed Clark, and Howardena Pindell. Simone’s practice is informed by her work as a gallerist and artist liaison for international artists, collections and institutions. Simone was the Director of the Merton D. Simpson Gallery from 2011-2015, the oldest African-American owned gallery in the United States. Established in 1954 by collector, artist, and musician Merton D. Simpson, the gallery was dedicated to Modern, Contemporary and Traditional Art of the African Diaspora. Simone’s devotion to community-based projects and arts education continues through her directorship with the Alaina Simone Incorporated and Alaina Simone Productions LLC. She is a founding board member of Verbier 3-D Foundation Sculpture Park and Residency in Switzerland. Simone lives and works in New York City.


Image: Combinations exhibition entryway, photo by Timothy Lee.

Sugar Hill Children’s Museum of Art & Storytelling

898 St. Nicholas Avenue @ 155th Street
New York, New York 10032 United States
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Arlington, VA | Exhibition Tours & Networking at MoCA Arlington

January 10, 2023 | 6:00 pm

Artwork installation by Mandy Cano Villalobos

Join us for an exclusive tour of Museum of Contemporary Art Arlington, the recently rebranded Arlington Art Center, to hear more about their new mission as a non-collecting museum and what that means for the surrounding art scene. We will hear from Executive Director Catherine Anchin, Curator & Resident Artist/Collector Liaison Amanda Jirón-Murphy, and Curator of Exhibitions Blair Murphy, on what is on the horizon for them, as well as enjoy a private tour of their inaugural biennial exhibition. ArtTable members will be invited to stick around for a networking mingle after the tour is finished as a way to start off the new year meeting new members and reconnecting!

Admission:

  • ArtTable Members – $10
  • Guests/Public – $20

Registration is required below.

Not a member? Join today!

Please note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs.

Please review the below before registering:

Face masks are optional but encouraged at the museum.

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

The Museum of Contemporary Art Arlington is fully ADA compliant and wheelchair accessible. Please use the elevator entrance on the parking lot side of the building.

Please email Haley Carloni, National Programs & Chapters Manager at ArtTable, at [email protected] if you require specific accommodations for this program.

The Museum of Contemporary Art Arlington is located at 3550 Wilson Blvd, Arlington, VA 22201. Click here for directions from any location.

Parking: there is a small parking lot on site and 2 hour street parking in the surrounding neighborhood

Metro Accessible: Orange & Silver Lines: Virginia Square Station

Bus Accessible: Metrobus Line 24P / ART Line 41

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About the Speakers

Catherine Anchin joined the museum in 2021 as Executive Director, where she leads the direction of the museum and works closely with the Board of Directors to deliver strategic objectives. She brings extensive experience in arts fundraising and administration, as well as a commitment to contemporary visual arts.

Her career includes tenures at major national and regional museums, including the Smithsonian National Museum of African Art, Smithsonian American Art Museum, the National Museum of Women in the Arts, and the Museum of Contemporary Art in Cleveland, Ohio. She also serves as arts faculty for Leadership Arlington and has served as a university guest lecturer and conference panelist on topics such as creativity, museum fundraising, arts social media, and volunteering.

She holds a BA in Art History and an MA in Museum Studies from Syracuse University, as well as a graduate certificate in Nonprofit Management from the Mandel Center for Nonprofit Organizations at Case Western Reserve University.

Amanda Jirón-Murphy joined the museum in 2020, first as a contract curator then as Curator & Resident Artist/Collector Liaison in 2022. In her role, Amanda curates the resident artists’ exhibitions, manages the artist residency program, and the museum’s collectors’ program, a public program sharing knowledge about art collecting and supporting artists careers.

In addition, Amanda organized the museum’s 2021 exhibition We Can’t Predict Tomorrowwhich explored the impact of the COVID-19 pandemic on artistic practice within the regional contemporary arts sector.Amanda has served as the Gallery Director at Hamiltonian, where she directed and curated exhibitions, art fairs, and projects for an international roster of over forty emerging and mid-career artists and as the Coordinator of Public Programs and Adult Interpretation at the Phillips Collection in Washington, DC. She also interned with the Peggy Guggenheim Collection in Venice, Italy.

Amanda has also served as a guest speaker and panel moderator at cultural institutions and schools around the Washington, DC area and has written for many publications including: The Rib and DIRT DMV. She holds a BA in Art History from John Cabot University in Rome, Italy and an MA in Modern and Contemporary Art and Connoisseurship from Christie’s Education in London, England.

Blair Murphy joined the museum in 2018 as Curator of Exhibitions, where she shapes the vision for the exhibitions program and curates numerous exhibitions. Previous exhibitions include: Take a Number: Artists and BureaucracyStretchedApplied Forces,  Transitional ObjectsOver, Under, Forward, Back, and By Proxy, the museum’s first virtual exhibition. In addition, she launched the museum’s biennial exhibition series, Assembly, in 2019 and Global Spotlight, a new series focused on international artists, in 2022. She also served as Acting Executive Director of the museum from October 2020 to May 2021.

Previously, Blair served as the Managing Director at DC Arts Center, Adjunct Faculty at George Mason University, and Program Director at Washington Project for the Arts. Her previous curatorial projects include exhibitions at The Kitchen (New York, NY), Washington Project for the Arts (Washington, DC), Trestle Gallery (Brooklyn, NY), Field Projects (New York, NY), VisArts Rockville (Rockville, MD), and with the DC Commission on the Arts and Humanities.

Blair has served as a guest speaker and panel moderator at cultural institutions around the Washington, DC area and New York, including the Hirshhorn Museum & Sculpture Garden, Smithsonian American Art Museum, and the Brooklyn Museum. She has also written for many publications including: Hyperallergic, Bmore Art, and DCist. She was a Helena Rubinstein Curatorial Fellow of the Whitney Independent Study Program. She holds a BFA from Maryland Institute College of Art and an MA from Georgetown University.

About MoCA Arlington

The Museum of Contemporary Art Arlington (formerly Arlington Arts Center) is an independent 501(c)(3) non-profit museum that enriches community life by connecting the public with contemporary art and artists through exhibitions, education programs, and an artists-in-residence program. It was founded by artists in 1974 and has been housed since 1976 in a historic school building. The facility includes nine exhibition galleries, working studios for twelve artists, and two classrooms.

About the Exhibitions

Launched in 2019, Assembly is the Museum of Contemporary Art Arlington’s biennial exhibition program, which highlights the material and conceptual trends being explored by contemporary artists in the present moment. The artists in Assembly 2022: Time and Attention demonstrate a deep commitment to process and craft, which is channeled through materials and into research. Through these carefully considered approaches, they are creating work that speaks to the present moment in ways that feel both urgent and timeless. In what feels like a moment of ongoing, even perpetual, crisis they bring this focused approach to issues that are fundamental to contemporary American life, including questions of identity, history, immigration, place, and belonging.

Let Them Kids Be Kids, a solo exhibition by MoCA Arlington resident artist Lex Mari, uses the playground as a framework with which to examine the joys of Black childhood and the ways in which issues of race and equity are inscribed on the site. Employing images from her personal life to examine these ideas, Lex Marie’s newest paintings and installations address the issue of adultification bias as she makes the case that all children have a right to innocence.


Images:

  1. Mandy Cano Villalobos, Bluer Skies for Brazen Hips, 2022, Installation view from Assembly 2022: Time & Attention at MoCA Arlington. Photo by Luke Walter.
  2. Headshots courtesy of MoCA Arlington website

Museum of Contemporary Art Arlington

3550 Wilson Blvd
Arlington, Virginia 22201 United States
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Costa Mesa, CA | Exhibition Tours – “California Biennial 2022: Pacific Gold” & “13 Women” with OCMA CEO and Director, Heidi Zuckerman

December 16, 2022 | 1:00 pm

A painting by Mary Heilman

Please join us at the newly opened Orange County Museum of Art (OCMA) for tours of two exhibitions currently on view: California Biennial 2022: Pacific Gold and 13 Women, with ArtTable member and OCMA CEO & Director, Heidi Zuckerman! Stick around afterwards for a no-host lunch or snack at Outpost Kitchen at South Coast.

13 Women marks the museum’s 60th anniversary, paying homage to the thirteen women who founded the Balboa Pavilion Gallery, the earliest iteration of OCMA, which opened in 1962. On view in The Muzzy Family Special Exhibitions Pavilion, 13 Women is curated by Heidi Zuckerman and presented with multiple rotations over the course of almost a full year. The exhibition presents work from the 1960s to the present by artists central to the museum’s collection. Each rotation is centered on the work of thirteen pioneering female artists, each of whom share the visionary qualities of the museum’s founders. The thirteen women included in the first rotation, on view October 8, are Alice Aycock, Joan Brown, Lee Bul, Lucy Bull, Sarah Cain, Vija Celmins, Mary Corse, Mary Heilmann, Barbara Kruger, Cady Noland, Catherine Opie, Hilary Pecis and Agnes Pelton. The work of these pioneering artists is complemented by selected works from OCMA’s collection, including Charles Ray’s Ink Box (1986) and Self Portrait (1990), both acquired from OCMA’s presentation of Ray’s first solo museum exhibition, alongside important works by John Altoon, Chris Burden and Richard Diebenkorn. The exhibition is punctuated by a new site-specific painting by Sarah Cain in The Avenue of the Arts Gallery. Artists Include: John Altoon, Alice Aycock, John Baldessari, Joan Brown, Lee Bul, Lucy Bull, Chris Burden, Sarah Cain, Vija Celmins, Mary Corse, Richard Diebenkorn, Mary Heilmann, Barbara Kruger, Glen Ligon, Cody Noland, Catherine Opie, Hilary Pecis, Agnes Pelton, Charles Ray, and Ed Ruscha

As part of its suite of opening exhibitions, OCMA is reviving the California Biennial. Dating back to 1984, the biennial defined the spirit of the institution for decades, exemplifying the museum’s six-decade history of presenting new developments in contemporary art while identifying emerging artists on the verge of national and international acclaim. Organized by former OCMA curator Elizabeth Armstrong—who curated the California Biennial in 2002, 2004, and 2006—with Essence Harden, Visual Arts Curator at the California African American Museum, and Gilbert Vicario, Chief Curator at the Phoenix Art Museum, the exhibition features 19 artists from across the state. From the high desert to the oceanside of Bolinas and Monterey, and through the dense metropolises of Los Angeles and San Francisco, the collection of artists reflects on California and its unique place in the popular American imagination. Revisiting mythical stories and reimagining California as a changing land, the California Biennial 2022: Pacific Gold presents a set of distinctive voices, ones which question, challenge, and animate the past, while looking to the future. Artists include: Tanya Aguiñiga, Alex Anderson, Sadie Barnette, Kenturah Davis, Sharon Ellis, James Gobel, Raul Guerrero, Candice Lin, Maria Maea, Narsiso Martinez, Hector Dionicio Mendoza, Alicia McCarthy, Simphiwe Ndzube, Rashaad Newsome, Alicia Piller, Clare Rojas, Svetlana Shigroff, Laurie Steelink, and Lily Stockman.

Admission:

  • ArtTable Members – $10
  • Member Guests – $15

Please note that all proceeds from program fees go toward internal costs for organizing ArtTable programs.

Not a member? Join today!

Please review the below before registering:

To ensure safety for visitors and staff, OCMA has implemented the following measures:

  • Visitors and staff are encouraged to stay home if they are feeling sick. Please do not visit the museum if you have a fever or any COVID-19 symptoms, have tested positive for COVID-19 within the past 14 days, or have had close contact with anyone who is confirmed or is suspected of having COVID-19.
  • Mask use is optional throughout OCMA, in accordance with Orange County guidelines.

OCMA’s top priority is the health and well-being of our visitors and staff. An inherent risk of exposure to COVID-19 exists in any public space where people are present. We cannot guarantee that you will not be exposed to COVID-19 during your visit, and all those entering OCMA do so at their own risk as to such exposure.

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

OCMA welcomes and endeavors to provide a positive, engaging, and inclusive experience for all visitors. These efforts are ongoing and OCMA welcomes questions and feedback about current accommodations and ongoing initiatives at [email protected]

If you plan to visit the museum and would like to request accessibility services, please email [email protected]. You may also email Haley at ArtTable at [email protected] if you need assistance.

Arrival - The public entrance is equipped with power-assist doors.

Drop-Offs - Visitors may be dropped off at the museum’s main entrance at 3333 Avenue of the Arts.

Mobility Devices & Strollers - Museum galleries, program spaces, the Fueling Station, Shop, Café and Bar, and the Upper Plaza are all accessible for visitors using wheelchairs, mobility devices, and strollers.

Accessible restrooms are located on all floors.

Visit the Welcome Desk in the Lobby to request a wheelchair for your visit free of charge.

Note that not all interior doors are equipped with power assist.

Seating - Benches are dispersed throughout the galleries.

Restrooms - Public restrooms are located on all three levels of the museum and include wheelchair-accessible stalls.

Current building codes require we label one restroom “women” and one restroom “men.” We acknowledge that these two categories do not reflect the gender identity or expression of all our visitors and staff. Please use the restroom that feels most comfortable for you.

Animals - Animals are not permitted in the museum, except for service animals as identified by the Americans with Disabilities Act.

The Orange County Museum of Art is located on the Segerstrom Center for the Arts campus at 3333 Avenue of the Arts, Costa Mesa, CA 92626. Click here for directions from any location.

It is within walking distance from South Coast Plaza and is easily accessible by public transportation, car, and bike. Like many cultural institutions, OCMA does not own or operate a parking garage. There are multiple paid parking options near OCMA, and a list of nearby options is below:

Area Parking

All local rates and availability are subject to change without notice.

  • Tower Plaza Parking Structure - 600 Anton Boulevard
  • Irvine Parking - 3201 Avenue of the Arts
  • The MET Parking - 535 Anton Boulevard
  • Avenue of the Arts

Public Transportation

The closest bus stops to OCMA are below.

  • Anton-Avenue of the Arts (463 Southbound)
  • Anton-Park Center (57 Northbound, 463 Northbound/Southbound)
  • Anton-Sakioka (57 Northbound, 463 Southbound)
  • Sunflower-Avenue of the Arts (57 Southbound, 86 Eastbound, 150)
  • Sunflower-Stevens (86 WB, 150)
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About Heidi Zuckerman

Headshot of Heidi ZuckermanHeidi Zuckerman is a globally recognized leader in contemporary art and the first woman to build two art museums.

As CEO and Director of OCMA/The Orange County Museum of Art, she is envisioning a twenty-first-century museum. Zuckerman completed a new, ground-up project with Pritzker Architecture Prize winner Thom Mayne on time and on budget, raised more than $35 million in her first 20 months in the role, and welcomed more visitors to the museum in the first week of operations than previous annual attendance.

Zuckerman is also the former fourteen-year CEO and Director of the Aspen Art Museum, which she reimagined as a world-class institution, raised more than $130 million, and built a new, highly acclaimed museum with Shigeru Ban, the 2014 Pritzker Architecture Prize winner. From 1999–2005, she was Chair of the Curatorial Department at Berkeley Art Museum and Pacific Film Archive. Previously, she was a curator at the Jewish Museum in New York.

Zuckerman has curated more than two hundred exhibitions during her extensive career, including early, important, and often first museum shows of artists who have now come to define our time. She also hosts the podcast Conversations About Art, which has over 100 episodes, and is the author of numerous books, including the Conversations with Artists book series.

Zuckerman additionally served as Chair of the YPO Art Network. She earned a BA in European History from the University of Pennsylvania, an MA in Art History from Hunter College at CUNY, and a Harvard Business School Executive Education Women on Boards Certification.


Image: Mary Heilmann, Surfing on Acid, 2005. Oil on canvas. 60 x 48 inches. Museum purchase with funds provided through prior gift of Lois Outerbridge, 2005.002. Collection of the Orange County Museum of Art.

Orange County Museum of Art

3333 Avenue of the Arts
Costa Mesa, California 92626 United States
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Brooklyn, NY | Curator’s Tour of “1-800 Happy Birthday” with Klaudia Ofwona Draber

December 17, 2022 | 12:00 pm

Art installation of a sidewalk bodega

Please join us for a tour of 1-800 Happy Birthday with ArtTable members Klaudia Ofwona Draber, the exhibition’s curator, and Marcia Santoni, executive director of WORTHLESSSTUDIOS.

1-800 Happy Birthday is an exhibition honoring Black and Brown lives killed by police. Originally a voicemail project, now transformed into a large-scale exhibition in a 10,000 square-foot warehouse, 1-800 Happy Birthday is created by artist Mohammad Gorjestani and Even/Odd, curated by Klaudia Ofwona Draber, with artistic direction by Neil Hamamoto, and presented by arts nonprofit WORTHLESSSTUDIOS with the aim of honoring the lives of those lost too soon. The families of Dujuan Armstrong, Sandra Bland, Philando Castile, Stephon Clark, Fred Cox, Eric Garner, Oscar Grant, Xzavier Hill, Donovon Lynch, Sean Monterrosa, Tony Robinson, and Mario Woods are participating in the exhibition.

1-800 Happy Birthday was originally created in 2020 by Even/Odd founder, filmmaker, and artist Mohammad Gorjestani as an ongoing voicemail project to honor Black and Brown victims of police killings and systemic racism. The project exists online at 1800HappyBirthday.com and allows loved ones and the public to leave and listen to voicemails left on the birthdays of ‘celebrants’ – those unjustly killed. Gorjestani teamed up with WORTHLESSSTUDIOS’ Founder and Artistic Director Neil Hamamoto and Curator Klaudia Ofwona Draber, along with family members of the twelve celebrants, to bring the digital project into the physical realm in a community-accessible, large-scale exhibition. The show utilizes audio and video components, a large mural created by Art1, and personal ephemera to tell their stories.

Twelve upcycled NYC pay phones are arranged on a few patches of lawn, a concrete wall with a dedicated area for flowers hosts a large mural and balloons, and birthday cards are available for purchase at a newsstand. Towards the back of this city landscape is a translucent building facade with an opening that leads to an interior setting – a family living room. This room acts as a resource center: filled with photos, ephemera from the celebrants, and educational resources. It is also meant as a space of refuge, to rest and recharge. The exhibition design imagines a world that is just, where streets are safe for Black and Brown people to just be.

Each repurposed phone booth, designed in collaboration with the families of the celebrants, is dedicated to one person and features portraits of the celebrant and their family and friends. The visuals and ephemera included in the exhibition – such as Philando Castile’s favorite book and Xzavier Hill’s graduation cap – allow visitors a glimpse into the personal milestones, interests and personalities of those being honored. These objects, chosen by celebrant family members, illustrate the divide between private conversation and public space. In a large-scale mural, each celebrant is represented by their likeness. The tableau serves as a collective memory for the many individuals killed by the police, and is designed to receive flowers, birthday cards, balloons, and any other memorial offerings. The interactive and educational nature of the exhibition seeks to connect participants to each celebrant and to expand on the pervasive impact of policing and systemic racism in America.

This program is free to attend and open to ArtTable members and guests only.
Registration is required below.

Not a member? Join today!

Please review the below before registering:

Face masks are optional at this location.

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

The venue is wheelchair accessible. Seating is available if needed.

If you would like information about accessibility or need particular accommodations for this program, please email Haley at [email protected].

WORTHLESS STUDIOS is located at 7 Knickerbocker Avenue, Brooklyn, NY 11237. Click here for directions from any location.

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This program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.


About Klaudia Ofwona Draber

Headshot of Klaudia Ofwona DraberKlaudia Ofwona Draber is the founder and president of KODA—a social practice residency for mid-career artists. She is also the curator of 1-800 Happy Birthday, an exhibition at WORTHLESSSTUDIOS honoring lives and legacies of Black and Brown people killed by the police. Klaudia has lived and led arts, technology and strategy projects in Europe, Africa and the United States. She also works as Head of Public Relations at Polish Cultural Institute New York. Previously she served as a consultant to the British Council Arts, and worked at UBS, managing arts CSR projects. Klaudia is the 2021-2022 Helena Rubinstein Fellow at the Whitney ISP Curatorial Studies Program. She is a member of ArtTable, mentors at New Museum’s NEW INC, and is a member of For(bes) The Culture. Klaudia holds MA in Art Business from the Sotheby‘s Institute of Art New York. She also holds MA in Economics from the Warsaw School of Economics.

Headshot of Marcia SantoniMarcia Santoni is the Executive Director of WORTHLESSSTUDIOS where she is leading efforts to provide arts access to the Bushwick/East Williamsburg community, build capacity, and renovate its 10,000 square foot warehouse into a state-of-the-art fabrication facility. Marcia came to WORTHLESSSTUDIOS after spending two years as the Executive Director of Riverdale Neighborhood House, a historic multi-service organization in the Bronx where she launched the Riverdale Food&Farm Hub. Prior to joining RNH, she was Managing Director and COO for Pioneer Works, the Brooklyn-based cultural center dedicated to building community through the arts and sciences. At Pioneer Works she led expansion from $3.5mm to $7mm over three years, helping the artist founders build systems, structure and leadership to match mission. Marcia has a BA from Wesleyan University and an MBA from Columbia School of Business. She has been a member of ArtTable since 2017. 


Image: Installation view of the 1-800 Happy Birthday Newsstand. Courtesy WORTHLESSSTUDIOS; Curator headshot provided by Klaudia Ofwona Draber, photo by Hidemi Takagi

WORTHLESS STUDIOS

7 KNickerbocker Avenue
Brooklyn, New York 11237 United States
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New York, NY | Tour of CADAF Digital Art Fair, with Co-Founders Elena Zavelev and Andrea Steuer

November 13, 2022 | 2:00 pm

Artwork by Abhay Sehgal

Please join co-founders Elena Zavelev and Andrea Steuer for an in person tour of 5th edition of Crypto And Digital Art Fair (CADAF). All-star artist and curator lineup includes works by Anne Spalter, SoyFira, Jen Stark, theVERSEverse, Arsnl’s Frank Stella: Geometries, Nina Kuo and Lorin Roser, curated collections by Eleonora Brizi (Breezy Art), Coco Dolle, Kate Vass Galerie, Raina Mehler (Director, Pace Gallery), Lumen Prize and more. 

Headshot of Elena ZavelevElena Zavelev is the co-founder & CEO of CADAF Digital Art Month. A New York City-based entrepreneur focusing on digital art & NFTs, Elena has been successfully building tools for artists, curators & collectors in digital art and NFT space since 2017 with CADAF, Digital Art Month and New Art Academy. Earlier engagements include Christie’s, 1stDibs, Skate’s Art Market Research and more. Elena’s writings can be found on Forbes, Observer, ESP Cultural Magazine and Deloitte. She holds a MA degree in contemporary art and connoisseurship from Christie’s Education.

Headshot of Andrea SteuerAndrea Steuer is the co-founder & COO of CADAF Digital Art Month. A collector and entrepreneur in the digital art and Web3 space, Andrea focuses on innovative ways to experience and curate digital art. Andrea manages creative strategy, product & operations for CADAF and Digital Art Month. She has curated multiple shows including: Artificial Seascapes Ars Electronica, CADAF events, VivaTech Paris and is on the International Selectors Committee for The Lumen Prize. Frequent speaker at international events. Previous work: Christie’s, Collectrium & advertising. MA Christie’s Education, Cert Columbia & BFA Pratt Institute.

Admission:

  • ArtTable Members – $10
  • Member Guests – $20

Not a member? Join today!

Please review the below before registering:

Face masks are optional at this location.

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

If you would like information about accessibility or need particular accommodations for this program, please email Haley at [email protected].

CADAF Art Fair will take place at Web3 NYC Gallery at 510 5th Avenue, New YorkNY 10036. Click here for directions from any location.

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This program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.


Image: Abhay Sehgal, I can’t stay away from the sky but I can’t relate to the ground

CADAF Digital Art Fair

Web3 NYC Gallery, 510 5th Avenue
New York, New York 10036 United States
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Los Angeles, CA | Tour of “The New Bend” at Hauser & Wirth, with Director Sarvia Jasso

November 17, 2022 | 5:00 pm

artwork by Dawn Williams Boyd

Please join us for a tour of The New Bend with Hauser & Wirth Director, Sarvia Jasso.

Curated by Legacy Russell, Executive Director & Chief Curator of The Kitchen, The New Bend travels from the gallery’s New York location to Los Angeles, bringing together 13 contemporary artists working in the raced, classed, and gendered traditions of quilting and textile practice – Anthony Akinbola, Eddie R. Aparicio, Dawn Williams Boyd, Myrlande Constant, Ferren Gipson, Tomashi Jackson, Basil Kincaid, Eric N. Mack, Sojourner Truth Parsons, Tuesday Smillie, Rachel Eulena Williams, Qualeasha Wood, and Zadie Xa. Their unique visual vernacular exists in tender dialogue with, and in homage to, the contributions of the Gee’s Bend Alabama quilters – Black American women in collective cooperation and creative economic production – and their enduring legacy as a radical meeting place, a prompt, and as intergenerational inspiration. This exhibition acknowledges the work of Gee’s Bend quilters such as Sarah Benning (b. 1933), Missouri Pettway (1902-1981), Lizzie Major (1922-2011), Sally Bennett Jones (1944-1988), Mary Lee Bendolph (b.1935), and so many more, as central to expanded histories of abstraction and modernism.

Admission:

  • ArtTable Members – $10
  • Member Guests – $15

Not a member? Join today!

Please review the below before registering:

Face masks are optional at this location.

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

All public areas of Hauser & Wirth Los Angeles are wheelchair-accessible.

If you would like additional information about accessibility or need particular accommodations for this program, please email Haley at [email protected].

Hauser & Wirth Los Angeles is located at 901 E 3rd St, Los AngelesCalifornia 90013. Click here for directions from any location.

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Image: The Right to (My) Life, Dawn Williams Boyd, 2017. Mixed media, 91.4 x 121.9 cm / 36 x 48 in, © Dawn Williams Boyd, Courtesy of Fort Gansevoort, New York; Photo: Ron Witherspoon

Hauser & Wirth

901 E 3rd St
Los Angeles, California 90013 United States
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New York, NY | Curator’s Tour of “Mirror Image: A Transformation of Chinese Identity” at the Asia Society with Barbara Pollack

November 11, 2022 | 11:00 am

Art installation by Nabuqi

Please join us for a tour of Mirror Image: A Transformation of Chinese Identity with the exhibition’s curator Barbara Pollack. The exhibition presents 19 artworks by seven artists, born in mainland China in the 1980s. Belonging to what is referred to as the ba ling hou generation, they grew up in a post-Mao China shaped by the one-child policy and the influx of foreign investment. Comprising painting, sculpture, performance, installation, video, digital art, and photography, the exhibition reflects the dramatic economic, political, and cultural shifts the artists have experienced in China during their lifetimes.

The exhibition’s title, Mirror Image, refers to the double reflection at the heart of the exhibition. Rather than emphasizing their “Chinese-ness,” these artists’ respective practices are born of a contemporary China where Starbucks can be found in the Forbidden City and the internet permits them access—despite the obstacles of censorship—to a host of influences beyond geographical boundaries.

Admission:

  • ArtTable Members – $10
  • Member Guests – $20

Not a member? Join today!

Please review the below before registering:

Proof of full COVID-19 vaccination is required. Face coverings are required for all staff, members, and visitors over the age of two. You will not be permitted inside the building without a face covering.

Physical distancing is required; visitors should stay at least six feet from others. Please follow directional signs and physical-distancing markers at visitor entry and exit points as well as in locations throughout the building.

Please stay home if you are feeling sick. An inherent risk of exposure to COVID-19 exists in any public space where people are present.

Coat check is currently closed. Please do not bring large bags with you on your visit.

Food and drink are not allowed on the premises.

All visitors are required to follow these safety protocols. Your cooperation is appreciated. Asia Society reserves the right to ask visitors who do not follow these guidelines to leave the premises.

Click here to view the full list of guidelines at the Asia Society.

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

Please inquire at the Reception Desk for any assistance you may require. Asia Society Museum and its programs are accessible to people using wheelchairs. Wheelchairs are available for use during your visit. A limited number of assistive listening devices, headsets, and neck loops are available for most programs at Asia Society. Large-font audio tour scripts and exhibition labels are available at the Reception Desk. Museum admission is free for visitors with disabilities and a person accompanying them.

If you would like additional information about accessibility or need particular accommodations for this program, please email Haley at [email protected].

The Asia Society is located at 725 Park Ave, New York, NY 10021. Click here for directions from any location.

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About Barbara Pollack

Independent curator and critic Barbara Pollack writes regularly about contemporary art for such publications as the New York Times, Artnews, Art and Auction, and Art in America, and is a leading authority on Chinese contemporary art. She is cofounder and co-director of Art at a Time Like This, a platform for artists’ free expression at times of crises. Most recently, she curated the exhibition Mirror Image: A Transformation of Chinese Identity at the Asia Society Museum in New York. Her latest book, “Brand New Art from China: A Generation on the Rise” is available from Bloomsbury Publishing. She is the recipient of two grants from the Asian Cultural Council, and received a Creative Capital/Andy Warhol Foundation Arts Writer Grant in 2008. Pollack teaches at SVA.


Image: Nabuqi. How to Be “Good Life,” 2019. Mixed media; dimensions variable. Courtesy of the artist and Kiang Malingue, Hong Kong and Shanghai. Image courtesy of the artist and Kiang Malingue, Hong Kong and Shanghai.

Asia Society

725 Park Avenue
New York, New York 10021 United States
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Tarrytown, NY | Private Tour of “Inspired Encounters: Women Artists and the Legacies of Modern Art” at the David Rockefeller Creative Arts Center, with Curator Katrina London

November 19, 2022 | 11:00 am

A sculpture and a colorful painting

Please join us for a tour of Inspired Encounters: Women Artists and the Legacies of Modern Art with the exhibition’s co-curator Katrina London. This is the inaugural exhibition at the David Rockefeller Creative Arts Center at Pocantico, and explores ideas of intergenerational influence and innovation among visual artists working in a range of practices.

Comprised of 43 artworks, the exhibition pairs pieces by a dozen groundbreaking women artists of the postwar period with new commissions of contemporary art presented publicly for the first time. It draws primarily from the permanent collection of modern art at Kykuit, the former Rockefeller family home that now operates as a historic house museum on The Pocantico Center campus.

Artists Sonya Clark, Maren Hassinger, Elana Herzog, Melissa Meyer, Fanny Sanín, Barbara Takenaga, and Kay WalkingStick were asked to respond to the museum and grounds at Pocantico with artwork for the exhibition. The result is a series of inspired encounters that frames the modern art of the postwar period as relevant, generative, and open to myriad creative possibilities.

Admission:

  • ArtTable Members – $10
  • Member Guests – $15

Not a member? Join today!

Please review the below before registering:

To prevent the spread of Covid-19, it is strongly recommended that masks are worn in all indoor spaces at The Pocantico Center.

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

Handicapped parking is available at Pocantico and most public areas are wheelchair accessible. Service animals trained to perform tasks for people with disabilities are welcome; please contact Pocantico staff in advance of your arrival to ensure proper arrangements. Pets and emotional support animals are not permitted at Pocantico.

If you would like additional information about accessibility or need particular accommodations for this program, please email Haley at [email protected].

The Pocantico Center is located at 200 Lake Road, Tarrytown, NY. (Detailed directions from various origins are available here.) Detailed instructions for attendees will be relayed upon registration. 

If you require accessibility accommodations or have any questions, please email pocanticoprograms@rbf.org.

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About Katrina London

Headshot of Katrina LondonKatrina London is the manager of collections and curatorial projects of The Pocantico Center of the Rockefeller Brothers Fund. She is responsible for the stewardship of the collections within the Pocantico Historic Area, which includes supervising the conservation and care of works of art, curatorial research, and organizing exhibitions and educational programs.

Prior to joining the Fund, Ms. London was a curatorial associate at the American Federation of Arts, where she worked on a wide range of traveling exhibitions. She holds a Master of Arts degree in decorative arts, design history, and material culture from the Bard Graduate Center and a Bachelor of Arts degree in art history with minors in French and studio art from the University at Albany, SUNY.


Image: Left: Mary Callery, Orpheus, 1951. Kykuit, National Trust for Historic Preservation. / Right: Melissa Meyer, A Nod to Grace (detail), 2021. Melissa Meyer Studio, New York City. Photos by Andy Romer. Courtesy of the David Rockefeller Creative Arts Center Gallery.

David Rockefeller Creative Arts Center

200 Lake Road
Tarrytown, New York 10591 United States
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WAITLIST ONLY – Washington, DC | Tour of the Rubell Museum DC with Director Caitlin Berry

November 7, 2022 | 9:00 am

Digital rendering of the Rubell Museum in DC

Housed in the historic former Cardozo Elementary and then Randall Junior High School, the Rubell Museum DC is an exciting addition to the contemporary art scene in the District. Please join us for a private tour with inaugural Director Caitlin Berry just one week after the museum opens to the public. Attendees are welcome to stick around after the tour for a no-host coffee.

This program is currently on a waitlist and open to Members only for $10. Click “Register Here” below to add your name to the list. You will not be charged unless space becomes available.

Not a member? Join today!

Please review the below before registering:

Face masks are optional inside the museum.

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

The museum is fully ADA accessible. There is a ramp in front of the building and elevators that move between all floors. There are benches scattered throughout the museum.

If you would like additional information about accessibility or need particular accommodations for this program, please email Haley at [email protected].

The Rubell Museum DC is located at 65 I St SW, Washington, DC 20024. Click here for directions from any location.

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About Caitlin Berry

Headshot of Caitlin BerryAs inaugural Director of the Rubell Museum DC, Caitlin Berry works closely with the Rubells and Director of the Rubell Museum in Miami, Juan Valadez, to realize the Rubells’ vision of sharing their extensive collection of contemporary art with the people who live, work in, and visit the nation’s capital. Berry is responsible for engaging the greater DC community, developing public programming, managing the operations and staff of the Museum, and collaborating with the Rubells and Valadez to oversee the Museum’s installations and exhibitions. Prior to joining the Museum, Berry served as Director of the Cody Gallery at Marymount University in Arlington, VA, where she curated exhibitions such as Nekisha Durrett: Magnolia, Dave Eassa: People and Places You Don’t Know How to Know and co-curated Jennie Lea Knight: Women of Jefferson Place, alongside John Anderson and Meaghan Kent. Independently, she curated Eric Uhlir: Before, After and In Between, and Joseph Shetler: Pursuit of Nothing at Culture House DC. Berry’s areas of focus include the Washington Color School, Mid-Century African American, and contemporary art. A champion of local artists, she curated the 2019 and co-curated the 2020 editions of Art Night, an annual exhibition and fundraiser to support the Washington Project for the Arts (WPA).

Berry has served as an independent contemporary art advisor to various private and public collections. She also held the role of Director at Hemphill Fine Arts, one of DC’s leading art galleries with an emphasis on local emerging, mid-career, and established artists. Berry is a member of ArtTable. She received a Post Baccalaureate in Gallery Management and a B.A. in Communication and Art History from Wake Forest University in Winston-Salem, North Carolina.


Image: Digital rendering of the Rubell Museum DC

Rubell Museum DC

65 I St SW
Washington, District of Columbia 20024 United States
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Miami, FL & Virtual | Conversations on Art and Estate Law: Art Estate Management

November 5, 2022 | 12:00 pm

Graphic with information about the program

Please join us for the first talk in a series on art estate law, focused on art estate management! This program brings together experts in areas such as estate planning, business succession, risk management, and philanthropy to discuss relevant topics in areas that impact private and institutional art collections.

This program seeks to make relevant information available and clear for those interested in areas such as law, taxation, and planned giving. The speakers will share their experiences dealing with art matters and interacting with the planning of relevant topics from professional and personal perspectives.

Speakers:

  • Marie Elena Angulo, Attorney and Collector
  • Maria Pia Leon Angell, Director of Client Advisory Services at Forbes Family Trust
  • Melissa Passman, Senior Associate, Day Pitney

Moderated by Nuria Richards, Founder of Richards & Co. Art Management and Planning for Art Collectors.

This program will take place both in-person in Miami and virtually via livestream.

Admission:

Virtual

  • ArtTable Circle – Free
  • Members – $10
  • Non-Members – $15

In-Person

  • Members – $15
  • Member Guest – $20

Not a member? Join today!

Please review the below before registering:

Face masks are optional in the gallery.

Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.

In Person - The gallery is wheelchair accessible.

Virtual - This program will offer live closed captioning.

If you would like additional information about accessibility or need particular accommodations for this program, please email Haley at [email protected].

Emerson Dorsch Gallery is located at 5900 NW 2nd Avenue, Miami, FL 33127. Click here for directions from any location.

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About the Speakers

Marie Elena Angulo is an attorney focusing on corporate finance. She has lived and worked in Buenos Aires, London and New York. She is a patron of the Contemporary Art Society in London and founding patron of The Drawing Room. In Miami, she supports Locust Projects, The Bass, PAMM, and the Lowe Museum. Her collection focuses on works on paper and photography and includes drawings by Yoshitomo Nara, Marcel Dzama, Liliana Porter, Teresa Lanceta, and Mona Hatoum; and photographs by Gillian Wearing, Martin Parr, and Shirin Neshat. Since moving to Miami, she has started collecting works by South Florida-based artists and has joined the Board of Directors of Oolite Arts, Miami’s leading support organization for the virtual arts.

After two decades of experience in the banking industry and living in seven different countries, Maria Pia Leon Angell decided to leave banking to advise wealthy individuals and families more broadly on their financial and non-financial wealth management decisions, following a holistic approach. She entered the family office realm at Greenspring Family Office, followed by AM Global. Forbes Family Trust acquired the last one. Forbes manages US$ 30B from 250 families and has offices in the US and Europe. She considers her best strength is an appreciation of beauty which she fulfills through her love for nature and the arts. She has belonged to the acquisition committee of the Museum of Art of Lima, Peru, and currently serves as Chair of the Miami Music Project. This non-profit uses music education as an instrument for social change.

Melissa A. Passman advises U.S. and non-U.S. taxpayers on a range of tax and estate planning matters. She assists clients with tax and trusts and estate matters, including tax planning on corporate and partnership structures and transactions, implementing estate planning strategies, and planning around alternative assets. Melissa represents clients with federal and state tax matters, including international and domestic income and transfer tax planning for entities and individuals, as well as tax controversy. Melissa has extensive experience in art law matters and has been recognized for her counsel. She draws on her experience with a major international art gallery and other arts institutions to counsel collectors, advisors, galleries, tax-exempt organizations, and family offices. Melissa advises these clients on matters around the acquisition, ownership, and disposition of artwork, including the formation of private museums and other charitable vehicles, as well as multijurisdictional tax planning. She also works with artists on developing robust legacy planning structures.

Nuria Richards is an arts professional who is passionate about art collections and the way they positively impact the market and philanthropy. She attended the Fine Arts School at the National University in Mexico City and holds an Art Business Graduate degree from Sotheby’s Institute of Art – Claremont Graduate University where she extended her academic interests to management for corporate collections as well as Ph.D. classes in Economics and Cultural Studies Nuria supports young and emerging artists through the curatorial project Clandestina and is the founder of RICHARDS & Co, an Art Management & Estate Planning Agency that evaluates and creates strategies for acquiring, selling, transferring, and donating art. She works, with families and individuals, designing the sale and acquisition of works by artists like George Condo, Diego Rivera, Wifredo Lam, Joaquín Torres-García, Victor Vasarely, and Leonora Carrington. Her relationship with art and involvement with museums, galleries, artists, and collectors in the US and Mexico is the result of invested conversations creating cultural value around the practice of art collecting. Nuria’s goal is to create strategies for collectors to successfully fulfill their art interests, while positively impacting the community. She has been a conduit between secondary and primary markets for a generation of artists and collectors that were caught in the middle of a rapidly changing art world.


Thank you to ArtTable Board Member Nuria Richards for organizing this program, and to Emerson Dorsch Gallery for hosting us.

Emerson Dorsch Gallery

5900 NW 2nd Avenue
Miami, Florida 33127 United States
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