Curator-Led Tour of Kindred Worlds at the Hudson River Museum

January 6, 2024 | 1:30 pm 4:00 pm

Join Alyssa Alexander, Independent Curator and Arts Administrator, and Karintha Lowe, Mellon Fellow in the Public Humanities, for a tour of Kindred Worlds: The Priscila & Alvin Hudgins Collection. Get an insider’s look into the Hudgins family and their vital legacy of Black American collectorship, and learn how themes of myth, memory, and leisure flow through this formally stunning and historically significant artworks.

Following the tour, attendees will be hosted by Jessica L. Porter, Lila Harnett Executive Director of ArtTable, and Masha Turchinsky, ArtTable Board Member and the Director of the Hudson River Museum, at her historic Glenview home for a light reception.

Alyssa Alexander is a curator, exhibitions manager, and arts administrator based in Brooklyn. With a background in journalism and critical writing, she is currently building a curatorial practice and pursuing more in-depth cultural and art-historical research that centers artists of African descent, with a special focus on woman-identifying artists of the Caribbean. She is dedicated to working with emerging artists and institutions to cultivate a more accessible and equitable creative economy.

Karintha Lowe, PhD, American Studies program at Harvard University, is the Mellon Public Humanities Fellow at the Hudson River Museum and Sarah Lawrence College. She researches and writes about Asian American women’s experimental artmaking practices. An interdisciplinary scholar and curator, Lowe has also worked at the New York Historical Society and the Museum of Chinese in America, where she developed public programming and exhibitions on twentieth-century American art.

Admission:

  • ArtTable Members – $15
  • Member Guests – $20
  • Non Members – $25

Not a member? Join today!

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Thank you to Masha Turchinsky for organizing this program.


Hudson River Museum

511 Warburton Ave
Yonkers, New York 10701
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New York | Kick off the New Year Party

January 23, 2024 | 6:00 pm 7:30 pm

Join ArtTable Members and their guests for a start of year celebration with wine and light bites. The event will be hosted at the Peter Freeman Gallery with Elisabetta Benassi: The Drowned World on view for guests to enjoy.

Admission:

  • ArtTable Members – $15
  • Member Guests – $20
  • Non Members – $25

Not a member? Join today!

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Thank you to the Peter Freeman Gallery and Courtney Burbela for organizing this program.


Hudson River Museum

511 Warburton Ave
Yonkers, New York 10701
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Peter Freeman Gallery

Peter Freeman, Inc., founded in 1990, represents leading international artists and the estates of several generations, spanning the 19th, 20th, and 21st centuries, and specializes in important historical works with particular emphasis on early Pop, Minimal, and Conceptual Art. 

The gallery presents at least five exhibitions each year of work we believe is especially relevant to the art of our time. Solo exhibitions highlight the rich way in which artists respond to the materials, forces, and questions of the day. Focused group exhibitions explore significant movements, themes, and ideas that continue to influence and define our culture. The historic works handled by the gallery over the past thirty years are broad-ranging and can often be defined by their rarity and significance. 

In 2006, Peter Freeman partnered with Galerie Nelson to establish what would eventually become Peter Freeman, Inc., Paris in 2013. The gallery, both in New York and in Paris, has always presented historically significant works in conversation with newer work by living artists. For this reason, much of our business has been with museums.

Peter Freeman also publishes scholarly books, including a catalogue raisonné Robert Mangold: Early Works, with text by Robert Storr; the first US catalogue on the works of Charlotte Posenenske; several catalogues on Medardo Rosso; James Ensor: Paintings, with text by Xavier Tricot; the first monograph of Catherine Murphy, with text by John Yau and Svetlana Alpers; a facsimile edition of Mangelos’s Pythagoras with an essay by Branka Stipančić; and the artist book Tide, a collaboration with Silvia Bächli and the writer Jamaica Kincaid. 

2024 Annual Benefit & Award Ceremony – New York

April 16, 2024 | 6:30 pm 8:30 pm


People of all gender identities are allies in supporting women and nonbinary professionals’ leadership in the arts, and everyone is welcome to attend our Benefit events.

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ArtTable invites you to celebrate our New York Benefit celebrating 2024 Distinguished Service to the Visual Arts honoree Linda Goode Bryant and New Leadership Award honoree Niama Safia Sandy.

Distinguished social activist, gallerist, and filmmaker Linda Goode Bryant is renowned for her groundbreaking initiative, Just Above Midtown (JAM), established in 1972. Through JAM, Bryant pioneered a commercial gallery showcasing Black artists and artists of color, emphasizing artistic freedom. JAM was celebrated in the Museum of Modern Art’s 2022 retrospective Just Above Midtown: Changing Spaces, which united works made throughout JAM’s fourteen-year tenure with a series of special performances, installations, and activations across New York City.

Niama Safia Sandy‘s work as a cultural anthropologist, curator, producer, multidisciplinary artist, and educator delves into the human story, often centering on stories of the Global Black diaspora. She currently hosts and produces FOR/FOUR, a weekly conversation series featuring Black women and non-binary persons in the arts. Niama recently co-founded The Blacksmiths, a coalition of culture workers forging support for Black liberation against racism in the academy and at presenting institutions. Through The Blacksmiths, Niama produces resources and events engaging communities, activists, and artists to close the gaps in opportunities for Black creators, curators, and administrators on the global stage.

Reserve your ticket now for a sparkling Benefit evening at the Upper East Side’s Bohemian National Hall—a gathering of ArtTable’s vibrant community of professionals in recognition of Linda Goode Bryant and Niama Safia Sandy.

Can’t join us in New York? Support ArtTable by making a donation today, by purchasing an advertisement or message in support of our honoree, or by purchasing a Mentorship ticket that will allow an ArtTable Fellow or Affiliate Member to attend the benefit.
Benefit Co-Chairs

Benefit Co-Chairs

Valerie Cassel Oliver
Kayla G. Coleman
Kendal Henry
Lolan Ekow Sagoe-Moses

Cocktail Reception

Tuesday, April 16
6:30 PM – 8:30 PM
Celebration, Drinks, and Bites

Honoring

Distinguished Service to the Visual Arts Awardee
Linda Goode Bryant
Social activist, Gallerist, and Filmmaker

And

New Leadership Awardee
Niama Safia Sandy
Cultural Anthropologist, Multidisciplinary artist, Independent Curator, and Educator

With Special Remarks by

Sophie Bae
Fellow at the Capital One Art Program
ArtTable Fellowship Alumna

And

Valerie Cassel Oliver
Sydney and Frances Lewis Family Curator of Modern and Contemporary Art
ArtTable Board Member

And

Anne Delaney
Visual Artist and Co-Founder, Lambent Foundation

Click here for more information on the event, the Distinguished Service to the Visual Arts and New Leadership Awards, and honorees Linda Goode Bryant and Niama Safia Sandy.



ArtTable Holiday Party in DC

December 19, 2023 | 6:00 pm 8:00 pm

Join ArtTable Members and their guests for an end of year celebration with wine and light bites. The event will be hosted at 52 O Street Studios, providing a unique opportunity to visit a gallery and three studio spaces in the heart of the District.

Host spaces will include: 

Amy Morton Fine Arts, now showing: “Hannalie Coetzee. In Mid-Loping Gait”

Kim Cooper studio

Cianne Fragione studio

Philip Livingston studio

Admission:

  • ArtTable Members – $30
  • Member Guests – $35

Not a member? Join today!

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Thank you to ArtTable’s DC Chapter for organizing this program.


Hudson River Museum

511 Warburton Ave
Yonkers, New York 10701
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VIP Access Passes | Miami Art Week 2023

December 5, 2023 | 10:00 am December 10, 2023 | 6:00 pm

ArtTable VIP Access Passes for fairs taking place during Miami Art Week are now live and available to all ArtTable members for purchase! To secure your pass, login to the member portal and select your preferred available pass option. Participating fairs and remaining pass types indicated below; we look forward to seeing you in Miami in early December!

Participating Fairs:

  • Art Basel Miami Beach
  • UNTITLED
  • NADA Miami
  • SCOPE Art Show
  • Design/Miami

VIP Access Pass Levels Available:

  • Silver Level (ArtTable Members Only) – $85
  • Gold Level (ArtTable Members Only) – $135
  • Diamond Level (ArtTable Members Only) – $155
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Annual Miami Beach Brunch Reception | SCOPE 2023

December 8, 2023 | 10:30 am 11:30 am

SCOPE Miami Beach 2023

Please join us for ArtTable’s Annual Brunch during Miami Art Week, set to take place this year at SCOPE Miami Beach! This is a great time for members and friends from across the country and worldwide to come together and network. SCOPE Miami Beach returns to its bespoke pavilion on the sands of Ocean Drive and 8th Street, welcoming more than 150 diverse contemporary exhibitors. Your ticket includes day-of access to the fair.

Admission:

  • ArtTable Members – $55
  • Member Guests – $65
  • Non-Members – $75
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Thank you to our friends at SCOPE for their support of ArtTable’s mission to advance the leadership of women-identifying and nonbinary professionals in the visual arts!


Hudson River Museum

511 Warburton Ave
Yonkers, New York 10701
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Artist-Led Tour of Elizabeth Turk’s “Written in Stone” at Hirschl & Adler

October 24, 2023 | 5:30 pm 6:30 pm

Elizabeth Turk Passage 8

As our culture shifts, artists are the witnesses, reflecting back to us how our world is changing; memorializing the endangered, and mourning the lost. Artist Elizabeth Turk speaks through one of our most permanent media, marble, to immerse us in a conversation about the fragility of handwritten language. Turk herself will guide the ArtTable group on a tour of Written in Stone, with Hirschl & Adler Managing Director, Elizabeth Feld.

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone, a group of twenty-three hand-carved marble sculptures made over the past decade, marks the change caused by technological communication – the ubiquitous keyboard and AI – and seeks to question the transformation of everyday handwriting. What happens when the curved lines of a scripted passage no longer hold meaning, or even exist? Or when the generations of tomorrow merely glance at a handwritten letter, fail to understand it, cannot decipher it, and simply move on, losing the nuances to history? Through this new body of work, Elizabeth Turk conveys this fundamental shift with unmatched grace and technical dexterity.  There is an obvious paradox in a memorial of something as ephemeral and humancentric as script created with a solid, seemingly permanent rock gilded with a mineral, gold leaf. Long after the changes of this moment take place, these sculptures will remind us of the strength, endurance, and lasting importance of what we have left behind.

Admission:

  • ArtTable Members – $15
  • Member Guests – $25
  • Public – $30
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This program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Artist Talks are presented with support from the Pollock-Krasner Foundation.

• • •

Featured Image: Elizabeth Turk (b. 1961) Passage 8, 2016-2023 Marble and gold leaf, 8 3/8 x 23 x 2 1/2 in. © Eric Stoner, Courtesy of Hirschl & Adler Modern and the Artist.

Photo Below: © Eric Stoner, Courtesy of Hirschl & Adler Modern and the Artist.


Hudson River Museum

511 Warburton Ave
Yonkers, New York 10701
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About the Artist

Elizabeth Turk

Born in Pasadena and raised in Orange County, Elizabeth Turk earned her M.F.A. at the Rinehart School of Sculpture, Maryland Institute College of Art in Baltimore. A recipient of awards including a MacArthur Foundation Fellowship (2010), a Barnett and Annalee Newman Foundation Fellowship (2010), and a Smithsonian Artist Research Fellowship (2011), Turk is internationally recognized for transforming her signature medium of marble into strikingly intricate objects that defy convention and challenge our preconceptions of what marble can do. Through the use of electric grinders, dental tools, and files, Turk pushes her medium to its limit, creating in each sculpture a provocative tension between the intrinsic strength of the stone and its inherent fragility, while speaking to larger conceptual and spiritual concerns of time, matter, and space.

During the twenty-two years that Turk has been represented by Hirschl & Adler Modern, the gallery has mounted five solo exhibitions of her work, each accompanied by publications; as well as a solo Art Kabinett at Art Basel Miami Beach (2012), a solo presentation at Masterpiece London (2014), and a solo presentation at the ADAA Art Show in 2017.

Turk’s work resides in numerous prestigious private and public collections, including the Los Angeles County Museum of Art, CA; the Jewish Museum, New York, NY; American University, Washington, D.C. (formerly, the Corcoran Gallery of Art) and the National Museum of Women in the Arts, Washington, D.C.; the Weatherspoon Gallery, University of North Carolina at Greensboro, NC; The Mint Museum, Charlotte, NC; the Catalina Museum for Art & History, CA; and the Dixon Gallery & Gardens, Memphis, TN. Institutional monographic exhibitions include Tipping Point: Echoes of Extinction, Woodson Art Museum, Wausau, WI (2022); Double Take, with Mel Chin, Frederik Meijer Gardens & Sculpture Park (2022), Elizabeth Turk: Heaven, Earth, Home, Brattleboro Museum and Art Center, VT (2018-19); Elizabeth Turk: Sentient Forms, Laguna Art Museum, CA (2015); Elizabeth Turk: Wings, The Dayton Art Institute, OH (2013); and Elizabeth Turk, The Collars: Tracings of Thought, Mint Museum of Art, Charlotte, NC (2004).

Turk lives and works in Santa Ana, CA, and New York, NY, and is the cofounder of ET Projects, a Foundation that infuses civic spaces with interdisciplinary communal art.


Elizabeth Feld is the Managing Director and Director, Furniture & Decorative Arts at Hirshl & Adler. She curated the gallery’s 50-anniversary exhibition, Of the Newest Fashion: Masterpieces of American Neo-Classical Decorative Arts (2001–02). In 2006, she co- curated Elizabeth Turk: The Collars and In Pointed Style: The Gothic Revival in America, 1800–1860, both accompanied by extensive catalogues; and in 2007, For Work & For Play: A Selection of American Neo-Classical Furniture. More recent exhibitions include: Elizabeth Turk: Recent Sculpture (2008); The World of Duncan Phyfe: The Arts of New York, 1800–1847 (2012), a celebration of the gallery’s 60th anniversary; Elizabeth Turk Cages (2012); Alexander Creswell: Fire & Light (2012); Very Rich & Handsome: American Neo-Classical Decorative Arts (2014–15); Elizabeth Turk: Tensions (2016); Augmenting the Canon: Recent Acquisitions of American Neo-Classical Decorative Arts (2018); and Elizabeth Turk: Tipping Point: Echoes of Extinction (2019).

Elizabeth is a regular lecturer on American Decorative Arts and the antiques and art market. Elizabeth offers advisory services for clients in a range of specialties both within and beyond the gallery’s area of expertise. Elizabeth served as the Chairman of the Winter Antiques Show Dealers’ Committee for six years. She graduated Magna Cum Laude from The University of Pennsylvania and has a Master’s Degree in Fine and Decorative Arts from Sotheby’s Institute.


Rosa Lowinger in Conversation with Nereida Garcia-Ferraz at District Reads

October 11, 2023 | 6:00 pm 8:00 pm

Rosa Lowinger

Join ArtTable members and the Miami Design District community as Cuban artist Nereida Garcia-Ferraz interviews conservator Rosa Lowinger, “one of the few prominent Latinas in the field of art and architectural conservation” about her moving memoir, Dwell Time. Book signing and rooftop reception to follow. Please note that we have limited tickets, and an October 5 RSVP deadline.

Rosa Lowinger is a Cuban-born, Miami-raised art conservator specializing in sculpture and architecture. She is the founder and co-chief conservator of RLA Conservation of Art + Architecture, a firm with offices in Miami and L.A. A graduate of NYU’s Institute of Fine Arts Conservation Program, and a Fellow of American Institute for Conservation and the Association for Preservation Technology, Rosa was the 2008-09 Rome Prize Fellow in Conservation at the American Academy in Rome, where she researched the history of vandalism and iconoclasm. She has curated the exhibitions “Concrete Paradise: Miami Marine Stadium at the Coral Gables Museum” and “Promising Paradise: Cuban Allure, American Seduction” at the Wolfsonian. Her books include Tropicana Nights: The Life and Times of the Legendary Cuban Nightclub, and Dwell Time: A Memoir of Art, Exile and Repair

Nereida Garcia Ferraz is a Cuban-born artist whose practice encompasses painting, photography, video, sculpture, and social art projects exploring identity and feminist themes, nature, beauty, and the physical world. Her work has been exhibited by or is in collections of institutions such as the Museum of Modern Art in New York, Yale University, The San Francisco Art Institute, The Museo de Arte Moderno in Mexico City, and MDC Museum of Art and Design.

Thank you to Miami Design District and DISTRICT READS!

“An insightful tale that reveals a kaleidoscope of worlds that Lowinger navigates to chart a life in colors and materials, joys and calamities, rendering lives that were forced into exile many times but always eager to build a sense of home and purpose. A moving account filled with the eccentricities of life, family, and the love of something (and its preservation) that is sometimes beyond words.”— Hrag Vartanian, Co-founder & Editor-in-chief: Hyperallergic


Admission:

  • ArtTable Members – complimentary

Not a member? Join today!

REGISTRATION DEADLINE WAS OCTOBER 5, 2023. Questions? please email [email protected]
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Image: Rosa Lowinger. photo by Scarlett Freund.


Hudson River Museum

511 Warburton Ave
Yonkers, New York 10701
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Reception and Collection Visit with Juanita Hardy

October 17, 2023 | 6:00 pm 8:00 pm

Herbert Gentry Masquerade Screenprint in colors on paper 22 1/2 × 25 1/4 in | 57.2 × 64.1 cm

Join ArtTable’s Lila Harnett Executive Director, Jessica L. Porter and ArtTable members for a private collection visit and networking reception at the home of Silver Spring-based art collector, and leading Creative Placemaking writer, consultant, and public speaker, Juanita Hardy! With a collection spanning Elizabeth Catlett, Sam Gilliam, Al Loving, Camille Billops, Herb Gentry, Jacob Lawrence, Ed Clark, Joe Overstreet, Renée Stout, and Michael Platt—and more! You won’t want to miss the opportunity to experience this remarkable collection, hosted by an honored member of the art, culture, and business communities. Ms. Hardy is an esteemed friend of ArtTable: she has served on the ArtTable Board and is a longtime member of the organization.

Admission:

  • ArtTable Members – $35
  • ArtTable Member Guests – $45
  • Public – $55

Not a member? Join today!

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Image: Herbert Gentry. Masquerade. Silkscreen print on paper, 22 1/2 × 25 1/4 in | 57.2 × 64.1 cm, 1986

Hudson River Museum

511 Warburton Ave
Yonkers, New York 10701
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Juanita Hardy

Juanita Hardy

Juanita Hardy has a passion for fostering healthy, thriving, and equitable places to live, work, learn and play through her work with individuals and businesses. Hardy is an avid collector of fine art and, with her husband, has acquired many works on paper, canvas, sculptures, and African art. Hardy has over 45 years of business experience, including 31 years with IBM, where she retired in 2005, and over a decade in the real estate industry. 

In 2006, Hardy founded Tiger Management Consulting Group, an executive coaching and business consulting services firm. Hardy’s client portfolio comprises for-profit and non-profit organizations, including global human capital development firm, Right Management.  Hardy has been associated with Urban Land Institute, a global non-profit committed to responsible land use, since 2016. She has served ULI in various advisory and consulting roles, including its Senior Visiting Fellow for Creative Placemaking. 

Hardy has been recognized for her work in the arts and in business, for example, as a 2022 honoree by The Phillips Collection, a prominent Washington, DC museum, and as 2010 Minority Business Leader by the Washington Business Journal.  Hardy is an accomplished writer and public speaker.  Her recent writings include an essay, “Development Without Displacement” in Volume 3 of The Place Economy published by Hoyne based in Australia; she is author of ULI 2022 Publication, “Creative Placemaking: Recommendations from and Impact of Six Advisory Services Panels;” and co-author of ULI 2020 Publication “Creative Placemaking: Sparking Development with Art and Culture.” Between 2016 and 2023, Hardy has written a sextet of articles on creative placemaking for Urban Land magazine.

Hardy’s non-profit board affiliations include co-founder of Millennium Arts Salon, Mid Atlantic ArtsMosaic Theatre Company and serving as board chairperson for International Arts and Artists.

After retiring from IBM, Hardy founded Tiger Management Consulting Group, an executive coaching and business consulting services firm. Hardy’s client portfolio comprises for-profit and non-profit organizations, including global human capital development firm, Right Management.

Hardy’s board affilations include Mid Atlantic Arts, Mosaic Theatre Company and serving as board chairperson for International Arts and Artists.

Dallas, TX | Tour of Helen Houp Fine Art Conservation

September 12, 2023 | 5:30 pm 6:30 pm

Helen Houp Fine Art Conservation

Immerse yourself in a behind-the-scenes tour of the Helen Hope Fine Art Conservation studio led by Helen Houp herself. We will see artwork in the process of being treated, discuss the different techniques Helen uses, and the difference between conservation versus restoration. This is a unique opportunity to see a conservation studio up close. Please note, it is limited to 10 members only.

Confusion sometimes arises over the terms conservator and conservation and restorer and restoration. In conservation, it’s of paramount importance that in treating a work that the intent of the artist is preserved. Conservators use reversible materials in their treatments, provide narrative reports on the condition of the work as received and the treatment procedures employed with supporting photographs. The practice of conservation involves a thorough examination, scientific analysis, and research to reveal the materials employed in the execution of the work and the extent of the damages present. Based on these findings a regimen of conservation treatment is determined. Traditionally, restorers have not been guided by the principles as stated above. Their emphasis is placed on what may be a short term rejuvenation rather than the long term preservation of the work of art.

Admission:

  • ArtTable Members – $15
  • Guests – $25
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• • •

Image credit:


Hudson River Museum

511 Warburton Ave
Yonkers, New York 10701
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View Venue Website

About the Conservator:

Helen Houp is a paintings conservator with over 30 years experience preserving works of art. Following her graduation from the University of California, Santa Barbara she joined the conservation staff of the Kimbell Art Museum, Fort Worth, Texas and there received training in painting conservation. Since 2001, she has conducted a private conservation practice from her 2200 square foot studio/lab in Dallas, Texas. She has treated paintings from diverse eras and movements, works by Rembrandt to Rauschenberg and works from the folk to the contemporary art genre. In addition to the conservation treatment of the work of well known artists, she has treated the paintings and murals of distinguished regional artists and the treasured heirlooms of individuals as well. Her clients include major art museums, institutions of higher learning, corporations, art dealers, ardent collectors, and individuals. In addition to the treatment of paintings, accomplished conservators associated with Helen A. Houp Fine Art Conservation assist in the conservation of objects, photographs and works of art on paper. helenhoup.com


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