All virtual programs are listed in Eastern Time (ET). Start times for all other continental US time zones are listed in the program description below the main image. For in-person programs, the program start time is listed in the location’s time zone.
Events
Calendar of Events
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The Easton Foundation is now dedicated to preserving Bourgeois’s legacy. Serving to promote the scholarship and awareness of Bourgeois’s life and art, the Foundation aims to cultivate new interpretations of her work while providing a deeper understanding of her artistic process and creative milieu. As part of this mission, the Foundation has established the Louise Bourgeois Archive, a study center and residency for curators and scholars, as well as a sculpture garden and a small exhibition space presenting original archival materials and works from the collection. The Foundation is also undertaking the ongoing conservation of Bourgeois’s distinctive home and studio, in which she lived and worked for almost 50 years. |
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This special evening celebrates Lynda Roscoe Hartigan's return to Washington, DC as the incoming Margaret and Terry Stent Director of the Smithsonian American Art Museum — the very museum where her career in the arts began. |
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You're invited to a MeetAT networking event on October 7, graciously hosted by Amy Morton, Owner & Chief Curator of Morton Fine Art. |
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The program will explore how “American art” is being defined, contested, and reimagined at a moment of profound cultural and political division. Through this lens, the program will examine the intersections of art, identity, power, and civic life—asking who shapes cultural narratives today, whose voices are amplified, and how institutions and the market are responding to a rapidly shifting national landscape. |
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Featuring spectacular examples of needlework and other ornamental arts made by American girls in the eighteenth and nineteenth centuries, Locating Girlhood: Place and Identity in Early American “Schoolgirl” Art sheds new light on a rich but understudied genre, offering one of the most significant presentations on the subject in recent memory. This major loan exhibition brings together approximately 100 exceptional objects from over 35 museums and private collections nationwide, uniting celebrated masterpieces with remarkable lesser-known gems rarely seen by the public. |
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Join ArtTable for a memorable weekend in Vermont exploring the region's vibrant arts community through exclusive behind-the-scenes experiences, curator-led tours, and opportunities to connect with fellow arts professionals. Over the course of the weekend, participants will enjoy special access to some of Vermont's leading cultural destinations, including a visit to The Current in Stowe, curator-led tours of Shelburne Museum, and a guided exploration of Burlington's dynamic public art. Along the way, we'll discover remarkable collections, engage with local arts leaders, and experience the unique creative spirit that defines the Green Mountain State.
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You’re invited to a Miami MeetAT networking event on the morning of October 15, graciously hosted by Fortress Miami. Join us for a morning of refreshments while previewing a curated selection for ArtTable. |
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Drawing its subtitle, Past Continuous, from a 1976 painting by Krasner, the exhibition traces parallel lives and practices—forged first by lived experience, then shadowed by memory. Krasner, born in Brooklyn to Jewish immigrant parents from what is now Ukraine, and Pollock, raised in Los Angeles and the American West, brought specific geographies and inheritances into a shared artistic context. Their early paths traced distinct strands of American modernism that would ultimately converge in the rupture known as Abstract Expressionism, a movement that valued the translation of inner feelings into dramatic visual action. In the wake of World War II, artists asked why art mattered and what it could be. For Pollock, his breakthrough was the “drip” technique, a radical mode of painting that flourished in a condensed but prolific period. Krasner’s varied practice was typified by ceaseless explorations of abstraction, often cued by her abiding interest in the possibilities of nature and color. |
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A history of ArtTable programs from 1980 through today.
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ArtTable is a 501.c.3 organization and all programs are non-refundable. Should a program be postponed by ArtTable for any reason, the purchaser’s ticket will be honored for the rescheduled program. Should a program be canceled and not rescheduled, the purchaser will receive credit to be used toward a future program. Please email [email protected] with any questions.